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Credit Line Yale Center for British Art, Paul Mellon Collection

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1. Cloud Study

Cloud Study
Creator:
John Constable, 1776–1837
Date:
ca. 1821
Materials & Techniques:
Oil on canvas
Dimensions:
7 5/8 x 9 1/2 inches (19.4 x 24.1 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

2. Extensive Landscape with Grey Clouds

Extensive Landscape with Grey Clouds
Creator:
John Constable, 1776–1837
Date:
ca. 1821
Materials & Techniques:
Oil on paper on panel
Dimensions:
7 5/8 x 11 inches (19.4 x 27.9 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

3. The Weary Ploughman

The Weary Ploughman
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1858
Materials & Techniques:
Etching and drypoint with chine collé on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 x 17 1/16 inches (29.8 x 43.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. The Weary Ploughman

No cover image available
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1858
Materials & Techniques:
Etching and drypoint on thick, smooth, cream wove paper
Dimensions:
Sheet: 8 7/16 x 11 9/16 inches (21.5 x 29.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. The Willow

No cover image available
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1850
Materials & Techniques:
Etching and drypoint on medium, smooth, cream wove paper
Dimensions:
Sheet: 7 3/8 x 5 3/4 inches (18.8 x 14.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. The Bridge over the River Rye at Helmsley, with the Castle Beyond

The Bridge over the River Rye at Helmsley, with the Castle Beyond
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
between 1798 and 1799
Materials & Techniques:
Watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/8 x 10 1/2 inches (18.7 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. North East View of Grantham Church, Lincolnshire

North East View of Grantham Church, Lincolnshire
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
ca. 1797
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper, mounted on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/8 x 7 inches (13 x 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. The Lamb (Plate 8)

The Lamb (Plate 8)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Le Silence Favorable

Le Silence Favorable
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1826
Materials & Techniques:
Lithograph with chine collé on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 14 3/16 x 10 5/8 inches (36 x 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Château Vilain sur la Riviere Dain, Franche Comte

Château Vilain sur la Riviere Dain, Franche Comte
Creator:
James Duffield Harding, 1798–1863
Date:
undated
Materials & Techniques:
Lithograph with chine collé on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 3/4 x 17 5/16 inches (29.9 x 44 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Thornbury Castle, Gloucestershire

Thornbury Castle, Gloucestershire
Creator:
Louis Haghe, 1806–1885
Date:
between 1823 and 1835
Materials & Techniques:
Lithograph with chine collé and hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 9/16 x 13 11/16 inches (26.8 x 34.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Marine Study No. 2

Marine Study No. 2
Creator:
Print made by Pierre Charles Canot, ca. 1710–1777
Date:
1773
Materials & Techniques:
Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 1/2 x 14 inches (31.8 x 35.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Marine Study No. 1

Marine Study No. 1
Creator:
Print made by Pierre Charles Canot, ca. 1710–1777
Date:
1773
Materials & Techniques:
Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 5/16 x 13 7/8 inches (31.2 x 35.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Marine Study No. 4

Marine Study No. 4
Creator:
Print made by Pierre Charles Canot, ca. 1710–1777
Date:
1773
Materials & Techniques:
Line engraving and etching on thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 3/8 x 13 15/16 inches (31.4 x 35.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Marine Study No. 3

Marine Study No. 3
Creator:
Print made by Pierre Charles Canot, ca. 1710–1777
Date:
1773
Materials & Techniques:
Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 9/16 x 14 1/16 inches (31.9 x 35.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1852
Materials & Techniques:
Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:
Mount: 7 1/2 x 5 9/16 inches (19 x 14.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. On the Gulf of Salerno Near Vietri, September 27

On the Gulf of Salerno Near Vietri, September 27
Creator:
John Robert Cozens, 1752–1797
Date:
undated
Materials & Techniques:
Graphite and varnish on thin, slightly textured, beige laid paper
Dimensions:
Sheet: 7 1/2 x 9 3/4 inches (19.1 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Architectural Designs incorporating Chinoiserie motifs: Japan Railing. A Hatch. An Obtuce Paling. Parallelgram Railing..

Architectural Designs incorporating Chinoiserie motifs: Japan Railing. A Hatch. An Obtuce Paling. Parallelgram Railing..
Creator:
Print made by George Bickham the Younger, ca. 1706–1771
Date:
1751
Materials & Techniques:
Etching on medium, textured, cream laid paper
Dimensions:
Sheet: 9 13/16 x 15 3/8 inches (25 x 39 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Two hunting dogs, a wolf and a sheep, a Pl. for 'A New Drawing Book..of Beasts in Various Actions' (1 of 9)

Two hunting dogs, a wolf and a sheep, a Pl. for 'A New Drawing Book..of Beasts in Various Actions' (1 of 9)
Creator:
Print made by George Bickham the Elder, 1683/4–1758
Date:
undated
Materials & Techniques:
Etching on medium, smooth, cream laid paper
Dimensions:
Sheet: 11 7/8 x 7 3/8 inches (30.2 x 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Two Deer, a Pl. for 'A New Drawing Book...of Beasts in Various Actions' (1 of 9)

Two Deer, a Pl. for 'A New Drawing Book...of Beasts in Various Actions' (1 of 9)
Creator:
Print made by George Bickham the Elder, 1683/4–1758
Date:
undated
Materials & Techniques:
Etching on medium, smooth, cream laid paper
Dimensions:
Sheet: 11 5/16 x 7 5/16 inches (28.8 x 18.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Seven and a man, a Pl. for 'A New Drawing Book...of Beasts in Various Actions' (1 of 9)

Seven and a man, a Pl. for 'A New Drawing Book...of Beasts in Various Actions' (1 of 9)
Creator:
Print made by George Bickham the Elder, 1683/4–1758
Date:
undated
Materials & Techniques:
Etching on medium, smooth, cream laid paper
Dimensions:
Sheet: 11 7/8 x 7 3/8 inches (30.2 x 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. A View of Doncaster Racecourse, Drawn From Nature, Sept. 2, 1848

A View of Doncaster Racecourse, Drawn From Nature, Sept. 2, 1848
Creator:
Attributed to Thomas Baker of Leamington, 1809–1864
Date:
1848
Materials & Techniques:
Watercolor, and pen and black ink on moderately thick, rough, cream wove paper
Dimensions:
Mount: 8 15/16 × 12 15/16 inches (22.7 × 32.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1893
Materials & Techniques:
Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:
Mount: 8 7/8 x 6 5/16 inches (22.6 x 16 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1893
Materials & Techniques:
Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:
Mount: 9 x 6 5/16 inches (22.9 x 16 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1893
Materials & Techniques:
Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:
Mount: 8 7/8 x 6 inches (22.5 x 15.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1852
Materials & Techniques:
Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:
Mount: 7 1/2 x 5 1/2 inches (19 x 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1852
Materials & Techniques:
Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:
Mount: 7 1/2 x 5 1/2 inches (19.1 x 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Rochester

Rochester
Creator:
Print made by James Walker, 1748–1808
Date:
1794
Materials & Techniques:
Etching and engraving; first published state on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 7 5/8 × 10 1/4 inches (19.4 × 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Bridgenorth

Bridgenorth
Creator:
Print made by James Walker, 1748–1808
Date:
1795
Materials & Techniques:
Etching and engraving; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 × 9 7/8 inches (19.1 × 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Hampton Court Palace, Herefordshire

Hampton Court Palace, Herefordshire
Creator:
Print made by James Walker, 1748–1808
Date:
1797
Materials & Techniques:
Etching and engraving; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/8 × 10 inches (18.7 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Orchard Bay

Orchard Bay
Creator:
Print made by John Landseer, 1769–1852
Date:
1799
Materials & Techniques:
Etching on medium, smooth, cream wove paper
Dimensions:
Sheet: 13 3/8 × 18 1/2 inches (34 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Orchard Bay

Orchard Bay
Creator:
Print made by John Landseer, 1769–1852
Date:
1799
Materials & Techniques:
Etching and engraving; Bohn reprint on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 15 1/8 × 22 inches (38.4 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Alum Bay, Isle of Wight

Alum Bay, Isle of Wight
Creator:
Print made by John Landseer, 1769–1852
Date:
1799
Materials & Techniques:
Etching and engraving on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 15 1/8 × 22 inches (38.4 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Alum Bay and the Needles

Alum Bay and the Needles
Creator:
Print made by John Landseer, 1769–1852
Date:
1799
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/4 × 10 3/8 inches (19.7 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Alum Bay and the Needles

Alum Bay and the Needles
Creator:
Print made by John Landseer, 1769–1852
Date:
1799
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 × 13 1/4 inches (25.4 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Alum Bay and the Needles

Alum Bay and the Needles
Creator:
Print made by John Landseer, 1769–1852
Date:
1799
Materials & Techniques:
Etching and engraving on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Between Netley Heath and Albury

Between Netley Heath and Albury
Creator:
Robert Hills, 1769–1844
Date:
undated
Materials & Techniques:
watercolor and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 10 1/4 inches (19.1 x 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Cloud Study - Evening Twilight, Rodney Terrace

Cloud Study - Evening Twilight, Rodney Terrace
Creator:
Thomas Lindsay, 1793–1861
Date:
1837
Materials & Techniques:
Watercolor on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 3/8 × 12 inches (18.7 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Shipping in a Choppy Sea

Shipping in a Choppy Sea
Creator:
Follower of William Owen, 1769–1825
Date:
undated
Materials & Techniques:
Watercolor, graphite, and scratching out on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/2 x 10 3/4in. (19.1 x 27.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Landscape after Wynants (in the Louvre)

Landscape after Wynants (in the Louvre)
Creator:
William Callow, 1812–1908
Date:
undated
Materials & Techniques:
Watercolor with pen and black, blue and brown ink, over graphite, with scratching out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 7/16 x 7 1/4 inches (18.9 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Landscape Composition

Landscape Composition
Creator:
Sir George Howland Beaumont seventh Baronet, 1753–1827
Date:
1801
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 1/2 × 10 3/4 inches (19.1 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Landscape with Castle

Landscape with Castle
Creator:
Cornelius Varley, 1781–1873
Date:
undated
Materials & Techniques:
Watercolor, brown wash, graphite, and white gouache on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 7 3/8 x 10 1/2 inches (18.7 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. A View near Hamilton

A View near Hamilton
Creator:
James Ward, 1769–1859
Date:
undated
Materials & Techniques:
Graphite on medium, smooth, cream wove paper mounted on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 7 1/2 x 10 7/8 inches (19.1 x 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. Romantic Landscape with Distant Mountains

Romantic Landscape with Distant Mountains
Creator:
John Varley, 1778–1842
Date:
1842
Materials & Techniques:
Watercolor, gum, white gouache, graphite and scraping out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 5/8 x 14 inches (19.4 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Newstead Abbey, The Seat of the Late Lord Byron

Newstead Abbey, The Seat of the Late Lord Byron
Creator:
Louis Haghe, 1806–1885
Date:
undated
Materials & Techniques:
Lithograph on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 x 12 15/16 inches (22.9 x 32.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. St. Martin's Church Westminster

St. Martin's Church Westminster
Creator:
Print made by Thomas Bonnor, ca. 1740–ca. 1812
Date:
1810
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 × 5 3/8 inches (19.1 × 13.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. Royal Botanic Gardens, Kew: Design for Interior of a Mosque

Royal Botanic Gardens, Kew: Design for Interior of a Mosque
Creator:
Sir William Chambers, 1723–1796
Date:
ca. 1761
Materials & Techniques:
Pen and black ink, watercolor and gray wash on medium, moderately textured, beige laid paper, with additional sheet affixed to verso
Dimensions:
Sheet: 7 3/8 x 12 inches (18.7 x 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. Vietri and Raito

Vietri and Raito
Creator:
John Robert Cozens, 1752–1797
Date:
ca. 1783
Materials & Techniques:
Graphite and varnish on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/2 x 16 1/2 inches (19.1 x 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. Ariccia

Ariccia
Creator:
John Robert Cozens, 1752–1797
Date:
ca. 1783
Materials & Techniques:
Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 7 5/8 x 9 inches (19.4 x 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. Archiepiscopal Palace, Wrotham, Kent

Archiepiscopal Palace, Wrotham, Kent
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Pen and brown ink, watercolor, and white gouache on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 7 5/8 x 8 3/4 inches (19.4 x 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. Low Tide, boat landing

Low Tide, boat landing
Creator:
Peter DeWint, 1784–1849
Date:
undated
Materials & Techniques:
Watercolor and graphite on thick, rough, cream wove paper
Dimensions:
Sheet: 7 1/2 x 11 inches (19.1 x 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. Naples from Sir William Hamilton's Villa, Portici

Naples from Sir William Hamilton's Villa, Portici
Creator:
John Robert Cozens, 1752–1797
Date:
ca. 1783
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/8 x 10 3/8 inches (18.7 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. At Portici, Evening, August 9

At Portici, Evening, August 9
Creator:
John Robert Cozens, 1752–1797
Date:
ca. 1783
Materials & Techniques:
Graphite and varnish on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 7 3/8 x 9 1/2 inches (18.7 x 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. Part of Padua from the Walls

Part of Padua from the Walls
Creator:
John Robert Cozens, 1752–1797
Date:
ca. 1783
Materials & Techniques:
Graphite and varnish on thin, slightly textured, beige laid paper
Dimensions:
Sheet: 7 5/8 x 10 inches (19.4 x 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. Trees and Hilly Landscape

Trees and Hilly Landscape
Creator:
Joseph Farington, 1747–1821
Date:
undated
Materials & Techniques:
Gray wash and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 5/8 × 6 1/4 inches (19.4 × 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection