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Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionHeight [cm] 20
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1
- Mid-Day Rest, Harvest
- ca. 1840
- Not on view
2
- Figures in a Tavern or Coffee House
- ca. 1725 or after 1750
- Not on view
3
- First Class—The Meeting. "And at first meeting loved."
- 1855
- Not on view
4
- Second Class—The Parting. "Thus part we rich in sorrow, parting poor."
- 1855
- Not on view
5
- A View of Boppart, with Figures on the River Bank
- 1817
6
- Dartmoor: The Source of the Tamar and the Torridge
- ca. 1813
7
- A French Physician with His Retinue Going to Visit His Patients
- 1771
8
- A Macarony at a Sale of Pictures
- 1771
9
- Now Sir, You're a Complete Macaroni
- 1772
10
- The Macarony Brothers
- 1772
11
- Inimitable Mr. James Moss
- 1773
12
- Man with a Walking Stick in a Landscape
- 1773
13
- Monsieur Le Fouet, La Francia
- 1772
14
- The Salutation Tavern
- 1801
15
- The Slumbers of Ragotin Interrupted
- 1773
16
- The Spring Flood
- 1865
17
- Spanish Student
- ca. 1830
18
- Conway, North Wales: The Castle and the Old College House
- 1802
19
- Ruines de Château d'Arlay
- 1827
20
- Les Plaisirs Paternels
- 1826
21
- The Terrace
- ca. 1844
22
- Captain Conquest and His Baggage Wagon
- 1772
23
- A Macarony Alderman and His Rib
- 1772
24
- A Jack in Office
- 1793
25
- The Life of a Nobleman: Scene the Fifth - The Gambling House
- undated
26
- Jeytie Lifting Weights
- between 1790 and 1796
27
- My Pretty Little Ginny Tarters for a Ha'penny a Stick or a Penny a Stick, or a Stick to Beat Your Wives or Dust Your Clothes
- ca. 1759
28
- London Cries: Shoe Cleaner
- ca. 1759
29
- London Cries: "Do You Want any Spoons..."
- ca. 1759
30
- London Cries: "Turn your Copper into Silver Now before Your Eyes" (Title Page Design)
- 1760
31
- London Cries: Throws for a Ha'penny Have You a Ha'penny
- undated
32
- London Cries: Small Coal or Brushes
- ca. 1759
33
- London Cries: All Fire and No Smoke
- ca. 1759
34
- London Cries: A Girl with a Basket on Her Head ("Lights for the Cats, Liver for the Dogs")
- ca. 1759
35
- London Cries: A Man with a Bottle
- ca. 1759
36
- London Cries: A Man Swaggering
- undated
37
- Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
- 1817
38
- The Smock Exposed
- 1817
39
- The Reconcilation
- 1817
40
- Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
- 1817
41
- Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
- 1817
42
- Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
- 1817
43
- The Eleventh Hour
- 1817
44
- Hogarth at Old Slaughter's Hobbing with Highmore the Painter
- 1817
![Sawrey Gilpin Encampment [one of 25 originally bound]](https://media.collections.yale.edu/thumbnail/ycba/6d470435-2646-45c4-9a94-0dc3e16550da)
45
- Encampment [one of 25 originally bound]
- undated
46
- Studies of a Carter Pumping Water For His Horses
- undated
47
- Two Girls, One Crying
- undated
48
- Two Shakos of the Dublin Militia: One Green, One Red
- undated
49
- Backswords
- 1810
50
- A Travelling Coach and Pair
- undated
51
- The Stable of an Inn
- ca. 1790
52
- The Runaway Coach
- ca. 1791
53
- Part of Waterloo Bridge with the Shot Tower, &c
- 1832
54
- Clapham Manor-House, Surry
- between 1804 and 1822
55
- Young Woman playing a Violin
- between 1897 and 1898
56
- Girl Writing
- undated
57
- Girl at a Window
- undated
58
- Girl with Pail Beside the Sea
- undated
59
- The Grandmother with her Grandchildren
- undated
60
- A View of Campo Vaccino at Rome
- undated
61
- A View of the Piazza of St. John de Lateran, of the Cardinals College, and of the Holy Stairs in the City of Rome
- undated
62
- A View of the Piazza Navona in the City of Rome
- undated
63
- A View of the Piazza del Popolo in the City of Rome
- undated
64
- A View of the Salfatara, a Remarkable Mountain Near Naples
- undated
65
- Three Jeyties Exercising
- between 1790 and 1796
66
- The Life of a Nobleman: Scene the Fourth - The Betting Booth
- undated
67
- The Life of a Nobleman: Scene the Sixth - The Usurer
- undated
68
- The Life of a Nobleman: Scene the Eighth - The Duel
- undated
69
- The Life of a Nobleman: Scene the Ninth - The Sick Room
- undated
70
- A Hindu Devotee
- undated
71
- Sea-Faring Men
- undated
72
- Girl and Boy Anglers
- 1791
73
- Two Peasants by a Window
- undated
74
- A Postillion
- ca. 1817
75
- Sophy Steadman Reading
- ca. 1830
76
- Travelers on a Road above a River
- 1821
77
- Figures Seated Under a Stone Arch
- undated
78
- Thomas Hearne Sketching at a Table
- undated
79
- Playing at Dice, Trepani
- between 1780 and 1790
80
- Fisherman's Quarters, Robin Hood's Bay
- undated
81
- Landing a Catch of Mackerel, Hastings
- undated
82
- Planting the sugar cane (Trinidad)
- 1838
83
- The Winter Room in the Artist's House at Patna
- 1824
84
- Haymakers in a Field
- undated
85
- The Globe Inn
- undated
86
- Lady and Cockatoo
- undated
87
- Wanstead House
- undated
88
- London Cries: A Muffin Man
- ca. 1759
89
- Church and Cottages
- undated
90
- The Long Minuet as Danced at Bath
- after 1787
91
- Dying Man in Church with Soldiers
- undated
92
- Horseman fleeing storm
- undated
93
- Customs House at Boulogne
- 1790s
94
- A Review of the Northapmton Militia at Brackley
- undated
95
- Coits Played opposite the Horns, Kennington Common
- ca. 1784
96
- Foot Ball played at Market Place, Barnet
- ca. 1784
97
- Cricket played by the Gentlemens Club, Whiteconduit House
- 1784
98
- Fives played at the Tennis court Leicester Fields
- ca. 1784
99
- Four Corners Played at the Swan, Chelsea
- ca. 1784
100
- Trap Ball Played at the Black Prince, Newington, Butts
- ca. 1784