Credit Line: Yale Center for British Art, Paul Mellon Collection / Height [cm]: 22 / Width [cm]: 32

1. Horse and Cart

Creator:: John Constable, 1776–1837
Date:: ca. 1814
Materials & Techniques:: Oil on canvas on board
Dimensions:: 6 3/8 × 10 1/2 inches (16.2 × 26.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. Stonehenge at Daybreak

Creator:: Engraved by Joseph Mallord William Turner, 1775–1851
Date:: 1815 to 1819
Materials & Techniques:: Mezzotint, printed in brown ink Modern Impression on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 5/8 × 12 1/2 inches (24.4 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Venice, The Mouth of the Grand Canal

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1840
Materials & Techniques:: Watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/4 x 12 1/2 inches (22.2 x 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Milfield, East Cowes, Isle of Wight

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1827
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Undercliff near Saint Lawrence, Isle of Wight

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1826
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/4 × 12 3/4 inches (22.2 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Aloe Macrocarpa (aloe): outline of habit, right, rough outline of inflorescence, with floral details

Creator:: Luigi Balugani, 1737–1770
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Image: 8 3/4 x 12 3/8 inches (22.2 x 31.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Mullup

Creator:: Luigi Balugani, 1737–1770
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 5/8 x 12 5/8 inches (21.9 x 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Man on Horseback Throwing a Spear

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite on medium, silghtly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 3/4 inches (22.2 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Canal of the Loire and Cher, near Tours

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1833
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, smooth, cream wove paper, with cream chine collé
Dimensions:: Sheet: 8 5/8 × 12 1/2 inches (21.9 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Aldborough

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Etching and engraving, early engraver's proof on moderately thick, slightly textured, beige wove paper, with beige chine collé
Dimensions:: Sheet: 12 × 17 1/4 inches (30.5 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Orfordness

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Line engraving, engraver's proof on thick, smooth, cream wove paper, with cream chine collé
Dimensions:: Sheet: 14 1/8 × 20 9/16 inches (35.9 × 52.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Whitby

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Line engraving and etching on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 14 3/8 × 20 1/2 inches (36.5 × 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Studies of Two Men with Staffs

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/2 × 12 1/2 inches (21.6 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Elevation of Ruined Temple

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite, watercolor, and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/2 × 12 5/8 inches (21.6 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Landscape with Cottages and Figures

Creator:: James Ward, 1769–1859
Date:: undated
Materials & Techniques:: Watercolor, graphite, and brown ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 8 3/4 x 12 5/8 inches (22.2 x 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Emerey Down near Lyndhurst, New Forest, Hants

Creator:: C. John M. Whichelo, 1784–1865
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/4 × 12 3/4 inches (22.2 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. On the Thames

Creator:: pupil of John Varley, 1778–1842
Date:: undated
Materials & Techniques:: Watercolor and graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 8 3/4 x 12 1/2 inches (22.2 x 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Weymouth, Dorset

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1813
Materials & Techniques:: Etching and engraving. on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 14 7/8 × 19 5/16 inches (37.8 × 49.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. The Spot where Harold Fell

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream laid paper, with cream chine collé
Dimensions:: Sheet: 14 7/8 × 21 inches (37.8 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Rome; Bridge and Castle of St. Angelo on the Tyber

Creator:: Print made by George Hollis, 1792–1842
Date:: 1818
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, cream wove paper, with cream chine colle
Dimensions:: Sheet: 9 9/16 × 12 3/4 inches (24.3 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Isola Bella on the Lago Maggiore

Creator:: Print made by James Fittler, 1758–1835
Date:: 1818-1820
Materials & Techniques:: Line engraving and etching, engraver's proof on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 9 15/16 × 12 5/8 inches (25.2 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Studies of Figures on Horseback

Creator:: Sawrey Gilpin, 1733–1807
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/2 × 12 3/4 inches (21.6 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Oliverio Gatti, 1568–1651
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Oliverio Gatti, 1568–1651
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Oliverio Gatti, 1568–1651
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Oliverio Gatti, 1568–1651
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Oliverio Gatti, 1568–1651
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Oliverio Gatti, 1568–1651
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Oliverio Gatti, 1568–1651
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Oliverio Gatti, 1568–1651
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Francesco Curti, 1610–1690
Date:: ca. 1633
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Francesco Curti, 1610–1690
Date:: ca. 1633
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Francesco Curti, 1610–1690
Date:: ca. 1633
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Francesco Curti, 1610–1690
Date:: ca. 1633
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Francesco Curti, 1610–1690
Date:: ca. 1633
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Oliverio Gatti, 1568–1651
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Oliverio Gatti, 1568–1651
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Oliverio Gatti, 1568–1651
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Oliverio Gatti, 1568–1651
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Oliverio Gatti, 1568–1651
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Oliverio Gatti, 1568–1651
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Oliverio Gatti, 1568–1651
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Oliverio Gatti, 1568–1651
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Oliverio Gatti, 1568–1651
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Oliverio Gatti, 1568–1651
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Oliverio Gatti, 1568–1651
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Oliverio Gatti, 1568–1651
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Francesco Curti, 1610–1690
Date:: ca. 1633
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Frontispiece: Hercules Fighting the Hydra

Creator:: Print made by Francesco Curti, 1610–1690
Date:: ca. 1633
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Francesco Curti, 1610–1690
Date:: ca. 1633
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Francesco Curti, 1610–1690
Date:: ca. 1633
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Francesco Curti, 1610–1690
Date:: ca. 1633
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Francesco Curti, 1610–1690
Date:: ca. 1633
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Francesco Curti, 1610–1690
Date:: ca. 1633
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Francesco Curti, 1610–1690
Date:: ca. 1633
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Francesco Curti, 1610–1690
Date:: ca. 1633
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Francesco Curti, 1610–1690
Date:: ca. 1633
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Francesco Curti, 1610–1690
Date:: ca. 1633
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Studies for the Instruction of Painters, two suites. Rome

Creator:: Print made by Francesco Curti, 1610–1690
Date:: ca. 1633
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Francesco Curti, 1610–1690
Date:: ca. 1633
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Francesco Curti, 1610–1690
Date:: ca. 1633
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Rider Leading a Second Horse, Leaving the Grounds of a Country House

Creator:: Samuel Howitt, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, black ink, and gum arabic on moderately thick, slightly textured, cream wove paper, mounted on medium, moderately textured, cream laid paper
Dimensions:: Mount: 8 15/16 × 12 3/4 inches (22.7 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. The Quakers in a Quandary or the Times Reporter Triumphant!!

Creator:: Henry Heath, active 1824–1835
Date:: 1825
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 1/2 x 12 3/4in. (21.6 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. The Return From Pizarro

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1799
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 1/2 x 12 5/8in. (21.6 x 32.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Fox Hunters - In Full Cry

Creator:: Richard Gilson Reeve, 1803–1889
Date:: 1828
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 10 1/2 x 13 3/4in. (26.7 x 34.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. The Loose Shoe

Creator:: Joseph Crawhall, 1861–1913
Date:: undated
Materials & Techniques:: Watercolor, gouache, and pen and black ink on medium, slightly textured, brown wove paper
Dimensions:: Sheet: 8 1/2 × 12 5/8 inches (21.6 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. The Duke of Cumberland Riding With Mr. de Burgh's Hunt

Creator:: John Ferneley, 1782–1860
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, graphite, gouache and gum arabic on thick, rough, cream wove paper
Dimensions:: Sheet: 8 11/16 × 12 9/16 inches (22.1 × 31.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Preliminary Study for "A Game of Bowls on the Bowling Green Outside the Bunch of Grapes Inn, Hurst, Berkshire"

Creator:: Michael "Angelo" Rooker, 1746–1801
Date:: undated
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 15/16 × 12 7/16 inches (22.7 × 31.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. A View of the Piazza of St. John de Lateran, of the Cardinals College, and of the Holy Stairs in the City of Rome

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 9 1/16 x 12 5/8 inches (23 x 32 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. A View of Campo Vaccino at Rome

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 9 3/4 x 12 1/2 inches (24.8 x 31.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. A View of the Salfatara, a Remarkable Mountain Near Naples

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 8 15/16 x 12 9/16 inches (22.7 x 31.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Oliverio Gatti, 1568–1651
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Wild Duck Shooting

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, pen and gray ink, brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/4 × 12 3/4 inches (22.2 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. A View of the Piazza Navona in the City of Rome

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 9 x 12 3/8 inches (22.8 x 31.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. A View of Part of the Royal Gardens at Naples Towards the Sea

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 9 5/8 x 12 1/2 inches (24.4 x 31.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. May Day

Creator:: Print made by Rowney & Forster, active 1820–1822
Date:: after 1821
Materials & Techniques:: Lithograph with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 5/8 × 12 9/16 inches (21.9 × 31.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Guy Fawkes

Creator:: Print made by Rowney & Forster, active 1820–1822
Date:: after 1821
Materials & Techniques:: Lithograph with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 9/16 × 12 1/2 inches (21.8 × 31.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. The Preliminaries of Peace

Creator:: Charles Williams, active 1796–1830
Date:: 1801
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 5/8 x 12 3/4in. (21.9 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Lord Mum Overwhelmed with Parisian Embraces

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1796
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 1/2 x 12 3/4in. (21.6 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Fox Hunters - Throwing Off

Creator:: Richard Gilson Reeve, 1803–1889
Date:: 1828
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 10 1/2 x 13 3/4in. (26.7 x 34.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Fox Hunters - Gone Away

Creator:: Richard Gilson Reeve, 1803–1889
Date:: 1828
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 10 1/2 x 13 3/4in. (26.7 x 34.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Fox Hunters - The Death

Creator:: Richard Gilson Reeve, 1803–1889
Date:: 1828
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 10 1/2 x 13 3/4in. (26.7 x 34.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Woodland Landscape

Creator:: Richard Cooper the Younger, 1740–1814
Date:: undated
Materials & Techniques:: Graphite, brown wash, and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 x 12 5/8 inches (22.2 x 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Oliverio Gatti, 1568–1651
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Interior of the Ruins of Yarmouth Priory

Creator:: John Sell Cotman, 1782–1842
Date:: 1811
Materials & Techniques:: Graphite on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 8 3/4 x 11 1/4 inches (22.2 x 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Florence, from Chiesa al Monte

Creator:: Print made by George Cooke, 1781–1834
Date:: 1820
Materials & Techniques:: Etching and engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 8 9/16 × 12 3/4 inches (21.7 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Aldborough

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1819-1826
Materials & Techniques:: Line engraving, engraver's proof on thick, smooth, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 13/16 × 13 3/4 inches (27.5 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. View on the Upper Lake (Ireland)

Creator:: Isaac Weld, 1774–1856
Date:: ca. 1806
Materials & Techniques:: Watercolor, pen and brown ink, graphite and scratching out on medium, smooth, cream wove paper
Dimensions:: Mount: 11 1/4 × 16 15/16 inches (28.6 × 43 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Aldborough

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Etching and engraving, Engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/16 × 18 1/8 inches (28.4 × 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Dunwich, Suffolk

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Line engraving, engraver's proof (late) on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 15 1/4 × 20 5/8 inches (38.7 × 52.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Aldborough

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Etching and engraving, Engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 7/8 × 17 1/4 inches (30.2 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Reclining Female Figure in an Italian Landscape

Creator:: John Hamilton Mortimer, 1740–1779
Date:: undated
Materials & Techniques:: Pen and black ink on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 x 12 1/2 inches (22.2 x 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Logheta (Grewia ferruginea)

Creator:: Luigi Balugani, 1737–1770
Date:: undated
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. The Slumbers of Ragotin Interrupted

Creator:: Print made by James Bretherton, ca. 1730–1806
Date:: 1773
Materials & Techniques:: Etching on moderately thick, rough, beige laid paper
Dimensions:: Sheet: 10 11/16 x 15 1/8 inches (27.1 x 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. The Barbadoes Mulatto Girl

Creator:: Print made by Agostino Brunias, 1728–1796
Date:: 1779
Materials & Techniques:: Stipple engraving and etching on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 19 9/16 x 12 5/8 inches (49.7 x 32 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Derwent Looking towards Borrowdale, July 1835

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1835
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/4 × 12 3/4 inches (22.2 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Dandies Having a Treat

Creator:: Print made by Robert Isaac Cruikshank, 1789–1856
Date:: 1818
Materials & Techniques:: Etching and stipple engraving, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 1/8 x 15 11/16 inches (25.7 x 39.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Wreck off Hastings

Creator:: Print made by William Miller, 1796–1882
Date:: 1875
Materials & Techniques:: Etching and line engraving; engraver's proof on moderately thick, smooth, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 1/4 × 13 3/8 inches (26 × 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Dido Building Carthage

Creator:: Print made by Edward Goodall, 1795–1870
Date:: between 1859 and 1861
Materials & Techniques:: Etching and line engraving on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 8 3/4 × 12 3/4 inches (22.2 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Bonus - Melior - Optimus, or the Devil's The Best of the Bunch

Creator:: James Gillray, 1756–1815
Date:: 1783
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 1/2 x 12 1/2in. (21.6 x 31.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Credit Line Yale Center for British Art, Paul Mellon Collection

Height [cm] 22

Width [cm] 32

Search Results

1. Horse and Cart

2. Stonehenge at Daybreak

3. Venice, The Mouth of the Grand Canal

4. Milfield, East Cowes, Isle of Wight

5. Undercliff near Saint Lawrence, Isle of Wight

6. Aloe Macrocarpa (aloe): outline of habit, right, rough outline of inflorescence, with floral details

7. Mullup

8. Man on Horseback Throwing a Spear

9. Canal of the Loire and Cher, near Tours

10. Aldborough

11. Orfordness

12. Whitby

13. Studies of Two Men with Staffs

14. Elevation of Ruined Temple

15. Landscape with Cottages and Figures

16. Emerey Down near Lyndhurst, New Forest, Hants

17. On the Thames

18. Weymouth, Dorset

19. The Spot where Harold Fell

20. Rome; Bridge and Castle of St. Angelo on the Tyber

21. Isola Bella on the Lago Maggiore

22. Studies of Figures on Horseback

23. Studies for the Instruction of Painters, two suites. Rome, c. 1630

24. Studies for the Instruction of Painters, two suites. Rome, c. 1630

25. Studies for the Instruction of Painters, two suites. Rome, c. 1630

26. Studies for the Instruction of Painters, two suites. Rome, c. 1630

27. Studies for the Instruction of Painters, two suites. Rome, c. 1630

28. Studies for the Instruction of Painters, two suites. Rome, c. 1630

29. Studies for the Instruction of Painters, two suites. Rome, c. 1630

30. Studies for the Instruction of Painters, two suites. Rome, c. 1630

31. Studies for the Instruction of Painters, two suites. Rome, c. 1630

32. Studies for the Instruction of Painters, two suites. Rome, c. 1630

33. Studies for the Instruction of Painters, two suites. Rome, c. 1630

34. Studies for the Instruction of Painters, two suites. Rome, c. 1630

35. Studies for the Instruction of Painters, two suites. Rome, c. 1630

36. Studies for the Instruction of Painters, two suites. Rome, c. 1630

37. Studies for the Instruction of Painters, two suites. Rome, c. 1630

38. Studies for the Instruction of Painters, two suites. Rome, c. 1630

39. Studies for the Instruction of Painters, two suites. Rome, c. 1630

40. Studies for the Instruction of Painters, two suites. Rome, c. 1630

41. Studies for the Instruction of Painters, two suites. Rome, c. 1630

42. Studies for the Instruction of Painters, two suites. Rome, c. 1630

43. Studies for the Instruction of Painters, two suites. Rome, c. 1630

44. Studies for the Instruction of Painters, two suites. Rome, c. 1630

45. Studies for the Instruction of Painters, two suites. Rome, c. 1630

46. Studies for the Instruction of Painters, two suites. Rome, c. 1630

47. Studies for the Instruction of Painters, two suites. Rome, c. 1630

48. Studies for the Instruction of Painters, two suites. Rome, c. 1630

49. Frontispiece: Hercules Fighting the Hydra

50. Studies for the Instruction of Painters, two suites. Rome, c. 1630

51. Studies for the Instruction of Painters, two suites. Rome, c. 1630

52. Studies for the Instruction of Painters, two suites. Rome, c. 1630

53. Studies for the Instruction of Painters, two suites. Rome, c. 1630

54. Studies for the Instruction of Painters, two suites. Rome, c. 1630

55. Studies for the Instruction of Painters, two suites. Rome, c. 1630

56. Studies for the Instruction of Painters, two suites. Rome, c. 1630

57. Studies for the Instruction of Painters, two suites. Rome, c. 1630

58. Studies for the Instruction of Painters, two suites. Rome, c. 1630

59. Studies for the Instruction of Painters, two suites. Rome

60. Studies for the Instruction of Painters, two suites. Rome, c. 1630

61. Studies for the Instruction of Painters, two suites. Rome, c. 1630

62. Rider Leading a Second Horse, Leaving the Grounds of a Country House

63. The Quakers in a Quandary or the Times Reporter Triumphant!!

64. The Return From Pizarro

65. Fox Hunters - In Full Cry

66. The Loose Shoe

67. The Duke of Cumberland Riding With Mr. de Burgh's Hunt

68. Preliminary Study for "A Game of Bowls on the Bowling Green Outside the Bunch of Grapes Inn, Hurst, Berkshire"

69. A View of the Piazza of St. John de Lateran, of the Cardinals College, and of the Holy Stairs in the City of Rome

70. A View of Campo Vaccino at Rome

71. A View of the Salfatara, a Remarkable Mountain Near Naples

72. Studies for the Instruction of Painters, two suites. Rome, c. 1630

73. Wild Duck Shooting