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Credit Line Yale Center for British Art, Paul Mellon Collection

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Height [cm] 23

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Subject Terms men

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John Constable Sketch for "The Hay Wain"
John Constable, 1776–1837
Sketch for "The Hay Wain"
ca. 1820
Not on view
Thomas Creswick The Well of St. Keyne
Thomas Creswick, 1811–1869
The Well of St. Keyne
ca. 1838
Not on view
Thomas Creswick The Summer Bower, Derwent Water
Thomas Creswick, 1811–1869
The Summer Bower, Derwent Water
ca. 1838
Not on view
Robert Polhill Bevan Ploughing the Hillside
Robert Polhill Bevan, 1865–1925
Ploughing the Hillside
ca. 1905
Joseph Mallord William Turner The Deluge
Print made by Joseph Mallord William Turner, 1775–1851
The Deluge
between 1813 and 1823
William Blake Jerusalem, Tailpiece (Plate 100)
Print made by William Blake, 1757–1827
Jerusalem, Tailpiece (Plate 100)
1804 to 1820
William Blake "Why wilt thou give to her a Body..." (Plate 12)
Print made by William Blake, 1757–1827
"Why wilt thou give to her a Body..." (Plate 12)
1804 to 1820
William Blake "One hair nor particle of dust..." (Plate 14)
Print made by William Blake, 1757–1827
"One hair nor particle of dust..." (Plate 14)
1804 to 1820
William Blake "From every-one of the Four Regions..." (Plate 18)
Print made by William Blake, 1757–1827
"From every-one of the Four Regions..." (Plate 18)
1804 to 1820
William Blake "His Children exil'd from his breast..." (Plate 19)
Print made by William Blake, 1757–1827
"His Children exil'd from his breast..." (Plate 19)
1804 to 1820
William Blake "But when they saw Albion fall'n..." (Plate 20)
Print made by William Blake, 1757–1827
"But when they saw Albion fall'n..." (Plate 20)
1804 to 1820
William Blake "Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)
Print made by William Blake, 1757–1827
"Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)
1804 to 1820
William Blake "What have I said? What have I done?..." (Plate 24)
Print made by William Blake, 1757–1827
"What have I said? What have I done?..." (Plate 24)
1804 to 1820
William Blake The Ancient of Days; Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
The Ancient of Days; Frontispiece (Plate 1)
1794
William Blake "The red limb'd Angel siez'd in horror and torment..." (Plate 15)
Print made by William Blake, 1757–1827
"The red limb'd Angel siez'd in horror and torment..." (Plate 15)
1794
William Blake Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
Print made by William Blake, 1757–1827
Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
1793
William Blake "Appear to the Americans upon the cloudy night..." (Plate 6)
Print made by William Blake, 1757–1827
"Appear to the Americans upon the cloudy night..." (Plate 6)
1793
William Blake "Shot from the heights of Enitharmon..." (Plate 17)
Print made by William Blake, 1757–1827
"Shot from the heights of Enitharmon..." (Plate 17)
1794
William Blake "The shrill winds wake!..." (Plate 6)
Print made by William Blake, 1757–1827
"The shrill winds wake!..." (Plate 6)
1794
William Blake "All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)
Print made by William Blake, 1757–1827
"All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)
1804 to 1820
William Blake "Turning his back to the Divine Vision..." (Plate 33)
Print made by William Blake, 1757–1827
"Turning his back to the Divine Vision..." (Plate 33)
1804 to 1820
William Blake "Then the Divine hand found the Two Limits..." (Plate 35)
Print made by William Blake, 1757–1827
"Then the Divine hand found the Two Limits..." (Plate 35)
1804 to 1820
William Blake "And One stood forth from the Divine Family..." (Plate 37)
Print made by William Blake, 1757–1827
"And One stood forth from the Divine Family..." (Plate 37)
1804 to 1820
William Blake "By Satan's Watch-fiends tho' they search..." (Plate 39)
Print made by William Blake, 1757–1827
"By Satan's Watch-fiends tho' they search..." (Plate 39)
1804 to 1820
William Blake "Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)
1804 to 1820
William Blake "Los shudder'd at beholding Albion..." (Plate 40)
Print made by William Blake, 1757–1827
"Los shudder'd at beholding Albion..." (Plate 40)
1804 to 1820
William Blake "Bath who is Legions..." (Plate 41)
Print made by William Blake, 1757–1827
"Bath who is Legions..." (Plate 41)
1804 to 1820
William Blake "Thus Albion sat, studious of others..." (Plate 42)
Print made by William Blake, 1757–1827
"Thus Albion sat, studious of others..." (Plate 42)
1804 to 1820
William Blake "Bath, healing City!..." (Plate 45)
Print made by William Blake, 1757–1827
"Bath, healing City!..." (Plate 45)
1804 to 1820
William Blake "Bath, mild Physician of Eternity..." (Plate 46)
Print made by William Blake, 1757–1827
"Bath, mild Physician of Eternity..." (Plate 46)
1804 to 1820
William Blake "The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)
Print made by William Blake, 1757–1827
"The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)
1804 to 1820
William Blake Chapter 3 Frontispiece (Plate 51)
Print made by William Blake, 1757–1827
Chapter 3 Frontispiece (Plate 51)
1804 to 1820
William Blake "His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)
Print made by William Blake, 1757–1827
"His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)
1804 to 1820
William Blake "Was living: panting like a frighted wolf..." (Plate 7)
Print made by William Blake, 1757–1827
"Was living: panting like a frighted wolf..." (Plate 7)
1804 to 1820
William Blake "Such are Cathedrons golden Halls..." (Plate 73)
Print made by William Blake, 1757–1827
"Such are Cathedrons golden Halls..." (Plate 73)
1804 to 1820
William Blake "And Rahab Babylon the Great..." (Plate 75)
Print made by William Blake, 1757–1827
"And Rahab Babylon the Great..." (Plate 75)
1804 to 1820
William Blake Chapter 4 Frontispiece (Plate 76)
Print made by William Blake, 1757–1827
Chapter 4 Frontispiece (Plate 76)
1804 to 1820
Joseph Josiah Dodd View of Tonbridge During the Late Election, December 18, 1832
Print made by Joseph Josiah Dodd, 1809–1894
View of Tonbridge During the Late Election, December 18, 1832
after 1832
John Bruce Chain Pier at Brighton
Print made by John Bruce, fl. 1826
Chain Pier at Brighton
ca. 1830
Agostino Brunias A Negroes Dance in the Island of Dominica
Print made by Agostino Brunias, 1728–1796
A Negroes Dance in the Island of Dominica
1779
James Bretherton The Salutation Tavern
Print made by James Bretherton, ca. 1730–1806
The Salutation Tavern
1801
John Crome Front of the New Mills
Print made by John Crome, 1768–1821
Front of the New Mills
1813
John Crome Back of the New Mills, Norwich
Print made by John Crome, 1768–1821
Back of the New Mills, Norwich
1812
Day & Co. Brunswick Terrace, Bellevue Mansion, Town Hall, the Albion, Old Steine, Chapel Royal, German Place
Print made by Day & Co., 1824–1913
Brunswick Terrace, Bellevue Mansion, Town Hall, the Albion, Old Steine, Chapel Royal, German Place
1839
Richard Parkes Bonington Eglise de St. Jean a Lyons
Print made by Richard Parkes Bonington, 1802–1828
Eglise de St. Jean a Lyons
ca. 1824
Richard Parkes Bonington Tour aux Archives a Vernon
Print made by Richard Parkes Bonington, 1802–1828
Tour aux Archives a Vernon
1824
John Grant Royal Horse Artillery, 1843
John Grant, Died 1873
Royal Horse Artillery, 1843
1843
John Grant Rocket Practice in the Marshes
John Grant, Died 1873
Rocket Practice in the Marshes
1845
Charles Grignion A View of the Bridge at Walton-on-Thames in Surrey
Charles Grignion, 1717–1810
A View of the Bridge at Walton-on-Thames in Surrey
1752
Louis Haghe His Majesty's Ship Britannia Leaving Hamoaze with the Lord High Admiral On Board
Louis Haghe, 1806–1885
His Majesty's Ship Britannia Leaving Hamoaze with the Lord High Admiral On Board
ca. 1840
Louis Haghe His Majesty's Ship Britannia Returning to Port
Louis Haghe, 1806–1885
His Majesty's Ship Britannia Returning to Port
ca. 1840
Sir Robert Smirke the younger The Convent of St. Nicholas
Sir Robert Smirke the younger, 1781–1867
The Convent of St. Nicholas
1802-1804
Pierre Charles Canot Marine Study No. 2
Print made by Pierre Charles Canot, ca. 1710–1777
Marine Study No. 2
1773
Pierre Charles Canot Marine Study No. 1
Print made by Pierre Charles Canot, ca. 1710–1777
Marine Study No. 1
1773
Pierre Charles Canot Marine Study No. 4
Print made by Pierre Charles Canot, ca. 1710–1777
Marine Study No. 4
1773
Pierre Charles Canot Marine Study No. 3
Print made by Pierre Charles Canot, ca. 1710–1777
Marine Study No. 3
1773
George Cruikshank Monstrosities of 1822 - Pt. 5
Print made by George Cruikshank, 1792–1878
Monstrosities of 1822 - Pt. 5
1835
George Cruikshank Le Retour de Paris, or, the Niece Presented to her Relatives by her French Governess
Print made by George Cruikshank, 1792–1878
Le Retour de Paris, or, the Niece Presented to her Relatives by her French Governess
1835
John Robert Cozens Bath: The North Parade
Print made by John Robert Cozens, 1752–1797
Bath: The North Parade
1773
Sir Robert Smirke the younger Design for London Bridge Approach
Print made by Sir Robert Smirke the younger, 1781–1867
Design for London Bridge Approach
between 1827 and 1835
John Thomas Serres Plymouth Roads
John Thomas Serres, 1759–1825
Plymouth Roads
undated
John Linnell Studies of Horses, Men and Carriages
John Linnell, 1792–1882
Studies of Horses, Men and Carriages
1811
James Seymour A Boar Hunt
James Seymour, 1702–1752
A Boar Hunt
undated
Henry Thomas Alken Two Riders and a Couple of Hounds Clearing a Wall
Henry Thomas Alken, 1785–1851
Two Riders and a Couple of Hounds Clearing a Wall
1845
James Gillray The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"
1806
Agostino Brunias A Cudgelling Match between English and French Negroes in the Island of Dominica
Print made by Agostino Brunias, 1728–1796
A Cudgelling Match between English and French Negroes in the Island of Dominica
1779
Agostino Brunias A Negroes Dance in the Island of Dominica
Print made by Agostino Brunias, 1728–1796
A Negroes Dance in the Island of Dominica
1779
James Gillray Taming of the Shrew. Katharine and Petruchio - The Modern Quixotte, or, What You Will
Print made by James Gillray, 1756–1815
Taming of the Shrew. Katharine and Petruchio - The Modern Quixotte, or, What You Will
1791
Henry Thomas Alken Grouse Shooting: The Right Sort
Henry Thomas Alken, 1785–1851
Grouse Shooting: The Right Sort
undated
Henry Thomas Alken Grouse Shooting: The Wrong Sort
Henry Thomas Alken, 1785–1851
Grouse Shooting: The Wrong Sort
undated
Henry Thomas Alken The Leicestershire Hunt - The First Ten Minutes - Shaking off the Cocktails
Possibly Henry Thomas Alken, 1785–1851
The Leicestershire Hunt - The First Ten Minutes - Shaking off the Cocktails
undated
Henry Thomas Alken The Leicestershire Hunt - A Struggle for the Start
Possibly Henry Thomas Alken, 1785–1851
The Leicestershire Hunt - A Struggle for the Start
undated
Henry Thomas Alken The Leicestershire Hunt - Symptoms of a Skurry in a Pewy Country
Possibly Henry Thomas Alken, 1785–1851
The Leicestershire Hunt - Symptoms of a Skurry in a Pewy Country
undated
Joseph Crawhall The Riding School
Joseph Crawhall, 1861–1913
The Riding School
undated
Henry Thomas Alken Rider on a Brown Horse Going at a Wall
Henry Thomas Alken, 1785–1851
Rider on a Brown Horse Going at a Wall
undated
Henry Thomas Alken The Huntsman, Galloping to Left and Encouraging Hounds
Henry Thomas Alken, 1785–1851
The Huntsman, Galloping to Left and Encouraging Hounds
undated
James Gillray The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."
1806
Henry Thomas Alken Gone Away
Henry Thomas Alken, 1785–1851
Gone Away
undated
Henry Thomas Alken The Death: Yokels Watching in Foreground
Henry Thomas Alken, 1785–1851
The Death: Yokels Watching in Foreground
undated
James Gillray The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."
1806
Henry Thomas Alken Rider Holding on to a Gray Horse After a Fall
Henry Thomas Alken, 1785–1851
Rider Holding on to a Gray Horse After a Fall
undated
Henry Thomas Alken Two Jockeys Galloping Neck and Neck to Right
Henry Thomas Alken, 1785–1851
Two Jockeys Galloping Neck and Neck to Right
undated
Henry Thomas Alken Foxhunting: The Toast
Henry Thomas Alken, 1785–1851
Foxhunting: The Toast
undated
Sawrey Gilpin Hunt Followers...Moving with the Hounds to the Left
Sawrey Gilpin, 1733–1807
Hunt Followers...Moving with the Hounds to the Left
undated
Jan Wyck Stag Hunting
Jan Wyck, ca. 1645–1700
Stag Hunting
undated
Peter Tillemans Horse and Rider Walking to Left in a Hilly Landscape
Peter Tillemans, 1684–1734
Horse and Rider Walking to Left in a Hilly Landscape
undated
Robert Havell View of the Old Corn Market and Tuns Inn, Guildford
Print made by Robert Havell, 1769–1832
View of the Old Corn Market and Tuns Inn, Guildford
1819
John Browne A View in the Garden of Craigie-Hall, the Seat of the Honble. Charles Hope-Weir
Print made by John Browne, 1741–1801
A View in the Garden of Craigie-Hall, the Seat of the Honble. Charles Hope-Weir
after 1762
Jacob Bonneau One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
Print made by Jacob Bonneau, 1741–1786
One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
1751
Thomas Shotter Boys Quayside, Notre Dame in Distance
Print made by Thomas Shotter Boys, 1803–1874
Quayside, Notre Dame in Distance
undated
Francesco de Grado Antonio Vandyck
Print made by Francesco de Grado, active 1693
Antonio Vandyck
ca. 1693
unknown artist A View of the Piazza of St. John de Lateran, of the Cardinals College, and of the Holy Stairs in the City of Rome
Print made by unknown artist
A View of the Piazza of St. John de Lateran, of the Cardinals College, and of the Holy Stairs in the City of Rome
undated
unknown artist A View of the Piazza Navona in the City of Rome
Print made by unknown artist
A View of the Piazza Navona in the City of Rome
undated
unknown artist A View of the Piazza del Popolo in the City of Rome
Print made by unknown artist
A View of the Piazza del Popolo in the City of Rome
undated
unknown artist A View of the Mole and the New Castle at Naples
Print made by unknown artist
A View of the Mole and the New Castle at Naples
undated
unknown artist Spanish Palace at Naples
Print made by unknown artist
Spanish Palace at Naples
undated
unknown artist A View of the Royal Palace at Naples
Print made by unknown artist
A View of the Royal Palace at Naples
undated
unknown artist The Palace of Mont Alto at Naples
Print made by unknown artist
The Palace of Mont Alto at Naples
undated
unknown artist A View of the Salfatara, a Remarkable Mountain Near Naples
Print made by unknown artist
A View of the Salfatara, a Remarkable Mountain Near Naples
undated
John Doyle ('H.B.') The Seven Bold Swabians - Who Sallied forth with One Spear, Vide Fairy Ring
Print made by John Doyle ('H.B.'), 1797–1868
The Seven Bold Swabians - Who Sallied forth with One Spear, Vide Fairy Ring
1847