A Meeting of Monopolizers, or the Good Effect of Peace
1801
13
Isaac Cruikshank, 1764–1811
General Buonaparte
1797
14
Charles Williams, active 1796–1830
John Bull Viewing Billy's Preparations for His Birthday
1802
15
unknown artist
Old Times Returned
1802
16
Isaac Cruikshank, 1764–1811
The Dutch in an Uproar or the Batavian Republic Crying for Winter
1797
17
Isaac Cruikshank, 1764–1811
The Delegates in Council or Beggars on Horseback
1797
18
Isaac Cruikshank, 1764–1811
The Raft in Danger of the Republican disappoointed
1798
19
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 1 - "Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter."
1806
20
Print made by James Bretherton, ca. 1730–1806
Damn Mambrino
1799
21
James Gillray, 1756–1815
The Valley of the Shadow of Death
1808
22
James Gillray, 1756–1815
Search-Night;- or - State-Watchmen, Mistaking Honest-Men for Conspirators - Vide, State Arrests
1798
23
James Gillray, 1756–1815
No Flower that Blows, Is Like this Rose
1796
24
James Gillray, 1756–1815
The Table's Turn'd. Billy, in the Devil's Claws. - Billy, Sending the Devil Packing
1797
25
James Gillray, 1756–1815
John Bull Ground Down
1795
26
James Gillray, 1756–1815
Corpor(e)al (!) Stamina
1801
27
James Gillray, 1756–1815
The Prophet of the Hebrews, - The Prince of Peace, Conducting the Jews to the Promis'd-Land
1795
28
James Gillray, 1756–1815
Loyal Souls; - or - A Peep into the Mess-Room, at St. James's
1797
29
Henry Heath, active 1824–1835
Omnium Gatherum, No. 7
undated
30
Henry Heath, active 1824–1835
Ominum Gatherum, Second Series, No. 5
1831
31
Henry Heath, active 1824–1835
Ominum Gatherum, Second Series, No. 3
undated
32
Henry Heath, active 1824–1835
Ominum Gatherum No. 6
undated
33
James Gillray, 1756–1815
Fatal Effect of the French Defeat - Hanging (and) Drowning
1795
34
James Gillray, 1756–1815
Doublûres of Characters; - or - Striking Resemblance in Phisiognomy
1798
35
James Gillray, 1756–1815
The Nuptial-Bower; "To the Nuptial-Bower he led her Blushing Like the Morn with the Evil-one, Peeping at the Charms of Eden." (from Milton)
1797
36
James Gillray, 1756–1815
Nelson's Victory: - or - Good - News Operating Upon Loyal - Feelings
1798
37
James Gillray, 1756–1815
Extirpation of the Plagues of Egypt
1798
38
James Gillray, 1756–1815
French Generals Retiring, on Account of their Health; - with Lepaux Presiding in the Directorial Dispensary
1799
39
James Gillray, 1756–1815
The Gordon-Knot, - or - The Bonny - Duchess Hunting the Bedfordshire Bull
1797
40
James Gillray, 1756–1815
Homer Singing His Verses to the Greeks
1797
41
James Gillray, 1756–1815
And The' - Tisick, - The Colic, Punch Cures The Gout
1799
42
James Gillray, 1756–1815
The General of Patriotism, - or -The Bloomsbury Farmer, Planting Bedfordshire Wheat
1796
43
James Gillray, 1756–1815
Glorious Reception of the Ambassador of Peace, on His Entry Into Paris
1796
44
James Gillray, 1756–1815
Which is the Better Man or The Pot Calls the Kettle Blacka-e
1786
45
Print made by John Doyle ('H.B.'), 1797–1868
A New Way to Drive Over an Old Road; Now Alas! Sadly out of Order
1847
46
Print made by John Doyle ('H.B.'), 1797–1868
Rather Sharp Practice in Diplomacy, or a Curious Illustration of the "Entente Cordiale"
1847
47
Print made by John Doyle ('H.B.'), 1797–1868
An Interesting Group: "Misfortune Makes us Acquainted with Strange Bedfellows"
1847
48
Print made by John Doyle ('H.B.'), 1797–1868
Perseus Flying to the Rescue of Andromeda
1847
49
Print made by John Doyle ('H.B.'), 1797–1868
Alarming Case of Indigestion: The Doctor Called In
1847
50
Print made by John Doyle ('H.B.'), 1797–1868
A Study for a Caius Marius Sitting amidst the Ruins of Carthage, Rather a Serious Subject: "Napoleon was in the habit of comparing England to Carthage!"
1847
51
Print made by John Doyle ('H.B.'), 1797–1868
Another Saint Sebastian, Shot at by Cruel Archers
1847
52
Print made by John Doyle ('H.B.'), 1797–1868
A Brummagem Don Quixote, Meditating his Grand Attack Upon the Leading Giant
1847
53
Print made by John Doyle ('H.B.'), 1797–1868
The Harpies Attacking the Daughters of Pandarus
1848
54
unknown artist
The Long Minuet as Danced at Bath
after 1787
55
Print made by James Gillray, 1756–1815
Mason, The Duke's Confectioner Disposing of the Trinkets
1788
56
Charles Williams, active 1796–1830
Cross Examination
1802
57
Charles Williams, active 1796–1830
The Balance of Justice
1802
58
Charles Williams, active 1796–1830
A New Bravura with a Duett Affettuoso
1802
59
James Gillray, 1756–1815
John Bull Taking a Luncheon; - or - British Cooks, Cramming Old Grumble-Gizzard with Bonne-Chere (from: Caricature, vol. 1)
1798
60
James Gillray, 1756–1815
Fighting for the Dunghill, - or - Jack Tar Settling Citoyen Francois (from: Caricature, vol. 1)
1798
61
James Gillray, 1756–1815
What a Cur ' tis
1795
62
James Gillray, 1756–1815
Blindmans-Buff - or - Too Many for John Bull
1795
63
James Gillray, 1756–1815
The Royal Society
1786
64
James Gillray, 1756–1815
French Democrats Surprizing the Royal-Runaways
1791
65
James Gillray, 1756–1815
Design for the New Gallery of Busts and Pictures
1792
66
James Gillray, 1756–1815
Malagrida, Driving Post
67
James Gillray, 1756–1815
An Excrescence; - Afungus; - Alias - A Toadstool Upon a Dung-Hill
1791
68
James Gillray, 1756–1815
A Sphere, Projecting against a Plane ---
1792
69
Charles Williams, active 1796–1830
More Humbugs, - or - Another Attack on John Bulls Purse
1818
70
Isaac Cruikshank, 1764–1811
The French Bugabo Frightening the Royal Commanders
1797
71
Isaac Cruikshank, 1764–1811
Billy's Fantoccini or John Bull over Curious
1798
72
Isaac Cruikshank, 1764–1811
The Budget or John Bull Frightened Out of His (Money) Wits
1797
73
James Gillray, 1756–1815
Blood on Thunder Fording the Red Sea
1788
74
James Gillray, 1756–1815
Meeting of the Monied Interest: - Constitutional Opposition to e/y 10 pr. cent: - i.e. John Bull's Friends Alarm'd by the New Tax (from: Caricature, vol. 1)