etching begun before 1861; impression printed in 1926
9
Print made by Joseph Mallord William Turner, 1775–1851
Mer de Glace, Valley of Chamouni, Savoy
1812
10
Print made by Joseph Mallord William Turner, 1775–1851
Glaucus and Scylla
between 1813 and 1823
11
Etched by Joseph Mallord William Turner, 1775–1851
The Castle above the Meadows
1808
12
Etched by Joseph Mallord William Turner, 1775–1851
The Straw Yard
1808
13
Print made by William Blake, 1757–1827
Chapter VIII, "Of life on his forsaken mountains..." (Plate 24)
1794
14
Print made by William Blake, 1757–1827
Chapter IX, "They lived a period of years..." (Plate 27)
1794
15
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 28 (Bentley 27)
1794
16
Print made by William Blake, 1757–1827
Fettered Urizen Weeping (Plate 3)
1794
17
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 4 (Bentley 24)
1794
18
Print made by William Blake, 1757–1827
Chapter I, "Lo, a shadow of horror is risen..." (Plate 5)
1794
19
Print made by William Blake, 1757–1827
Chapter II, "Muster around the bleak desarts..." (Plate 6)
1794
20
Print made by William Blake, 1757–1827
Urizen Swims through Dark Waters (Plate 7)
1794
21
Print made by William Blake, 1757–1827
"In living creations appear'd..." (Plate 8)
1794
22
Print made by William Blake, 1757–1827
Chapter III, "As the stars are apart from the earth..." (Plate 9)
1794
23
Print made by William Blake, 1757–1827
The Six-Footed Serpent Attacking Agnolo Brunelleschi (Plate 4)
1827
24
Print made by William Blake, 1757–1827
The First Book of Urizen; Title Page (Plate 1)
1794
25
Print made by William Blake, 1757–1827
"Los howld in a dismal stupor..." (Plate 10)
1794
26
Print made by William Blake, 1757–1827
From a Globe of Blood Rises Enitharmon (Plate 11)
1794
27
Print made by William Blake, 1757–1827
Chapter IV, "Los smitten with astonishment..." (Plate 12)
1794
28
Print made by William Blake, 1757–1827
Chapter IV, "Ages on ages roll'd over him..." (Plate 13)
1794
29
Print made by William Blake, 1757–1827
Chapter IV, "From the caverns of his jointed spine..." (Plate 14)
1794
30
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 15 (Bentley 14)
1794
31
Print made by William Blake, 1757–1827
Chapter V, "Two Nostrils bent down to the deep..." (Plate 16)
1794
32
Print made by William Blake, 1757–1827
Chapter V, "The globe of life blood trembled..." (Plate 17)
1794
33
Print made by William Blake, 1757–1827
Los with the child Orc and Enitharmon (Plate 18)
1794
34
Print made by William Blake, 1757–1827
"They call'd her Pity, and fled..." (Plate 19)
1794
35
Print made by William Blake, 1757–1827
Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
1794
36
Print made by William Blake, 1757–1827
Chapter V, "Thus the Eternal Prophet was divided..." (Plate 20)
1794
37
Print made by William Blake, 1757–1827
Los Falls through Fire (Plate 21)
1794
38
Print made by William Blake, 1757–1827
Chapter VII, "Stretch'd for a work of eternity..." (Plate 22)
1794
39
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 23 (Bentley 9)
1794
40
Print made by William Blake, 1757–1827
Praying Child and Howling Dog (Plate 25)
1794
41
Print made by William Blake, 1757–1827
"The Ox in the slaughter house moans..." (Plate 26)
1794
42
Prints made by William Blake, 1757–1827
The First Book of Urizen
1794
43
unknown artist
Bonaparte's Head-Quarters in London
1803
44
unknown artist
Portrait of John Flaxman
45
John Raphael Smith, 1752–1812
The Prodigal Son in Excess (1 of 5)
ca. 1775
46
John Raphael Smith, 1752–1812
The Prodigal Son Returns Reclaim'd (1 of 5)
ca. 1775
47
John Raphael Smith, 1752–1812
The Prodigal Son Feasted on His Return (1 of 5)
ca. 1775
48
John Raphael Smith, 1752–1812
The Prodigal Son Recieves His Patrimony (1 of 5)
ca. 1775
49
John Raphael Smith, 1752–1812
The Prodigal Son in Misery (1 of 5)
ca. 1775
50
Print made by Matthew Darly, active 1754–1778
Statue Hall or the Modern Register Office
1769
51
unknown artist
A View of the French Raft, as seen Afloat at St. Maloes, in February 1798. The machine is 600 Feet long and 300 broad, mounts 500 pieces of Cannon, 36 &48 pounders, and is to convey 15,000 Troops & for the Invasion of England
1798
52
Robert Smirke, 1752–1845
His Majesty George IVth
53
Print made by Robert Smirke, 1752–1845
Interior of York Minster from the Nave Shewing the Screen of the Choir in its Present Situation
undated
54
Robert Smirke, 1752–1845
Untitled: The Persian and the Slave Merchants
55
Robert Smirke, 1752–1845
Untitled: Skirmish for a Lady
56
Robert Smirke, 1752–1845
Twelfth Night
1822
57
Robert Smirke, 1752–1845
Taming of the Shrew
1822
58
Robert Smirke, 1752–1845
Twelfth Night
1822
59
Robert Smirke, 1752–1845
Merry Wives of Windsor
1821
60
Robert Smirke, 1752–1845
Merry Wives of Windsor
1821
61
Robert Smirke, 1752–1845
Tempest
1822
62
Robert Smirke, 1752–1845
Taming of the Shrew
1821
63
Robert Smirke, 1752–1845
Tempest
1821
64
Robert Smirke, 1752–1845
Tempest
1821
65
Robert Smirke, 1752–1845
Merry Wives of Windsor
1821
66
Robert Smirke, 1752–1845
Cesar Passing the Rubicon
67
William Smith, active 1775–1776
Semiramis
ca. 1776
68
Print made by Thomas Shotter Boys, 1803–1874
Verona, Hay Barge on the Medway, and a Calvary (three prints)
after 1833
69
Print made by John Browne, 1741–1801
Morning
ca. 1797
70
Print made by John Browne, 1741–1801
Evening
ca. 1797
71
Print made by John Browne, 1741–1801
After Sun-Set
ca. 1797
72
Print made by John Browne, 1741–1801
Moon-Light
ca. 1797
73
Print made by James Bretherton, ca. 1730–1806
The Full Blown Macaroni
1772
74
Print made by James Bretherton, ca. 1730–1806
The Houndsditch Macaroni
1772
75
Print made by James Bretherton, ca. 1730–1806
Inimitable Mr. James Moss
1773
76
Print made by James Bretherton, ca. 1730–1806
A Maid
1774
77
Print made by Henry William Bunbury, 1750–1811
Paysanne de la France
1769-1770
78
Print made by Henry William Bunbury, 1750–1811
Paysan des Alpes
1769-1770
79
Print made by Henry William Bunbury, 1750–1811
Overthrow of Dr. Slop
between 1773 and 1817
80
Print made by Henry William Bunbury, 1750–1811
The Damnation of Obadiah
between 1773 and 1817
81
Print made by Henry William Bunbury, 1750–1811
The Battle of the Cataplasm
between 1773 and 1817
82
Print made by Henry William Bunbury, 1750–1811
The Siege of Namur
between 1773 and 1817
83
Print made by J. Carwitham, active 1720–1740
A New Drawing Book of Variety of Landskips
ca. 1730
84
Print made by John Crome, 1768–1821
Landscape with Oak Trees
ca. 1812
85
Print made by George Cruikshank, 1792–1878
Fitting out. - Plate 1
1820
86
unknown artist
Bow Street Myrmidons Spoiling Bob Booty's Morning Draught