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Credit Line Yale Center for British Art, Paul Mellon Collection

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William Blake An Essay on Sculpture on a Series of Epistles to John Flaxman
William Blake, 1757–1827
An Essay on Sculpture on a Series of Epistles to John Flaxman
1800
William Blake An Essay on Sculpture on a Series of Epistles to John Flaxman
William Blake, 1757–1827
An Essay on Sculpture on a Series of Epistles to John Flaxman
1800
William Blake An Essay on Sculpture on a Series of Epistles to John Flaxman
William Blake, 1757–1827
An Essay on Sculpture on a Series of Epistles to John Flaxman
1800
William Blake Pl. 15: `The Conjugal Union of Cupid'
William Blake, 1757–1827
Pl. 15: `The Conjugal Union of Cupid'
1796
William Blake Pl. 16: `Cupid & Psyche'
William Blake, 1757–1827
Pl. 16: `Cupid & Psyche'
1796
William Blake Pl. 18: `Iron Age'
William Blake, 1757–1827
Pl. 18: `Iron Age'
1796
William Blake Pl. 19: `Aristophanes Clouds. Scene I'
William Blake, 1757–1827
Pl. 19: `Aristophanes Clouds. Scene I'
1796
William Blake Pl. 23: `Anacreon Ode LII'
William Blake, 1757–1827
Pl. 23: `Anacreon Ode LII'
1796
William Blake Pl. 12: 'Psyche Disobeys'
William Blake, 1757–1827
Pl. 12: 'Psyche Disobeys'
1796
William Blake Pl. 13: `Psyche Repents'
William Blake, 1757–1827
Pl. 13: `Psyche Repents'
1796
William Blake Pl. 14: `Venus Councels Cupid'
William Blake, 1757–1827
Pl. 14: `Venus Councels Cupid'
1796
Robert Dixon Cottage at Diss
Robert Dixon, 1780–1815
Cottage at Diss
1811
Luigi Balugani Oenostachys abyssinica
Luigi Balugani, 1737–1770
Oenostachys abyssinica
1769–71
James Bretherton Fille d'Auberge
Print made by James Bretherton, ca. 1730–1806
Fille d'Auberge
1774
Robert Dixon Beeston Priory, Beeston Regis
Robert Dixon, 1780–1815
Beeston Priory, Beeston Regis
between 1810 and 1811
Thomas Stothard Study of Caryatides for Statue of Sir Thomas of Monro
Thomas Stothard, 1755–1834
Study of Caryatides for Statue of Sir Thomas of Monro
1806
Augustus Welby Northmore Pugin Window West End, South Aisle, Saint Vincent
Augustus Welby Northmore Pugin, 1812–1852
Window West End, South Aisle, Saint Vincent
undated
Thomas Rowlandson The Shipwrecked Sailors
Thomas Rowlandson, 1756–1827
The Shipwrecked Sailors
undated
John Pye Junction of the Greta and the Tees
Print made by John Pye, 1782–1874
Junction of the Greta and the Tees
1834
Francesco Bartolozzi Charles Earl Cornwallis, Lieutenant General of His Majesty's Forces, &c., &c., & c.
Print made by Francesco Bartolozzi, 1728–1815
Charles Earl Cornwallis, Lieutenant General of His Majesty's Forces, &c., &c., & c
1781
Francis Cleyn Dido and Aeneas Sheltering in a Cave
Francis Cleyn, 1582–1658
Dido and Aeneas Sheltering in a Cave
undated
Henry Edridge Clock Tower, St. Alban's Abbey
Henry Edridge, 1769–1821
Clock Tower, St. Alban's Abbey
1801
Edward Goodall Carlisle
Print made by Edward Goodall, 1795–1870
Carlisle
1834
John Corner Sir Godfrey Kneller
Print made by John Corner, 1788–1825
Sir Godfrey Kneller
1821
Dr. William Crotch Windsor Castle View - King George IV Gate and the Round Tower, July 28, 1832, 11:30 am
Dr. William Crotch, 1775–1847
Windsor Castle View - King George IV Gate and the Round Tower, July 28, 1832, 11:30 am
1832
unknown artist The Rev. Dr. Keate
unknown artist
The Rev. Dr. Keate
1828
Samuel Davis River View with a Junk (near Rajmahal?)
Samuel Davis, 1760–1819
River View with a Junk (near Rajmahal?)
between 1777 and 1808
Samuel Davis River View near Rajmahal
Samuel Davis, 1760–1819
River View near Rajmahal
undated
Arthur Pond The Virgin and Child Seated with St Joseph
Arthur Pond, ca. 1705–1758
The Virgin and Child Seated with St Joseph
1735
John Corner Sir Anthony van Dyck
Print made by John Corner, 1788–1825
Sir Anthony van Dyck
1825
John Raphael Smith Marie Antoinette d'Autriche Reine de France
John Raphael Smith, 1752–1812
Marie Antoinette d'Autriche Reine de France
1776
William Dickinson Jane Gordon (née Maxwell), Duchess of Gordon
William Dickinson, 1746–1823
Jane Gordon (née Maxwell), Duchess of Gordon
1796
John Smith Sir Christopher Wren
John Smith, 1652–1743
Sir Christopher Wren
undated
Thomas Sully Girl on Lane, Entering Wooded Area
Thomas Sully, 1783–1872
Girl on Lane, Entering Wooded Area
1834
Thomas Shotter Boys La rue des Prouvaires et l'église saint Eustache, Paris
Print made by Thomas Shotter Boys, 1803–1874
La rue des Prouvaires et l'église saint Eustache, Paris
1833
Robert Smirke Taming of the Shrew
Robert Smirke, 1752–1845
Taming of the Shrew
1821
Lucas Vorsterman I Catharinæ Howard
Print made by Lucas Vorsterman I, 1595–1675
Catharinæ Howard
ca. 1635
Coenrad Waumans Fredericus Henricus
Print made by Coenrad Waumans, born 1619–active 1636/37
Fredericus Henricus
ca. 1635
Coenrad Waumans Maria Clara de Croiio
Print made by Coenrad Waumans, born 1619–active 1636/37
Maria Clara de Croiio
ca. 1635
Coenrad Waumans Fredericus Henricus
Print made by Coenrad Waumans, born 1619–active 1636/37
Fredericus Henricus
ca. 1635
Pieter de Jode II Henricus Liberti
Print made by Pieter de Jode II, ca. 1606–1674
Henricus Liberti
ca. 1635
Adrian Lommelin Carolus Dei Gratia Magnae Britanniae
Print made by Adrian Lommelin, ca. 1637–1677
Carolus Dei Gratia Magnae Britanniae
ca. 1635
George Vertue The Right Honourable John Thurloe Esqr.
George Vertue, 1684–1756
The Right Honourable John Thurloe Esqr
1741
Richard Sawyer The Lively Portraiture of John Felton who Most Miserably Kild [sic] the Right Hon. George Villiers of Buckingham. August ye 23, 1628. 1830
after Richard Sawyer, active 1820–1830
The Lively Portraiture of John Felton who Most Miserably Kild [sic] the Right Hon. George Villiers of Buckingham. August ye 23, 1628. 1830
1830
unknown artist Building at the Entrance of Little St. Helen's
unknown artist
Building at the Entrance of Little St. Helen's
1800
Henry Le Keux Loch Coriskin
Print made by Henry Le Keux, 1787–1868
Loch Coriskin
1834
Robert Brandard Jedburgh Abbey
Print made by Robert Brandard, 1805–1862
Jedburgh Abbey
1834
Robert Wallis Kelso
Print made by Robert Wallis, 1794–1878
Kelso
1834
William Miller Dryburgh Abbey
Print made by William Miller, 1796–1882
Dryburgh Abbey
1834
William Miller Berwick-on-Tweed
Print made by William Miller, 1796–1882
Berwick-on-Tweed
1834
James Sayer Monsieur Francois introduces Master Pr----------tly to the National Assembly
James Sayer, 1748–1823
Monsieur Francois introduces Master Pr----------tly to the National Assembly
1792
Lucas Vorsterman I Thomas Howardus
Print made by Lucas Vorsterman I, 1595–1675
Thomas Howardus
ca. 1635
George Baxter Prince Albert
after George Baxter, 1804–1867
Prince Albert
after 1855
Bradshaw & Blacklock Set of 18 Labels from 'Twining & Sons' Hairpins Boxes.
Bradshaw & Blacklock, active ca.1850
Set of 18 Labels from 'Twining & Sons' Hairpins Boxes
after 1850
Francesco Bartolozzi Mrs. Siddons
Print made by Francesco Bartolozzi, 1728–1815
Mrs. Siddons
1785
Francesco Bartolozzi Love Caressed
Francesco Bartolozzi, 1728–1815
Love Caressed
1783
Francesco Bartolozzi Louis XVI
Print made by Francesco Bartolozzi, 1728–1815
Louis XVI
1793
Francesco Bartolozzi Samuel Johnson
Print made by Francesco Bartolozzi, 1728–1815
Samuel Johnson
1785
Francesco Bartolozzi Georgiana, Countess Spencer
Print made by Francesco Bartolozzi, 1728–1815
Georgiana, Countess Spencer
1783
George Cumberland Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
George Cumberland Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
George Cumberland Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
George Cumberland Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
George Cumberland Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
George Cumberland Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
George Cumberland Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
George Cumberland Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
George Cumberland Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
George Cumberland Thoughts on outline, sculpture, and the system that guided the ancient artists in composing their figures and groupes...
George Cumberland, 1754–1848
Thoughts on outline, sculpture, and the system that guided the ancient artists in composing their figures and groupes..
1796
George Cumberland Thoughts on outline, sculpture, and the system that guided the ancient artists in composing their figures and groupes...
George Cumberland, 1754–1848
Thoughts on outline, sculpture, and the system that guided the ancient artists in composing their figures and groupes..
1796
George Cumberland Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
George Cumberland Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
George Cumberland Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
George Cumberland Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
George Cumberland Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
George Cumberland Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
John Faber the Elder Maria de St. Paulo Comitissa Pembroc
John Faber the Elder, ca. 1660–1721
Maria de St. Paulo Comitissa Pembroc
unknown artist Floral Portraits, Number One, England's Royal Noble Flowers
unknown artist
Floral Portraits, Number One, England's Royal Noble Flowers
George Keating John Philip Kemble, as Richard III
George Keating, 1762–1842
John Philip Kemble, as Richard III
undated
James Gillray Pen-etration
James Gillray, 1756–1815
Pen-etration
1799
James Gillray Delicious Weather
James Gillray, 1756–1815
Delicious Weather
1808
Pieter de Jode II Adam de Coster
Print made by Pieter de Jode II, ca. 1606–1674
Adam de Coster
ca. 1635
George Moutard Woodward Collection of Twenty-six of Caricatures
George Moutard Woodward, ca. 1760–1809
Collection of Twenty-six of Caricatures
ca. 1789