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Credit Line Yale Center for British Art, Paul Mellon Collection
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1
- Hampstead Heath, with a Bonfire
- ca. 1822
- Not on view
2
- Hadleigh Castle
- 1828 to 1829
- Not on view
3
- Landscape with a Lake
- 1808
- Not on view
4
- Landscape with a Castle
- ca. 1808
- Not on view
5
- Chelsea Pensioners Receiving the Gazette Announcing the Battle of Waterloo
- ca. 1819
- Not on view
6
- A Wherry Taking Passengers out to Two Anchored Packets
- 1825
- Not on view
7
- Joshua Rose of Liverpool
- ca. 1795
- Not on view
8
- A Setter at the Edge of a Wood
- between 1775 and 1785
- Not on view
9
- The Only Child; The Jew's Harp; The Cut Finger; Blind Man's Buff; The Rent Day; The Scotch Piper; The Prieu-Dieu; and Self Portrait: A Sketch of the Eight Paintings Framed and Hanging on a Wall
- undated
- Not on view
10
- Dutch Sailing Vessels
- 1814
- Not on view
11
- The Passing of the Great Emancipation Act
- ca. 1829
- Not on view
12
- Study of a Groom, Seen from Behind
- ca. 1820
- Not on view
13
- The Quorn Hunt: a Sketch of the Artist and his Friends Moving Off
- ca. 1825
- Not on view
14
- After the Race
- 1875
- Not on view
15
- Ancient Trees, Lullingstone Park
- 1828
16
- Wilmot's Hill, Kent
- ca. 1851
17
- Sunset
- ca. 1861
18
- A Cow Lodge with a Mossy Roof
- ca. 1829
19
- Old Cedar Tree in Botanic Garden, Chelsea
- 1854
20
- A Moonlit Scene with a Winding River
- ca. 1827
21
- Study of a Pilgrim
- undated
22
- The Bellman
- 1879
23
- The Homeward Star
- etching begun ca. 1880; impression printed in 1924
24
- Opening the Fold
- 1880
25
- Human Skeleton, Lateral View
- 1795 to 1806
26
- Dorking Hen Skeleton, Lateral View (Probably prepared for an unpublished key figure)
- 1795 to 1806
27
- Dorking Hen, Lateral View
- 1795 to 1806
28
- Tiger Body, Lateral View (Shows the third stage in dissection)
- 1795 to 1806
29
- Tiger Body, Standing in Human Posture
- 1795 to 1806
30
- Dorking Hen Body, Lateral View (Study of the muscles of the body and limbs at a later stage of dissection)
- 1795 to 1806
31
- Benjamin Read
- ca. 1757
32
- Glaucus and Scylla
- between 1813 and 1823
33
- On the Washburn
- ca. 1815
34
- Calm
- 1812
35
- Bonneville, Savoy
- 1816
36
- The Fifth Plague of Egypt
- 1808
37
- The Stork and Aqueduct
- between 1813 and 1823
38
- Interior of a Church
- 1819
39
- Bonneville, Savoy
- 1816
40
- Ville de Thun, Switzerland
- 1816
41
- River Wye
- 1812
42
- Rispah: 2nd Book of Samuel, Chap. 21
- 1812
43
- Basle
- 1807
44
- Bridge and Cows
- 1807
45
- Dumblain Abbey, Scotland
- 1816
46
- Mer de Glace, Valley of Chamouni, Savoy
- 1812
47
- Lauffenbourgh on the Rhine
- 1811
48
- Windmill and Lock
- 1811
49
- Junction of Severn and Wye
- 1811
50
- Ships in a Breeze
- 1808
51
- Mt. St. Gothard
- 1808
52
- The Woman and Tambourine
- 1807
53
- The Source of the Arveron in the Valley of Chamouni, Savoy
- 1816
54
- Calm
- 1812
55
- The Crypt of Kirkstall Abbey
- 1812
56
- Scene in the Campagna
- 1812
57
- Morpeth, Northumberland
- 1809
58
- Abraham and Isaac
- 1799 to 1800
59
- Five Visionary Heads of Women
- 1819 to 1820
![William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]](https://media.collections.yale.edu/thumbnail/ycba/00209487-ff25-46ae-91cc-38bc88575a05)
60
- Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
- 1827
61
- Illustrations to Dante's Divine Comedy
- 1827
62
- Architectural Drawing of a Stone Relief, Depicting a Bird of Prey
- 1802-1804
63
- Study of the Capital of a PIllar
- 1802-1804
64
- Study of the Capital of a Pillar
- 1802-1804
65
- Gateway in the Ruins of the Ancient Walls of Arpino
- 1802-1804
66
- Ruins at Capua
- 1802-1804
67
- View From Cori Towards Villetri
- 1802-1804
68
- Sketch of a Window and Arches of the Nave in the Church of St. Wensceslas in Prague
- 1802-1804
69
- Ioannes Snellincx
- ca. 1635
70
- Aubertus Miræus
- ca. 1635
71
- Henricus Steenwyck
- ca. 1635
72
- Greenland Fishery
- 1754
73
- A Small Breeze
- 1753
74
- Morning
- 1753
75
- Evening
- 1755
76
- Noon
- 1753
77
- Night
- 1756
78
- Lady Pointing with a Stick
- 1782
79
- Hadleigh Castle, Large Plate
- 1830 to 1832
80
- A Mill
- 1830
81
- Shields on the River Tyne
- 1823
82
- The Black Tower Norwich
- between 1810 and 1811
83
- West Tower, Wymondham Church
- 1810
84
- Sketch at Mulbarton
- between 1810 and 1811
85
- Remains of the Priory, Beeston Regis
- 1810
86
- Cottage Scene Near Colchester, Essex
- 1797
87
- Cottage Scene Near Colchester, Essex
- 1797
88
- Design for Title Page
- undated
89
- Testi di Madoqua (Antelope Head and Skulls)
- undated
90
- Postiglione Inglese
- 1772
91
- Beeston Priory, Beeston Regis
- between 1810 and 1811
92
- The Royal Palace of Windsor
- 1745
93
- Shadwell by the Ship Inn
- undated
94
- A Valley
- between 1775 and 1780
95
- Farm Buildings
- undated
96
- Study of Caryatides for Statue of Sir Thomas of Monro
- 1806
97
- Coffea arabica L. (Arabica Coffee): finished drawing of leafy shoot and berries
- ca. 1768
98
- A Distant View of Ampthill Park
- 1825
99
- Study of a Seated Woman
- undated
100
- The Coal Wharf, Oxford
- 1792