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Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionHeight [cm] 27
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1
- Hampstead Heath, with a Bonfire
- ca. 1822
- Not on view
2
- Hadleigh Castle
- 1828 to 1829
- Not on view
3
- Landscape with a Lake
- 1808
- Not on view
4
- Landscape with a Castle
- ca. 1808
- Not on view
5
- Chelsea Pensioners Receiving the Gazette Announcing the Battle of Waterloo
- ca. 1819
- Not on view
6
- A Wherry Taking Passengers out to Two Anchored Packets
- 1825
- Not on view
7
- Joshua Rose of Liverpool
- ca. 1795
- Not on view
8
- Still Life with a Prayer Book, Shawl, Vase of Flowers and Inkwell
- late 1920s
- Not on view
9
- A Setter at the Edge of a Wood
- between 1775 and 1785
- Not on view
10
- The Only Child; The Jew's Harp; The Cut Finger; Blind Man's Buff; The Rent Day; The Scotch Piper; The Prieu-Dieu; and Self Portrait: A Sketch of the Eight Paintings Framed and Hanging on a Wall
- undated
- Not on view
11
- Dutch Sailing Vessels
- 1814
- Not on view
12
- The Passing of the Great Emancipation Act
- ca. 1829
- Not on view
13
- Study of a Groom, Seen from Behind
- ca. 1820
- Not on view
14
- The Quorn Hunt: a Sketch of the Artist and his Friends Moving Off
- ca. 1825
- Not on view
15
- The Pink Jockey
- ca. 1950
- Not on view
16
- After the Race
- 1875
- Not on view
17
- Polo Pony: Perfection
- cast 1963 (original model 1933)
- Not on view
18
- Mumtaz-Mahal
- 1957
- Not on view
19
- The Horse Mart (Barbican No. 1)
- 1920
20
- Ancient Trees, Lullingstone Park
- 1828
21
- Wilmot's Hill, Kent
- ca. 1851
22
- Sunset
- ca. 1861
23
- A Cow Lodge with a Mossy Roof
- ca. 1829
24
- Old Cedar Tree in Botanic Garden, Chelsea
- 1854
25
- A Moonlit Scene with a Winding River
- ca. 1827
26
- Study of a Pilgrim
- undated
27
- The Bellman
- 1879
28
- The Homeward Star
- etching begun ca. 1880; impression printed in 1924
29
- Opening the Fold
- 1880
30
- Human Skeleton, Lateral View
- 1795 to 1806
31
- Dorking Hen Skeleton, Lateral View (Probably prepared for an unpublished key figure)
- 1795 to 1806
32
- Dorking Hen, Lateral View
- 1795 to 1806
33
- Tiger Body, Lateral View (Shows the third stage in dissection)
- 1795 to 1806
34
- Tiger Body, Standing in Human Posture
- 1795 to 1806
35
- Dorking Hen Body, Lateral View (Study of the muscles of the body and limbs at a later stage of dissection)
- 1795 to 1806
36
- Benjamin Read
- ca. 1757
37
- Glaucus and Scylla
- between 1813 and 1823
38
- On the Washburn
- ca. 1815
39
- Calm
- 1812
40
- Bonneville, Savoy
- 1816
41
- The Fifth Plague of Egypt
- 1808
42
- The Stork and Aqueduct
- between 1813 and 1823
43
- Interior of a Church
- 1819
44
- Bonneville, Savoy
- 1816
45
- Ville de Thun, Switzerland
- 1816
46
- River Wye
- 1812
47
- Rispah: 2nd Book of Samuel, Chap. 21
- 1812
48
- Basle
- 1807
49
- Bridge and Cows
- 1807
50
- Dumblain Abbey, Scotland
- 1816
51
- Mer de Glace, Valley of Chamouni, Savoy
- 1812
52
- Lauffenbourgh on the Rhine
- 1811
53
- Windmill and Lock
- 1811
54
- Junction of Severn and Wye
- 1811
55
- Ships in a Breeze
- 1808
56
- Mt. St. Gothard
- 1808
57
- The Woman and Tambourine
- 1807
58
- The Source of the Arveron in the Valley of Chamouni, Savoy
- 1816
59
- Calm
- 1812
60
- The Crypt of Kirkstall Abbey
- 1812
61
- Scene in the Campagna
- 1812
62
- Morpeth, Northumberland
- 1809
63
- Abraham and Isaac
- 1799 to 1800
64
- Five Visionary Heads of Women
- 1819 to 1820
![William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]](https://media.collections.yale.edu/thumbnail/ycba/00209487-ff25-46ae-91cc-38bc88575a05)
65
- Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
- 1827
66
- Illustrations to Dante's Divine Comedy
- 1827
67
- Architectural Drawing of a Stone Relief, Depicting a Bird of Prey
- 1802-1804
68
- Study of the Capital of a PIllar
- 1802-1804
69
- Study of the Capital of a Pillar
- 1802-1804
70
- Gateway in the Ruins of the Ancient Walls of Arpino
- 1802-1804
71
- Ruins at Capua
- 1802-1804
72
- View From Cori Towards Villetri
- 1802-1804
73
- Sketch of a Window and Arches of the Nave in the Church of St. Wensceslas in Prague
- 1802-1804
74
- Ioannes Snellincx
- ca. 1635
75
- Aubertus Miræus
- ca. 1635
76
- Henricus Steenwyck
- ca. 1635
77
- Greenland Fishery
- 1754
78
- A Small Breeze
- 1753
79
- Morning
- 1753
80
- Evening
- 1755
81
- Noon
- 1753
82
- Night
- 1756
83
- Lady Pointing with a Stick
- 1782
84
- Hadleigh Castle, Large Plate
- 1830 to 1832
85
- A Mill
- 1830
86
- Shields on the River Tyne
- 1823
87
- The Black Tower Norwich
- between 1810 and 1811
88
- West Tower, Wymondham Church
- 1810
89
- Sketch at Mulbarton
- between 1810 and 1811
90
- Remains of the Priory, Beeston Regis
- 1810
91
- Cottage Scene Near Colchester, Essex
- 1797
92
- Cottage Scene Near Colchester, Essex
- 1797
93
- Design for Title Page
- undated
94
- Testi di Madoqua (Antelope Head and Skulls)
- undated
95
- Postiglione Inglese
- 1772
96
- Crowhurst, Sussex
- 1902
97
- Beeston Priory, Beeston Regis
- between 1810 and 1811
98
- The Royal Palace of Windsor
- 1745
99
- Shadwell by the Ship Inn
- undated
100
- A Valley
- between 1775 and 1780