One of George Lane Fox's Winning Greyhounds: the Black and White Greyhound Bitch, Juno, also called Elizabeth
1822
Not on view
9
George Garrard, 1760–1826
Turk, a greyhound, the property of George Lane Fox
1822
Not on view
10
Edward William Cooke, 1811–1880
Opposite my House at Barnes
1862
Not on view
11
George Jones, 1786–1869
Studies of Royal Horse Artillery Uniform, and of an A.D.C. to the Commander-in-Chief: a study for 'The Battle of Waterloo'
1815
Not on view
12
unknown artist
Tantallon Castle (?), a study
ca. 1830
Not on view
13
unknown artist
Upright Landscape
ca. 1830
Not on view
14
Gwen John, 1876–1939
Rue Terre Neuve, Meudon
between 1915 and 1925
Not on view
15
John Varley, 1778–1842
A View along the Thames towards Chelsea Old Church
between 1810 and 1815
Not on view
16
George Morland, 1763–1804
A Woman, possibly Anne (née Ward) Morland, Wife of the Artist
ca. 1795
Not on view
17
John Webber, 1752–1793
Burial Ground in the South Seas
ca. 1777
Not on view
18
George Chinnery, 1774–1852
Men Round the Food Vendor’s Stall
after 1825
Not on view
19
James Ward, 1769–1859
Gloucestershire Old Spot
between 1800 and 1805
Not on view
20
George Chinnery, 1774–1852
A Man Carrying Faggots
ca. 1799
Not on view
21
Richard Dadd, 1817–1886
Caravanserai at Mylasa in Asia Minor
1845
Not on view
22
Edward Brian Seago, 1910–1974
Low Tide, Honfleur
undated
Not on view
23
William Linton, 1791–1876
Cottages by a River
ca. 1845
Not on view
24
George Morland, 1763–1804
Old horses with a dog in a stable
ca. 1791
Not on view
25
Attributed to John Hamilton Mortimer, 1740–1779
Man attacking a monster
between 1770 and 1780
Not on view
26
John Linnell, 1792–1882
Shepherd Boy Playing a Flute
1831
Not on view
27
Herbert Haseltine, 1877–1962
The Thoroughbred Horse: Composite Type
cast 1963 (original model 1925)
Not on view
28
Print made by Samuel Palmer, 1805–1881
The Sleeping Shepherd
1857
29
Print made by Samuel Palmer, 1805–1881
The Weary Ploughman
1858
30
Print made by Samuel Palmer, 1805–1881
The Herdsman's Cottage
1850
31
Print made by Samuel Palmer, 1805–1881
The Vine
1852
32
Samuel Palmer, 1805–1881
Mountains by the Traveller's Rest near Dolgelly
1835
33
John Constable, 1776–1837
Salisbury Cathedral From the Meadows
1829
34
John Constable, 1776–1837
Fulham Church from across the River
1818
35
John Constable, 1776–1837
Trees in a Meadow
ca. 1805
36
Robert Polhill Bevan, 1865–1925
Study for the Horse Dealers
ca. 1917
37
William Hogarth, 1697–1764
Operation Scene in a Hospital with Subsidiary Sketches in the Margin at the Lower Right
undated
38
Etched by Joseph Mallord William Turner, 1775–1851
Chain of Alps from Grenoble to Chamberi
1812
39
Etched by Joseph Mallord William Turner, 1775–1851
River Wye
1812
40
Etched by Joseph Mallord William Turner, 1775–1851
Solitude
1814
41
Print made by Joseph Mallord William Turner, 1775–1851
Entrance of Calais Harbour
1816
42
Etched by Joseph Mallord William Turner, 1775–1851
Norham Castle on the Tweed
1816
43
Etched by Joseph Mallord William Turner, 1775–1851
Ville de Thun, Switzerland
1816
44
Print made by Joseph Mallord William Turner, 1775–1851
The Source of the Arveron in the Valley of Chamouni, Savoy
1816
45
Etched by Joseph Mallord William Turner, 1775–1851
Tenth Plague of Egypt
1816
46
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
47
Etched by Joseph Mallord William Turner, 1775–1851
Dunstanborough Castle
1808
48
Etched by Joseph Mallord William Turner, 1775–1851
Young Anglers
1811
49
Etched by Joseph Mallord William Turner, 1775–1851
Flint Castle, Vessels Unloading
1807
50
Etched by Joseph Mallord William Turner, 1775–1851
Mt. St. Gothard
1808
51
Print made by Joseph Mallord William Turner, 1775–1851
The Drawing of the Clyde
1809
52
Print made by Joseph Mallord William Turner, 1775–1851
Hind Head Hill
1811
53
Etched by Joseph Mallord William Turner, 1775–1851
The Mildmay Sea-Piece
1812
54
Etched by Joseph Mallord William Turner, 1775–1851
Winchelsea, Sussex
1812
55
Etched by Joseph Mallord William Turner, 1775–1851
The Bridge and Goats
1812
56
Print made by Joseph Mallord William Turner, 1775–1851
Procris and Cephalus
1812
57
Print made by Joseph Mallord William Turner, 1775–1851
Calm
1812
58
Etched by Joseph Mallord William Turner, 1775–1851
Sheep-Washing, Windsor
between 1813 and 1823
59
Etched by Joseph Mallord William Turner, 1775–1851
Dunstanborough Castle
1808
60
Joseph Mallord William Turner, 1775–1851
St. Catherine's Hill, Guildford, Surrey
1830
61
Joseph Mallord William Turner, 1775–1851
Barnard Castle, Durham
ca. 1825
62
Joseph Mallord William Turner, 1775–1851
Fluelen: Morning (Looking towards the Lake)
1845
63
Etched by Joseph Mallord William Turner, 1775–1851
London from Greenwich
1811
64
Print made by William Blake, 1757–1827
The First Book of Urizen, Title Page (Plate 1)
1794
65
Print made by William Blake, 1757–1827
Chapter I, "Lo, a shadow of horror is risen..." (Plate 3)
1794
66
Print made by William Blake, 1757–1827
Chapter II, "Muster around the bleak desarts..." (Plate 4)
1794
67
Print made by William Blake, 1757–1827
Preludium. "Of the primeval Priests assum'd power..." (Plate 2b)
1794
68
Print made by William Blake, 1757–1827
Urizen Swims through Dark Waters (Plate 5)
1794
69
Print made by William Blake, 1757–1827
Chapter III, "As the stars are apart from the earth..." (Plate 7)
1794
70
Print made by William Blake, 1757–1827
"In living creations appear'd..." (Plate 6)
1794
71
Print made by William Blake, 1757–1827
Urizen (Plate 8)
1794
72
Print made by William Blake, 1757–1827
Chapter IV, "Ages on ages roll'd over him..." (Plate 9)
1794
73
Print made by William Blake, 1757–1827
Chapter IV, "From the caverns of his jointed spine..." (Plate 10)
1794
74
Print made by William Blake, 1757–1827
Chapter V, "Two Nostrils bent down to the deep..." (Plate 11)
1794
75
Print made by William Blake, 1757–1827
Fettered Urizen Weeping (Plate 12)
1794
76
Print made by William Blake, 1757–1827
Chapter V, "Thus the Eternal Prophet was divided..." (Plate 13)
1794
77
Print made by William Blake, 1757–1827
Urizen (Plate 14)
1794
78
Print made by William Blake, 1757–1827
"They call'd her Pity, and fled..." (Plate 17)
1794
79
Print made by William Blake, 1757–1827
Chapter V, "The globe of life blood trembled..." (Plate 15)
1794
80
Print made by William Blake, 1757–1827
From a Globe of Blood Rises Enitharmon (Plate 16)
1794
81
Print made by William Blake, 1757–1827
Chapter VII, "Stretch'd for a work of eternity..." (Plate 19)
1794
82
Print made by William Blake, 1757–1827
Los with the child Orc and Enitharmon (Plate 18)
1794
83
Print made by William Blake, 1757–1827
Chapter VIII, "Of life on his forsaken mountains..." (Plate 20)
1794
84
Print made by William Blake, 1757–1827
Urizen (Plate 21)
1794
85
Print made by William Blake, 1757–1827
Urizen (Plate 22)
1794
86
Print made by William Blake, 1757–1827
"The Ox in the slaughter house moans..." (Plate 23)
1794
87
Print made by William Blake, 1757–1827
Praying Child and Howling Dog (Plate 24)
1794
88
Print made by William Blake, 1757–1827
Chapter IX, "They lived a period of years..." (Plate 25)
1794
89
Print made by William Blake, 1757–1827
Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
1794
90
Prints made by William Blake, 1757–1827
The Book of Thel
1789
91
George Romney, 1734–1802
Seated Woman Feeding a Dog
late 1770s
92
unknown artist
A View of the French Raft, as seen Afloat at St. Maloes, in February 1798. The machine is 600 Feet long and 300 broad, mounts 500 pieces of Cannon, 36 &48 pounders, and is to convey 15,000 Troops & for the Invasion of England
1798
93
unknown artist
A View of Gravesend in Kent, with Troops Passing the Thames to Tilbury Fort
ca. 1760
94
Robert Smirke, 1752–1845
Virgilia and Volumnia Plead with Coriolanus
ca. 1795
95
Print made by James Charles Armytage, 1802–1897
Eastnor Castle
ca. 1835
96
Print made by John Le Keux, 1783–1846
St Martin-in-the-Fields, London: Elevation and Section
undated
97
Robert Smirke, 1752–1845
Untitled: Alnaschar's Vision
98
Robert Smirke, 1752–1845
Hesper Appearing to Columbus in Prison
99
Paul Sandby, 1731–1809
Views in the Levant: The Sacred Cave of Archidamus
ca. 1785
100
Luigi Balugani, 1737–1770
Otostegia tomentosa: outline sketch of flowering stem with details of flowers and leaf