Credit Line: Yale Center for British Art, Paul Mellon Collection / Height [cm]: 32 / Subject Terms: men

1. Shipwreck

Creator:: Francis Danby, 1793–1861
Date:: ca. 1850
Materials & Techniques:: Oil on canvas
Dimensions:: 12 1/2 x 16 inches (31.8 x 40.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. Mail Coaches on the Road: the Louth-London Royal Mail progressing at Speed

Creator:: Charles Cooper Henderson, 1803–1877
Date:: between 1820 and 1830
Materials & Techniques:: Oil on canvas
Dimensions:: 12 3/4 x 20 3/4 inches (32.4 x 52.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. Mail Coaches on the Road: the `Quicksilver' Devonport-London Royal Mail about to Start with a new Team (The Devonshire to London Coach)

Creator:: Charles Cooper Henderson, 1803–1877
Date:: between 1820 and 1830
Materials & Techniques:: Oil on canvas
Dimensions:: 12 3/4 x 20 3/4 inches (32.4 x 52.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. Saint Vincents, near West Malling, Kent

Creator:: Dominic Serres, 1722–1793
Date:: ca. 1779
Materials & Techniques:: Oil on canvas
Dimensions:: 12 1/2 × 18 inches (31.8 × 45.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

5. Fishing Smack and Other Vessels in a Strong Breeze

Creator:: Joseph Stannard, 1797–1830
Date:: 1830
Materials & Techniques:: Oil on panel
Dimensions:: 12 3/4 x 17 inches (32.4 x 43.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

6. An Action between English Ships and Barbary Corsairs

Creator:: Willem van de Velde the Younger, 1633–1707
Date:: ca. 1695
Materials & Techniques:: Oil on canvas
Dimensions:: 12 5/8 x 19 3/8 inches (32.1 x 49.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

7. A West Indian Flower Girl and Two other Free Women of Color

Creator:: Agostino Brunias, 1728–1796
Date:: ca. 1769
Materials & Techniques:: Oil on canvas
Dimensions:: 12 1/2 x 9 3/4 inches (31.8 x 24.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

8. Landscape with Horse and Oxen Cart

Creator:: Philippe-Jacques de Loutherbourg, 1740–1812
Date:: 1770 to 1780
Materials & Techniques:: Oil on panel
Dimensions:: 12 1/2 × 18 3/4 inches (31.8 × 47.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

9. Ship on Fire at Night

Creator:: Charles Brooking, 1723–1759
Date:: ca. 1756
Materials & Techniques:: Oil on canvas
Dimensions:: 12 1/2 x 17 inches (31.8 x 43.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

10. Europe. A Prophecy; Frontispiece

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1820
Materials & Techniques:: Relief and white-line etching printed in brown ink; proof; verso: color printed relief etching with pen and ink; proof on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 1/2 x 9 1/4 inches (31.8 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Study of a Woman, being Taken Away by a Winged Being

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Pen and brown ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 2 1/2 × 4 7/16 inches (6.4 × 11.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Hotel de Sens, Paris

Creator:: Print made by Thomas Shotter Boys, 1803–1874
Date:: 1830
Materials & Techniques:: Soft-ground etching on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 19 1/2 x 13 1/8 inches (49.5 x 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Front of the New Mills

Creator:: Print made by John Crome, 1768–1821
Date:: 1813
Materials & Techniques:: Etching with chine collé on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/2 x 17 3/8 inches (31.8 x 44.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. The Fire in H.M. Dockyard at Devonport on the Morning of the 27th of September 1840

Creator:: Print made by William Clerk, ? 19th c.
Date:: after 1840
Materials & Techniques:: Hand-colored lithograph on moderately thick, smooth, beige card
Dimensions:: Sheet: 15 3/16 x 18 3/4 inches (38.6 x 47.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Back of the New Mills, Norwich

Creator:: Print made by John Crome, 1768–1821
Date:: 1812
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 3/8 x 16 3/4 inches (31.5 x 42.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Donnybrook Fair, 1782

Creator:: Francis Wheatley, 1747–1801
Date:: 1782
Materials & Techniques:: Black ink with watercolor on medium, smooth, cream laid paper
Dimensions:: Sheet: 12 5/8 x 21 1/2 inches (32.1 x 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. A View from Richmond Hill Up the River

Creator:: Charles Grignion, 1717–1810
Date:: 1794
Materials & Techniques:: Line engraving and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 7/16 x 18 1/16 inches (31.6 x 45.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Banditti

Creator:: Joseph Haynes, 1760–1829
Date:: 1780
Materials & Techniques:: Etching and stipple engraving on thick, slightly textured, beige laid paper
Dimensions:: Sheet: 13 7/8 × 13 3/8 inches (35.2 × 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. The Ceiling in the Banqueting House at Whitehall

Creator:: Print made by Simon Gribelin, 1662–1733
Date:: ca. 1720
Materials & Techniques:: Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 7/16 × 18 5/16 inches (31.6 × 46.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Marine Study No. 2

Creator:: Print made by Pierre Charles Canot, ca. 1710–1777
Date:: 1773
Materials & Techniques:: Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 1/2 x 14 inches (31.8 x 35.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Marine Study No. 3

Creator:: Print made by Pierre Charles Canot, ca. 1710–1777
Date:: 1773
Materials & Techniques:: Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 9/16 x 14 1/16 inches (31.9 x 35.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Two Monks

Creator:: Print made by James Bretherton, ca. 1730–1806
Date:: 1774
Materials & Techniques:: Soft-ground etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 3/4 x 10 3/16 inches (32.4 x 25.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Eight Rural Subjects

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, etching, stipple engraving and color woodcut on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 1/2 × 11 3/16 inches (31.8 × 28.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. The Day of Judgment

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808, published 1813
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. The Village of Kirkstall, Yorkshire

Creator:: Thomas Girtin, 1775–1802
Date:: 1801
Materials & Techniques:: Watercolor with pen and black and brown ink over graphite on moderately thick, rough, beige wove paper
Dimensions:: Sheet: 12 7/16 x 19 1/4 inches (31.6 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Englishman at Paris, 1767

Creator:: Print made by James Bretherton, ca. 1730–1806
Date:: 1799
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 7/16 x 18 7/8 inches (36.7 x 48 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Eight colour prints

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, etching, stipple engraving and color woodcut on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 5/8 × 11 inches (32 × 28 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. A Perspective View of the Magnificent Structure, erected in the Green Park for the Royal Fireworks exhibited the 27 of April 1749, on account of the General Peace

A Perspective View of the Magnificent Structure, erected in the Green Park for the Royal Fireworks exhibited the 27 of April 1749, on account of the General Peace

Creator:: unknown artist
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 10 1/8 × 16 inches (25.7 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. A View in the Elysian Fields, from the Spring of Helicon in the Gardens of Earl Temple at Stow, in Buckinghamshire

Creator:: George Bickham the Elder, 1683/4–1758
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 12 1/2 x 18in. (31.8 x 45.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. A View of the Back Front of the House, & part of the Garden of the Earl of Burlington at Chiswick; with a distant View of the Orangery, Greenhouse, Inigo Jones's Gate, & c.

A View of the Back Front of the House, & part of the Garden of the Earl of Burlington at Chiswick; with a distant View of the Orangery, Greenhouse, Inigo Jones's Gate, & c.

Creator:: unknown artist
Materials & Techniques:: Hand-colored engraving on laid paper
Dimensions:: Plate: 12 1/2 x 18in. (31.8 x 45.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Village of Secoton, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 38 A]

Creator:: Mrs. P. D. H. Page, 20th century
Date:: undated
Materials & Techniques:: Watercolor, with pen in black ink, over graphite, with gouache on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 12 1/2 × 7 9/16 inches (31.8 × 19.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. The Inside View of the Royal Exchange at London

Creator:: Print made by Thomas Bowles III, ca. 1712–1767
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 11 1/4 × 16 1/2 inches (28.6 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. "The Poacher's Progress:" Poachers Scuffling with the Constables in the Skittle Ground

Creator:: C. Blake, active 1825–1826
Date:: undated
Materials & Techniques:: Graphite, watercolor, and varnish on very thick, moderately textured, brown wove paper
Dimensions:: Sheet: 12 11/16 × 17 5/8 inches (32.2 × 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. The Royal Palace of Windsor

Creator:: unknown artist
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 11 × 16 1/2 inches (27.9 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. A Prospect of the Parliament House, in College Green, Dublin

Creator:: unknown artist
Materials & Techniques:: Hand-colored engraving on laid paper
Dimensions:: Plate: 9 3/4 × 15 1/2 inches (24.8 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. A View of the Palace of Triano towards the Flower Garden

Creator:: unknown artist
Date:: between 1780 and 1815
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 9 3/4 × 16 1/4 inches (24.8 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. A Front View of the Church of Madonna della Salute belonging to the Regulars of the Congregation of Somascha with their Monastry Situate on the Grand Canal of Venice

A Front View of the Church of Madonna della Salute belonging to the Regulars of the Congregation of Somascha with their Monastry Situate on the Grand Canal of Venice

Creator:: Print made by Remi Parr, 1743–after 1750
Date:: between 1780 and 1815
Materials & Techniques:: Hand-colored engraving
Dimensions:: Sheet: 12 1/2 x 18in. (31.8 x 45.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. The Great Place or Square of St. Mark as seen from the Great Clock. On the left side is the Portal of St. Marks Church. The magnificent Building on the side in front are the dwellings of the Procurators of St. Mark

The Great Place or Square of St. Mark as seen from the Great Clock. On the left side is the Portal of St. Marks Church. The magnificent Building on the side in front are the dwellings of the Procurators of St. Mark

Creator:: Print made by Nathaniel Parr, active 1742–1751
Date:: between 1780-1815
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 11 1/2 × 15 3/4 inches (29.2 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Five People Praying

Creator:: Louisa Augusta Greville, 1743–active 1762
Date:: 1760
Materials & Techniques:: Etching in brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 9/16 x 18 1/4 inches (31.9 x 46.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Foxhunting: Unkennelling the Pack

Creator:: Edwin W. Cooper of Beccles, 1785–1833
Date:: 1816
Materials & Techniques:: Watercolor, pen and ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 11/16 × 19 3/16 inches (32.2 × 48.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. "The Poacher's Progress:" Poachers Before the Magistrates

Creator:: C. Blake, active 1825–1826
Date:: undated
Materials & Techniques:: Graphite, watercolor, and varnish on very thick, moderately textured, brown wove paper
Dimensions:: Sheet: 12 3/4 × 17 5/8 inches (32.4 × 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Foxhunting: The Death

Creator:: Edwin W. Cooper of Beccles, 1785–1833
Date:: 1816
Materials & Techniques:: Watercolor, pen and gray ink, black ink, and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 12 5/8 × 19 1/8 inches (32.1 × 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Foxhunting: Full Cry

Creator:: Edwin W. Cooper of Beccles, 1785–1833
Date:: 1816
Materials & Techniques:: Watercolor, pen and black ink, gray ink, brown ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 5/8 × 19 3/16 inches (32.1 × 48.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Foxhunting: Near the Death

Creator:: Edwin W. Cooper of Beccles, 1785–1833
Date:: 1816
Materials & Techniques:: Watercolor, pen and black ink, brown ink, gray ink, and graphite on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 12 5/8 × 19 3/16 inches (32.1 × 48.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Foxhunting: The Kill

Creator:: John Wootton, 1682–1764
Date:: undated
Materials & Techniques:: Pen and black ink, over graphite, with gray wash on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 12 3/4 × 18 1/2 inches (32.4 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. How to Vault in the Saddle

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1813
Materials & Techniques:: Watercolor, pen and brown ink, gray ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 13 x 10 3/4 inches (33 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. An Old Hanse Town

Creator:: Print made by Axel Herman Haig, 1835–1921
Date:: undated
Materials & Techniques:: Drypoint and etching on thick, smooth, beige wove paper
Dimensions:: Sheet: 12 7/16 × 9 1/16 inches (31.6 × 23 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Franciscus Bartolozzi

Creator:: Print made by Jacques Bouillard, 1744–1806
Date:: undated
Materials & Techniques:: Line engraving and etching on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 13 7/16 × 8 7/8 inches (34.1 × 22.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Goodrich Castle on the Wye

Creator:: Thomas Hearne, 1744–1817
Date:: ca. 1785
Materials & Techniques:: Watercolor, pen and black ink, gouache, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Contemporary drawn border: 11 × 14 1/2 inches (27.9 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. The Beach at Charmouth

Creator:: John Baverstock Knight, 1785–1859
Date:: undated
Materials & Techniques:: Watercolor with pen and brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/2 × 19 7/8 inches (31.8 × 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Britannia in Distress

Creator:: Anthony Walker, 1726–1765
Date:: 1756
Materials & Techniques:: Pen and gray ink, gray wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 5/8 × 8 1/2 inches (32.1 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. But Deliver Us From Evil

Creator:: John Flaxman, 1755–1826
Date:: 1805
Materials & Techniques:: Graphite, gray ink, and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 1/2 x 7 5/8 inches (31.8 x 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. The Stoning of St. Stephen

Creator:: Imitator of John Michael Rysbrack, 1694–1770
Date:: undated
Materials & Techniques:: Pen and brown ink, brown wash and white gouache on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 12 1/2 × 20 1/8 inches (31.8 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. St. Vincent's Rock, Clifton, Bristol with Hotwell's Spring House in the Distance

Creator:: Francis Wheatley, 1747–1801
Date:: undated
Materials & Techniques:: Watercolor with pen and black ink on medium, smooth, cream laid paper
Dimensions:: Contemporary drawn border: 12 1/2 x 16 5/8 inches (31.8 x 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. A Village Snow Scene

Creator:: Robert Hills, 1769–1844
Date:: 1819
Materials & Techniques:: Watercolor and gouache over graphite with scraping out on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 5/8 x 16 15/16 inches (32 x 43.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Ghent: Street with Figures, Leading Up to the Cathedral

Creator:: William Frome Smallwood, 1806–1834
Date:: 1832
Materials & Techniques:: Graphite and watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 5/8 × 9 5/8 inches (32.1 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. The House of Commons

Creator:: Sir James Thornhill, 1675–1734
Date:: after 1731
Materials & Techniques:: Pen and brown ink and brown wash with graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 1/2 x 6 1/2 inches (31.8 x 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Rochester, Kent: from the North

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1790
Materials & Techniques:: Watercolor with pen and black ink over graphite on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 17 5/16 x 23 inches (44 x 58.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Flannel-Armour; Female-Patriotism, -or- Modern Heroes Accoutred for the Wars

Creator:: Print made by James Gillray, 1756–1815
Date:: 1793
Materials & Techniques:: Etching, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/2 × 14 3/8 inches (31.7 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. The Abbey Mill, Knaresborough

Creator:: Thomas Girtin, 1775–1802
Date:: 1801
Materials & Techniques:: Watercolor, graphite, and white gouache with scratching out on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 12 11/16 x 20 11/16 inches (32.2 x 52.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Sandsend, Yorkshire

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Watercolor over graphite on thick, moderately textured, beige laid paper
Dimensions:: Sheet: 12 1/2 x 20 7/8 inches (31.8 x 53 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. The Royal Palace of St. James's next the Park

Creator:: unknown artist
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 11 × 16 3/4 inches (27.9 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. The Chinese House, the Rotunda, & the Company in Masquerade in Renelagh Gardens

Creator:: Thomas Bowles III, ca. 1712–1767
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 11 1/2 × 16 inches (29.2 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. The Inside View of King Henry VII Chappel, in Westminster Abby

Creator:: unknown artist
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 11 × 16 3/4 inches (27.9 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. The Inside of St. Paul's Cathedral from the West End to the Choir

Creator:: unknown artist
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 11 1/2 × 17 inches (29.2 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. The Inthronization of their Majesties also a View of the West End of the Choir of St. Peters in Westminster, and of the manner of Placing and Seating the Company in that Part of the Choir

The Inthronization of their Majesties also a View of the West End of the Choir of St. Peters in Westminster, and of the manner of Placing and Seating the Company in that Part of the Choir

Creator:: Print made by unknown artist
Date:: 1687
Materials & Techniques:: Line engraving with hand coloring on wove paper
Dimensions:: Plate: 11 1/8 × 9 1/8 inches (28.3 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Lord Harrington Leaving Mother Matthew's

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Pen and brown ink over graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 9 1/8 x 11 11/16 inches (23.2 x 29.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. A Tub Thumper

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1817 and 1820
Materials & Techniques:: Watercolor with pen and brown, red-brown and gray ink over graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 12 1/2 x 9 1/4 inches (31.8 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. The English Lady at Paris

Creator:: Samuel Hieronymus Grimm, 1733–1794
Date:: 1771
Materials & Techniques:: Gray wash with black ink over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 1/2 x 9 5/8 inches (31.8 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Credit Line Yale Center for British Art, Paul Mellon Collection

Height [cm] 32

Subject Terms men

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1. Shipwreck

2. Mail Coaches on the Road: the Louth-London Royal Mail progressing at Speed

3. Mail Coaches on the Road: the `Quicksilver' Devonport-London Royal Mail about to Start with a new Team (The Devonshire to London Coach)

4. Saint Vincents, near West Malling, Kent

5. Fishing Smack and Other Vessels in a Strong Breeze

6. An Action between English Ships and Barbary Corsairs

7. A West Indian Flower Girl and Two other Free Women of Color

8. Landscape with Horse and Oxen Cart

9. Ship on Fire at Night

10. Europe. A Prophecy; Frontispiece

11. Study of a Woman, being Taken Away by a Winged Being

12. Hotel de Sens, Paris

13. Front of the New Mills

14. The Fire in H.M. Dockyard at Devonport on the Morning of the 27th of September 1840

15. Back of the New Mills, Norwich

16. Donnybrook Fair, 1782

17. A View from Richmond Hill Up the River

18. Banditti

19. The Ceiling in the Banqueting House at Whitehall

20. Marine Study No. 2

21. Marine Study No. 3

22. Two Monks

23. Eight Rural Subjects

24. The Day of Judgment

25. The Village of Kirkstall, Yorkshire

26. Englishman at Paris, 1767

27. Eight colour prints

28. A Perspective View of the Magnificent Structure, erected in the Green Park for the Royal Fireworks exhibited the 27 of April 1749, on account of the General Peace

29. A View in the Elysian Fields, from the Spring of Helicon in the Gardens of Earl Temple at Stow, in Buckinghamshire

30. A View of the Back Front of the House, & part of the Garden of the Earl of Burlington at Chiswick; with a distant View of the Orangery, Greenhouse, Inigo Jones's Gate, & c.

31. Village of Secoton, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 38 A]

32. The Inside View of the Royal Exchange at London

33. "The Poacher's Progress:" Poachers Scuffling with the Constables in the Skittle Ground

34. The Royal Palace of Windsor

35. A Prospect of the Parliament House, in College Green, Dublin

36. A View of the Palace of Triano towards the Flower Garden

37. A Front View of the Church of Madonna della Salute belonging to the Regulars of the Congregation of Somascha with their Monastry Situate on the Grand Canal of Venice

38. The Great Place or Square of St. Mark as seen from the Great Clock. On the left side is the Portal of St. Marks Church. The magnificent Building on the side in front are the dwellings of the Procurators of St. Mark

39. Five People Praying

40. Foxhunting: Unkennelling the Pack

41. "The Poacher's Progress:" Poachers Before the Magistrates

42. Foxhunting: The Death

43. Foxhunting: Full Cry

44. Foxhunting: Near the Death

45. Foxhunting: The Kill

46. How to Vault in the Saddle

47. An Old Hanse Town

48. Franciscus Bartolozzi

49. Goodrich Castle on the Wye

50. The Beach at Charmouth

51. Britannia in Distress

52. But Deliver Us From Evil

53. The Stoning of St. Stephen

54. St. Vincent's Rock, Clifton, Bristol with Hotwell's Spring House in the Distance

55. A Village Snow Scene

56. Ghent: Street with Figures, Leading Up to the Cathedral

57. The House of Commons

58. Rochester, Kent: from the North

59. Flannel-Armour; Female-Patriotism, -or- Modern Heroes Accoutred for the Wars

60. The Abbey Mill, Knaresborough

61. Sandsend, Yorkshire

62. The Royal Palace of St. James's next the Park

63. The Chinese House, the Rotunda, & the Company in Masquerade in Renelagh Gardens

64. The Inside View of King Henry VII Chappel, in Westminster Abby

65. The Inside of St. Paul's Cathedral from the West End to the Choir

66. The Inthronization of their Majesties also a View of the West End of the Choir of St. Peters in Westminster, and of the manner of Placing and Seating the Company in that Part of the Choir

67. Lord Harrington Leaving Mother Matthew's

68. A Tub Thumper

69. The English Lady at Paris