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Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionHeight [cm] 35
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1
- July 15 1949 (St Ives harbour)
- 1949
- Not on view
2
- Elizabeth Bridgman (née Walton)
- between 1771 and 1775
- Not on view
3
- Studies of a Fox, a Barn Owl, a Peahen, and the Head of a Young Man
- ca. 1815
- Not on view
4
- A Barge with a Wounded Soldier
- early 19th century
- Not on view
5
- Young Woman Holding a Cat
- ca. 1920
- Not on view
6
- Colonel Alexander Popham, of Littlecote, Wiltshire
- between 1660 and 1665
- Not on view
7
- Vegetable Seller, Covent Garden
- ca. 1726
- Not on view
8
- The London-Manchester Stage Coach, “the Peveril of the Peak,” outside the Peacock Inn, Islington
- 1835
- Not on view
9
- Indian Landscape with Temple Ruins
- 1820
- Not on view
10
- Hilly Landscape in India
- ca. 1820
- Not on view
11
- Augustus Wall Callcott, R.A
- 1847
- Not on view
12
- Horse Studies in Relief, after George Stubbs
- modeled 1788–1789
- Not on view
13
- Helmet Head, No. 3
- 1960
- Not on view
14
- Sale at Ward's Repository, No. 2
- ca. 1918
15
- The Horse Mart
- ca. 1917
16
- Timber Hauling
- ca. 1917
17
- The Horse Mart (with further sketches in the margin)
- ca. 1918
18
- Ivy Cottage, Shoreham
- undated
19
- Tygers at Play
- 1780
20
- Tiger Body, Lateral View
- 1795 to 1806
21
- Wooded Slope with a Receding Road
- ca. 1805
22
- The Caller at the Mill, with sketches outside margin
- 1918-1919
23
- Fields Farm, Clayhidon
- 1917
24
- Study for Hay Carts, Cumberland Market
- ca. 1915
25
- The Meet
- between 1901 and 1925
26
- Visions of the Daughters of Albion; Frontispiece (Plate 1)
- 1793
27
- Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)
- 1793
28
- "And none but Bromian can hear my lamentations..." (Plate 6)
- 1793
29
- Visions of the Daughters of Albion; Title Page (Plate 2)
- 1793
30
- "But when the morn arose, her lamentation renewd..." (Plate 8)
- 1793
31
- "In happy copulation; if in evening mild, wearied with work..." (Plate 10)
- 1793
32
- For the Sexes: The Gates of Paradise, Title Page (Plate 1)
- 1826
33
- "My son! my Son!" (Plate 10)
- 1826
34
- "I want! I want!" (Plate 11)
- 1826
35
- "Help! Help!" (Plate 12)
- 1826
36
- Aged Ignorance (Plate 13)
- 1826
37
- "Does thy God O Priest take such vengeance as this?" (Plate 14)
- 1826
38
- "Fear & hope are -- Vision" (Plate 15)
- 1826
39
- "The Traveller hasteth in the Evening" (Plate 16)
- 1826
40
- Death's Door (Plate 17)
- 1826
41
- "I have said to the Worm: Thou art my mother & my sister" (Plate 18)
- 1826
42
- "To The Accuser who is The God of This World..." (Plate 19)
- 1826
43
- "What is Man!"; Frontispiece (Plate 2)
- 1826
44
- "He meets his Saviour in the Grave..." (Plate 20)
- 1826
45
- "I found him beneath a Tree" (Plate 3)
- 1826
46
- Water (Plate 4)
- 1826
47
- Earth (Plate 5)
- 1826
48
- Air (Plate 6)
- 1826
49
- Fire (Plate 7)
- 1826
50
- "At length for hatching ripe he breaks the shell" (Plate 8)
- 1826
51
- Alas! (Plate 9)
- 1826
52
- Chaucer's Canterbury Pilgrims
- 1810 to 1820
53
- For the Sexes: The Gates of Paradise, London, 1826
- 1826
54
- Visions of the Daughters of Albion: The Eye Sees More than the Heart Knows
- 1793
55
- Abu Simbel, 11-11:30 am, 8 February 1867 (374)
- 1867
56
- View of Bombay
- 1734
57
- The Fall of Agandecca
- 1783
58
- John Campbell, 2nd Duke of Argyll, 1st Duke of Greenwich
- 1700
59
- Mademoiselle Baccelli
- 1783
60
- George Anson, 1st Baron Anson
- ca.1755
61
- Studies for Armour
- undated
62
- The Birth of Venus
- ca. 1778
63
- Loranthus Heteromorphus
- undated
64
- A Band of Savoyards
- 1785
65
- William Howley, Archbishop of Canterbury
- 1839
66
- Okehampton Castle on the River Okement
- 1825
67
- Mr. Grevil Verney
- between 1680 and 1704
68
- Richard Cosway, R. A
- 1811
69
- The Star of Cambridge, Leaving the Belle Sauvage, Ludgate Hill
- ca. 1834
70
- The Monument and the Pool of London from Southwark
- undated
71
- Camp at Chobham, 1853 with Officers and Sentry
- 1853
72
- Maxstoke Priory
- undated
73
- Tour du Gros Horloge, Batie Souis la Domination des Anglais en 1417
- 1824
74
- The Opening of the Carnival at Rome
- ca. 1781
75
- Bob Blunt in Amaze, or Female Fashionable Fallies
76
- The Preposterous Head Dress, or the Feathered Lady
- 1776
77
- Man Seated while Speaking to a Soldier Who is Standing
- undated
78
- Château des Comtes de Flandre, Ghent
- ca. 1833
79
- Mr. John Joshua Kirby
- between 1765 and 1771
80
- Shepherd in a Landscape
81
- Royal Horse Artillery, 1843
- 1843
82
- Rocket Practice in the Marshes
- 1845
83
- Royal Artillery Repository Exercises, 1844
- 1844
84
- Iris
- 1808
85
- Sir James Thornhill
- 1732
86
- Daniel Lock, Esqr
87
- Charles Watson Esq., Vice-Admiral of the White
- between 1758 and 1782
88
- Harwich
- 1841
89
- Jack in the Bilboes
- 1790
90
- Domestick Employment Ironing
- ca. 1769
91
- Lady's Maid Soaping Linen
- 1769
92
- Kings College Chapel, The Public Library, and East End of the Senate House, in the University of Cambridge
- 1798
93
- Jesus College in the University of Cambridge
- 1799
94
- Kings College, the Chapel and Clare Hall in the University of Cambridge
- 1799
95
- The South Front of the Senate House, and West End of St Mary's Church in the University of Cambridge
- 1799
96
- Cambridge University: Emmanuel College
- 1799
97
- South Front of the Senate House and West End of St. Mary's Church in the University of Cambridge
- 1799
98
- Louisa
- 1778
99
- Banditti
- 1780
100
- The Prince of Orange Landing at Torbay
- 1852