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Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionHeight [cm] 39
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1
- Study of an Ash Tree
- between 1801 and 1803 or between 1810 and 1830
- Not on view
2
- Osmington Village
- 1816 to 1817
- Not on view
3
- Horse Attacked by a Lion (Episode C)
- between 1768 and 1769
- Not on view
4
- Calais Jetty, France
- ca. 1824
- On view at YUAG
5
- Procession of Boats on the River Cam below Clare College, Cambridge
- early 19th century
- Not on view
6
- Castel Sant'Angelo, Rome
- 1776
- Not on view
7
- The Colosseum
- 1776
- Not on view
8
- Landscape with Wheatfield
- ca. 1850s
- Not on view
9
- Study of an Ash Tree
- ca. 1851
- Not on view
10
- A Harbor Scene in the Isle of Wight, Looking Towards the Needles
- 1824
- Not on view
11
- The Squire's Door
- ca. 1790
- Not on view
12
- The City from Near the Terrace of Somerset House
- ca. 1750
- Not on view
13
- Westminster from Near the Terrace of Somerset House
- ca. 1750
- Not on view
14
- George III Irish Silver: George Chinnery Palette, presented to the Artist by the Artists of Dublin, July 27, 1801
- 1801
- Not on view
15
- Tiger Skeleton, Lateral View (Study for the key figure to Table IV)
- 1795 to 1806
16
- Tiger, Lateral View (Outline Study of the Surface Blood Supply, Prepared for the Key Figure to Table IX)
- between 1795 and 1806
17
- Tiger Body, Lateral View (Outline drawing for a key figure)
- 1795 to 1806
18
- Owl Standing, Anterior View
- 1795 to 1806
19
- The First Stage of Cruelty
- ca. 1750
20
- Study for the Foundlings
- ca. 1739
21
- The First Stage of Cruelty: First, Children Torturing Animals
- 1751
22
- The Second Stage of Cruelty: Second, Coachman Beating a Fallen Horse
- 1751
23
- Ship Aground Brighton
- 1830
24
- Weymouth
- ca. 1811
25
- A Sea Piece - A Rough Sea with a Fishing Boat
- 1820 to 1830
26
- Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"
- ca. 1797
27
- Europe. A Prophecy, 1793 (printed 1795)
- 1793, printed 1795
28
- Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."
- 1797
29
- Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
- 1797
30
- Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"
- 1797
31
- Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
- ca. 1797
32
- Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"
- ca. 1797
33
- Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
- ca. 1797
34
- Young's Night Thoughts, Page 93, "If angels tremble, 'tis at such a sight"
- ca. 1797
35
- Illustrations of The Book of Job, Title Page
- 1825
36
- Book of Job, Plate 1, Job and His Family
- 1825
37
- Book of Job, Plate 6, Satan Smiting Job with Boils
- 1825
38
- Book of Job, Plate 21, Job and His Family Restored to Prosperity
- 1825
39
- Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
- 1797
40
- Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"
- 1797
![William Blake Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]](https://media.collections.yale.edu/thumbnail/ycba/acf4d172-dfee-4b27-8478-2be8df5a19cb)
41
- Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
- 1827
42
- Europe. A Prophecy, Plate 1, Frontispiece
- 1794
43
- Europe. A Prophecy, Plate 2, Title Page
- 1794
44
- Europe. A Prophecy, Plate 4, "Unwilling I look up . . . . " (Bentley 5)
- 1794
45
- Europe. A Prophecy, Plate 5, "A | Prophecy | The deep of winter came . . . . " (Bentley 6)
- 1794
46
- Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)
- 1794
47
- Europe. A Prophecy, Plate 13 (Bentley 10)
- 1794
48
- Europe. A Prophecy, Plate 15, "The red limb'd Angel . . . . " (Bentley 16)
- 1794
![William Blake Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]](https://media.collections.yale.edu/thumbnail/ycba/2377c317-1278-492a-94c3-bda0566322ac)
49
- Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
- 1827
![William Blake Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]](https://media.collections.yale.edu/thumbnail/ycba/7f5ea7d3-2e50-4064-bf5d-a66c163c0237)
50
- Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
- 1827
![William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]](https://media.collections.yale.edu/thumbnail/ycba/00209487-ff25-46ae-91cc-38bc88575a05)
51
- Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
- 1827
52
- Europe. A Prophecy, Plate 3, "Preludium"
- 1794
53
- Europe. A Prophecy, Plate 10, "Enitharmon slept . . . . " (Bentley 12)
- 1794
54
- Europe. A Prophecy, Plate 11, "In thoughts perturb'd . . . ." (Bentley 13)
- 1794
55
- Europe. A Prophecy, Plate 14, "And the clouds & fires . . . . " (Bentley 15)
- 1794
56
- Europe. A Prophecy, Plate 16, "Ethinthus queen of waters . . . . " (Bentley 17)
- 1794
57
- Europe. A Prophecy, Plate 17, "Shot from the heights . . . . " (Bentley 18)
- 1794
58
- Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)
- 1794
59
- Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)
- 1794
60
- Europe. A Prophecy, Plate 9, "Arise O Rintrah . . . ." (Bentley 11)
- 1794
61
- Europe. A Prophecy, Plate 8 (Bentley 9)
- 1794
62
- Architectural Drawing of the Temple of Concordia
- 1802-1804
63
- Architectural Drawing
- 1802-1804
64
- Sketches of Ornamental Designs, For Oil Lamps and Pouring Vessels
- 1802-1804
65
- Paulus Pontius
- ca. 1635
66
- Noon
- 1753
67
- A Calm
- 1754
68
- Hadleigh Castle, Large Plate
- 1830 to 1832
69
- Returning from a Review...Paris
- 1802
70
- Breakfast at Breteuil
- 1801
71
- Cowdray Ruins
- 1824
72
- Elevation of Amphitheatre of El Djem entitled "Isrus"
- undated
73
- Plan of one quarter of the amphitheatre at El Djem showing seating tiers
- undated
74
- Plan of three quarters of the amphitheatre at El Djem with descriptive notes
- undated
75
- Plan of one quarter of the Amphitheatre at El Djem showing outer corridors
- undated
76
- Detailed and Measured drawing of Column from Pedestal to Entablature of a Temple at Baalbec
- undated
77
- XIVI Theatre at Ain Tunga Thignica
- undated
78
- Temple at Thignica Modern, Ain Tunga now totally Destroyed
- undated
79
- Rocks
- ca. 1769
80
- XXIV Lybian Mausoleum at Dougga
- undated
81
- The Vale of Ashburnham
- 1816
82
- Hurstmonceux Castle
- 1820
83
- Simmer Lake near Askrig
- 1818-1823
84
- Ingleborough, from Hornby Castle Terrace
- 1818-1823
85
- Kirkby Lonsdale Churchyard
- 1818-1823
86
- Weathercote Cave when Half Filled with Water
- 1821
87
- Edinburgh from Leith Harbour, Vignette Title to Vol. II
- 1826
88
- The Spoiled Child, Scene I
- ca. 1802
89
- The Spoiled Child, Scene II
- ca. 1802
90
- The Spoiled Child, Scene IV
- ca. 1802
91
- The Spoiled Child, Scene III
- ca. 1802
92
- Landscape with River and a Bridge
- undated
93
- Herstmonceux
- 1787
94
- The City of Westminster from Near the York Water Gate
- between 1746 and 1747
95
- The Sailor's Departure
- ca. 1795
96
- Genoa
- 1832-1834
97
- Cobham Hall, Kent: Drawing for a Border for the Ceiling of the Vesibule
- ca. 1790
98
- Cobham Hall, Kent: Drawing for Wall Decoration
- ca. 1790
99
- Traveling Potter Outside a Cottage
- 1798
100
- Design for Monument to Captain Hardinge
- 1810