The First Stage of Cruelty: First, Children Torturing Animals
1751
2
William Hogarth, 1697–1764
The Second Stage of Cruelty: Second, Coachman Beating a Fallen Horse
1751
3
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"
ca. 1797
4
William Blake, 1757–1827
Europe. A Prophecy, 1793 (printed 1795)
1793, printed 1795
5
Print made by William Blake, 1757–1827
Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."
1797
6
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
1797
7
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"
1797
8
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
ca. 1797
9
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"
ca. 1797
10
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
ca. 1797
11
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 93, "If angels tremble, 'tis at such a sight"
ca. 1797
12
William Blake, 1757–1827
Illustrations of The Book of Job, Title Page
1825
13
William Blake, 1757–1827
Book of Job, Plate 1, Job and His Family
1825
14
William Blake, 1757–1827
Book of Job, Plate 6, Satan Smiting Job with Boils
1825
15
William Blake, 1757–1827
Book of Job, Plate 21, Job and His Family Restored to Prosperity
1825
16
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
1797
17
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"
1797
18
William Blake, 1757–1827
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
19
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 1, Frontispiece
1794
20
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 2, Title Page
1794
21
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 4, "Unwilling I look up . . . . " (Bentley 5)
1794
22
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 5, "A | Prophecy | The deep of winter came . . . . " (Bentley 6)
1794
23
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)
1794
24
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 13 (Bentley 10)
1794
25
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 15, "The red limb'd Angel . . . . " (Bentley 16)
1794
26
William Blake, 1757–1827
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
1827
27
William Blake, 1757–1827
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
28
William Blake, 1757–1827
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
29
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 3, "Preludium"
1794
30
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 10, "Enitharmon slept . . . . " (Bentley 12)
1794
31
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 11, "In thoughts perturb'd . . . ." (Bentley 13)
1794
32
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 14, "And the clouds & fires . . . . " (Bentley 15)
1794
33
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 16, "Ethinthus queen of waters . . . . " (Bentley 17)
1794
34
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 17, "Shot from the heights . . . . " (Bentley 18)
1794
35
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)
1794
36
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)
1794
37
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 9, "Arise O Rintrah . . . ." (Bentley 11)
1794
38
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 8 (Bentley 9)
1794
39
Print made by Paulus Pontius, 1603–1658
Paulus Pontius
ca. 1635
40
Print made by John Boydell, 1720–1804
Noon
1753
41
Print made by John Boydell, 1720–1804
A Calm
1754
42
Print made by David Lucas, 1802–1881
Hadleigh Castle, Large Plate
1830 to 1832
43
unknown artist
Returning from a Review...Paris
1802
44
unknown artist
Breakfast at Breteuil
1801
45
Print made by James Clark, 19th century
Cowdray Ruins
1824
46
Print made by William Bernard Cooke, 1778–1855
The Vale of Ashburnham
1816
47
Print made by William Bernard Cooke, 1778–1855
Hurstmonceux Castle
1820
48
Print made by Henry Le Keux, 1787–1868
Simmer Lake near Askrig
1818-1823
49
Print made by Charles Heath, 1785–1848
Ingleborough, from Hornby Castle Terrace
1818-1823
50
Print made by Charles Heath, 1785–1848
Kirkby Lonsdale Churchyard
1818-1823
51
Print made by Samuel Middiman, ca. 1750–1831
Weathercote Cave when Half Filled with Water
1821
52
Print made by Robert Wallis, 1794–1878
Edinburgh from Leith Harbour, Vignette Title to Vol. II
1826
53
Print made by Edward Francis Finden, 1791–1857
Genoa
1832-1834
54
unknown artist
South Front of St. Pauls
1801
55
unknown artist
St. George's, Bloomsbury
1799
56
Print made by James Basire the younger, 1769–1822
A View of Worcester College &c
1804
57
Print made by James Basire the younger, 1769–1822
View of Oxford from the South Side of Heddington Hill
1808
58
Print made by George Cooke, 1781–1834
Edinburgh Castle, Vignette Title to Vol. I
1826
59
Print made by John Landseer, 1769–1852
Freshwater Bay
1799
60
Print made by James Basire the younger, 1769–1822
South View of Christ Church, etc. from the Meadows
1799
61
Print made by James C. Allen, active 1821–1831
Ehenbreitstein, During the Demolition of the Fortress in 1817 from the Quay at Coblentz
1824
62
Print made by John Raphael Smith, 1752–1812
Painting
1783
63
Print made by Edward Goodall, 1795–1870
Valombre
1834
64
Samuel William Reynolds, 1773–1835
Animals [a pair]: 2. Tigress
1799
65
Print made by Francesco Bartolozzi, 1728–1815
Gainsborough
undated
66
Print made by Francesco Bartolozzi, 1728–1815
Luis Pinto de Sousa Coutinho, 1st Viscount of Balsemão
undated
67
Print made by unknown artist
Vol. 6, Plate XXXIX: The Story of St John as a Pilgrim, and King Edward the Confessor. Fragment of a Virtue Triumphant. An Ornamental Pattern Found in one of the Round Headed Windows Filled up in the Painted Chamber
undated
68
Valentine Green, 1739–1813
Elizabeth, Countess of Ancrum (1745-1780)
1771
69
Samuel William Reynolds, 1773–1835
Animals [a pair]: 1. Lioness
1799
70
George Hunt, active 1820–1840
Coaching: The Cambridge Telegraph, Starting from the White Horse
1831
71
Thomas Rowlandson, 1756–1827
Fox-hunting [one of a set of six]: The Dinner
1787
72
William Elliot, active 1774, died 1792
[Horse-racing] Set of six: 1.The Cullen Arabian &c
1758
73
Charles Hunt, 1803–1877
'Satirist'. (with 'Coronation') Rode by W. Scott. / The Winner of the Great St. Leger Stakes at Doncaster 1841..
1841
74
Print made by Matthew Dubourg, active 1786–1838
Pheasant Shooting
1822
75
Print made by Edward Goodall, 1795–1870
The Boy of Egremond
1834
76
Print made by William Richardson, active 1842–1877
Crossing the Brook
between 1859 and 1861
77
Print made by John Samuel Agar, ca. 1773–1858
Sir George Beaumont, Bart
1812
78
unknown artist
Scenographia Americana: Untitled view (perhaps of Boston?)
1758-1760
79
Print made by James Basire, 1730–1802
Plate VIII: St Stephen's Chapel
1795
80
Print made by Daniel J. Pound, active ca. 1860
John E. Millais
1859
81
Print made by Charles Baugniet, 1814–1886
David Roberts
1844
82
Print made by Anthony Cardon, 1772–1813
Henry Tresham, Esq. R. A
1814
83
Print made by Joseph Constantine Stadler, active 1780–1812
Rosehill
ca. 1810
84
Engraved by Robert Pollard, 1755–1838
View of Queen Square
1789
85
Thomas Rowlandson, 1756–1827
Fox-Hunting [set of six]: 5. The Return
1788
86
Thomas Rowlandson, 1756–1827
Fox-Hunting [set of six]: 6. The Dinner
between 1787 and 1788
87
William Elliot, active 1774, died 1792
[Horse-racing] Set of six: 2. Brood Mares with their Foles
1758
88
William Elliot, active 1774, died 1792
[Horse-racing] Set of six: 5. Bridling, Sadling, Breaking, & Training
1758
89
William Elliot, active 1774, died 1792
[Horse-racing] Set of six: 3. Catching the Colts
1758
90
William Elliot, active 1774, died 1792
[Horse-racing] Set of six: 4. Subduing Shoeing, the Cavison and Pillar
1758
91
William Elliot, active 1774, died 1792
[Horse-racing] Set of six: 6. 'Finish'd Horses / Match'em & Trajan Runing at New-market'
1758
92
James Pollard, 1792–1867
Ascot Heath Race for His Majesty's Gold Plate
1826
93
Print made by Miles Edmund Cotman, 1810–1858
Itteringham | Nov. 12th 1841
1847
94
Print made by Miles Edmund Cotman, 1810–1858
The Devil's Tower, Norwich Oct. 1841
1847
95
Jacques Rigaud, 1681–1754
Prospect of Hampton Court from the Garden Side
1736
96
James Mason, 1710–1783
Thorp Cloud &c., Pyramid Mountain in Derbyshire
1751
97
Edward Fisher, 1722–1785
Admiral George Edgcumbe, first Earl of Mount Edgcumbe
1760
98
Edward Fisher, 1722–1785
The Most Noble Granville Leveson, Earl Gower
1765
99
William Dickinson, 1746–1823
The Honorable Richard Edgcumbe, Second Earl of Mount Edgcumbe