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Credit Line Yale Center for British Art, Paul Mellon Collection

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George Stubbs Horse Attacked by a Lion (Episode C)
George Stubbs, 1724–1806
Horse Attacked by a Lion (Episode C)
between 1768 and 1769
Not on view
John Constable Osmington Village
John Constable, 1776–1837
Osmington Village
1816 to 1817
Not on view
John Constable Study of an Ash Tree
John Constable, 1776–1837
Study of an Ash Tree
between 1801 and 1803 or between 1810 and 1830
Not on view
Richard Parkes Bonington Calais Jetty, France
Richard Parkes Bonington, 1802–1828
Calais Jetty, France
ca. 1824
On view at YUAG
George Morland The Squire's Door
George Morland, 1763–1804
The Squire's Door
ca. 1790
Not on view
Canaletto The City from Near the Terrace of Somerset House
Canaletto, 1697–1768
The City from Near the Terrace of Somerset House
ca. 1750
Not on view
Canaletto Westminster from Near the Terrace of Somerset House
Canaletto, 1697–1768
Westminster from Near the Terrace of Somerset House
ca. 1750
Not on view
George Vincent A Harbor Scene in the Isle of Wight, Looking Towards the Needles
George Vincent, 1796–1832
A Harbor Scene in the Isle of Wight, Looking Towards the Needles
1824
Not on view
Lionel Edwards Taking out the Hounds
Lionel Edwards, 1878–1966
Taking out the Hounds
undated
Not on view
Richard Banks Harraden Procession of Boats on the River Cam below Clare College, Cambridge
Richard Banks Harraden, 1778–1862
Procession of Boats on the River Cam below Clare College, Cambridge
early 19th century
Not on view
John Inigo Richards The Colosseum
John Inigo Richards, 1730/31?–1810
The Colosseum
1776
Not on view
John Inigo Richards Castel Sant'Angelo, Rome
John Inigo Richards, 1730/31?–1810
Castel Sant'Angelo, Rome
1776
Not on view
Lionel Constable Landscape with Wheatfield
Lionel Constable, 1828–1887
Landscape with Wheatfield
ca. 1850s
Not on view
Lionel Constable Study of an Ash Tree
Lionel Constable, 1828–1887
Study of an Ash Tree
ca. 1851
Not on view
George Chinnery George III Irish Silver: George Chinnery Palette, presented to the Artist by the Artists of Dublin, July 27, 1801
Related to George Chinnery, 1774–1852
George III Irish Silver: George Chinnery Palette, presented to the Artist by the Artists of Dublin, July 27, 1801
1801
Not on view
Angela Conner Paul Mellon
Angela Conner, born 1935
Paul Mellon
1986
Not on view
George Stubbs Owl Standing, Anterior View
George Stubbs, 1724–1806
Owl Standing, Anterior View
1795 to 1806
George Stubbs Tiger, Lateral View (Outline Study of the Surface Blood Supply, Prepared for the Key Figure to Table IX)
George Stubbs, 1724–1806
Tiger, Lateral View (Outline Study of the Surface Blood Supply, Prepared for the Key Figure to Table IX)
between 1795 and 1806
George Stubbs Tiger Skeleton, Lateral View (Study for the key figure to Table IV)
George Stubbs, 1724–1806
Tiger Skeleton, Lateral View (Study for the key figure to Table IV)
1795 to 1806
George Stubbs Tiger Body, Lateral View (Outline drawing for a key figure)
George Stubbs, 1724–1806
Tiger Body, Lateral View (Outline drawing for a key figure)
1795 to 1806
William Hogarth The First Stage of Cruelty: First, Children Torturing Animals
William Hogarth, 1697–1764
The First Stage of Cruelty: First, Children Torturing Animals
1751
William Hogarth The Second Stage of Cruelty: Second, Coachman Beating a Fallen Horse
William Hogarth, 1697–1764
The Second Stage of Cruelty: Second, Coachman Beating a Fallen Horse
1751
William Hogarth The First Stage of Cruelty
William Hogarth, 1697–1764
The First Stage of Cruelty
ca. 1750
William Hogarth Study for the Foundlings
William Hogarth, 1697–1764
Study for the Foundlings
ca. 1739
Joseph Mallord William Turner Ship Aground, Brighton, with the Chain Pier Beyond
Joseph Mallord William Turner, 1775–1851
Ship Aground, Brighton, with the Chain Pier Beyond
ca. 1827
Joseph Mallord William Turner A Sea Piece - A Rough Sea with a Fishing Boat
Joseph Mallord William Turner, 1775–1851
A Sea Piece - A Rough Sea with a Fishing Boat
1820 to 1830
Joseph Mallord William Turner Weymouth
Joseph Mallord William Turner, 1775–1851
Weymouth
ca. 1811
William Blake 'Swift on His Downy Pinion Flies from Woe' (Page 1)
Print made by William Blake, 1757–1827
'Swift on His Downy Pinion Flies from Woe' (Page 1)
ca. 1797
William Blake The Christian Triumph; Title Page
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
ca. 1797
William Blake 'His hand the good man fastens on the skies' (Page 86)
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
ca. 1797
William Blake 'If angels tremble, 'tis at such a sight' (Page 93)
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
ca. 1797
William Blake Illustrations of The Book of Job; Title Page
Print made by William Blake, 1757–1827
Illustrations of The Book of Job; Title Page
1826
William Blake Job and His Family
Print made by William Blake, 1757–1827
Job and His Family
1826
William Blake Satan Smiting Job with Sore Boils
Print made by William Blake, 1757–1827
Satan Smiting Job with Sore Boils
1826
William Blake Job and His Family Restored to Prosperity
Print made by William Blake, 1757–1827
Job and His Family Restored to Prosperity
1826
William Blake The Ancient of Days; Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
The Ancient of Days; Frontispiece (Plate 1)
1794
William Blake "The red limb'd Angel siez'd in horror and torment..." (Plate 15)
Print made by William Blake, 1757–1827
"The red limb'd Angel siez'd in horror and torment..." (Plate 15)
1794
William Blake "Ethinthus queen of waters, how thou shinest in the sky..." (Plate 16)
Print made by William Blake, 1757–1827
"Ethinthus queen of waters, how thou shinest in the sky..." (Plate 16)
1794
William Blake The Six-Footed Serpent Attacking Agnolo Brunelleschi (Plate 4)
Print made by William Blake, 1757–1827
The Six-Footed Serpent Attacking Agnolo Brunelleschi (Plate 4)
1827
William Blake Europe a Prophecy; Title Page (Plate 2)
Print made by William Blake, 1757–1827
Europe a Prophecy; Title Page (Plate 2)
1794
William Blake Preludium, "The nameless shadowy female rose from out the breast of Orc..." (Plate 3)
Print made by William Blake, 1757–1827
Preludium, "The nameless shadowy female rose from out the breast of Orc..." (Plate 3)
1794
William Blake "Unwilling I look up to heaven! unwilling count the stars!..." (Plate 4)
Print made by William Blake, 1757–1827
"Unwilling I look up to heaven! unwilling count the stars!..." (Plate 4)
1794
William Blake A Prophecy. "The deep of winter came..." (Plate 5)
Print made by William Blake, 1757–1827
A Prophecy. "The deep of winter came..." (Plate 5)
1794
William Blake "Enitharmon slept. ..." (Plate 10)
Print made by William Blake, 1757–1827
"Enitharmon slept. ..." (Plate 10)
1794
William Blake "In thoughts perturb'd they rose..." (Plate 11)
Print made by William Blake, 1757–1827
"In thoughts perturb'd they rose..." (Plate 11)
1794
William Blake "Albions Angel rose upon the Stone of Night..." (Plate 12)
Print made by William Blake, 1757–1827
"Albions Angel rose upon the Stone of Night..." (Plate 12)
1794
William Blake Plague (Plate 13)
Print made by William Blake, 1757–1827
Plague (Plate 13)
1794
William Blake "And the clouds & fires pale rolld round in the night of Enitharmon"... (Plate 14)
Print made by William Blake, 1757–1827
"And the clouds & fires pale rolld round in the night of Enitharmon"... (Plate 14)
1794
William Blake "Shot from the heights of Enitharmon..." (Plate 17)
Print made by William Blake, 1757–1827
"Shot from the heights of Enitharmon..." (Plate 17)
1794
William Blake "The shrill winds wake!..." (Plate 6)
Print made by William Blake, 1757–1827
"The shrill winds wake!..." (Plate 6)
1794
William Blake "Now comes the night of Enitharmons joy!..." (Plate 7)
Print made by William Blake, 1757–1827
"Now comes the night of Enitharmons joy!..." (Plate 7)
1794
William Blake Famine (Plate 8)
Print made by William Blake, 1757–1827
Famine (Plate 8)
1794
William Blake "Arise 'O Rintrah eldest born..." (Plate 9)
Print made by William Blake, 1757–1827
"Arise 'O Rintrah eldest born..." (Plate 9)
1794
William Blake Ciampolo the Barrator Tormented by the Devils (Plate 2)
Print made by William Blake, 1757–1827
Ciampolo the Barrator Tormented by the Devils (Plate 2)
1827
William Blake The Serpent Attacking Buoso Donati (Plate 5)
Print made by William Blake, 1757–1827
The Serpent Attacking Buoso Donati (Plate 5)
1827
William Blake Dante Striking against Bocca Degli Abati (Plate 7)
Print made by William Blake, 1757–1827
Dante Striking against Bocca Degli Abati (Plate 7)
1827
William Blake Night the First. On Life, Death, and Immortality; Title Page
Print made by William Blake, 1757–1827
Night the First. On Life, Death, and Immortality; Title Page
1797
William Blake 'We censure nature for a span too short' (Page 23)
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
1797
William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
1797
William Blake 'The thunder, if in that the Almighty dwells' (Page 80)
Print made by William Blake, 1757–1827
'The thunder, if in that the Almighty dwells' (Page 80)
1797
William Blake 'His hand the good man fastens on the skies' (Page 86)
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
1797
William Blake Europe. A Prophecy
Print made by William Blake, 1757–1827
Europe. A Prophecy
1793, printed 1795
William Blake 'Behold him, when past by; what then is seen' (Page 25)
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
ca. 1797
Jacobus Houbraken Henry Bennet, 1st Earl of Arlington
Jacobus Houbraken, 1698–1780
Henry Bennet, 1st Earl of Arlington
1739
James Mason South East View of Netley Abbey, Near Southampton
James Mason, 1710–1783
South East View of Netley Abbey, Near Southampton
1755
John Boydell A Calm
Print made by John Boydell, 1720–1804
A Calm
1754
John Boydell Noon
Print made by John Boydell, 1720–1804
Noon
1753
Thomas Shotter Boys Prague
Thomas Shotter Boys, 1803–1874
Prague
ca. 1847
unknown artist Changing Horses Near Clermont
unknown artist
Changing Horses Near Clermont
1802
unknown artist Returning from a Review...Paris
unknown artist
Returning from a Review...Paris
1802
unknown artist Inn Yard at Calais
unknown artist
Inn Yard at Calais
1802
unknown artist Breakfast at Breteuil
unknown artist
Breakfast at Breteuil
1801
William Clerk The Fire in H.M. Dockyard at Devonport on the Morning of the 27th of September 1840
Print made by William Clerk, ? 19th c.
The Fire in H.M. Dockyard at Devonport on the Morning of the 27th of September 1840
after 1840
David Lucas Hadleigh Castle, Large Plate
Print made by David Lucas, 1802–1881
Hadleigh Castle, Large Plate
1830 to 1832
George Townly Stubbs 'Volunteer'
George Townly Stubbs, 1748–1815
'Volunteer'
1794
William Woollett [Shooting] The Spanish Pointer
William Woollett, 1735–1785
[Shooting] The Spanish Pointer
1768
Richard Earlom Labourers
Richard Earlom, 1743–1822
Labourers
1790
Richard Earlom Game Keepers. To the Right Honorable. Lord Viscount Torrington
Richard Earlom, 1743–1822
Game Keepers. To the Right Honorable. Lord Viscount Torrington
1790
Richard Earlom Game Keepers. To the Right Honorable. Lord Viscount Torrington
Richard Earlom, 1743–1822
Game Keepers. To the Right Honorable. Lord Viscount Torrington
1790
Richard Earlom Labourers
Richard Earlom, 1743–1822
Labourers
1790
William Woollett Shooting, Plate III
William Woollett, 1735–1785
Shooting, Plate III
1770
William Woollett Shooting, Plate I
William Woollett, 1735–1785
Shooting, Plate I
1769
William Woollett Shooting, Plate II
William Woollett, 1735–1785
Shooting, Plate II
1770
William Woollett Shooting, Plate IV
William Woollett, 1735–1785
Shooting, Plate IV
1771
James Sowerby Bantam Cock and Farmpails
James Sowerby, 1756–1822
Bantam Cock and Farmpails
1820
Paul Sandby The Horse Race at Rome During the Carnival
Paul Sandby, 1731–1809
The Horse Race at Rome During the Carnival
ca. 1781
unknown artist Battle of Scheveningen, 31st July 1653
unknown artist
Battle of Scheveningen, 31st July 1653
John Hill West Front, Cassiobury
Print made by John Hill, 1770–1850
West Front, Cassiobury
1816
James Clark Cowdray Ruins
Print made by James Clark, 19th century
Cowdray Ruins
1824
Charles Grignion A View from Richmond Hill Up the River
Charles Grignion, 1717–1810
A View from Richmond Hill Up the River
1794
E. J. Dumée The Discovery
Print made by E. J. Dumée, active 1790
The Discovery
1788
Philip Dawe The Pretty Maid with Her Apron Before the Candle
Print made by Philip Dawe, ca.1750–ca.1790
The Pretty Maid with Her Apron Before the Candle
1770
John Hamilton Mortimer Falstaff. Second part Henry IV, Act V, Scene 4th. "There's a merry heart good master Silence / I'll give you a health for that anon."
John Hamilton Mortimer, 1740–1779
Falstaff. Second part Henry IV, Act V, Scene 4th. "There's a merry heart good master Silence / I'll give you a health for that anon."
1776
Philip Dawe Gadshill
Print made by Philip Dawe, ca.1750–ca.1790
Gadshill
1796
Richard Sawyer View of the Front of Sir Paul Pindar's House on the West Side of Bishopsgate Street
Richard Sawyer, active 1820–1830
View of the Front of Sir Paul Pindar's House on the West Side of Bishopsgate Street
1812
unknown artist Covent Garden
unknown artist
Covent Garden
1796
Edward Fisher Lord Archbishop of Canterbury
Edward Fisher, 1722–1785
Lord Archbishop of Canterbury
1769
John Jones William Davidson of Muirhouse
John Jones, ca. 1745–1797
William Davidson of Muirhouse
1793
George Vertue Lionel Cranfield Sackville, 1st Duke of Dorset
George Vertue, 1684–1756
Lionel Cranfield Sackville, 1st Duke of Dorset
1732
William Dickinson Honorable Richard Lord Edgcumbe, 1st Baron Edgcumbe
William Dickinson, 1746–1823
Honorable Richard Lord Edgcumbe, 1st Baron Edgcumbe
1774