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Credit Line Yale Center for British Art, Paul Mellon Collection

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Height [cm] 42

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George Stubbs Hay-Makers
George Stubbs, 1724–1806
Hay-Makers
1791
William Hogarth Strolling Actresses Dressing in a Barn
William Hogarth, 1697–1764
Strolling Actresses Dressing in a Barn
1738
William Blake 'Tis greatly wise to talk with our past hours' (Page 31)
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
ca. 1797
William Blake 'Like that, the dial speaks; and points to thee' (Page 33)
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
ca. 1797
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
William Blake 'Love, and love only, is the loan for love' (Page 37)
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
ca. 1797
William Blake 'Angels should paint it, angels ever there' (Page 40)
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
ca. 1797
William Blake 'One radiant mark, – the death-bed of the just' (Page 41)
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
ca. 1797
William Blake Night the Third. Narcissa; Title Page
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
ca. 1797
William Blake 'Where sense runs savage broke from reason's chain' (Page 46)
Print made by William Blake, 1757–1827
'Where sense runs savage broke from reason's chain' (Page 46)
ca. 1797
William Blake Night the First. On Life, Death, and Immortality; Title Page
Print made by William Blake, 1757–1827
Night the First. On Life, Death, and Immortality; Title Page
ca. 1797
William Blake 'Swift on His Downy Pinion Flies from Woe' (Page 1)
Print made by William Blake, 1757–1827
'Swift on His Downy Pinion Flies from Woe' (Page 1)
ca. 1797
William Blake 'What, though my soul fantastick measures trod' (Page 4)
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
ca. 1797
William Blake 'Disease invades the chastest temperence' (Page 10)
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
ca. 1797
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
William Blake 'The present moment terminates our sight' (Page 13)
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
ca. 1797
William Blake Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
Print made by William Blake, 1757–1827
Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
ca. 1797
William Blake 'Emblem of that which shall awake the dead' (Page 19)
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
ca. 1797
William Blake 'O treacherous conscience!' (Page 27)
Print made by William Blake, 1757–1827
'O treacherous conscience!' (Page 27)
ca. 1797
William Blake 'As if the sun could envy, check'd his beam' (Page 49)
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
ca. 1797
William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
ca. 1797
William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
ca. 1797
William Blake 'This King of Terrors is the Prince of Peace' (Page 63)
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
ca. 1797
William Blake The Christian Triumph; Title Page
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
ca. 1797
William Blake 'And vapid; sense and reason shew the door' (Page 72)
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
ca. 1797
William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
ca. 1797
William Blake 'The thunder if in that the Almighty dwells' (Page 80)
Print made by William Blake, 1757–1827
'The thunder if in that the Almighty dwells' (Page 80)
ca. 1797
William Blake 'His hand the good man fastens on the skies' (Page 86)
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
ca. 1797
William Blake 'Is lost in love! thou great Philanthropist' (Page 87)
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
ca. 1797
William Blake 'That touch, with charm celestial heals the soul' (Page 90)
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
ca. 1797
William Blake 'When faith is virtue, reason makes it so' (Page 92)
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
ca. 1797
William Blake 'If angels tremble, 'tis at such a sight' (Page 93)
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
ca. 1797
William Blake 'The goddess bursts in thunder and in flame' (Page 95)
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
ca. 1797
William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
ca. 1797
William Blake Night the First. On Life, Death, and Immortality; Title Page
Print made by William Blake, 1757–1827
Night the First. On Life, Death, and Immortality; Title Page
1797
William Blake Night the First. On Life, Death, and Immortality; Title Page
Print made by William Blake, 1757–1827
Night the First. On Life, Death, and Immortality; Title Page
1797
William Blake 'Oft bursts my song beyond the bounds of life' (Page 16)
Print made by William Blake, 1757–1827
'Oft bursts my song beyond the bounds of life' (Page 16)
1797
William Blake Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
Print made by William Blake, 1757–1827
Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
1797
William Blake 'Emblem of that which shall awake the dead' (Page 19)
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
1797
William Blake 'We censure nature for a span too short' (Page 23)
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
1797
William Blake 'Time, in advance, behind him hides his wings' (Page 24)
Print made by William Blake, 1757–1827
'Time, in advance, behind him hides his wings' (Page 24)
1797
William Blake 'Behold him, when past by; what then is seen' (Page 25)
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
1797
William Blake 'Measuring his motions by revolving spheres' (Page 26)
Print made by William Blake, 1757–1827
'Measuring his motions by revolving spheres' (Page 26)
1797
William Blake 'O treacherous conscience! while she seems to sleep" (Page 27)
Print made by William Blake, 1757–1827
'O treacherous conscience! while she seems to sleep" (Page 27)
1797
William Blake 'Tis greatly wise to talk with our past hours' (Page 31)
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
1797
William Blake 'Like that, the dial speaks; and points to thee' (Page 33)
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
1797
William Blake Night the Third. Narcissa; Title Page
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
1797
William Blake The Christian Triumph; Title Page
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
1797
William Blake 'Till death, that mighty hunter, earths them all' (Page 70)
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
1797
William Blake 'The thunder, if in that the Almighty dwells' (Page 80)
Print made by William Blake, 1757–1827
'The thunder, if in that the Almighty dwells' (Page 80)
1797
William Blake 'His hand the good man fastens on the skies' (Page 86)
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
1797
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
William Blake 'The longest night though longer far, would fail' (Page 15)
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
1797
William Blake The Complaint, and the Consolation; or, Night Thoughts
Print made by William Blake, 1757–1827
The Complaint, and the Consolation; or, Night Thoughts
1797
William Blake The Complaint, and the Consolation; or, Night Thoughts
Print made by William Blake, 1757–1827
The Complaint, and the Consolation; or, Night Thoughts
ca. 1797
William Blake Illustrations of The Book of Job
Print made by William Blake, 1757–1827
Illustrations of The Book of Job
1826
William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
ca. 1797
William Blake 'The longest night though longer far, would fail' (Page 15)
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
ca. 1797
William Blake 'We censure nature for a span too short' (Page 23)
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
William Blake 'Behold him, when past by; what then is seen' (Page 25)
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
ca. 1797
unknown artist Sir Hugh Middleton's Glory or the First Issuing of the Water into the New River Head, 1613
unknown artist
Sir Hugh Middleton's Glory or the First Issuing of the Water into the New River Head, 1613
ca. 1772
James Barry Elysium and Tartarus or the State of Final Retribution
James Barry, 1741–1806
Elysium and Tartarus or the State of Final Retribution
1791
John Harris The Revolt of the Fleet, 1642
John Harris, active 1686–1740
The Revolt of the Fleet, 1642
ca. 1710
Valentine Green Mrs. Cosway
Print made by Valentine Green, 1739–1813
Mrs. Cosway
1787
Edward Calvert The Flood
Print made by Edward Calvert, 1799–1883
The Flood
1829
Edward Calvert Ideal Pastoral Life
Print made by Edward Calvert, 1799–1883
Ideal Pastoral Life
1829
Thomas Vivares Design of a Ruineous Bridge for the Garden at Sion
Thomas Vivares, c.1735–c.1790
Design of a Ruineous Bridge for the Garden at Sion
1778
James Caldwall Inside view of the Supper-room & part of the Ball-room in a Pavilion erected for a Fete Champetre in the Garden of the Earl of Derby
Print made by James Caldwall, 1739–1819
Inside view of the Supper-room & part of the Ball-room in a Pavilion erected for a Fete Champetre in the Garden of the Earl of Derby
1780
John Dixon Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry
John Dixon, ca. 1740–1811
Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry
1771
Charles Grignion The Noble Behavior of Caractacus, before the Emperor Claudius
Print made by Charles Grignion, 1717–1810
The Noble Behavior of Caractacus, before the Emperor Claudius
1751
John Jones Mrs. Jordan in the Character of Hypolita
John Jones, ca. 1745–1797
Mrs. Jordan in the Character of Hypolita
1791
Charles Rosenberg The Boats of His Majesty's Sloop 'Procris' Attacking and Capturing off the Coast of Java on 31st of July 1837
Print made by Charles Rosenberg, active 1828–1848
The Boats of His Majesty's Sloop 'Procris' Attacking and Capturing off the Coast of Java on 31st of July 1837
1837
Thomas Sutherland The Ship 'Woodford'
Thomas Sutherland, ca. 1785–1838
The Ship 'Woodford'
1825
James Mason River Landscape with Cattle Wading and Watermill
Print made by James Mason, 1710–1783
River Landscape with Cattle Wading and Watermill
1757
James Mason View of Mount Edgecumbe from the Blockhouse
James Mason, 1710–1783
View of Mount Edgecumbe from the Blockhouse
1755
James Mason A View of the Castle and Town of Dover
James Mason, 1710–1783
A View of the Castle and Town of Dover
1762
William Ward Children Birdsnesting
William Ward, 1766–1826
Children Birdsnesting
1789
George H. Phillips The Paphian Bower
George H. Phillips, active 1819–1825
The Paphian Bower
1826
Philip Dawe Gadshill
Print made by Philip Dawe, ca.1750–ca.1790
Gadshill
1796
Edward Rooker Covent Garden, Piazza
Edward Rooker, 1724–1774
Covent Garden, Piazza
1777
Johann Jacobé Edward Chamberlayne
Johann Jacobé, 1733–1797
Edward Chamberlayne
1780
Thomas Watson Barbara Palmer (née Villiers) Countess of Castlemaine
Thomas Watson, 1743–1781
Barbara Palmer (née Villiers) Countess of Castlemaine
undated
Caroline Watson Prince Serge and Princess Barbara Gagarin, with their son, Prince Nicholas
Print made by Caroline Watson, 1760–1814
Prince Serge and Princess Barbara Gagarin, with their son, Prince Nicholas
1785
John Finlayson Mr. Garrick in the Character of Kitely
John Finlayson, 1730–1776
Mr. Garrick in the Character of Kitely
1769
Samuel William Reynolds The Right Honourable Lord Grenville
Samuel William Reynolds, 1773–1835
The Right Honourable Lord Grenville
1800
James Watson Miss Sarah Price
James Watson, 1740–1790
Miss Sarah Price
1770
George Siegmund Facius John Smith, D.D.F.S.A.
George Siegmund Facius, 1750–1804
John Smith, D.D.F.S.A
1797
unknown artist King Henry VI, Second Part, Act 3, Scene 3
unknown artist
King Henry VI, Second Part, Act 3, Scene 3
1801
unknown artist The West Prospect of the Church and Steeple of St. Mary le Bow in Cheapside
Print made by unknown artist
The West Prospect of the Church and Steeple of St. Mary le Bow in Cheapside
between 1720 and 1750
Edward Goodall Oxford from North Hinksey
Print made by Edward Goodall, 1795–1870
Oxford from North Hinksey
1841
George Hollis St. Mark's Place, Venice - Juliet and her Nurse
Print made by George Hollis, 1792–1842
St. Mark's Place, Venice - Juliet and her Nurse
1842
George Hollis St. Mark's Place, Venice - Juliet and her Nurse
Print made by George Hollis, 1792–1842
St. Mark's Place, Venice - Juliet and her Nurse
1842
James Tibbits Willmore Oberwesel
Print made by James Tibbits Willmore, 1800–1863
Oberwesel
1838-1852
John Jones Reverend John Moore, Lord Archbishop of Canterbury
John Jones, ca. 1745–1797
Reverend John Moore, Lord Archbishop of Canterbury
1792
William Baillie James Scott, 1st Duke of Monmouth, 1st Duke of Buccleuch
Print made by William Baillie, 1723–1810
James Scott, 1st Duke of Monmouth, 1st Duke of Buccleuch
1774
John Raphael Smith Theophelia Gwatkin (née Palmer)
John Raphael Smith, 1752–1812
Theophelia Gwatkin (née Palmer)
1778
John Dixon Elizabeth, Countess of Pembroke and Montgomery, with Her Son, Honorable, George, Lord Herbert
John Dixon, ca. 1740–1811
Elizabeth, Countess of Pembroke and Montgomery, with Her Son, Honorable, George, Lord Herbert
1771
George Vertue Johannes Potter, Archiepiscopus Cantuariensis
George Vertue, 1684–1756
Johannes Potter, Archiepiscopus Cantuariensis
1741
Valentine Green Henry Revell Reynolds
Valentine Green, 1739–1813
Henry Revell Reynolds
1798