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Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionHeight [cm] 43
Remove constraint Height [cm]: 43Width [cm] 33
Remove constraint Width [cm]: 33Search Results
1
- The Brown Tea Pot
- between 1915 and 1916
- Not on view
2
- Schooling a Pair in a Brake at Lucas's Yard, Clerkenwell
- 1818
- Not on view
3
- 'Like that, the dial speaks; and points to thee' (Page 33)
- ca. 1797
4
- 'Teaching, we learn; and giving, we retain' (Page 35)
- ca. 1797
5
- 'Angels should paint it, angels ever there' (Page 40)
- ca. 1797
6
- Night the Third. Narcissa; Title Page
- ca. 1797
7
- 'Disease invades the chastest temperence' (Page 10)
- ca. 1797
8
- 'Ungrateful, shall we grieve their hovering shades' (Page 55)
- ca. 1797
9
- 'And vapid; sense and reason shew the door' (Page 72)
- ca. 1797
10
- 'His hand the good man fastens on the skies' (Page 86)
- ca. 1797
11
- 'Is lost in love! thou great Philanthropist' (Page 87)
- ca. 1797
12
- 'That touch, with charm celestial heals the soul' (Page 90)
- ca. 1797
13
- 'When faith is virtue, reason makes it so' (Page 92)
- ca. 1797
14
- 'If angels tremble, 'tis at such a sight' (Page 93)
- ca. 1797
15
- 'The Sun beheld it – No, the shocking scene' (Page 75)
- ca. 1797
16
- 'Swift on his downy pinion flies from woe' (Page 1)
- 1797
17
- 'Love, and love only, is the loan for love' (Page 37)
- 1797
18
- 'Angels should paint it, angels ever there' (Page 40)
- 1797
19
- 'One radiant mark, – the death-bed of the just' (Page 41)
- 1797
20
- 'Ungrateful, shall we grieve their hovering shades' (Page 55)
- 1797
21
- 'What, though my soul fantastick measures trod' (Page 4)
- 1797
22
- 'Till death, that mighty hunter, earths them all' (Page 70)
- 1797
23
- 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
- 1797
24
- 'That touch, with charm celestial heals the soul' (Page 90)
- 1797
25
- 'When faith is virtue, reason makes it so' (Page 92)
- 1797
26
- 'Till at Death's toll, whose restless iron tongue' (Page 7)
- 1797
27
- 'If angels tremble, 'tis at such a sight' (Page 93)
- 1797
28
- 'Death! great proprietor of all! 'tis thine' (Page 8)
- 1797
29
- 'The goddess bursts in thunder and in flame' (Page 95)
- 1797
30
- 'Disease invades the chastest temperence' (Page 10)
- 1797
31
- 'Its favours here are trials, not rewards' (Page 12)
- 1797
32
- 'The present moment terminates our sight' (Page 13)
- 1797
33
- The Complaint, and the Consolation; or, Night Thoughts
- ca. 1797
34
- 'Till at Death's toll, whose restless iron tongue' (Page 7)
- ca. 1797
35
- Louisa Finch (née Thynne), Countess of Aylesford
- 1783
36
- Content and Innocence
- 1797
37
- Lear, from King Lear, Act III, Scene ii
- 1776
38
- George Nugent Grenville Temple Marquis of Buckingham Lord Leiutenant General & General Governor of the Kingdom of Ireland Knight Companion of the Most Noble Order of the Garter..
- 1788
39
- Miss Sarah Campbell
- 1779
40
- Venus Childing Cupid
- 1784
41
- John Hawkesworth
- 1773
42
- Lady Caroline Howard
- 1778
43
- The West Prospect of the Church and Steeple of St. Mary le Bow in Cheapside
- between 1720 and 1750
44
- Sir Home Popham
- 1807
45
- Lord Henry and Lady Charlotte Spencer
- 1790
46
- Fresh Gathered Peas, Young Hastings
- 1795
47
- Knives, Scissars, and Razors to Grind
- 1795
48
- A New Love Song, Only ha'Penny a Piece
- 1796
49
- Caliban, from The Tempest
- 1775
50
- Sir Francis Burdett, 5th Baronet
- 1811
51
- Griselda Returning to her Father
- after 1785
52
- Interior of the Belfry, Bushey Church
- ca. 1822
53
- Jedburgh Parish Church
- undated
54
- Do you want any Matches?
- 1794
55
- Knives, Sissors and Razors to Grind
- 1795
56
- Milk Below Maids
- 1793
57
- Round and Sound Five Pence a Pund Duke Cherry's
- 1795
58
- Hot Spice Gingerbread, Smoking Hot
- 1796