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Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionHeight [cm] 57
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1
- Hampstead Heath
- ca. 1825
- Not on view
2
- Near Quillebeuf
- between 1824 and 1825
- On view at YUAG
3
- Stormy Sea Breaking on a Shore
- between 1840 and 1845
- Not on view
4
- The Hypostyle Hall of the Great Temple at Abu Simbel, Egypt
- 1849
- Not on view
5
- Lough Erne from Knock Ninney, with Bellisle in the distance, County Fermanagh, Ireland
- 1771
- Not on view
6
- Knock Ninney and Lough Erne from Bellisle, County Fermanagh, Ireland
- 1771
- Not on view
7
- Muslim Lady Reclining
- 1789
- Not on view
8
- Cottage on Fire at Night
- between 1785 and 1793
- Not on view
9
- Derwent Water, with Skiddaw in the distance
- between 1795 and 1796
- Not on view
10
- Nancy Parsons in Turkish dress
- ca. 1771
- Not on view
11
- John Quick as Tony Allspice
- ca. 1796
- Not on view
12
- Old Walton Bridge
- 1755
- Not on view
13
- View near Rome
- between 1754 and 1765
- Not on view
14
- Sir Charles Warre Malet's String of Racehorses at Exercise
- ca. 1800
- Not on view
15
- Hercules
- between 1745 and 1752
- Not on view
16
- St. Simon
- 1885
- Not on view
17
- Fowl, Lateral View with Most Feathers Removed (Finished Study for Table X)
- between 1795 and 1806
18
- Jerusalem, Plate 9, "Condens'd his Emanations...."
- 1804 to 1820
19
- Illustrations to Dante's "Divine Comedy"
- 1827
20
- Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
- 1827
21
- Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?'weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
- 1827
22
- Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,' Hell; Canto xxv. line 45.]
- 1827
23
- Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
- 1827
24
- Illustrations to Dante's Divine Comedy
- 1827
25
- Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm,/ And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
- 1827
26
- Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
- 1827
27
- The Conversation of Polemon
- 1778
28
- Lincoln Cathedral
- 1800
29
- Narcissus
- c.1714
30
- Military Weapons, Female Ornaments, Utencils for Culinary and Religious Purposes
- undated
31
- Cobham Hall, Kent: Cornice and Battlement for the Dairy
- 1795
32
- Palace of Whitehall. The Charing Cross Side
- 1749
33
- Palace of Whitehall - The Water Side
- 1748
34
- Palace of Whitehall - The Westminster Side
- 1748
35
- Stables at Hinton St. George, Somerset: Plan
- undated
36
- Plan of an Estate Lying in Grundisburgh and Clopton
- 1779
37
- Partial View of the West Front of St. Pauls
- 1792
38
- Cobham Hall, Kent: Drawing at large for the ornament in the center of the ceiling of the vestibule at Cobham
- 1791
39
- One of Eleven Designs for Houses and Shops
- ca. 1800
40
- A View of Oxford from the Abingdon Road
- 1818
41
- J.M.W. Turner
- 1856
42
- Lady Percy Watching the Sleeping Hotspur
- 1781
43
- Antigonus Disposing of Perdita
- ca. 1781
44
- Ophelia's Death
- ca. 1781
45
- Lear and Cordelia
- ca. 1781
46
- A Dark Grey Hunter upon full Chace
- 1739
47
- Design after a Greek Vase
- undated
48
- An Estate in Naughton, Bricett, Bildeston and Offton, Suffolk
- 1781
49
- Wichmere Ch. Oct'r 9 | 1841
- 1847
50
- Tuttington Ch. | Nov. 11th 1841
- 1847
51
- Itteringham | Nov. 12th 1841
- 1847
52
- Tuttington Ch. | Nov. 11th 1841
- 1847
53
- Sir Joshua Reynolds
- 1780
54
- Modern Italy
- 1842
55
- John Scott, 1st Earl of Eldon
- 1813
56
- Crossing the Brook
- 1838
57
- Job Reproved by his Friends
- 1777
58
- One of Eleven Designs for Houses and Shops
- ca. 1800
59
- Modern Italy
- 1842
60
- Modern Italy
- 1842
61
- Robert Banks Jenkinson, 2nd Earl of Liverpool
- 1827
62
- Joshua Commanding the Sun to Stand Still
- 1827
63
- Marcus Curtius
64
- Pandemonium
- 1831
65
- Her Majesty's Steam Frigate Cyclops, off Spithead, Under Admiralty Orders
- 1857
66
- Rockets and Blue Lights
- 1852
67
- British Plenty
- 1794
68
- The Errand Boy
- 1825
69
- The Tempest, Act V, Scene I
- 1795
70
- Racing: Thornton Castle and Thorntoniana, both the property of Lt. Col. Thornton
- 1808
71
- A View of the Vestibule of St. Peter at Rome
- 1765 to 1767
72
- A View of the Inside of the New Prison at Rome
- 1765 to 1767
73
- A View of the Vestibule of St. Mary at Rome
- 1765 to 1767
74
- A View of the Temple of Bacchus at Rome
- 1765 to 1767
75
- A View of the Inside of a Sepulchrale Church
- 1765 to 1767
76
- African Hospitality
- 1791
77
- A View of the Inside of a Church
- 1765 to 1767
78
- Richard III: Act IV, Scene III, Tower of London
- 1795
79
- Our Saviour healing the sick in the Temple
- 1812
80
- Sir Barnard Turner
- 1783
81
- Our Saviour healing the sick in the Temple
- 1812
82
- Taming of the Shrew, Act II Scene II
- 1795
83
- Fishing Boats off Calais (The Pas de Calais)
- 1830
84
- Boccaccio, the Bird Cage
- 1830
85
- Boccaccio, the Bird Cage
- 1830
86
- The Mausoleum at Brocklesby
- ca. 1804
87
- Two Panoramas for an Estate
88
- Hinton St. George, Somerset: Plan of the Vestibule
- undated
89
- Panorama for an Estate
90
- Sir William Hamilton K.B
- 1788
91
- A Bacchante
- 1801
92
- The Cornfield
- 1833
93
- The Lock
- 1834
94
- Collina (Lady Gertrude Fitzpatrick)
- 1792
95
- Elizabeth Lamb, (née Milbanke) Viscountess Melborne
- 1771
96
- The Honourable Mrs. Beresford, Mrs. Gardiner, and The Right Honourable Anne Viscountess Townshend
- 1776
97
- The Lock
- 1834
98
- John, Earl of St. Vincent
- 1816