Credit Line: Yale Center for British Art, Paul Mellon Collection / Width [cm]: 11 / Subject Terms: trees - YCBA Collections Search Search Results

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Credit Line Yale Center for British Art, Paul Mellon Collection

Width [cm] 11

Subject Terms trees

Samuel Palmer Thatched Cottage and Church

Samuel Palmer, 1805–1881

Thatched Cottage and Church

undated

Samuel Palmer The Crescent Moon

Samuel Palmer, 1805–1881

The Crescent Moon

undated

John Constable Dedham Vale from Langham

John Constable, 1776–1837

Dedham Vale from Langham

between 1830 and 1831

John Constable Wormingford Church

attributed to John Constable, 1776–1837

Wormingford Church

between 1813 and 1815

Samuel Palmer Christmas

Print made by Samuel Palmer, 1805–1881

Christmas

1850

Samuel Palmer Christmas

Print made by Samuel Palmer, 1805–1881

Christmas

1877

William Blake The First Book of Urizen, Title Page (Plate 1)

Print made by William Blake, 1757–1827

The First Book of Urizen, Title Page (Plate 1)

1794

William Blake Preludium. "Of the primeval Priests assum'd power..." (Plate 2b)

Print made by William Blake, 1757–1827

Preludium. "Of the primeval Priests assum'd power..." (Plate 2b)

1794

William Blake Water (Plate 4)

Print made by William Blake, 1757–1827

Water (Plate 4)

1793

William Blake I Found Him Beneath a Tree (Plate 3)

Print made by William Blake, 1757–1827

I Found Him Beneath a Tree (Plate 3)

1793

William Blake My Son! My Son! (Plate 10)

Print made by William Blake, 1757–1827

My Son! My Son! (Plate 10)

1793

William Blake Alas! (Plate 9)

Print made by William Blake, 1757–1827

Alas! (Plate 9)

1793

William Blake Aged Ignorance (Plate 13)

Print made by William Blake, 1757–1827

Aged Ignorance (Plate 13)

1793

William Blake Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)

Print made by William Blake, 1757–1827

Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)

1794

William Blake III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)

Print made by William Blake, 1757–1827

III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)

1789

William Blake I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)

Print made by William Blake, 1757–1827

I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)

1789

William Blake III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)

Print made by William Blake, 1757–1827

III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)

1789

William Blake The First Book of Urizen; Title Page (Plate 1)

Print made by William Blake, 1757–1827

The First Book of Urizen; Title Page (Plate 1)

1794

William Blake I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)

Print made by William Blake, 1757–1827

I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)

1789

William Blake Illustrations of Imitation of Eclogue I, Page 16

Print made by William Blake, 1757–1827

Illustrations of Imitation of Eclogue I, Page 16

1821

Miles Edmund Cotman Study of Trees on the Banks of the Yare

Print made by Miles Edmund Cotman, 1810–1858

Study of Trees on the Banks of the Yare

1846

unknown artist Illustrations used for 17th Century Chapbook

Print made by unknown artist

Illustrations used for 17th Century Chapbook

1909

Edward Calvert The Brook

Print made by Edward Calvert, 1799–1883

The Brook

1829

Thomas Bewick Dog and the Shadow

Print made by Thomas Bewick, 1753–1828

Dog and the Shadow

1909

Robert Smirke Malvolio abusing Maria, Fabian and Sir Toby

Robert Smirke, 1752–1845

Malvolio abusing Maria, Fabian and Sir Toby

1822

Thomas Creswick The Terrace

Print made by Thomas Creswick, 1811–1869

The Terrace

ca. 1844

Bradshaw & Blacklock Haddon Hall

Print made by Bradshaw & Blacklock, active ca.1850

Haddon Hall

after 1850

George Baxter Little Red Riding Hood

Print made by imitator of George Baxter, 1804–1867

Little Red Riding Hood

after 1856

Alfred W. Cooper A-Hunting We Will Go

Print made by Alfred W. Cooper, active 1850–1901

A-Hunting We Will Go

undated

Francesco Bartolozzi Ticket: Anacreontic Society Meeting

Print made by Francesco Bartolozzi, 1728–1815

Ticket: Anacreontic Society Meeting

1779

Henry Bonnart Mater Purissima

Print made by Henry Bonnart, 1642–1711

Mater Purissima

undated

John Varley Trees and Cottages at the Bend of a River

John Varley, 1778–1842

Trees and Cottages at the Bend of a River

undated

George Richmond The Shepherd

Print made by George Richmond, 1809–1896

The Shepherd

1827

Sir Richard Westmacott The Good Samaritan

Sir Richard Westmacott, 1775–1856

The Good Samaritan

undated

Francis Wheatley Adelaide

Francis Wheatley, 1747–1801

Adelaide

between 1785 and 1786

Robert Hills Reminiscence of Gainsborough

Robert Hills, 1769–1844

Reminiscence of Gainsborough

undated

John Varley The Fisherman

John Varley, 1778–1842

The Fisherman

undated

Sir David Wilkie The Manse, Cults, Fife: The Artist's Old Home

Sir David Wilkie, 1785–1841

The Manse, Cults, Fife: The Artist's Old Home

undated

William Collins Landscape: House and Trees

Attributed to William Collins, 1788–1847

Landscape: House and Trees

undated

John Augustus Atkinson Young Woman with Dog Outside a Cottage Doorway

John Augustus Atkinson, 1775–1831

Young Woman with Dog Outside a Cottage Doorway

undated

George Chinnery Figure Seated by a Tomb in Bengal

George Chinnery, 1774–1852

Figure Seated by a Tomb in Bengal

between 1803 and 1825

Thomas Creswick Ed Bucks

Thomas Creswick, 1811–1869

Ed Bucks

undated