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Francis Danby The Avon Gorge at Sunset
Francis Danby, 1793–1861
The Avon Gorge at Sunset
ca. 1850
Not on view
John Constable East Bergholt Church
John Constable, 1776–1837
East Bergholt Church
1809
Not on view
Daniel Turner A View of London Bridge
Daniel Turner, active 1782–1805
A View of London Bridge
early 19th century
Not on view
Daniel Turner A View of Westminster Bridge
Daniel Turner, active 1782–1805
A View of Westminster Bridge
early 19th century
Not on view
John Dalby Foxhunting: Clearing a Bank
John Dalby, active 1826–1853
Foxhunting: Clearing a Bank
ca. 1840
Not on view
Samuel Palmer The Vine
Print made by Samuel Palmer, 1805–1881
The Vine
1852
Samuel Palmer The Timber Wain
Samuel Palmer, 1805–1881
The Timber Wain
between 1833 and 1834
William Hogarth Trade Sheet for: Richard Hand, The Oldest Original Chelsey Bunn Baker at the King's Arms Chelsey
William Hogarth, 1697–1764
Trade Sheet for: Richard Hand, The Oldest Original Chelsey Bunn Baker at the King's Arms Chelsey
1718
Samuel Palmer Christmas
Print made by Samuel Palmer, 1805–1881
Christmas
1877
Joseph Mallord William Turner The Channel Sketchbook
Joseph Mallord William Turner, 1775–1851
The Channel Sketchbook
ca. 1845
Joseph Mallord William Turner The Angler
Joseph Mallord William Turner, 1775–1851
The Angler
1794
William Blake Jerusalem, Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
Jerusalem, Frontispiece (Plate 1)
1804 to 1820
William Blake Jerusalem, Plate 28 Proof Impression
Print made by William Blake, 1757–1827
Jerusalem, Plate 28 Proof Impression
ca. 1820
William Blake "And that toward Eden, four..." (Plate 13)
Print made by William Blake, 1757–1827
"And that toward Eden, four..." (Plate 13)
1804 to 1820
William Blake "From every-one of the Four Regions..." (Plate 18)
Print made by William Blake, 1757–1827
"From every-one of the Four Regions..." (Plate 18)
1804 to 1820
William Blake "His Children exil'd from his breast..." (Plate 19)
Print made by William Blake, 1757–1827
"His Children exil'd from his breast..." (Plate 19)
1804 to 1820
William Blake Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)
Print made by William Blake, 1757–1827
Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)
1804 to 1820
William Blake "But when they saw Albion fall'n..." (Plate 20)
Print made by William Blake, 1757–1827
"But when they saw Albion fall'n..." (Plate 20)
1804 to 1820
William Blake "Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)
Print made by William Blake, 1757–1827
"Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)
1804 to 1820
William Blake "And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)
Print made by William Blake, 1757–1827
"And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)
1804 to 1820
William Blake "Condens'd his Emanations..." (Plate 9)
Print made by William Blake, 1757–1827
"Condens'd his Emanations..." (Plate 9)
1804 to 1820
William Blake "All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)
Print made by William Blake, 1757–1827
"All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)
1804 to 1820
William Blake "To the Jews..." (Plate 27)
Print made by William Blake, 1757–1827
"To the Jews..." (Plate 27)
1804 to 1820
William Blake "Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)
1804 to 1820
William Blake "Then the Divine Vision like a silent Sun..." (Plate 29)
Print made by William Blake, 1757–1827
"Then the Divine Vision like a silent Sun..." (Plate 29)
1804 to 1820
William Blake "To the Public. After my three years slumber..." (Plate 3)
Print made by William Blake, 1757–1827
"To the Public. After my three years slumber..." (Plate 3)
1804 to 1820
William Blake "His western heaven with rocky clouds..." (Plate 31)
Print made by William Blake, 1757–1827
"His western heaven with rocky clouds..." (Plate 31)
1804 to 1820
William Blake "Leaning against the pillars..." (Plate 32)
Print made by William Blake, 1757–1827
"Leaning against the pillars..." (Plate 32)
1804 to 1820
William Blake "And One stood forth from the Divine Family..." (Plate 37)
Print made by William Blake, 1757–1827
"And One stood forth from the Divine Family..." (Plate 37)
1804 to 1820
William Blake "His face and bosom with petrific hardness..." (Plate 38)
Print made by William Blake, 1757–1827
"His face and bosom with petrific hardness..." (Plate 38)
1804 to 1820
William Blake "By Satan's Watch-fiends tho' they search..." (Plate 39)
Print made by William Blake, 1757–1827
"By Satan's Watch-fiends tho' they search..." (Plate 39)
1804 to 1820
William Blake "Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)
1804 to 1820
William Blake "Los shudder'd at beholding Albion..." (Plate 40)
Print made by William Blake, 1757–1827
"Los shudder'd at beholding Albion..." (Plate 40)
1804 to 1820
William Blake "Bath who is Legions..." (Plate 41)
Print made by William Blake, 1757–1827
"Bath who is Legions..." (Plate 41)
1804 to 1820
William Blake "Thus Albion sat, studious of others..." (Plate 42)
Print made by William Blake, 1757–1827
"Thus Albion sat, studious of others..." (Plate 42)
1804 to 1820
William Blake "They saw their Wheels rising up poisonous..." (Plate 43)
Print made by William Blake, 1757–1827
"They saw their Wheels rising up poisonous..." (Plate 43)
1804 to 1820
William Blake "Bath, healing City!..." (Plate 45)
Print made by William Blake, 1757–1827
"Bath, healing City!..." (Plate 45)
1804 to 1820
William Blake "Bath, mild Physician of Eternity..." (Plate 46)
Print made by William Blake, 1757–1827
"Bath, mild Physician of Eternity..." (Plate 46)
1804 to 1820
William Blake "From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)
Print made by William Blake, 1757–1827
"From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)
1804 to 1820
William Blake "The banks of the Thames are clouded..." (Plate 5)
Print made by William Blake, 1757–1827
"The banks of the Thames are clouded..." (Plate 5)
1804 to 1820
William Blake "The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)
Print made by William Blake, 1757–1827
"The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)
1804 to 1820
William Blake Chapter 3 Frontispiece (Plate 51)
Print made by William Blake, 1757–1827
Chapter 3 Frontispiece (Plate 51)
1804 to 1820
William Blake "To the Deists. He never can be a Friend to the Human Race..." (Plate 52)
Print made by William Blake, 1757–1827
"To the Deists. He never can be a Friend to the Human Race..." (Plate 52)
1804 to 1820
William Blake "His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)
Print made by William Blake, 1757–1827
"His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)
1804 to 1820
William Blake "To decide Two Worlds with a great decision..." (Plate 65)
Print made by William Blake, 1757–1827
"To decide Two Worlds with a great decision..." (Plate 65)
1804 to 1820
William Blake "In awful pomp & gold, in all the precious unhewn stones of Eden..." (Plate 66)
Print made by William Blake, 1757–1827
"In awful pomp & gold, in all the precious unhewn stones of Eden..." (Plate 66)
1804 to 1820
William Blake "Was living: panting like a frighted wolf..." (Plate 7)
Print made by William Blake, 1757–1827
"Was living: panting like a frighted wolf..." (Plate 7)
1804 to 1820
William Blake "And this the form of mighty Hand..." (Plate 70)
Print made by William Blake, 1757–1827
"And this the form of mighty Hand..." (Plate 70)
1804 to 1820
William Blake Chapter 4 Frontispiece (Plate 76)
Print made by William Blake, 1757–1827
Chapter 4 Frontispiece (Plate 76)
1804 to 1820
William Blake "My tents are fall'n! my pillars are in ruins!..." (Plate 79)
Print made by William Blake, 1757–1827
"My tents are fall'n! my pillars are in ruins!..." (Plate 79)
1804 to 1820
William Blake Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
Print made by William Blake, 1757–1827
Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
1804 to 1820
William Blake "Rose up against me thundering..." (Plate 8)
Print made by William Blake, 1757–1827
"Rose up against me thundering..." (Plate 8)
1804 to 1820
William Blake "Encompass'd by the frozen Net..." (Plate 80)
Print made by William Blake, 1757–1827
"Encompass'd by the frozen Net..." (Plate 80)
1804 to 1820
William Blake "I have heard Jerusalems groans..." (Plate 82)
Print made by William Blake, 1757–1827
"I have heard Jerusalems groans..." (Plate 82)
1804 to 1820
William Blake "Corruptability appears upon thy limbs..." (Plate 83)
Print made by William Blake, 1757–1827
"Corruptability appears upon thy limbs..." (Plate 83)
1804 to 1820
William Blake The Man Sweeping the Interpreter's Parlour
Print made by William Blake, 1757–1827
The Man Sweeping the Interpreter's Parlour
ca. 1822
William Blake The Peasants' Nest: Cowper's tame Hares
Print made by William Blake, 1757–1827
The Peasants' Nest: Cowper's tame Hares
1802
Robert Smirke Scene from Don Quixote
Robert Smirke, 1752–1845
Scene from Don Quixote
undated
Robert Smirke Untitled: Skirmish for a Lady
Robert Smirke, 1752–1845
Untitled: Skirmish for a Lady
Henry Swinburne Sketches for Capitals of Columns and Mosaic Squares at Alhambra
Henry Swinburne, 1743–1803
Sketches for Capitals of Columns and Mosaic Squares at Alhambra
1775 to 1776
Henry Swinburne The Great Bath of the Alhambra
Henry Swinburne, 1743–1803
The Great Bath of the Alhambra
1775 to 1776
Henry Swinburne Gates of the Alhambra: Puerta del Juicio
Henry Swinburne, 1743–1803
Gates of the Alhambra: Puerta del Juicio
1775 to 1776
Henry Swinburne Door of the New Palace at the Alhambra
Henry Swinburne, 1743–1803
Door of the New Palace at the Alhambra
1775 to 1776
Henry Swinburne Near La Rocca
Henry Swinburne, 1743–1803
Near La Rocca
1777 to 1778
Henry Swinburne Arch Near Tivoli
Henry Swinburne, 1743–1803
Arch Near Tivoli
1777 to 1778
Henry Swinburne Capuchins of Our Lady of Médoux
Henry Swinburne, 1743–1803
Capuchins of Our Lady of Médoux
undated
Henry Swinburne Lang House Farm
Henry Swinburne, 1743–1803
Lang House Farm
undated
Henry Swinburne Mouth of the Guadalquivir River in Spain
Henry Swinburne, 1743–1803
Mouth of the Guadalquivir River in Spain
1775 to 1776
Henry Swinburne Château de Chaumont
Henry Swinburne, 1743–1803
Château de Chaumont
undated
Henry Swinburne Vaucluse, France
Henry Swinburne, 1743–1803
Vaucluse, France
undated
Henry Swinburne Barbezieux-Saint HIlaire, France
Henry Swinburne, 1743–1803
Barbezieux-Saint HIlaire, France
undated
Luigi Balugani [One of] Miscellaneous Sketches in Wrapper
Luigi Balugani, 1737–1770
[One of] Miscellaneous Sketches in Wrapper
undated
Luigi Balugani [One of] Miscellaneous Sketches in Wrapper
Luigi Balugani, 1737–1770
[One of] Miscellaneous Sketches in Wrapper
undated
Luigi Balugani Locust
Luigi Balugani, 1737–1770
Locust
undated
Luigi Balugani Bohur
Luigi Balugani, 1737–1770
Bohur
undated
Luigi Balugani Head of a Cat
Luigi Balugani, 1737–1770
Head of a Cat
undated
Luigi Balugani Morer
Luigi Balugani, 1737–1770
Morer
undated
Luigi Balugani Gemero (Capparis tomentosa); Guoneck (Dichrostachys cinerea)
Luigi Balugani, 1737–1770
Gemero (Capparis tomentosa); Guoneck (Dichrostachys cinerea)
undated
William Bromley Portrait of Fuseli
Print made by William Bromley, 1769–1842
Portrait of Fuseli
undated
James Bretherton The Houndsditch Macaroni
Print made by James Bretherton, ca. 1730–1806
The Houndsditch Macaroni
1772
James Bretherton Inimitable Mr. James Moss
Print made by James Bretherton, ca. 1730–1806
Inimitable Mr. James Moss
1773
James Bretherton I Will Pay No More Debts of Her Contracting
Print made by James Bretherton, ca. 1730–1806
I Will Pay No More Debts of Her Contracting
1772
James Bretherton John Jehu L'Inghilterra
Print made by James Bretherton, ca. 1730–1806
John Jehu L'Inghilterra
1772
James Bretherton A Maid
Print made by James Bretherton, ca. 1730–1806
A Maid
1774
James Bretherton Man with a Walking Stick in a Landscape
Print made by James Bretherton, ca. 1730–1806
Man with a Walking Stick in a Landscape
1773
James Bretherton Monsieur Le Fouet, La Francia
Print made by James Bretherton, ca. 1730–1806
Monsieur Le Fouet, La Francia
1772
James Bretherton The St. James's Macaroni
Print made by James Bretherton, ca. 1730–1806
The St. James's Macaroni
1772
J. Carwitham A New Drawing Book of Variety of Landskips
Print made by J. Carwitham, active 1720–1740
A New Drawing Book of Variety of Landskips
ca. 1730
Jean B. C. Chatelain Wooded Landscape with a River Leading to Distant Buildings
Print made by Jean B. C. Chatelain, 1710–1771
Wooded Landscape with a River Leading to Distant Buildings
undated
John Crome Wooded Landscape
Print made by John Crome, 1768–1821
Wooded Landscape
ca. 1812
John Sell Cotman Lakenham, near Norwich
Print made by John Sell Cotman, 1782–1842
Lakenham, near Norwich
ca. 1808
Miles Edmund Cotman French Fishing Boat off the Shears
Print made by Miles Edmund Cotman, 1810–1858
French Fishing Boat off the Shears
1846
Thomas Creswick Moonlight
Print made by Thomas Creswick, 1811–1869
Moonlight
1839
Thomas Creswick The Blacksmith's Shop
Print made by Thomas Creswick, 1811–1869
The Blacksmith's Shop
1838
Thomas Goff Lupton The Eddystone Lighthouse (The Small Plate)
Print made by Thomas Goff Lupton, 1791–1873
The Eddystone Lighthouse (The Small Plate)
1829 to 1834
James Ward A Foliated Branch
James Ward, 1769–1859
A Foliated Branch
undated
unknown artist A Large Christmas Card
Print made by unknown artist
A Large Christmas Card
1895
Isaac Weld View of Niagara Falls with Two Figures on Rock in Right Foreground
Isaac Weld, 1774–1856
View of Niagara Falls with Two Figures on Rock in Right Foreground
between 1795 and 1797
Richard Parkes Bonington Tour aux Archives a Vernon
Print made by Richard Parkes Bonington, 1802–1828
Tour aux Archives a Vernon
1824
Robert Smirke Prospero Conjuring a Masque for Ferdinand and Miranda
Robert Smirke, 1752–1845
Prospero Conjuring a Masque for Ferdinand and Miranda
ca. 1810