York House: Longitudinal Section from North to South
1827
903
James Mitchell, 1791–1852
Rat Hunters
1830
904
Francesco Bartolozzi, 1728–1815
Love Caressed
1783
905
Print made by Francesco Bartolozzi, 1728–1815
Earth
1803
906
Print made by Francesco Bartolozzi, 1728–1815
Louis XVI
1793
907
Print made by Francesco Bartolozzi, 1728–1815
Edward Hawke, 1st Baron Hawke
1796
908
Print made by Francesco Bartolozzi, 1728–1815
Samuel Johnson
1785
909
Print made by Francesco Bartolozzi, 1728–1815
Georgiana, Countess Spencer
1783
910
Print made by Benjamin Comte, 1760–1851
Tynemouth Castle and Priory, Northumberland
1802
911
Charles Heath, 1785–1848
The Tower from the River
1825
912
Charles Heath, 1785–1848
Tower Hill
1825
913
Charles Heath, 1785–1848
Green Park
1825
914
Print made by Samuel David Colkett, 1806–1863
The Gipsy Encampment
1822
915
Print made by Miles Edmund Cotman, 1810–1858
Barge on the Medway with Warships Grampian and Dreadnaugh in the Background
ca. 1838
916
Print made by Miles Edmund Cotman, 1810–1858
River Scene, Aldercar
ca. 1837
917
John Porter, active 1838
Design for a Temple and Bridge in a Nobleman's Park
1807
918
Walter Greaves, 1846–1930
Cremorne Gardens: Chelsea Bandstand
1871
919
Thomas Hickey, 1741–1824
Joseph Hickey, Jr
1778
920
George Cruikshank, 1792–1878
Studies of 2 Men in Profile
921
Henry Phillip Hope, active 1799–1818
Vue de la Porte aux Lions a Constantinople
undated
922
Thomas D. W. Dearn, 1777–1853
Brick Cottage in the Mountains
923
Gospen
Burial Crest of Bryan Ansley, Esqr. in Lee Church
924
Henry Phillip Hope, active 1799–1818
Plan of Bedroom (Arklow House)
undated
925
unknown artist
Man in 17th Century Costume
undated
926
J. J. Rurie, active 1843
Prisoners in Q.P. June 1843
1843
927
J. J. Rurie, active 1843
Prisoners Q.P. June 1843
1843
928
J. J. Rurie, active 1843
Queen's Prison July 1843
1843
929
unknown artist
Deer, Faces and Horses
undated
930
Peter Lombard, ca. 1613–1682
Illustration to Virgil Eclogue 3
931
William Simpson, 1823–1899
Sketchbook Drawing
1871
932
William Simpson, 1823–1899
Sketchbook Drawing
1871
933
William Simpson, 1823–1899
Sketchbook Drawing
1871
934
William Simpson, 1823–1899
Sketchbook Drawing
1871
935
William Simpson, 1823–1899
Sketchbook Drawing
1871
936
William Simpson, 1823–1899
Sketchbook Drawing
1871
937
William Simpson, 1823–1899
Sketchbook Drawing
1871
938
William Simpson, 1823–1899
Sketchbook Drawing
1871
939
William Simpson, 1823–1899
Sketchbook Drawing
1871
940
William Simpson, 1823–1899
Sketchbook Drawing
1871
941
George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
942
George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
943
George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
944
George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
945
John Raphael Smith, 1752–1812
Portrait of Master Cornelius Stovey, at Doncaster
1810
946
George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
947
George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
948
George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
949
George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
950
George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
951
Hubert-François Gravelot, 1699–1773
Design for a Medal: Novum Ex Prole Decus Et Tutamen
1769
952
Hubert-François Gravelot, 1699–1773
Design for a Medal: Novum Ex Prole Decus Et Tutamen
ca. 1769
953
John Leech, 1817–1864
Twenty drawings illustrating works by R. S. Surtees, mounted and bound in a volume: five drawings for "Handley Cross", four for "Plain or Ringlets ?", seven for "Mr. Facey Romford's Hounds", and four for "Mr. Sponge's Sporting Tour"
954
John Leech, 1817–1864
Twenty drawings illustrating works by R. S. Surtees, mounted and bound in a volume: five drawings for "Handley Cross", four for "Plain or Ringlets ?", seven for "Mr. Facey Romford's Hounds", and four for "Mr. Sponge's Sporting Tour"
955
John Leech, 1817–1864
Twenty drawings illustrating works by R. S. Surtees, mounted and bound in a volume: five drawings for "Handley Cross", four for "Plain or Ringlets ?", seven for "Mr. Facey Romford's Hounds", and four for "Mr. Sponge's Sporting Tour"
956
John Leech, 1817–1864
Twenty drawings illustrating works by R. S. Surtees, mounted and bound in a volume: five drawings for "Handley Cross", four for "Plain or Ringlets ?", seven for "Mr. Facey Romford's Hounds", and four for "Mr. Sponge's Sporting Tour"
957
John Leech, 1817–1864
Twenty drawings illustrating works by R. S. Surtees, mounted and bound in a volume: five drawings for "Handley Cross", four for "Plain or Ringlets ?", seven for "Mr. Facey Romford's Hounds", and four for "Mr. Sponge's Sporting Tour"
958
John Leech, 1817–1864
Twenty drawings illustrating works by R. S. Surtees, mounted and bound in a volume: five drawings for "Handley Cross", four for "Plain or Ringlets ?", seven for "Mr. Facey Romford's Hounds", and four for "Mr. Sponge's Sporting Tour"
959
Print made by Luigi Schiavonetti, 1765–1810
Christ Descending into the Grave
1808
960
Mrs. P. D. H. Page, 20th century
Soldier-Fish, after the original by John White in the British Museum [Caribbean and Oceanic, No. 25 A]
undated
961
John Leech, 1817–1864
Twenty drawings illustrating works by R. S. Surtees, mounted and bound in a volume: five drawings for "Handley Cross", four for "Plain or Ringlets ?", seven for "Mr. Facey Romford's Hounds", and four for "Mr. Sponge's Sporting Tour"
962
John Leech, 1817–1864
Twenty drawings illustrating works by R. S. Surtees, mounted and bound in a volume: five drawings for "Handley Cross", four for "Plain or Ringlets ?", seven for "Mr. Facey Romford's Hounds", and four for "Mr. Sponge's Sporting Tour"
963
John Leech, 1817–1864
Twenty drawings illustrating works by R. S. Surtees, mounted and bound in a volume: five drawings for "Handley Cross", four for "Plain or Ringlets ?", seven for "Mr. Facey Romford's Hounds", and four for "Mr. Sponge's Sporting Tour"
964
John Leech, 1817–1864
Twenty drawings illustrating works by R. S. Surtees, mounted and bound in a volume: five drawings for "Handley Cross", four for "Plain or Ringlets ?", seven for "Mr. Facey Romford's Hounds", and four for "Mr. Sponge's Sporting Tour"
965
John Leech, 1817–1864
Twenty drawings illustrating works by R. S. Surtees, mounted and bound in a volume: five drawings for "Handley Cross", four for "Plain or Ringlets ?", seven for "Mr. Facey Romford's Hounds", and four for "Mr. Sponge's Sporting Tour"
966
John Leech, 1817–1864
Twenty drawings illustrating works by R. S. Surtees, mounted and bound in a volume: five drawings for "Handley Cross", four for "Plain or Ringlets ?", seven for "Mr. Facey Romford's Hounds", and four for "Mr. Sponge's Sporting Tour"
967
John Leech, 1817–1864
Twenty drawings illustrating works by R. S. Surtees, mounted and bound in a volume: five drawings for "Handley Cross", four for "Plain or Ringlets ?", seven for "Mr. Facey Romford's Hounds", and four for "Mr. Sponge's Sporting Tour"
968
John Leech, 1817–1864
Twenty drawings illustrating works by R. S. Surtees, mounted and bound in a volume: five drawings for "Handley Cross", four for "Plain or Ringlets ?", seven for "Mr. Facey Romford's Hounds", and four for "Mr. Sponge's Sporting Tour"
969
John Leech, 1817–1864
Twenty drawings illustrating works by R. S. Surtees, mounted and bound in a volume: five drawings for "Handley Cross", four for "Plain or Ringlets ?", seven for "Mr. Facey Romford's Hounds", and four for "Mr. Sponge's Sporting Tour"
970
George Cumberland, 1754–1848
Thoughts on outline, sculpture, and the system that guided the ancient artists in composing their figures and groupes..
1796
971
unknown artist
View Leading from St Stephen's Chapel to Speaker's Room &c
1834
972
John Leech, 1817–1864
Twenty drawings illustrating works by R. S. Surtees, mounted and bound in a volume: five drawings for "Handley Cross", four for "Plain or Ringlets ?", seven for "Mr. Facey Romford's Hounds", and four for "Mr. Sponge's Sporting Tour"
973
John Leech, 1817–1864
Twenty drawings illustrating works by R. S. Surtees, mounted and bound in a volume: five drawings for "Handley Cross", four for "Plain or Ringlets ?", seven for "Mr. Facey Romford's Hounds", and four for "Mr. Sponge's Sporting Tour"
974
John Leech, 1817–1864
Twenty drawings illustrating works by R. S. Surtees, mounted and bound in a volume: five drawings for "Handley Cross", four for "Plain or Ringlets ?", seven for "Mr. Facey Romford's Hounds", and four for "Mr. Sponge's Sporting Tour"
975
John Leech, 1817–1864
Twenty drawings illustrating works by R. S. Surtees, mounted and bound in a volume: five drawings for "Handley Cross", four for "Plain or Ringlets ?", seven for "Mr. Facey Romford's Hounds", and four for "Mr. Sponge's Sporting Tour"
976
Mrs. P. D. H. Page, 20th century
Flamingo, after the original by John White in the British Museum [Caribbean and Oceanic, No. 15]
undated
977
Mrs. P. D. H. Page, 20th century
Corn Poppy, After the Original by Jacques Le Moune de Morgues in the Victoria & Albert Museum [No. 15r]
undated
978
Rev. James Bulwer, 1794–1879
[One from] A Volume of Drawings and Prints
undated
979
John Leech, 1817–1864
Twenty drawings illustrating works by R. S. Surtees, mounted and bound in a volume: five drawings for "Handley Cross", four for "Plain or Ringlets ?", seven for "Mr. Facey Romford's Hounds", and four for "Mr. Sponge's Sporting Tour"
980
George Cumberland, 1754–1848
Thoughts on outline, sculpture, and the system that guided the ancient artists in composing their figures and groupes..
1796
981
George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
982
George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
983
George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
984
George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
985
George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
986
George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists