Verona, Hay Barge on the Medway, and a Calvary (three prints)
after 1833
4
Print made by James Caldwall, 1739–1819
Now Sir, You're a Complete Macaroni
1772
5
Print made by James Caldwall, 1739–1819
The Macarony Brothers
1772
6
Paul Sandby, 1731–1809
Bayswater - London
undated
7
Print made by Richard Parkes Bonington, 1802–1828
Les Pendus
ca. 1826
8
Print made by Richard Parkes Bonington, 1802–1828
Tour du Gros Horloge, Batie Souis la Domination des Anglais en 1417
1824
9
Samuel Howitt, 1756–1822
The Village Inn
1798
10
Edmund Thomas Parris, 1793–1873
Studies of Figures: Women, Tradespeople, etc
undated
11
Print made by Bradshaw & Blacklock, active ca.1850
Hampton Court
after 1850
12
Thomas Shotter Boys, 1803–1874
Notre Dame, Paris
between 1831 and 1845
13
Robert Dixon, 1780–1815
The Late Entrance to Ber Street, Norwich
1810
14
Thomas Rowlandson, 1756–1827
Picking Mulberries
undated
15
Henry Thomas Alken, 1785–1851
Symptoms: of Being Bang Up, of a Fine Woman, of Being Bang Down, Of a Quiet One
between 1818 and 1822
16
Henry Thomas Alken, 1785–1851
Knight Falling From His Horse at a Squire's Tilt
undated
17
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'
between 1831 and 1832
18
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'
between 1831 and 1832
19
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '
between 1831 and 1832
20
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'
between 1831 and 1832
21
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '
between 1831 and 1832
22
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water'
between 1831 and 1832
23
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'
between 1831 and 1832
24
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'
between 1831 and 1832
25
Henry Thomas Alken, 1785–1851
"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
between 1831 and 1832
26
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'
between 1831 and 1832
27
Possibly Samuel Howitt, 1756–1822
The Departure of a Post-Chaise From the (?) Red Lion Inn, Bagshot
undated
28
Paul Sandby, 1731–1809
The Duke of Cumberland With a Gentleman and a Groom, All Mounted, and Dogs
undated
29
James McNeill Whistler, 1834–1903
The Long Gallery, Louvre
1894
30
Sawrey Gilpin, 1733–1807
Studies of Two Riders, and of Rider's Heads
undated
31
Peter DeWint, 1784–1849
Building a Hayrick
undated
32
Michael Angelo Hayes, 1811–1880
The Band of the 23rd Fusiliers
1838
33
Hubert-François Gravelot, 1699–1773
The Sporting Lady
undated
34
Thomas Rowlandson, 1756–1827
How to Vault in the Saddle
1813
35
Print made by Francesco Bartolozzi, 1728–1815
Gualtherus and Griselda
1784
36
Print made by John Corner, 1788–1825
Sir Godfrey Kneller
1821
37
Paul Sandby, 1731–1809
Two Wheeled Cart and Figures
undated
38
Thomas Rowlandson, 1756–1827
Dr. Syntax Made Free of the Cellar
undated
39
Sir James Thornhill, 1675–1734
A Design for a Ceiling
undated
40
Peter Casteels, 1684–1749
Feeding Ducks
undated
41
Walter Geikie, 1795–1837
Edinburgh Castle and Horse Fair
1830
42
Michael "Angelo" Rooker, 1746–1801
Clare Castle, Suffolk
between 1797 and 1800
43
unknown artist
Illustration to Tonson's Ovid Metamorphis (four of four)
ca. 1710
44
Cornelius Varley, 1781–1873
Ship Study
1823
45
George Morland, 1763–1804
A Hop Kiln
1795
46
George Morland, 1763–1804
A Man Lifting a Trunk, Two studies on one sheet
1792
47
Print made by M. Coote, ca. 1758/62–1801
Edgar's Tower at Worcester
before 1786
48
Thomas Girtin, 1775–1802
Cottage near Newcastle, Northumberland
ca. 1797
49
Thomas Girtin, 1775–1802
Boat Building
ca. 1799
50
Thomas Rowlandson, 1756–1827
Crowd by a Gibbet
undated
51
Thomas Rowlandson, 1756–1827
Comforts of Bath: The Concert
1798
52
Thomas Rowlandson, 1756–1827
Comforts of Bath: The Pump Room
1798
53
Thomas Rowlandson, 1756–1827
Labourers at Rest
between 1790 and 1795
54
Thomas Rowlandson, 1756–1827
An Artist's Studio
1814
55
Thomas Rowlandson, 1756–1827
Dr. Syntax with Kitty Cowslip
1821
56
Thomas Rowlandson, 1756–1827
Dr. Syntax Copying the Wit of the Window
between 1809 and 1812
57
Thomas Rowlandson, 1756–1827
Comforts of Bath: Coaches Arriving
1798
58
Thomas Rowlandson, 1756–1827
Comforts of Bath: The Ball
1798
59
Thomas Rowlandson, 1756–1827
Comforts of Bath: Gouty Persons Fall on Steep HIll
1798
60
Thomas Rowlandson, 1756–1827
'The Doctor is so Severely Bruised that Cupping is Judged Necessary'
between 1809 and 1811
61
Thomas Rowlandson, 1756–1827
Soldiers in St. James Park
undated
62
Thomas Rowlandson, 1756–1827
Time and Death and Goody Barton
undated
63
Thomas Rowlandson, 1756–1827
Outside the Greengrocer's Shop
between 1805 and 1810
64
Alfred Diston, active 1818–1829
View of part of Realesco de abasco from the road to la Cruz Santa
1818
65
John Warwick Smith, 1749–1831
The Slate Quarries at Bron Llwyd
undated
66
Benjamin West, 1738–1820
The Indians Delivering up the English Captives to Colonel Bouquet near his camp at the folks of Muskingum in North America in November 1764, 1765
between 1765 and 1766
67
John Augustus Atkinson, 1775–1831
Bologna, View in the Strada Maggiore
1819
68
Joshua Cristall, 1768–1847
Arcadian Shepherds by a Pool
undated
69
John Sell Cotman, 1782–1842
Cader Idris from the Mawddach Estuary above Barmouth