Credit Line: Yale Center for British Art, Paul Mellon Collection / Width [cm]: 22

401. Young Male Shearing a Sheep

Creator:: Print made by John Faber the Younger, ca. 1695–1756
Date:: undated
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/4 x 10 3/16 inches (36.2 x 25.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

402. Cupid and Psyche

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1789
Materials & Techniques:: Stipple engraving on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 11 1/16 × 8 7/8 inches (28.1 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

403. Sir Balthazar Gerbier

Creator:: Print made by Thomas Chambars, ca. 1724–1789
Date:: undated
Materials & Techniques:: Line engraving and stiplle engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 8 13/16 inches (29.5 × 22.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

404. Orleans

Creator:: Print made by Thomas Higham, 1796–1844
Date:: 1833
Materials & Techniques:: Etching and line engraving
Dimensions:: Sheet: 7 7/8 × 11 inches (20 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

405. Amboise

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1833
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 11 1/2 × 16 inches (29.2 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

406. Canal of the Loire and Cher, near Tours

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1833
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

407. Canal of the Loire and Cher, near Tours

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1833
Materials & Techniques:: Line engraving, engraver's proof (early) on moderatly thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 11 7/8 × 17 1/4 inches (30.2 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

408. Tours

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1833
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

409. Château of Amboise

Creator:: Print made by James Baylis Allen, 1803–1876
Date:: 1833
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, beige wove paper with cream chine collé
Dimensions:: Sheet: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

410. St. Julian's, Tours

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1833
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 11 1/4 × 16 7/8 inches (28.6 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

411. Tours - looking backwards

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1833
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, textured, beige wove paper with cream chine collé
Dimensions:: Sheet: 11 3/4 × 17 1/8 inches (29.8 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

412. Tours - looking backwards

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1833
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 11 7/8 × 17 inches (30.2 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

413. Montjen

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1833
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, beige wove paper with cream chine collé
Dimensions:: Sheet: 11 3/8 × 16 inches (28.9 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

414. Kantuffa 1789

Creator:: James Heath, 1757–1834
Date:: 1789
Materials & Techniques:: Line engraving with etching
Dimensions:: Plate: 11 1/2 x 8 11/16in. (29.2 x 22.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

415. Loch Achray

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 6 1/4 × 8 1/2 inches (15.9 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

416. John Dunning

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1787
Materials & Techniques:: Mezzotint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 10 7/8 × 8 3/4 inches (27.7 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

417. A Roman Lady with a Duenna

Creator:: John Brown, 1749–1787
Date:: between 1775 and 1780
Materials & Techniques:: Pen and black ink, pen and gray ink, watercolor, and white gouache; verso: gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/8 x 8 1/2 inches (25.7 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

418. The Keep, Porchester Castle

Creator:: Edward Dayes, 1763–1804
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 × 8 1/2 inches (14 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

419. Jedburgh Abbey, Roxburghshire

Creator:: Edward Dayes, 1763–1804
Date:: 1792
Materials & Techniques:: Watercolor and graphite and pen and black ink on medium, slightly textured, cream wove paper mounted to medium, slightly textured, beige wove paper
Dimensions:: Sheet: 6 1/2 × 8 1/2 inches (16.5 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

420. Conway Castle, Caernarvonshire

Creator:: Edward Dayes, 1763–1804
Date:: undated
Materials & Techniques:: Watercolor, graphite and pen and black ink on medium, slightly textured cream laid paper mounted to thick beige card
Dimensions:: Sheet: 5 5/8 × 8 1/2 inches (14.3 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

421. Exeter Cathedral and neighboring buildings

Creator:: Edward Dayes, 1763–1804
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 5 3/8 × 8 1/2 inches (13.7 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

422. Kelso Abbey, Rosburghshire

Creator:: Edward Dayes, 1763–1804
Date:: ca. 1792
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 8 1/2 inches (16.5 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

423. Portrait of a Divine Called Reverend John Wesley

Creator:: John Downman, 1750–1824
Date:: ca. 1781
Materials & Techniques:: Black and red chalk on thin, slightly textured, cream wove paper
Dimensions:: Mount: 9 x 7 1/2 inches (22.9 x 19 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

424. Classical Composition

Creator:: Jonathan Skelton, active 1754, died 1758
Date:: undated
Materials & Techniques:: Watercolor over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 5 5/8 × 8 1/2 inches (14.3 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

425. Carriage Design: A Rear View Design, Hooper and Company, Coachbuilders

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and ink on board with touches of oil paint and watercolor on thick, smooth, white card
Dimensions:: Sheet: 5 1/4 × 8 3/4 inches (13.3 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

426. Shipping Scene

Creator:: Charles Golding Constable, 1821–1879
Date:: undated
Materials & Techniques:: Graphite and pen and gray ink on medium, slightly textured, white laid paper
Dimensions:: Sheet: 4 3/4 × 8 3/4 inches (12.1 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

427. Tiger

Creator:: Sawrey Gilpin, 1733–1807
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 7 × 8 3/4 inches (17.8 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

428. Melrose Abbey, Roxburghshire

Creator:: Edward Dayes, 1763–1804
Date:: 1792
Materials & Techniques:: Watercolor and graphite and pen and black ink on medium slightly textured, cream wove paper, mounted to medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 5/8 × 8 1/2 inches (16.8 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

429. Appleby, Westmoreland

Creator:: Edward Dayes, 1763–1804
Date:: 1789
Materials & Techniques:: Watercolor, pen and black ink and graphite on medium, slightly textured, beige wove paper mounted to card
Dimensions:: Sheet: 5 1/2 × 8 1/2 inches (14 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

430. Hedingham Castle, Essex

Creator:: Edward Dayes, 1763–1804
Date:: ca. 1791
Materials & Techniques:: Watercolor, graphite and pen and brown ink on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 5 1/2 × 8 1/2 inches (14 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

431. Elgin Cathedral, Moray

Creator:: Edward Dayes, 1763–1804
Date:: 1792
Materials & Techniques:: Watercolor, graphite, pen, gray ink, and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/2 x 8 1/2 inches (16.5 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

432. The Battle of Cape St. Vincent

Creator:: Robert Cleveley, 1747–1809
Date:: 1797
Materials & Techniques:: Watercolor, graphite and black ink on medium, moderately thick, beige wove paper
Dimensions:: Sheet: 4 1/8 x 8in. (10.5 x 20.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

433. Old Lady with Basket of flowers

Creator:: Edward Edwards, 1738–1806
Date:: ca. 1760
Materials & Techniques:: Watercolor, gray wash, pen, gray ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/8 × 8 1/2 inches (26.4 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

434. Two Sketches of a Castle and of Trees; Morning and Evening

Creator:: Joseph Farington, 1747–1821
Date:: 1805
Materials & Techniques:: Graphite, white chalk, and black chalk on moderately thick, moderately textured, brown wove paper
Dimensions:: Sheet: 10 3/4 × 8 5/8 inches (27.3 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

435. Guinea Parrot

Creator:: George Edwards, 1694–1773
Date:: 1736
Materials & Techniques:: Watercolor, gouache, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 × 8 3/4 inches (27.3 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

436. Southeast View of Rochester Castle and the Cathedral

Creator:: François Louis Thomas Francia, 1772–1839
Date:: 1808
Materials & Techniques:: Watercolor and gray ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/4 x 8 5/8 inches (15.9 x 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

437. A Woman Seated

Creator:: Thomas Gainsborough, 1727–1788
Date:: ca. 1760
Materials & Techniques:: Black chalk and white chalk on medium, slightly textured, blue laid paper
Dimensions:: Sheet: 12 3/4 × 8 3/4 inches (32.4 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

438. Sketches of Cottages: Two Studies on one Sheet

Creator:: Robert Hills, 1769–1844
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 x 8 1/2 inches (28.3 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

439. Study of a Massive Rock

Creator:: John Hoppner, 1758–1810
Date:: undated
Materials & Techniques:: Brown chalk and gray wash on medium, moderately textured, gray laid paper
Dimensions:: Sheet: 8 3/4 × 8 1/2 inches (22.2 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

440. Archiepiscopal Palace, Wrotham, Kent

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and brown ink, watercolor, and white gouache on medium, slightly textured, brown wove paper
Dimensions:: Sheet: 7 5/8 x 8 3/4 inches (19.4 x 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

441. Walnut Tree

Creator:: Robert Hills, 1769–1844
Date:: ca. 1826
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 x 8 1/2 inches (29.2 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

442. Ptarmigan

Creator:: George Edwards, 1694–1773
Date:: ca. 1738
Materials & Techniques:: Watercolor and gouache on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 × 8 5/8 inches (27.3 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

443. Drawing for a Frontispiece: "The Toast"

Creator:: Hubert-François Gravelot, 1699–1773
Date:: 1735
Materials & Techniques:: Pen and black ink, pen and brown ink, and gray wash on medium, moderately textured, beige laid paper mounted on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/8 x 5 5/8 inches (21.3 x 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

444. St. Stephen's Churchyard, Jersey, with the Tomb of the Artist's Brother

Creator:: Robert Hills, 1769–1844
Date:: after 1828
Materials & Techniques:: Gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 5/8 × 8 5/8 inches (14.3 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

445. Study of Apple Trees

Creator:: Robert Hills, 1769–1844
Date:: undated
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 x 8 3/4 inches (29.5 x 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

446. Back View of a Standing Female, Called Mrs. Fuseli

Creator:: Henry Fuseli, 1741–1825
Date:: 1810
Materials & Techniques:: Watercolor, gray wash and graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 14 3/8 x 8 3/4 inches (36.5 x 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

447. Percival Frees Belisane from the Spell of Urma

Creator:: Henry Fuseli, 1741–1825
Date:: 1811
Materials & Techniques:: Graphite and gray wash; verso: pen and black ink and graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/4 x 8 3/4 inches (18.4 x 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

448. Designs for an Ornamental Cartouche: for the Engraved Portrait of Sir Samuel Garth (1661-1719)

Creator:: Hubert-François Gravelot, 1699–1773
Date:: undated
Materials & Techniques:: Pen and brown ink, brown wash, and graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 14 x 8 11/16 inches (35.6 x 22.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

449. Caudebec

Creator:: Print made by James Baylis Allen, 1803–1876
Date:: 1834
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, beige wove paper with cream chine collé
Dimensions:: Sheet: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

450. Ceiling of the Star Chamber

Creator:: Print made by John Thomas Smith, 1766–1833
Date:: 1805
Materials & Techniques:: Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 8 3/8 × 9 15/16 inches (21.3 × 25.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

451. Westminster Hall

Creator:: unknown artist
Date:: ca. 1820
Materials & Techniques:: Line engraving on moderately textured, moderately thick, white wove paper
Dimensions:: Sheet: 7 15/16 × 8 3/4 inches (20.1 × 22.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

452. Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1781
Materials & Techniques:: Graphite and pen and black and brown ink on three sheets of slightly textured, moderately thick, white laid paper pasted together
Dimensions:: Sheet: 14 5/8 × 8 3/4 inches (37.1 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

453. Comforts of Bath: The Music Master

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Watercolor with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Mount: 5 3/4 x 8 9/16 inches (14.6 x 21.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

454. Set of six with printed wrapper, Plate 2: The Fox's Arrival at the Squire's Gate

Creator:: Thomas Mann Baynes, 1794–1854
Date:: 1836
Materials & Techniques:: Hand colored lithographs
Dimensions:: Sheet: 5 7/8 x 8 3/4in. (14.9 x 22.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

455. Set of six with printed wrapper, Plate 4: The Fox Escapes with Best Goose

Creator:: Thomas Mann Baynes, 1794–1854
Date:: 1836
Materials & Techniques:: Hand colored lithograph
Dimensions:: Sheet: 5 7/8 x 8 3/4in. (14.9 x 22.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

456. Set of six with printed wrapper, Plate 5: The Unsuccessful Pursuit of the Fox and Goose

Creator:: Thomas Mann Baynes, 1794–1854
Date:: 1836
Materials & Techniques:: Hand colored lithograph
Dimensions:: Sheet: 5 7/8 x 8 3/4in. (14.9 x 22.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

457. Set of six with printed wrapper, Plate 3: The Fox Silently Entering the Poultry Yard

Creator:: Thomas Mann Baynes, 1794–1854
Date:: 1836
Materials & Techniques:: Hand colored lithograph
Dimensions:: Sheet: 5 7/8 x 8 3/4in. (14.9 x 22.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

458. Head of a Brown Pelican, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 57]

Creator:: Mrs. P. D. H. Page, 20th century
Date:: undated
Materials & Techniques:: Watercolor, gouache, graphite, and pen and black ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 8 3/8 × 9 15/16 inches (21.3 × 25.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

459. Symptoms: of None of Your Stuff, of a Declaration, of a Meltonian, of Is that a Writ I See Before Me, of a Love Feast, of a Buck

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1818 and 1822
Materials & Techniques:: Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 11/16 × 8 11/16 inches (17 × 22.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

460. Symptoms: of Unwelcome Guests, of Being Off the Curb, of Can't Exactly Say: No Consulation of Physicians, of W'ont Exactly Say: No Consultations of Lawyers.

Symptoms: of Unwelcome Guests, of Being Off the Curb, of Can't Exactly Say: No Consulation of Physicians, of W'ont Exactly Say: No Consultations of Lawyers.

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1818 and 1822
Materials & Techniques:: Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 11/16 × 8 13/16 inches (17 × 22.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

461. "Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport'

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1831 and 1832
Materials & Techniques:: Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 6 7/16 × 8 1/2 inches (16.4 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

462. Symptoms: of Being Drawn, of a Fine Song, of Troting, of Being In, of Being Out, of a Recoil

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1822 and 1827
Materials & Techniques:: Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 6 15/16 × 8 11/16 inches (17.6 × 22.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

463. Symptoms: of Being Wanted, of Anxiety, of a Has Been, of Duck Catching

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1822 and 1827
Materials & Techniques:: Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 × 8 3/4 inches (18.4 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

464. Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty

Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1822 and 1827
Materials & Techniques:: Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 × 8 13/16 inches (18.4 × 22.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

465. Three Greyhounds in a Room

Creator:: Peter Casteels, 1684–1749
Date:: undated
Materials & Techniques:: Graphite, watercolor, and pen in gray ink on medium, slightly textured, beige laid paper
Dimensions:: Mount: 9 9/16 × 10 9/16 inches (24.3 × 26.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

466. A Rhinoceros: Head and Shoulders, Facing Left

Creator:: Thomas Daniell, 1749–1840
Date:: undated
Materials & Techniques:: Black chalk, graphite, and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/4 x 8 1/2 inches (15.9 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

467. A Horse Grazing

Creator:: Sawrey Gilpin, 1733–1807
Date:: undated
Materials & Techniques:: Graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 6 3/4 × 8 9/16 inches (17.1 × 21.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

468. Seven Studies of Jockeys' Caps

Creator:: Sawrey Gilpin, 1733–1807
Date:: undated
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 8 9/16 × 10 1/16 inches (21.7 × 25.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

469. Man With a Horse Harnessed to a Roller

Creator:: Sawrey Gilpin, 1733–1807
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 6 3/16 × 8 9/16 inches (15.7 × 21.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

470. Two Horses' Heads

Creator:: John Michael Rysbrack, 1694–1770
Date:: undated
Materials & Techniques:: Pen and brown ink, brown wash, gray wash, red chalk, and graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 5 3/16 × 8 11/16 inches (13.2 × 22.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

471. Studies of a Carter Pumping Water For His Horses

Creator:: Paul Sandby, 1731–1809
Date:: undated
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 8 1/4 × 9 1/16 inches (21 × 23 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

472. Saddled Horse, Walking to Left

Creator:: James Seymour, 1702–1752
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Mount: 9 3/8 × 11 3/4 inches (23.8 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

473. Over the Gate: Lady Huntsman Taking a Fence

Creator:: Gilbert Joseph Holiday, 1879 –1937
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/4 × 6 3/4 inches (10.8 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

474. 'Join the Hickers Old Boy - You're Well Rid of the Brute'

Creator:: Gilbert Joseph Holiday, 1879 –1937
Date:: undated
Materials & Techniques:: Graphite and white gouache on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 3 13/16 × 5 3/4 inches (9.7 × 14.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

475. The Walls of Rome (Tomb of Caius Sestus)

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1833
Materials & Techniques:: Etching and engraving, third state on medium, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/8 × 8 5/8 inches (28.9 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

476. Orleans

Creator:: Print made by Thomas Higham, 1796–1844
Date:: 1833
Materials & Techniques:: Line engraving, Engraver's proof on moderatly thick, slightly textured, beige wove paper with cream chine collé
Dimensions:: Sheet: 10 5/8 × 16 1/8 inches (27 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

477. Beaugency

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1833
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, beige wove paper with cream chine collé
Dimensions:: Sheet: 10 5/8 × 16 3/8 inches (27 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

478. Palais at Blois

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1833
Materials & Techniques:: Etching and line engraving on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 11 1/4 × 16 5/8 inches (42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

479. Blois

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1833
Materials & Techniques:: Line engrving, Engraver's proof on moderately thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 8 3/4 × 11 inches (22.2 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

480. Amboise

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1833
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured white wove paper with cream chine collé
Dimensions:: Sheet: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

481. Graville

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1834
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 11 × 16 inches (27.9 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

482. Château de Tancarville with Town of Quilleboeuf

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1834
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 11 × 16 1/4 inches (27.9 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

483. Lillebonne, Château

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1834
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

484. Jumièges

Creator:: James Charles Armytage, 1802–1897
Date:: 1834
Materials & Techniques:: Line engraving, Engraver's proof on moderately textured, slightly textured, beige wove paper with cream chine collé
Dimensions:: Sheet: 11 1/4 × 16 3/8 inches (28.6 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

485. Design for a London Townhouse: Elevation

Creator:: Michael Searles, 1750–1813
Date:: undated
Materials & Techniques:: Graphite, pen and black ink and watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 8 1/8 × 8 5/8 inches (20.6 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

486. Design for a London Townhouse: Elevation

Creator:: Michael Searles, 1750–1813
Date:: undated
Materials & Techniques:: Graphite, pen and black ink and watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 10 1/2 × 8 3/4 inches (26.7 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

487. Design for a Naval Monument: Elevation

Creator:: Charles Heathcote Tatham, 1772–1842
Date:: 1799
Materials & Techniques:: Pen and black ink and brown wash on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 11 5/8 × 8 5/8 inches (29.5 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

488. Study of a Horse

Creator:: Gilbert Joseph Holiday, 1879 –1937
Date:: undated
Materials & Techniques:: Graphite, chalk and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/8 × 8 11/16 inches (15.6 × 22.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

489. Two Studies of Clare College

Creator:: Colin Sorensen, active 1964–2001
Date:: 1964
Materials & Techniques:: Brown wash, graphite, pen and brown ink, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 8 11/16 inches (29.5 × 22.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

490. Two Studies of Clare College

Creator:: Colin Sorensen, active 1964–2001
Date:: 1964
Materials & Techniques:: Brown wash, graphite, and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 9/16 × 8 9/16 inches (29.4 × 21.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

491. The Field of Waterloo from Hougoumont

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1833
Materials & Techniques:: Etching and engraving, third state on medium, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/8 × 8 5/8 inches (28.9 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

492. Scio (Fontana de Melek, Mehmet Pasha)

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1833
Materials & Techniques:: Etching and engraving, third state on medium, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/8 × 8 3/4 inches (28.9 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

493. Design for a London Townhouse: Elevation

Creator:: Michael Searles, 1750–1813
Date:: undated
Materials & Techniques:: Graphite, pen and black ink and watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/8 × 8 5/8 inches (20.6 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

494. Design for a Naval Monument: Elevation

Creator:: Charles Heathcote Tatham, 1772–1842
Date:: 1799
Materials & Techniques:: Pen and black ink, brown and gray wash on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 11 5/8 × 8 5/8 inches (29.5 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

495. Design for a Naval Monument: Elevation

Creator:: Charles Heathcote Tatham, 1772–1842
Date:: 1799
Materials & Techniques:: Pen and gray wash on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 10 1/16 × 8 5/8 inches (25.6 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

496. Two-wheeled Tip-cart with Horses

Creator:: Paul Sandby, 1731–1809
Date:: undated
Materials & Techniques:: Graphite and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 2 1/8 x 8 1/2 inches (5.4 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

497. Datur Hora Quieti

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper, mounted on thick, smooth, cream wove paper
Dimensions:: Mount: 17 5/8 × 12 1/8 inches (44.8 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

498. Nantes

Creator:: Print made by William Miller, 1796–1882
Date:: 1833
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, beige wove paper with cream chine collé
Dimensions:: Sheet: 13 5/16 × 8 9/16 inches (33.8 × 21.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

499. Orleans

Creator:: Print made by Thomas Higham, 1796–1844
Date:: 1833
Materials & Techniques:: Etching and line engraving; engraver's proof (earlier)
Dimensions:: Sheet: 11 3/4 × 17 1/8 inches (29.8 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

500. Palais at Blois

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1833
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 9 1/8 × 13 1/8 inches (23.2 × 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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401. Young Male Shearing a Sheep

402. Cupid and Psyche

403. Sir Balthazar Gerbier

404. Orleans

405. Amboise

406. Canal of the Loire and Cher, near Tours

407. Canal of the Loire and Cher, near Tours

408. Tours

409. Château of Amboise

410. St. Julian's, Tours

411. Tours - looking backwards

412. Tours - looking backwards

413. Montjen

414. Kantuffa 1789

415. Loch Achray

416. John Dunning

417. A Roman Lady with a Duenna

418. The Keep, Porchester Castle

419. Jedburgh Abbey, Roxburghshire

420. Conway Castle, Caernarvonshire

421. Exeter Cathedral and neighboring buildings

422. Kelso Abbey, Rosburghshire

423. Portrait of a Divine Called Reverend John Wesley

424. Classical Composition

425. Carriage Design: A Rear View Design, Hooper and Company, Coachbuilders

426. Shipping Scene

427. Tiger

428. Melrose Abbey, Roxburghshire

429. Appleby, Westmoreland

430. Hedingham Castle, Essex

431. Elgin Cathedral, Moray

432. The Battle of Cape St. Vincent

433. Old Lady with Basket of flowers

434. Two Sketches of a Castle and of Trees; Morning and Evening

435. Guinea Parrot

436. Southeast View of Rochester Castle and the Cathedral

437. A Woman Seated

438. Sketches of Cottages: Two Studies on one Sheet

439. Study of a Massive Rock

440. Archiepiscopal Palace, Wrotham, Kent

441. Walnut Tree

442. Ptarmigan

443. Drawing for a Frontispiece: "The Toast"

444. St. Stephen's Churchyard, Jersey, with the Tomb of the Artist's Brother

445. Study of Apple Trees

446. Back View of a Standing Female, Called Mrs. Fuseli

447. Percival Frees Belisane from the Spell of Urma

448. Designs for an Ornamental Cartouche: for the Engraved Portrait of Sir Samuel Garth (1661-1719)

449. Caudebec

450. Ceiling of the Star Chamber

451. Westminster Hall

452. Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel

453. Comforts of Bath: The Music Master

454. Set of six with printed wrapper, Plate 2: The Fox's Arrival at the Squire's Gate

455. Set of six with printed wrapper, Plate 4: The Fox Escapes with Best Goose

456. Set of six with printed wrapper, Plate 5: The Unsuccessful Pursuit of the Fox and Goose

457. Set of six with printed wrapper, Plate 3: The Fox Silently Entering the Poultry Yard

458. Head of a Brown Pelican, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 57]

459. Symptoms: of None of Your Stuff, of a Declaration, of a Meltonian, of Is that a Writ I See Before Me, of a Love Feast, of a Buck

460. Symptoms: of Unwelcome Guests, of Being Off the Curb, of Can't Exactly Say: No Consulation of Physicians, of W'ont Exactly Say: No Consultations of Lawyers.

461. "Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport'

462. Symptoms: of Being Drawn, of a Fine Song, of Troting, of Being In, of Being Out, of a Recoil

463. Symptoms: of Being Wanted, of Anxiety, of a Has Been, of Duck Catching

464. Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty

465. Three Greyhounds in a Room

466. A Rhinoceros: Head and Shoulders, Facing Left

467. A Horse Grazing

468. Seven Studies of Jockeys' Caps

469. Man With a Horse Harnessed to a Roller

470. Two Horses' Heads

471. Studies of a Carter Pumping Water For His Horses

472. Saddled Horse, Walking to Left

473. Over the Gate: Lady Huntsman Taking a Fence

474. 'Join the Hickers Old Boy - You're Well Rid of the Brute'