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Credit Line Yale Center for British Art, Paul Mellon Collection
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1
- 1951 (still life – sweet peas)
- 1951
- Not on view
2
- The Avon Gorge
- between 1816 and 1818
- Not on view
3
- Bardon Hill, Coleorton Hall
- ca. 1823
- Not on view
4
- Golding Constable's House, East Bergholt: the Artist's birthplace
- ca. 1809
- Not on view
5
- Indian Rhinoceros
- Cast 1990 (original model 1915)
- Not on view
6
- Arab Stallion
- 1968
- Not on view
7
- First Class—The Meeting. "And at first meeting loved."
- 1855
- Not on view
8
- Second Class—The Parting. "Thus part we rich in sorrow, parting poor."
- 1855
- Not on view
9
- Westminster Abbey from Tothill Fields
- 1832
- Not on view
10
- Sketch for 'The Reading of a Will'
- 1820
- Not on view
11
- Osmington: A View to the Village
- between 1816 and 1832
- Not on view
12
- A West Indian Flower Girl and Two other Free Women of Color
- ca. 1769
- Not on view
13
- Free West Indian Dominicans
- ca. 1770
- Not on view
14
- Lock gate
- undated
- Not on view
15
- Fishmonger's stall
- 1737
- Not on view
16
- Free West Indian Creoles in Elegant Dress
- ca. 1780
- Not on view
17
- West Indian Man of Color, Directing Two Carib Women with a Child
- ca. 1780
- Not on view
18
- Planter and his Wife, with a Servant
- ca. 1780
- Not on view
19
- Queen Victoria Taking the Coronation Oath, June 28, 1838
- 1850
- Not on view
20
- Walter Smith
- 1787
- Not on view
21
- Sheep Grazing
- 1835
- Not on view
22
- A Highland Landscape
- ca. 1830
- Not on view
23
- A Leeward Islands Carib family outside a Hut
- ca. 1780
- Not on view
24
- A West Indian Creole Woman Attended by her Black Servant
- ca. 1780
- Not on view
25
- West Indian Women of Color, with a Child and Black Servant
- ca. 1780
- Not on view
26
- A Lugger and a Smack in Light Airs
- ca. 1750
- Not on view
27
- A Cutter in a Strong Breeze
- ca. 1750
- Not on view
28
- A View in Suffolk
- ca. 1830
- Not on view
29
- A Western View of part of Westminster and Bird Cage Walk taken from the Mill House...,
- 1808
- Not on view
30
- Study of a Coat Belonging to John, 11th Earl of Westmorland
- mid-19th century
- Not on view
31
- William Paulet, first Marquess of Winchester (1474/5?–1572)
- ca. 1575
- Not on view
32
- A Woman, possibly Anne (née Ward) Morland, Wife of the Artist
- ca. 1795
- Not on view
33
- Yacht Racing on the Solent
- ca. 1827
- Not on view
34
- Building with Trees
- 1825 to 1827
- Not on view
35
- Steeplechasing: At the Start
- 1869
- Not on view
36
- Steeplechasing: The Hurdle
- 1869
- Not on view
37
- An Angler's Catch of Coarse Fish
- ca. 1850
- Not on view
38
- The Rat Trap
- early to mid-nineteenth century
- Not on view
39
- A Married Sailor's Adieu
- ca. 1800
- Not on view
40
- Augustus
- early 19th century
- Not on view
41
- Duncan's Horses
- 1984
- Not on view
42
- Middle-White Boar: Wharfedale Deliverance
- 1984
- Not on view
43
- A Harrow in the Orchard
- ca. 1896
44
- The Horse Mart (with further sketches in the margin)
- ca. 1918
45
- Huntsman and Hounds
- ca. 1896
46
- Two Ships at Anchor
- 1803
47
- A Recollection of the New R.A
- 1837
48
- Trees in a Meadow
- ca. 1805
49
- The Rising Moon
- 1857
50
- The Rising Moon
- 1857
51
- The Bellman
- 1879
52
- The Bellman
- 1879
53
- The Rising Moon
- 1857
54
- The Lonely Tower
- 1879
55
- Human Skeleton, Lateral View
- 1795 to 1806
56
- Owl Standing, Anterior View
- 1795 to 1806
57
- Benjamin Read
- ca. 1757
58
- The Early Ploughman
- begun before 1861
59
- The Early Ploughman
- etching begun before 1861; impression printed in 1926
60
- The Early Ploughman
- begun before 1861
61
- The Stork and Aqueduct
- between 1813 and 1823
62
- Catania, Sicily
- ca. 1825
63
- High Street, Edinburgh
- ca. 1818
64
- Crichton Castle (Mountainous Landscape with a Rainbow)
- ca. 1818
65
- The Straw Yard
- 1808
66
- The Straw Yard
- 1808
67
- The Stork and Aqueduct
- between 1813 and 1823
68
- The Bridge and Goats
- 1812
69
- The Stork and Aqueduct
- between 1813 and 1823
70
- The Straw Yard
- 1808
71
- Gozo, near Malta
- 1866
72
- Albania
- between 1848 and 1849
73
- "Visions of the Daughters of Albion", London, by William Blake
- 1793
74
- Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "
- 1793
75
- Visions of the Daughters of Albion, Plate 8, "But when the morn arose . . . . "
- 1793
76
- Visions of the Daughters of Albion, Plate 2, Title Page
- 1793
77
- Visions of the Daughters of Albion, Plate 4, "Visions | Enslav'd the Daughters . . . . "
- 1793
78
- Visions of the Daughters of Albion, Plate 10, "In happy copulation . . . . "
- 1793
79
- Visions of the Daughters of Albion, Plate 1, Frontispiece
- 1793
80
- Temple Near the Site of Ancient Phigalia
- 1803
81
- Fragment of a Doric Cornice Among the Ruins of Eleusis
- 1802-1804
82
- Landscape of Trees, and Ruins
- 1802-1804
83
- The Capital and Entablature to the Columns of the Temple of Juno Lucina, Agrigentum
- 1802-1804
84
- Sketches of Ornamental Designs, For Oil Lamps and Pouring Vessels
- 1802-1804
85
- Ioannes van Ravesteyn
- ca. 1635
86
- As Much Underneath, Before the Road, Hastings
- 1820
87
- At Hastings, 5 October 1820
- 1820
88
- Sketch of a Man Watching Large Waves, Hastings
- 1820
89
- Château des Comtes de Flandre, Ghent
- ca. 1833
90
- The Sailors' Present or, The Jealous Clown
91
- Tight Lacing, or Fashion before Ease
92
- The Stork and Aqueduct
- 1896
93
- A Mill
- 1830
94
- Stoke by Neyland, Suffolk
- 1829
95
- A Summerland
- 1831
96
- Summer Morning
- 1831
97
- Huntsmen in a Wood
- 1891
98
- Newcastle-on-Tyne
- 1823
99
- View of the Cappuccini Mount, the Po & the Bridge from the Road to the Palatine"
- 1764
100
- Fitting out. - Plate 1
- 1820