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Credit Line Yale Center for British Art, Paul Mellon Collection
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1
- The Avon Gorge
- between 1816 and 1818
- Not on view
2
- Golding Constable's House, East Bergholt: the Artist's birthplace
- ca. 1809
- Not on view
3
- Bardon Hill, Coleorton Hall
- ca. 1823
- Not on view
4
- A Married Sailor's Adieu
- ca. 1800
- Not on view
5
- The Rat Trap
- early to mid-nineteenth century
- Not on view
6
- Yacht Racing on the Solent
- ca. 1827
- Not on view
7
- Building with Trees
- 1825 to 1827
- Not on view
8
- A Harvest Scene with Workers Loading Hay on to a Farm Wagon
- ca. 1800
- Not on view
9
- A View in Suffolk
- ca. 1830
- Not on view
10
- A Western View of part of Westminster and Bird Cage Walk taken from the Mill House...,
- 1808
- Not on view
11
- Study of a Coat Belonging to John, 11th Earl of Westmorland
- mid-19th century
- Not on view
12
- Kensington Gardens
- between 1815 and 1816
- Not on view
13
- Westminster Abbey from Tothill Fields
- 1832
- Not on view
14
- William Paulet, first Marquess of Winchester (1474/5?–1572)
- ca. 1575
- Not on view
15
- A Woman, possibly Anne (née Ward) Morland, Wife of the Artist
- ca. 1795
- Not on view
16
- First Class—The Meeting. "And at first meeting loved."
- 1855
- Not on view
17
- Second Class—The Parting. "Thus part we rich in sorrow, parting poor."
- 1855
- Not on view
18
- Osmington: A View to the Village
- ca. 1820
- Not on view
19
- Sketch for 'The Reading of a Will'
- 1820
- Not on view
20
- Free West Indian Dominicans
- ca. 1770
- Not on view
21
- Planter and his Wife, with a Servant
- ca. 1780
- Not on view
22
- Steeplechasing: At the Start
- 1869
- Not on view
23
- Steeplechasing: The Hurdle
- 1869
- Not on view
24
- An Angler's Catch of Coarse Fish
- ca. 1850
- Not on view
25
- A West Indian Flower Girl and Two other Free Women of Color
- ca. 1769
- Not on view
26
- A Leeward Islands Carib family outside a Hut
- ca. 1780
- Not on view
27
- Free West Indian Creoles in Elegant Dress
- ca. 1780
- Not on view
28
- West Indian Man of Color, Directing Two Carib Women with a Child
- ca. 1780
- Not on view
29
- A West Indian Creole Woman Attended by her Black Servant
- ca. 1780
- Not on view
30
- West Indian Women of Color, with a Child and Black Servant
- ca. 1780
- Not on view
31
- A Lugger and a Smack in Light Airs
- ca. 1750
- Not on view
32
- A Cutter in a Strong Breeze
- ca. 1750
- Not on view
33
- Walter Smith
- 1787
- Not on view
34
- Queen Victoria Taking the Coronation Oath, June 28, 1838
- 1850
- Not on view
35
- Sheep Grazing
- 1835
- Not on view
36
- A Highland Landscape
- ca. 1830
- Not on view
37
- Lock gate
- undated
- Not on view
38
- Fishmonger's stall
- 1737
- Not on view
39
- Augustus
- early 19th century
- Not on view
40
- Huntsman and Hounds
- ca. 1896
41
- A Harrow in the Orchard
- ca. 1896
42
- The Horse Mart (with further sketches in the margin)
- ca. 1918
43
- The Rising Moon
- 1857
44
- The Bellman
- 1879
45
- The Bellman
- 1879
46
- The Rising Moon
- 1857
47
- The Rising Moon
- 1857
48
- The Lonely Tower
- 1879
49
- Owl Standing, Anterior View
- 1795 to 1806
50
- Human Skeleton, Lateral View
- 1795 to 1806
51
- A Recollection of the New R.A
- 1837
52
- Trees in a Meadow
- ca. 1805
53
- Two Ships at Anchor
- 1803
54
- The Creation of the Heavens
- ca. 1790
- On view at YUAG
55
- Benjamin Read
- ca. 1757
56
- The Early Ploughman
- begun before 1861
57
- The Early Ploughman
- begun before 1861
58
- The Early Ploughman
- etching begun before 1861; impression printed in 1926
59
- The Stork and Aqueduct
- between 1813 and 1823
60
- The Stork and Aqueduct
- between 1813 and 1823
61
- The Evening Gun
- ca. 1825
62
- The Evening Gun
- ca. 1825
63
- Catania, Sicily
- ca. 1825
64
- Bridge and Monument
- 1820 to 1825
65
- Bridge and Monument
- 1820 to 1825
66
- Ship and Cutter
- 1820 to 1826
67
- The Straw Yard
- 1808
68
- The Straw Yard
- 1808
69
- The Bridge and Goats
- 1812
70
- Ship in a Storm
- 1820 to 1826
71
- Study of Sea and Sky
- 1820 to 1826
72
- Catania, Sicily
- ca. 1825
73
- Ship and Cutter
- 1820 to 1826
74
- Ship in a Storm
- ca. 1826
75
- The Stork and Aqueduct
- between 1813 and 1823
76
- The Straw Yard
- 1808
77
- High Street, Edinburgh
- ca. 1818
78
- Chrichton Castle with a Rainbow; Color Study
- ca. 1818
79
- Visions of the Daughters of Albion; Frontispiece (Plate 1)
- 1793
80
- Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)
- 1793
81
- "And none but Bromian can hear my lamentations..." (Plate 6)
- 1793
82
- Visions of the Daughters of Albion; Title Page (Plate 2)
- 1793
83
- "But when the morn arose, her lamentation renewd..." (Plate 8)
- 1793
84
- "In happy copulation; if in evening mild, wearied with work..." (Plate 10)
- 1793
85
- Visions of the Daughters of Albion: The Eye Sees More than the Heart Knows
- 1793
86
- Gozo, near Malta
- 1866
87
- Albania
- between 1848 and 1849
88
- Allegorical Scene
- undated
89
- Allegorical Sketch of Victory
- undated
90
- Allegorical Designs for Medals
- undated
91
- John Campbell, 2nd Duke of Argyll, 1st Duke of Greenwich
- 1700
92
- Francis Atterbury, Bishop of Rochester & Dean of Westminster
- 1735-1751
93
- Henry Bennet, 1st Earl of Arlington
- 1739
94
- Mademoiselle Baccelli
- 1783
95
- George Anson, 1st Baron Anson
- ca.1755
96
- Figure Studies of a Group of People in a Wooded Clearing
- undated
97
- First Design of a Battle Scene
- undated
98
- Study of Abraham Being Tested by God
- undated
99
- Study of a Woman Sleeping in Her Chamber and a Man Standing Over Her Bed
- undated
100
- Studies from Cotton MSS Nero
- undated