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Credit Line Yale Center for British Art, Paul Mellon Collection

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201. Jerusalem, Plate 63, "Jehovah stood among the Druids...."

Jerusalem, Plate 63, "Jehovah stood among the Druids...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

202. Jerusalem, Plate 69, "Then all the Males...."

Jerusalem, Plate 69, "Then all the Males...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

203. Jerusalem, Plate 71, "And above Albions Land...."

Jerusalem, Plate 71, "And above Albions Land...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

204. Jerusalem, Plate 72, "And the Thirty-two Counties...."

Jerusalem, Plate 72, "And the Thirty-two Counties...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

205. Jerusalem, Plate 74, "The Four Zoa's clouded rage...."

Jerusalem, Plate 74, "The Four Zoa's clouded rage...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

206. Jerusalem, Plate 73, "Such are Cathedron's golden Halls...."

Jerusalem, Plate 73, "Such are Cathedron's golden Halls...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

207. Jerusalem, Plate 75, "And Rahab Babylon the Great...."

Jerusalem, Plate 75, "And Rahab Babylon the Great...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

208. Jerusalem, Plate 77, "To the Christians...."

Jerusalem, Plate 77, "To the Christians...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

209. Jerusalem, Plate 78, "The Spectres of..."

Jerusalem, Plate 78, "The Spectres of..."
Creator:
William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

210. Jerusalem, Plate 12, "Why wilt thou give to her...."

Jerusalem, Plate 12, "Why wilt thou give to her...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

211. Jerusalem, Plate 17, "His Spectre divides...."

Jerusalem, Plate 17, "His Spectre divides...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

212. Jerusalem, Plate 18, "From every-one of the Four Regions...."

Jerusalem, Plate 18, "From every-one of the Four Regions...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

213. Jerusalem, Plate 32, "Leaning against the pillars...."

Jerusalem, Plate 32, "Leaning against the pillars...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

214. Jerusalem, Plate 35, "Then the Divine hand...."

Jerusalem, Plate 35, "Then the Divine hand...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

215. Jerusalem, Plate 36, "Reuben returnd to his place...."

Jerusalem, Plate 36, "Reuben returnd to his place...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

216. Jerusalem, Plate 37, "And One stood forth...."

Jerusalem, Plate 37, "And One stood forth...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

217. Jerusalem, Plate 44, "With one accord...."

Jerusalem, Plate 44, "With one accord...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

218. Jerusalem, Plate 45, "Bath, healing City!...."

Jerusalem, Plate 45, "Bath, healing City!...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

219. Jerusalem, Plate 46, "Bath, mild Physician...."

Jerusalem, Plate 46, "Bath, mild Physician...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

220. Jerusalem, Plate 47, "From Camberwell to Highgate...."

Jerusalem, Plate 47, "From Camberwell to Highgate...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

221. Jerusalem, Plate 49, "The secret coverts of Albion...."

Jerusalem, Plate 49, "The secret coverts of Albion...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

222. Jerusalem, Plate 5, "The banks of the Thames...."

Jerusalem, Plate 5, "The banks of the Thames...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

223. Jerusalem, Plate 54, "In Great Eternity...."

Jerusalem, Plate 54, "In Great Eternity...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

224. Jerusalem, Plate 55, "When those who disregard...."

Jerusalem, Plate 55, "When those who disregard...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

225. Jerusalem, Plate 56, "Then Los heaved...."

Jerusalem, Plate 56, "Then Los heaved...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

226. Jerusalem, Plate 59, "And formed into Four precious stones...."

Jerusalem, Plate 59, "And formed into Four precious stones...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

227. Jerusalem, Plate 62, "Repose on me...."

Jerusalem, Plate 62, "Repose on me...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

228. Jerusalem, Plate 64, "Of the Mundane Shell...."

Jerusalem, Plate 64, "Of the Mundane Shell...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

229. Jerusalem, Plate 65, "To decide Two Worlds...."

Jerusalem, Plate 65, "To decide Two Worlds...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

230. Jerusalem, Plate 66, "In awful pomp & gold...."

Jerusalem, Plate 66, "In awful pomp & gold...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

231. Jerusalem, Plate 67, "By those who drink their blood...."

Jerusalem, Plate 67, "By those who drink their blood...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

232. Jerusalem, Plate 68, "O Skofield why art thou cruel?...."

Jerusalem, Plate 68, "O Skofield why art thou cruel?...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

233. Jerusalem, Plate 7, "Was living: panting...."

Jerusalem, Plate 7, "Was living: panting...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

234. Jerusalem, Plate 70, "And this the form of mighty Hand...."

Jerusalem, Plate 70, "And this the form of mighty Hand...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

235. Jerusalem, Plate 76

Jerusalem, Plate 76
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

236. Jerusalem, Plate 79, "My tents are fall'n...."

Jerusalem, Plate 79, "My tents are fall'n...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

237. Jerusalem, Plate 8, "Rose up against me...."

Jerusalem, Plate 8, "Rose up against me...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

238. Jerusalem, Plate 80, "Encompassd by the frozen net...."

Jerusalem, Plate 80, "Encompassd by the frozen net...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

239. Jerusalem, Plate 81, "I have mockd those...."

Jerusalem, Plate 81, "I have mockd those...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

240. Jerusalem, Plate 82, "I have heard Jerusalems groans...."

Jerusalem, Plate 82, "I have heard Jerusalems groans...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

241. Jerusalem, Plate 86, "I see thy Form...."

Jerusalem, Plate 86, "I see thy Form...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

242. Jerusalem, Plate 87, "Repelling weeping Enion...."

Jerusalem, Plate 87, "Repelling weeping Enion...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

243. Jerusalem, Plate 88, "Los answerd sighing...."

Jerusalem, Plate 88, "Los answerd sighing...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

244. Jerusalem, Plate 9, "Condens'd his Emanations...."

Jerusalem, Plate 9, "Condens'd his Emanations...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

245. Jerusalem, Plate 92, "What do I see!...."

Jerusalem, Plate 92, "What do I see!...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

246. Jerusalem, Plate 98, "Then each an Arrow flaming...."

Jerusalem, Plate 98, "Then each an Arrow flaming...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

247. Jerusalem, Plate 95, "Her voice pierc'd Albions clay cold ear...."

Jerusalem, Plate 95, "Her voice pierc'd Albions clay cold ear...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

248. The Castalian Spring

The Castalian Spring
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Watercolor and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 13 15/16 × 10 1/16 inches (35.4 × 25.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

249. From East Cowes, 7 August 1826

From East Cowes, 7 August 1826
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1826 or 1829
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 × 10 3/8 inches (20.3 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

250. Beaulieu, Hampshire

Beaulieu, Hampshire
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1827
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 × 10 1/4 inches (20.3 × 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

251. Portsmouth, Hampshire

Portsmouth, Hampshire
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1827
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 × 10 1/4 inches (20.3 × 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

252. Henricus Steenwyck

Henricus Steenwyck
Creator:
Print made by Paulus Pontius, 1603–1658
Date:
ca. 1635
Materials & Techniques:
Line engraving and stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 9/16 × 10 5/16 inches (34.4 × 26.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

253. On the Road to the Fish Ponds near Hastings, April 1820

On the Road to the Fish Ponds near Hastings, April 1820
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1820
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 × 10 1/4 inches (10.2 × 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

254. Narcissus and Echo

Narcissus and Echo
Creator:
Print made by Sir Frank Short, 1857–1945
Date:
1896
Materials & Techniques:
Soft-ground etching printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Frame:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

255. Spring

Spring
Creator:
Print made by David Lucas, 1802–1881
Date:
1829 to 1830
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 x 17 inches (29.8 x 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

256. A Pastoral

A Pastoral
Creator:
Print made by Sir Frank Short, 1857–1945
Date:
1893
Materials & Techniques:
Etching printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 × 15 1/8 inches (30.5 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

257. A Pastoral

A Pastoral
Creator:
Print made by Sir Frank Short, 1857–1945
Date:
1896
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/8 × 17 1/4 inches (29.5 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

258. Shields on the River Tyne

Shields on the River Tyne
Creator:
Print made by Charles Turner, 1774–1857
Date:
1823
Materials & Techniques:
Mezzotint; engraver's proof (a)(touched) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/2 × 14 7/8 inches (26.7 × 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

259. More Park, near Watford, on the River Colne

More Park, near Watford, on the River Colne
Creator:
Print made by Charles Turner, 1774–1857
Date:
1824
Materials & Techniques:
Mezzotint; engraver's proof (b) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 5/8 × 17 1/8 inches (32.1 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

260. More Park, near Watford, on the River Colne

More Park, near Watford, on the River Colne
Creator:
Print made by Charles Turner, 1774–1857
Date:
1824
Materials & Techniques:
Mezzotint; first engraver's proof before (a) (very early) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/2 × 10 7/8 inches (21.6 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

261. Norham Castle, on the River Tweed

Norham Castle, on the River Tweed
Creator:
Print made by Charles Turner, 1774–1857
Date:
1824
Materials & Techniques:
Mezzotint; engraver's proof (a) (touched) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 3/4 × 13 1/2 inches (24.8 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

262. Little Devil's Bridge over the Russ above Altdorft, Switzerland

Little Devil's Bridge over the Russ above Altdorft, Switzerland
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1858
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 3/8 × 18 inches (34 × 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

263. Procris and Cephalus

Procris and Cephalus
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1864
Materials & Techniques:
Etching and mezzotint, printed in brown ink Finished state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 3/8 × 18 inches (34 × 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

264. Sheep-washing, Windsor

Sheep-washing, Windsor
Creator:
Print made by Sir Frank Short, 1857–1945
Date:
1920
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 × 16 7/8 inches (30.5 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

265. Via Mala

Via Mala
Creator:
Print made by Sir Frank Short, 1857–1945
Date:
1896
Materials & Techniques:
Etching, with brown wash (touched proof) on medium, slightly textured, cream wove paper mounted on card
Dimensions:
Sheet: 9 1/8 × 12 1/2 inches (23.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

266. The Politician

The Politician
Creator:
unknown artist
Materials & Techniques:
Engraving
Dimensions:
Sheet: 15 11/16 × 10 3/4 inches (39.8 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

267. The Overflowing of the Pitt

The Overflowing of the Pitt
Creator:
unknown artist
Date:
1771
Materials & Techniques:
engraving
Dimensions:
Sheet: 15 5/8 × 10 11/16 inches (39.7 × 27.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

268. The Blankeneys Head - Bartholomews Close

The Blankeneys Head - Bartholomews Close
Creator:
James Lawson Stewart, active 1883–died 1929
Date:
undated
Materials & Techniques:
Graphite and watercolor on medium, textured, cream wove paper
Dimensions:
Sheet: 7 3/8 × 10 1/4 inches (18.7 × 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

269. The Ancient Entrance to the Charter House, London

The Ancient Entrance to the Charter House, London
Creator:
James Lawson Stewart, active 1883–died 1929
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 7 3/8 × 10 3/8 inches (18.7 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

270. Cobham Hall, Kent: Chimney Piece Intended for the Great Hall at Cobham

Cobham Hall, Kent: Chimney Piece Intended for the Great Hall at Cobham
Creator:
James Wyatt, 1746–1813
Date:
ca. 1790
Materials & Techniques:
Graphite, pen and black ink and gray wash on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 13 1/8 x 10 1/4 inches (33.3 x 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

271. Cobham Hall, Kent: Unidentified Plan for a Passage

Cobham Hall, Kent: Unidentified Plan for a Passage
Creator:
James Wyatt, 1746–1813
Date:
ca. 1790
Materials & Techniques:
Graphite, pen and black and brown ink on thick, medium, beige wove paper
Dimensions:
Sheet: 14 1/4 x 10 3/8 inches (36.2 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

272. Sketch of a Landscape

Sketch of a Landscape
Creator:
William Brockedon, 1787–1854
Materials & Techniques:
Graphite
Dimensions:
Sheet: 7 x 10 3/16in. (17.8 x 25.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

273. Landscape with Hills and Forest

Landscape with Hills and Forest
Creator:
William Brockedon, 1787–1854
Materials & Techniques:
Graphite with white gouache
Dimensions:
Sheet: 7 x 10 3/16in. (17.8 x 25.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

274. Valley Scene

Valley Scene
Creator:
William Brockedon, 1787–1854
Materials & Techniques:
Graphite with white gouache
Dimensions:
Sheet: 7 x 10 3/16in. (17.8 x 25.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

275. View of Berry Pomeroy Castle

View of Berry Pomeroy Castle
Creator:
William Brockedon, 1787–1854
Materials & Techniques:
Watercolor over graphite with some gouache
Dimensions:
Sheet: 7 x 10 3/16in. (17.8 x 25.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

276. Two Men on Horses Crossing a Stream

Two Men on Horses Crossing a Stream
Creator:
William Brockedon, 1787–1854
Materials & Techniques:
Graphite with white gouache
Dimensions:
Sheet: 7 x 10 3/16in. (17.8 x 25.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

277. Sculptor Working in a Tent

Sculptor Working in a Tent
Creator:
William Brockedon, 1787–1854
Materials & Techniques:
Graphite with white gouache
Dimensions:
Sheet: 7 x 10 3/16in. (17.8 x 25.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

278. Sketch of a Group of Trees

Sketch of a Group of Trees
Creator:
William Brockedon, 1787–1854
Materials & Techniques:
Graphite with white gouache
Dimensions:
Sheet: 7 x 10 3/16in. (17.8 x 25.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

279. Hill and Valley Scene

Hill and Valley Scene
Creator:
William Brockedon, 1787–1854
Materials & Techniques:
Graphite with white gouache
Dimensions:
Sheet: 7 x 10 3/16in. (17.8 x 25.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

280. Sketch of Boats in a Harbor

Sketch of Boats in a Harbor
Creator:
William Brockedon, 1787–1854
Materials & Techniques:
Graphite
Dimensions:
Sheet: 7 x 10 3/16in. (17.8 x 25.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

281. Mountainous Landscape Scene with One Figure on Horseback and One Figure Walking

Mountainous Landscape Scene with One Figure on Horseback and One Figure Walking
Creator:
William Brockedon, 1787–1854
Materials & Techniques:
Graphite
Dimensions:
Sheet: 7 x 10 3/16in. (17.8 x 25.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

282. Mining Scene

Mining Scene
Creator:
William Brockedon, 1787–1854
Materials & Techniques:
Graphite
Dimensions:
Sheet: 7 x 10 3/16in. (17.8 x 25.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

283. Stray Marks

Stray Marks
Creator:
William Brockedon, 1787–1854
Materials & Techniques:
Graphite
Dimensions:
Sheet: 7 x 10 3/16in. (17.8 x 25.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

284. Landscape Scene with Hills and River Stream

Landscape Scene with Hills and River Stream
Creator:
William Brockedon, 1787–1854
Materials & Techniques:
Graphite with white gouache
Dimensions:
Sheet: 7 x 10 3/16in. (17.8 x 25.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

285. Landscape Scene with Signpost

Landscape Scene with Signpost
Creator:
William Brockedon, 1787–1854
Materials & Techniques:
Graphite
Dimensions:
Sheet: 7 x 10 3/16in. (17.8 x 25.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

286. Sketch of a Dog's Head

Sketch of a Dog's Head
Creator:
William Brockedon, 1787–1854
Materials & Techniques:
Graphite
Dimensions:
Sheet: 7 x 10 3/16in. (17.8 x 25.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

287. Portrait of a Dog

Portrait of a Dog
Creator:
William Brockedon, 1787–1854
Materials & Techniques:
Graphite with brown pastel
Dimensions:
Sheet: 7 x 10 3/16in. (17.8 x 25.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

288. Shaw (View of a bridge)

Shaw (View of a bridge)
Creator:
William Brockedon, 1787–1854
Materials & Techniques:
Graphite with white gouache
Dimensions:
Sheet: 7 x 10 3/16in. (17.8 x 25.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

289. Unknown Sketches

Unknown Sketches
Creator:
William Brockedon, 1787–1854
Materials & Techniques:
Graphite
Dimensions:
Sheet: 7 x 10 3/16in. (17.8 x 25.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

290. Landscape with Castle

Landscape with Castle
Creator:
William Brockedon, 1787–1854
Materials & Techniques:
Graphite
Dimensions:
Sheet: 7 x 10 3/16in. (17.8 x 25.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

291. Babbacome II

Babbacome II
Creator:
William Brockedon, 1787–1854
Materials & Techniques:
Graphite with white gouache
Dimensions:
Sheet: 7 x 10 3/16in. (17.8 x 25.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

292. Mount Palatine

Mount Palatine
Creator:
Sir George Howland Beaumont seventh Baronet, 1753–1827
Date:
1783
Materials & Techniques:
Graphite and gray wash on moderately thick, slightly textured cream laid paper mounted on card
Dimensions:
Sheet: 7 1/8 x 10 3/16 inches (18.1 x 25.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

293. Willows by a Stream, Horse and Cart Crossing Bridge

Willows by a Stream, Horse and Cart Crossing Bridge
Creator:
James Duffield Harding, 1798–1863
Date:
undated
Materials & Techniques:
Graphite on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 7 1/8 × 10 3/8 inches (18.1 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

294. A Regency Pair

A Regency Pair
Creator:
James Hook, ca. 1772–1828
Date:
1802
Materials & Techniques:
Watercolor, graphite, pen and black ink, and pen and brown ink on medium, slightly textured, cream wove paper mounted on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 11 3/8 × 10 1/4 inches (28.9 × 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

295. Lord Penryn's Slate Quarries

Lord Penryn's Slate Quarries
Creator:
John Henderson, 1764–1843
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/4 × 10 1/4 inches (21 × 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

296. Ships Firing

Ships Firing
Creator:
Francis Swaine, 1730–1782
Date:
undated
Materials & Techniques:
Gray wash and graphite with black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 × 10 3/8 inches (15.2 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

297. Landscape with two figures in the foreground

Landscape with two figures in the foreground
Creator:
Peter Tillemans, 1684–1734
Date:
undated
Materials & Techniques:
Watercolor on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 7/8 × 10 1/16 inches (9.8 × 25.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

298. Study of Moored Boat with Seated Figure

Study of Moored Boat with Seated Figure
Creator:
Cornelius Varley, 1781–1873
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/8 x 10 3/8 inches (21.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

299. In the Gardens at Stourhead

In the Gardens at Stourhead
Creator:
Coplestone Warre Bampfylde, 1719–1791
Date:
after 1772
Materials & Techniques:
Black chalk, white chalk, and graphite on medium, slightly textured, blue laid paper
Dimensions:
Sheet: 7 3/4 × 10 1/4 inches (19.7 × 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

300. The Start, West North West

The Start, West North West
Creator:
John Thomas Serres, 1759–1825
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 3/8 × 10 1/4 inches (8.6 × 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection