Credit Line: Yale Center for British Art, Paul Mellon Collection / Width [cm]: 27 / Subject Terms: men

1. A View of Richmond Bridge, on the Thames

Creator:: Sir Augustus Wall Callcott, 1779–1844
Date:: between 1807 and 1810
Materials & Techniques:: Oil on paper on board
Dimensions:: 7 1/2 x 10 1/2 inches (19.1 x 26.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. Landscape with Lake and Two Figures Riding

Creator:: unknown artist
Date:: ca. 1820
Materials & Techniques:: Oil on paper
Dimensions:: 8 1/2 x 10 3/4 inches (21.6 x 27.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. Tiriel Supporting the Dying Myratana and Cursing His Sons

Creator:: William Blake, 1757–1827
Date:: 1786 to 1789
Materials & Techniques:: Pen and black ink with gray wash and watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 3/8 x 10 3/4 inches (18.7 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. America. A Prophecy, Plate 12, "Thus Wept the Angel Voice...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. America. A Prophecy, Plate 13, "Fiery the Angels Rose...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. America. A Prophecy, Plate 1, Frontispiece

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. America. A Prophecy, Plate 10, "The Terror Answered...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. America. A Prophecy, Plate 14, "So Cried He...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. America. A Prophecy, Plate 15, "What Time the Thirteen Governors...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. America. A Prophecy, Plate 16, "In the Flames Stood...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. America. A Prophecy, Plate 2, Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. America. A Prophecy, Plate 11, "Sound! Sound! My Loud War-Trumpets...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. America. A Prophecy, Plate 4, "Silent as despairing love...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. America. A Prophecy, Plate 5, "A | Prophecy | The Guardian Prince of Albion...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. America. A Prophecy, Plate 6, "Appear to the Americans...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. America. A Prophecy, Plate 7, "Albions Angel stood...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. America. A Prophecy, Plate 8, "The Morning Comes...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Europe. A Prophecy, Plate 1, Frontispiece

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper inlaid to size
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Europe. A Prophecy, Plate 4, "Unwilling I look up . . . . " (Bentley 5)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper inlaid to size
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Europe. A Prophecy, Plate 5, "A | Prophecy | The deep of winter came . . . . " (Bentley 6)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper inlaid to size
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Europe. A Prophecy, Plate 13 (Bentley 10)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Europe. A Prophecy, Plate 15, "The red limb'd Angel . . . . " (Bentley 16)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Europe. A Prophecy, Plate 3, "Preludium"

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper inlaid to size
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Europe. A Prophecy, Plate 10, "Enitharmon slept . . . . " (Bentley 12)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Europe. A Prophecy, Plate 17, "Shot from the heights . . . . " (Bentley 18)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. The Torre de Comares, Alhambra, 1835

Creator:: John Frederick Lewis, 1804–1876
Date:: 1835
Materials & Techniques:: Graphite, watercolor, and gouache, with scratching out on medium, slightly textured, gray wove paper
Dimensions:: Sheet: 14 5/8 x 10 5/8 inches (37.1 x 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Country Scene: Figures by a Cottage Door and Cattle in a Stream

Creator:: Francis Wheatley, 1747–1801
Date:: 1795
Materials & Techniques:: Watercolor and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 9 7/8 x 10 3/4 inches (25.1 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. The Chestnut Tree at Little Wymondley, Hertfordshire

Creator:: Thomas Hearne, 1744–1817
Date:: undated
Materials & Techniques:: Gray wash over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 7 5/8 x 10 3/4 inches (19.4 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. The Gateway of Lancaster Castle

Creator:: Thomas Hearne, 1744–1817
Date:: ca. 1778
Materials & Techniques:: Watercolor, pen and black ink, gouache, and graphite on moderately thick, slightly textured, beige laid paper
Dimensions:: Contemporary drawn border: 7 5/8 x 10 1/2 inches (19.4 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. East Side of Mr. Hare's New House

Creator:: Samuel Hieronymus Grimm, 1733–1794
Date:: 1783
Materials & Techniques:: Watercolor over graphite on medium, smooth, cream laid paper
Dimensions:: Sheet: 7 1/4 x 10 1/2 inches (18.4 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. North East View of Mr. Hare's New House

Creator:: Samuel Hieronymus Grimm, 1733–1794
Date:: 1783
Materials & Techniques:: Watercolor with gray ink over graphite on medium, smooth, cream laid paper
Dimensions:: Contemporary drawn border: 7 1/4 x 10 1/2 inches (18.4 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Two Boats with Crews, Study for The Royal William at Sea

Creator:: Samuel Scott, 1701/2–1772
Date:: undated
Materials & Techniques:: Brushed black ink, gray wash and graphite; verso: graphite and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 3/4 x 10 3/4 inches (14.6 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. The Meat Market

Creator:: James Pollard, 1792–1867
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, pen and brown ink, and gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 x 10 3/4 inches (22.9 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. The Poultry Market

Creator:: James Pollard, 1792–1867
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 × 10 3/4 inches (23.2 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. The Artist Assaulted by Time, Ignorance and Envy

Creator:: Mauritius Lowe, 1746–1793
Date:: between 1772 and 1790
Materials & Techniques:: Watercolor, graphite, and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/8 x 10 5/8 inches (21.3 x 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Study of a Cossack: Gregory Yellowstuff

Creator:: James Ward, 1769–1859
Date:: 1814
Materials & Techniques:: Watercolor and black chalk and varnish on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 14 1/2 x 10 3/4 inches (36.8 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. A Horse pulling a Drag

Creator:: Cornelius Varley, 1781–1873
Date:: undated
Materials & Techniques:: Brown wash, pen and black ink and graphite on medium, slightly textured, cream wove paper mounted on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 7/8 x 9 3/8in. (14.9 x 23.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. The Murder of Banquo

Creator:: George Fennell Robson, 1788–1833
Date:: ca. 1830
Materials & Techniques:: Watercolor and gouache with pen and brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/16 × 10 1/2 inches (18.2 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. The Porch, Reims Cathedral

Creator:: Samuel Prout, 1783–1852
Date:: ca. 1840
Materials & Techniques:: Watercolor, pen and brown ink, gouache, and graphite, with scratching out on moderately thick, rough, beige wove paper
Dimensions:: Sheet: 16 5/8 × 10 3/4 inches (42.2 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Abbot's Kitchen, Glastonbury

Creator:: Michael "Angelo" Rooker, 1746–1801
Date:: ca. 1795
Materials & Techniques:: Watercolor and black ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 x 10 1/2 inches (20.3 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. View of New Street, near London Bridge

Creator:: John Varley, 1778–1842
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream laid paper mounted on thick, slightly textured, cream card
Dimensions:: Mount: 7 1/4 x 10 1/2 inches (18.4 x 26.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. The Harvesters

Creator:: attributed to Peter DeWint, 1784–1849
Date:: undated
Materials & Techniques:: Watercolor and graphite with scratching out on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 6 5/8 × 10 3/4 inches (16.8 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Clare Hall

Creator:: Print made by John Bluck, active 1791–1831
Date:: 1814
Materials & Techniques:: Aquatint and etching with hand coloring on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 9/16 x 13 1/16 inches (26.8 x 33.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Evening

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: undated
Materials & Techniques:: Stipple engraving and etching, hand colored on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 13 × 10 5/8 inches (33 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Mail Coach

Creator:: James Fittler, 1758–1835
Date:: ca. 1787
Materials & Techniques:: Etching and stipple engraving on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 13/16 × 11 5/16 inches (25 × 28.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Illustration to Pilgrim's Progress

Creator:: John Flaxman, 1755–1826
Date:: 1792
Materials & Techniques:: Black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/4 x 10 3/4 inches (22.2 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. The Warren Near Exmouth, Devon: Figures on Rocks at the Sea's Edge

Creator:: John White Abbott, 1763–1851
Date:: 1811
Materials & Techniques:: Gray wash and pen and gray ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/8 x 10 1/2 inches (18.7 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Design for an Engraving: Parlement de Paris Reassembling with Figure of Justice

Creator:: Hubert-François Gravelot, 1699–1773
Date:: 1762
Materials & Techniques:: Graphite and red chalk, incised and squared for transfer on medium, moderately textured, beige laid paper mounted on moderately thick, moderately textured, beige 19th century laid paper, with gold leaf, watercolor, pen in black and red ink border lines
Dimensions:: Mount: 12 x 11 1/16 inches (30.5 x 28.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. "Sporting Discoveries, or the Miseries of Driving:" ... Trying a New Match you Discover That They are Not Only Alike in Color, Weight and Action, but in Disposition

"Sporting Discoveries, or the Miseries of Driving:" ... Trying a New Match you Discover That They are Not Only Alike in Color, Weight and Action, but in Disposition

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 5/16 × 10 7/16 inches (18.6 × 26.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. "Some Do and Some Don't: It is All a Notion:" Getting into a Difficulty

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1848 and 1851
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 9/16 × 10 11/16 inches (19.2 × 27.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. "Some Do and Some Don't: It is All a Notion:" Getting a Dive

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1848 and 1851
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 9/16 × 10 5/8 inches (19.2 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. "Some Do and Some Don't: It is All a Notion:" Getting into a Bog

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1848 and 1851
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 9/16 × 10 11/16 inches (19.2 × 27.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. "Some Do and Some Don't: It is All a Notion:" Getting Dead Beat

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1848 and 1851
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 5/8 × 10 11/16 inches (19.4 × 27.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. A Hay Wagon Drawn by Four Horses

Creator:: Charles Cooper Henderson, 1803–1877
Date:: undated
Materials & Techniques:: Watercolor, with pen, in brown ink, over graphite with traces of, white gouache on moderately thick, moderately textured, cream wove paper
Dimensions:: Mount: 9 7/8 × 14 inches (25.1 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Grouse Shooting: The Wrong Sort

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/2 × 10 3/4 inches (21.6 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Two Riders Taking a Double Fence

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/4 × 10 11/16 inches (21 × 27.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Full Cry

Creator:: Possibly Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/4 × 10 5/8 inches (22.2 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Gone Away

Creator:: Possibly Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 11/16 × 10 11/16 inches (22.1 × 27.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. The Death

Creator:: Possibly Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 5/8 × 10 11/16 inches (21.9 × 27.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. "Qualified Horses and Unqualified Riders:" 'Topping a Flight of Rails...'

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/16 × 10 3/4 inches (20.8 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. "Qualified Horses and Unqualified Riders:" 'Charging an Ox Fence with Good Success'

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/16 × 10 7/8 inches (20.8 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. "Qualified Horses and Unqualified Riders:" 'Going Along a Slapping Pace...'

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/8 × 10 7/8 inches (20.6 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. "Qualified Horses and Unqualified Riders:" 'Got in and Getting Out. Very Clever'

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/8 × 10 13/16 inches (20.6 × 27.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. How to Vault in the Saddle

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1813
Materials & Techniques:: Watercolor, pen and brown ink, gray ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 13 x 10 3/4 inches (33 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

Creator:: Print made by Jacob Bonneau, 1741–1786
Date:: 1751
Materials & Techniques:: Etching, drypoint print and stipple engraving on moderately thick, smooth, cream laid paper
Dimensions:: Sheet: 11 3/16 x 15 9/16 inches (28.4 x 39.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

Creator:: Print made by Jacob Bonneau, 1741–1786
Date:: 1751
Materials & Techniques:: Etching, stipple engraving and drypoint print on moderately thick, smooth, cream laid paper
Dimensions:: Sheet: 11 1/4 x 15 1/2 inches (28.6 x 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. "Some Do and Some Don't: It is All a Notion:" Getting Over a Difficulty

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1848 and 1851
Materials & Techniques:: Graphite and watercolor on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 7 9/16 × 10 11/16 inches (19.2 × 27.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. "Some Do and Some Don't: It is All a Notion:" Getting a Fall

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1848 and 1851
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 9/16 × 10 11/16 inches (19.2 × 27.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. "Some Do and Some Don't: It is All a Notion:" Getting Home

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1820 and 1821
Materials & Techniques:: Graphite, watercolor and gouache on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 9/16 × 10 5/8 inches (19.2 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Dosing a Racehorse

Creator:: Louis Philippe Boitard, active 1734–1760
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, graphite, gray wash and gouache on moderately thick, moderately textured, cream laid paper
Dimensions:: Mount: 12 1/8 × 12 15/16 inches (30.8 × 32.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. "Hark": Startled Horse and Alert Rider

Creator:: Hablot Knight Browne, 1815–1882
Date:: undated
Materials & Techniques:: Graphite, watercolor, and white gouache on medium, slightly textured, gray wove paper
Dimensions:: Contemporary drawn border: 8 1/4 × 11 5/8 inches (21 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Drawing Covert

Creator:: Possibly Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 5/8 × 10 11/16 inches (21.9 × 27.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. "Qualified Horses and Unqualified Riders:" 'Faceing a Brook Verifying the Old Adage, Look Before You Leap'

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/16 × 10 7/8 inches (20.5 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. "Qualified Horses and Unqualified Riders:" `Returning Home in Triumph. He Disdain'd a Slothful Easey Life; so Took to Hunting'

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 × 10 5/8 inches (20.3 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. "Qualified Horses and Unqualified Riders:" 'Swishing at a Rasper From Your Own Timidity and Mismanagement Cause the Horse to Swerve...'

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 5/16 × 10 13/16 inches (21.1 × 27.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Fly Fishing

Creator:: Robert Pollard, 1755–1838
Date:: undated
Materials & Techniques:: Graphite, and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/4 x 10 9/16 inches (10.8 x 26.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Men Loading a Boat with Barrels

Creator:: Samuel Scott, 1701/2–1772
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 x 10 5/8 inches (14 x 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. A Shooting Party: Mr. C. Leslie and Mr. John Leslie

Creator:: Sir Edwin Henry Landseer, 1802–1873
Date:: 1833
Materials & Techniques:: Pen and brown ink, brown wash, and gray wash on thin, slightly textured, blue laid paper
Dimensions:: Sheet: 9 5/8 x 10 1/2 inches (24.4 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. The House of a Chinese Merchant near Canton

Creator:: Thomas Allom, 1804–1872
Date:: undated
Materials & Techniques:: Brown wash, pen and brown ink over graphite with white gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 7 5/8 inches (12.7 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Clare Hall

Creator:: Print made by John Bluck, active 1791–1831
Date:: 1814
Materials & Techniques:: Aquatint and etching with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 x 14 1/16 inches (29.2 x 35.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Settling a Love Quarrell

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Pen and gray ink, with pink and brown wash over graphite, with black ink lined border on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 13/16 x 10 5/8 inches (19.8 x 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. View of Leiston Abbey

Creator:: Print made by William Byrne, 1743–1805
Date:: 1781
Materials & Techniques:: Etching and stipple engraving on moderately thick, textured, beige laid paper
Dimensions:: Sheet: 9 11/16 x 11 3/4 inches (24.6 x 29.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Political Caricature: "The Spiritualists"

Creator:: Anthony Walker, 1726–1765
Date:: undated
Materials & Techniques:: Gray wash and pen and gray ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 x 10 1/2 inches (22.9 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. A French Petit Maître and His Valet

Creator:: Charles Grignion, 1717–1810
Date:: 1771
Materials & Techniques:: Line engraving and etching on moderately thick, moderately textured, cream laid paper, pasted on medium, moderately textured, cream Asian paper
Dimensions:: Mount: 16 1/4 x 11 5/16 inches (41.3 x 28.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Virgilia and Volumnia Plead with Coriolanus

Creator:: Robert Smirke, 1752–1845
Date:: ca. 1795
Materials & Techniques:: Brown wash with gouache over graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 11 3/4 x 12 1/8 inches (29.8 x 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Figure Studies of the Virgin Mary

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 7 7/8 × 10 5/8 inches (20 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Study For, Christ's Entry into Jerusalem

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: 1814 to 1820
Materials & Techniques:: Black chalk and white chalk on moderately thick, slightly textured, brown wove paper
Dimensions:: Sheet: 5 3/4 × 10 9/16 inches (14.6 × 26.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. A Frigate in a Calm

Creator:: J. Hill, active 19th century
Date:: 1811
Materials & Techniques:: Aquatint on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 9/16 x 16 7/16 inches (26.9 x 41.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. A Seventy-four in a Fresh Gale

Creator:: J. Hill, active 19th century
Date:: 1811
Materials & Techniques:: Aquatint on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 9/16 x 16 5/8 inches (26.9 x 42.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. A Sloop of War in a Light Breeze

Creator:: J. Hill, active 19th century
Date:: 1811
Materials & Techniques:: Aquatint on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 1/2 x 16 7/16 inches (26.7 x 41.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. A First Rate after a Storm

Creator:: J. Hill, active 19th century
Date:: 1811
Materials & Techniques:: Aquatint on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 1/2 x 16 9/16 inches (26.6 x 42.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Two Travellers Watering Three Horses

Creator:: Print made by Joseph Samuel Alpenny, 1787–1858
Date:: undated
Materials & Techniques:: Etching with hand coloring on thick, slightly textured, beige card
Dimensions:: Sheet: 8 9/16 x 10 1/2 inches (21.7 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. The Bride, Paul and Virginia, the Chalees Satoon, East India

Creator:: Imitator of George Baxter, 1804–1867
Date:: after 1850
Materials & Techniques:: Aquatint and stipple engraving; hand coloring done by an unknown later printer on thick cream card
Dimensions:: Sheet: 5 1/4 × 10 9/16 inches (13.4 × 26.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Croix de Moulin les Planches

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1827
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper with cream chine collé
Dimensions:: Sheet: 13 1/8 x 10 1/2 inches (33.3 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Le Silence Favorable

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1826
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper with gray chine collé
Dimensions:: Sheet: 14 3/16 x 10 5/8 inches (36 x 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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1. A View of Richmond Bridge, on the Thames

2. Landscape with Lake and Two Figures Riding

3. Tiriel Supporting the Dying Myratana and Cursing His Sons

4. America. A Prophecy, Plate 12, "Thus Wept the Angel Voice...."

5. America. A Prophecy, Plate 13, "Fiery the Angels Rose...."

6. America. A Prophecy, Plate 1, Frontispiece

7. America. A Prophecy, Plate 10, "The Terror Answered...."

8. America. A Prophecy, Plate 14, "So Cried He...."

9. America. A Prophecy, Plate 15, "What Time the Thirteen Governors...."

10. America. A Prophecy, Plate 16, "In the Flames Stood...."

11. America. A Prophecy, Plate 2, Title Page

12. America. A Prophecy, Plate 11, "Sound! Sound! My Loud War-Trumpets...."

13. America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."

14. America. A Prophecy, Plate 4, "Silent as despairing love...."

15. America. A Prophecy, Plate 5, "A | Prophecy | The Guardian Prince of Albion...."

16. America. A Prophecy, Plate 6, "Appear to the Americans...."

17. America. A Prophecy, Plate 7, "Albions Angel stood...."

18. America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."

19. America. A Prophecy, Plate 8, "The Morning Comes...."

20. Europe. A Prophecy, Plate 1, Frontispiece

21. Europe. A Prophecy, Plate 4, "Unwilling I look up . . . . " (Bentley 5)

22. Europe. A Prophecy, Plate 5, "A | Prophecy | The deep of winter came . . . . " (Bentley 6)

23. Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)

24. Europe. A Prophecy, Plate 13 (Bentley 10)

25. Europe. A Prophecy, Plate 15, "The red limb'd Angel . . . . " (Bentley 16)

26. Europe. A Prophecy, Plate 3, "Preludium"

27. Europe. A Prophecy, Plate 10, "Enitharmon slept . . . . " (Bentley 12)

28. Europe. A Prophecy, Plate 17, "Shot from the heights . . . . " (Bentley 18)

29. Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)

30. Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)

31. The Torre de Comares, Alhambra, 1835

32. Country Scene: Figures by a Cottage Door and Cattle in a Stream

33. The Chestnut Tree at Little Wymondley, Hertfordshire

34. The Gateway of Lancaster Castle

35. East Side of Mr. Hare's New House

36. North East View of Mr. Hare's New House

37. Two Boats with Crews, Study for The Royal William at Sea

38. The Meat Market

39. The Poultry Market

40. The Artist Assaulted by Time, Ignorance and Envy

41. Study of a Cossack: Gregory Yellowstuff

42. A Horse pulling a Drag

43. The Murder of Banquo

44. The Porch, Reims Cathedral

45. Abbot's Kitchen, Glastonbury

46. View of New Street, near London Bridge

47. The Harvesters

48. Clare Hall

49. Evening

50. Mail Coach

51. Illustration to Pilgrim's Progress

52. The Warren Near Exmouth, Devon: Figures on Rocks at the Sea's Edge

53. Design for an Engraving: Parlement de Paris Reassembling with Figure of Justice

54. "Sporting Discoveries, or the Miseries of Driving:" ... Trying a New Match you Discover That They are Not Only Alike in Color, Weight and Action, but in Disposition

55. "Some Do and Some Don't: It is All a Notion:" Getting into a Difficulty

56. "Some Do and Some Don't: It is All a Notion:" Getting a Dive

57. "Some Do and Some Don't: It is All a Notion:" Getting into a Bog

58. "Some Do and Some Don't: It is All a Notion:" Getting Dead Beat

59. A Hay Wagon Drawn by Four Horses

60. Grouse Shooting: The Wrong Sort

61. Two Riders Taking a Double Fence

62. Full Cry

63. Gone Away

64. The Death

65. "Qualified Horses and Unqualified Riders:" 'Topping a Flight of Rails...'

66. "Qualified Horses and Unqualified Riders:" 'Charging an Ox Fence with Good Success'

67. "Qualified Horses and Unqualified Riders:" 'Going Along a Slapping Pace...'

68. "Qualified Horses and Unqualified Riders:" 'Got in and Getting Out. Very Clever'

69. How to Vault in the Saddle

70. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

71. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

72. "Some Do and Some Don't: It is All a Notion:" Getting Over a Difficulty

73. "Some Do and Some Don't: It is All a Notion:" Getting a Fall