"The red limb'd Angel siez'd in horror and torment..." (Plate 15)
1794
5
Print made by William Blake, 1757–1827
Albion's Angel; Frontispiece (Plate 1)
1793
6
Print made by William Blake, 1757–1827
"The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)
1793
7
Print made by William Blake, 1757–1827
"Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)
1793
8
Print made by William Blake, 1757–1827
"Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)
1793
9
Print made by William Blake, 1757–1827
"So cried he, rending off his robe & throwing down his scepter..." (Plate 14)
1793
10
Print made by William Blake, 1757–1827
Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)
1793
11
Print made by William Blake, 1757–1827
"What time the thirteen Governors that England sent convene..." (Plate 15)
1793
12
Print made by William Blake, 1757–1827
"In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
1793
13
Print made by William Blake, 1757–1827
America, A Prophecy; Title Page (Plate 2)
1793
14
Print made by William Blake, 1757–1827
Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
1793
15
Print made by William Blake, 1757–1827
"Silent as despairing love, and strong as jealousy..." (Plate 4)
1793
16
Print made by William Blake, 1757–1827
A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)
1793
17
Print made by William Blake, 1757–1827
"Appear to the Americans upon the cloudy night..." (Plate 6)
1793
18
Print made by William Blake, 1757–1827
"Albions Angel stood beside the Stone of night, and saw..." (Plate 7)
1793
19
Print made by William Blake, 1757–1827
"The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)
1793
20
Print made by William Blake, 1757–1827
"In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)
1793
21
Print made by William Blake, 1757–1827
Preludium, "The nameless shadowy female rose from out the breast of Orc..." (Plate 3)
1794
22
Print made by William Blake, 1757–1827
"Unwilling I look up to heaven! unwilling count the stars!..." (Plate 4)
1794
23
Print made by William Blake, 1757–1827
A Prophecy. "The deep of winter came..." (Plate 5)
1794
24
Print made by William Blake, 1757–1827
"Enitharmon slept. ..." (Plate 10)
1794
25
Print made by William Blake, 1757–1827
"Albions Angel rose upon the Stone of Night..." (Plate 12)
1794
26
Print made by William Blake, 1757–1827
Plague (Plate 13)
1794
27
Print made by William Blake, 1757–1827
"Shot from the heights of Enitharmon..." (Plate 17)
1794
28
Print made by William Blake, 1757–1827
"The shrill winds wake!..." (Plate 6)
1794
29
Print made by William Blake, 1757–1827
"Now comes the night of Enitharmons joy!..." (Plate 7)
1794
30
William Blake, 1757–1827
Tiriel Supporting the Dying Myratana and Cursing His Sons
1786 to 1789
31
Robert Smirke, 1752–1845
Virgilia and Volumnia Plead with Coriolanus
ca. 1795
32
Charles Grignion, 1717–1810
A French Petit Maître and His Valet
1771
33
Print made by Richard Parkes Bonington, 1802–1828
Croix de Moulin les Planches
1827
34
Print made by Richard Parkes Bonington, 1802–1828
Le Silence Favorable
1826
35
George Richmond, 1809–1896
William Blake in Youth and Age
ca. 1830
36
Benjamin Robert Haydon, 1786–1846
Figure Studies of the Virgin Mary
undated
37
Benjamin Robert Haydon, 1786–1846
Study For, Christ's Entry into Jerusalem
1814 to 1820
38
Imitator of George Baxter, 1804–1867
The Bride, Paul and Virginia, the Chalees Satoon, East India
after 1850
39
Print made by William Byrne, 1743–1805
View of Leiston Abbey
1781
40
Samuel Scott, ca. 1702–1772
Men Loading a Boat with Barrels
undated
41
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting into a Difficulty
between 1848 and 1851
42
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting a Fall
between 1848 and 1851
43
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting a Dive
between 1848 and 1851
44
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting Over a Difficulty
between 1848 and 1851
45
Henry Thomas Alken, 1785–1851
"Sporting Discoveries, or the Miseries of Driving:" ... Trying a New Match you Discover That They are Not Only Alike in Color, Weight and Action, but in Disposition
undated
46
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting Dead Beat
between 1848 and 1851
47
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting into a Bog
between 1848 and 1851
48
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting Home
between 1820 and 1821
49
Charles Cooper Henderson, 1803–1877
A Hay Wagon Drawn by Four Horses
undated
50
Hablot Knight Browne, 1815–1882
"Hark": Startled Horse and Alert Rider
undated
51
Louis Philippe Boitard, active 1734–1760
Dosing a Racehorse
undated
52
Henry Thomas Alken, 1785–1851
Two Riders Taking a Double Fence
undated
53
Possibly Henry Thomas Alken, 1785–1851
Full Cry
undated
54
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Faceing a Brook Verifying the Old Adage, Look Before You Leap'
undated
55
J. Hill, active 19th century
A Frigate in a Calm
1811
56
J. Hill, active 19th century
A Sloop of War in a Light Breeze
1811
57
J. Hill, active 19th century
A Seventy-four in a Fresh Gale
1811
58
J. Hill, active 19th century
A First Rate after a Storm
1811
59
Henry Thomas Alken, 1785–1851
Grouse Shooting: The Wrong Sort
undated
60
Robert Pollard, 1755–1838
Fly Fishing
undated
61
Print made by Francesco Bartolozzi, 1728–1815
Medallions of F. Hutcheson and L. Natter
1780
62
Possibly Henry Thomas Alken, 1785–1851
Gone Away
undated
63
Possibly Henry Thomas Alken, 1785–1851
Drawing Covert
undated
64
Possibly Henry Thomas Alken, 1785–1851
The Death
undated
65
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Going Along a Slapping Pace...'
undated
66
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Topping a Flight of Rails...'
undated
67
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Got in and Getting Out. Very Clever'
undated
68
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" `Returning Home in Triumph. He Disdain'd a Slothful Easey Life; so Took to Hunting'
undated
69
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Charging an Ox Fence with Good Success'
undated
70
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Swishing at a Rasper From Your Own Timidity and Mismanagement Cause the Horse to Swerve...'
undated
71
Thomas Rowlandson, 1756–1827
How to Vault in the Saddle
1813
72
Thomas Higham, 1796–1844
Red-Scar, the Residence of William Cross, Esquire
1832
73
William Ellis, 1747–1810
The House of George Humphrys, Esq., Spark Brook
1792
74
Samuel Hieronymus Grimm, 1733–1794
East Side of Mr. Hare's New House
1783
75
James Pollard, 1792–1867
The Meat Market
undated
76
James Pollard, 1792–1867
The Poultry Market
undated
77
John Varley, 1778–1842
View of New Street, near London Bridge
undated
78
attributed to Peter DeWint, 1784–1849
The Harvesters
undated
79
Thomas Hearne, 1744–1817
The Chestnut Tree at Little Wymondley, Hertfordshire
undated
80
Thomas Hearne, 1744–1817
The Gateway of Lancaster Castle
ca. 1778
81
John Frederick Lewis, 1804–1876
The Torre de Comares, Alhambra, 1835
1835
82
Mauritius Lowe, 1746–1793
The Artist Assaulted by Time, Ignorance and Envy
between 1772 and 1790
83
Anthony Walker, 1726–1765
Political Caricature: "The Spiritualists"
undated
84
Samuel Hieronymus Grimm, 1733–1794
North East View of Mr. Hare's New House
1783
85
James Ward, 1769–1859
Study of a Cossack: Gregory Yellowstuff
1814
86
Francis Wheatley, 1747–1801
Country Scene: Figures by a Cottage Door and Cattle in a Stream
1795
87
Samuel Scott, ca. 1702–1772
Two Boats with Crews, Study for The Royal William at Sea
undated
88
Cornelius Varley, 1781–1873
A Horse pulling a Drag
undated
89
George Fennell Robson, 1788–1833
The Murder of Banquo
ca. 1830
90
Samuel Prout, 1783–1852
The Porch, Reims Cathedral
ca. 1840
91
Michael "Angelo" Rooker, 1746–1801
Abbot's Kitchen, Glastonbury
ca. 1795
92
Sir Edwin Henry Landseer, 1802–1873
A Shooting Party: Mr. C. Leslie and Mr. John Leslie
1833
93
Print made by Joseph Samuel Alpenny, 1787–1858
Two Travellers Watering Three Horses
undated
94
Print made by Francesco Bartolozzi, 1728–1815
Evening
undated
95
Print made by John Bluck, active 1791–1831
Clare Hall
1814
96
James Fittler, 1758–1835
Mail Coach
ca. 1787
97
Print made by Jacob Bonneau, 1741–1786
One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
1751
98
Print made by Jacob Bonneau, 1741–1786
One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens