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Credit Line Yale Center for British Art, Paul Mellon Collection
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1
- Golding Constable's House, East Bergholt: the Artist's birthplace
- ca. 1809
- Not on view
2
- Hampstead Heath, with a Bonfire
- ca. 1822
- Not on view
3
- Horse and Cart
- ca. 1814
- Not on view
4
- Cloud Study, Early Morning, Looking East from Hampstead
- 1821
- Not on view
5
- A View on Hampstead Heath, Early Morning
- ca. 1821
- Not on view
6
- The Marble Rocks — Nerbudda Jubbolpore
- 1882
- Not on view
7
- A View of Westminster Bridge and the Abbey from the South Side
- 1818
- Not on view
8
- London Bridge, with St. Paul's Cathedral in the distance
- 1815
- Not on view
9
- The Duchess of York's Spaniel
- 1804
- Not on view
10
- Imogen and the Shepherds, 'Cymbeline,' Act IV, scene II
- ca. 1874
- Not on view
11
- A Young Gentleman Riding a Schooled Horse
- between 1728 and 1729
- Not on view
12
- Bologna
- ca. 1826
- Not on view
13
- East Gateway, Patna
- 1825
- Not on view
14
- The Vale of Pencerrig
- 1776
- Not on view
15
- Street in Patna
- ca. 1825
- Not on view
16
- Landscape with Figures
- 1816
- Not on view
17
- George III Irish Silver: George Chinnery Palette, presented to the Artist by the Artists of Dublin, July 27, 1801
- 1801
- Not on view
18
- Self portrait
- ca. 1815
- Not on view
19
- Ploughing the Hillside
- ca. 1905
20
- Italian Hill Town
- after 1838
21
- At Hailsham, Sussex: a Storm Approaching
- 1821
22
- A Tiger and a Sleeping Leopard
- 1788
23
- Dorking Hen Body, Lateral View (Outline drawing of the muscles)
- 1795 to 1806
24
- Dorking Hen Skeleton, Lateral View (Probably prepared for an unpublished key figure)
- 1795 to 1806
25
- Dorking Hen Body, Lateral View (Study of the muscles of the body and limbs at a later stage of dissection)
- 1795 to 1806
26
- Human Body, Posterior View (Outline Drawing for Table VII)
- 1795 to 1806
27
- Human Skeleton, Posterior View (Relates to Table II)
- 1795 to 1806
28
- Human Skeleton, Anterior View
- 1795 to 1806
29
- Four East Indiamen at Archor
- 1803
30
- The First Stage of Cruelty: First, Children Torturing Animals
- 1751
31
- The Second Stage of Cruelty: Second, Coachman Beating a Fallen Horse
- 1751
32
- George Taylor's Epitaph: Death Giving George Taylor a Cross Buttock
- ca. 1750
33
- George Taylor's Epitaph: George Taylor Breaking the Ribs of Death
- ca. 1750
34
- Stonehenge at Daybreak
- 1815 to 1819
35
- London from Greenwich
- 1811
36
- A View of Boppart, with Figures on the River Bank
- 1817
37
- Andernach
- 1817
38
- Rheinfels Looking to Katz and Goarhausen
- 1817
39
- Venice, The Mouth of the Grand Canal
- 1832
40
- Dartmoor: The Source of the Tamar and the Torridge
- ca. 1813
41
- 'Lost to All Hope': the Brig
- 1845
42
- 'Tis greatly wise to talk with our past hours' (Page 31)
- ca. 1797
43
- 'Like that, the dial speaks; and points to thee' (Page 33)
- ca. 1797
44
- 'Teaching, we learn; and giving, we retain' (Page 35)
- ca. 1797
45
- 'Love, and love only, is the loan for love' (Page 37)
- ca. 1797
46
- 'One radiant mark, – the death-bed of the just' (Page 41)
- ca. 1797
47
- Night the Third. Narcissa; Title Page
- ca. 1797
48
- 'Where sense runs savage broke from reason's chain' (Page 46)
- ca. 1797
49
- Night the First. On Life, Death, and Immortality; Title Page
- ca. 1797
50
- 'Swift on His Downy Pinion Flies from Woe' (Page 1)
- ca. 1797
51
- 'What, though my soul fantastick measures trod' (Page 4)
- ca. 1797
52
- 'Its favours here are trials, not rewards' (Page 12)
- ca. 1797
53
- 'The present moment terminates our sight' (Page 13)
- ca. 1797
54
- Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
- ca. 1797
55
- 'Emblem of that which shall awake the dead' (Page 19)
- ca. 1797
56
- 'O treacherous conscience!' (Page 27)
- ca. 1797
57
- 'As if the sun could envy, check'd his beam' (Page 49)
- ca. 1797
58
- 'The vale of death! that hush'd cimmerian vale' (Page 54)
- ca. 1797
59
- 'Ungrateful, shall we grieve their hovering shades' (Page 55)
- ca. 1797
60
- 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
- ca. 1797
61
- 'This King of Terrors is the Prince of Peace' (Page 63)
- ca. 1797
62
- The Christian Triumph; Title Page
- ca. 1797
63
- 'Till death, that mighty hunter, earths them all' (Page 70)
- ca. 1797
64
- 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
- ca. 1797
65
- 'The thunder if in that the Almighty dwells' (Page 80)
- ca. 1797
66
- 'Is lost in love! thou great Philanthropist' (Page 87)
- ca. 1797
67
- 'If angels tremble, 'tis at such a sight' (Page 93)
- ca. 1797
68
- 'The goddess bursts in thunder and in flame' (Page 95)
- ca. 1797
69
- 'The Sun beheld it – No, the shocking scene' (Page 75)
- ca. 1797
70
- Night the First. On Life, Death, and Immortality; Title Page
- 1797
71
- "We the reins to slaughter give..." (Design 73)
- between 1797 and 1798
72
- "Hurry, hurry, to the field!" Design 75)
- between 1797 and 1798
73
- The Descent of Odin, An Ode; Title Page
- between 1797 and 1798
74
- "Him the dog of darkness spied..." (Design 79)
- between 1797 and 1798
75
- The Prophetess Rising from Her Grave (Design 81)
- between 1797 and 1798
76
- "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
- between 1797 and 1798
77
- "Hie thee hence, and boast at home..." (Design 85)
- between 1797 and 1798
78
- The Triumphs of Owen, A Fragment; Title Page
- between 1797 and 1798
79
- The Bard Singing Owen's Praise (Design 89)
- between 1797 and 1798
80
- "The Pensive Selima, Her ears of jet, and emerald eyes, She saw; and purr'd applause..." (Design 9)
- between 1797 and 1798
81
- "Fear to stop, and shame to fly..." (Design 91)
- between 1797 and 1798
82
- Ode for Music, Performed in the Senate-House; Title Page
- between 1797 and 1798
83
- A Genius Driving Away "Comus & his midnight-crew..." (Design 95)
- between 1797 and 1798
84
- "Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
- between 1797 and 1798
85
- "Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
- between 1797 and 1798
86
- Night the First. On Life, Death, and Immortality; Title Page
- 1797
87
- 'Oft bursts my song beyond the bounds of life' (Page 16)
- 1797
88
- Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
- 1797
89
- 'Emblem of that which shall awake the dead' (Page 19)
- 1797
90
- 'We censure nature for a span too short' (Page 23)
- 1797
91
- 'O treacherous conscience! while she seems to sleep" (Page 27)
- 1797
92
- 'Tis greatly wise to talk with our past hours' (Page 31)
- 1797
93
- 'Like that, the dial speaks; and points to thee' (Page 33)
- 1797
94
- 'Love, and love only, is the loan for love' (Page 37)
- 1797
95
- 'One radiant mark, – the death-bed of the just' (Page 41)
- 1797
96
- 'As if the sun could envy, check'd his beam' (Page 49)
- 1797
97
- 'The vale of death! that hush'd cimmerian vale' (Page 54)
- 1797
98
- 'Ungrateful, shall we grieve their hovering shades' (Page 55)
- 1797
99
- 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
- 1797
100
- 'This King of Terrors is the Prince of Peace' (Page 63)
- 1797