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Credit Line Yale Center for British Art, Paul Mellon Collection

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Width [cm] 32

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Subject Terms horses (animals)

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1. A View of Westminster Bridge and the Abbey from the South Side

A View of Westminster Bridge and the Abbey from the South Side
Creator:
William Anderson, 1757–1837
Date:
1818
Materials & Techniques:
Oil on panel
Dimensions:
6 3/8 x 12 9/16 inches (16.2 x 31.9 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

2. Dieppe Races

Dieppe Races
Creator:
Walter Richard Sickert, 1860–1942
Date:
1885
Materials & Techniques:
Oil on panel
Dimensions:
6 x 9 1/2 inches (15.2 x 24.1 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

3. A Young Gentleman Riding a Schooled Horse

A Young Gentleman Riding a Schooled Horse
Creator:
John Vanderbank, 1694–1739
Date:
between 1728 and 1729
Materials & Techniques:
Oil on canvas
Dimensions:
19 1/8 × 12 3/4 inches (48.6 × 32.4 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

4. Street in Patna

Street in Patna
Creator:
Sir Charles D'Oyly, 1781–1845
Date:
ca. 1825
Materials & Techniques:
Oil on canvas
Dimensions:
9 3/8 x 12 9/16 inches (23.8 x 31.9 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

5. Ploughing the Hillside

Ploughing the Hillside
Creator:
Robert Polhill Bevan, 1865–1925
Date:
ca. 1905
Materials & Techniques:
Black chalk on medium, smooth, beige wove paper
Dimensions:
Sheet: 14 1/2 × 18 1/4 inches (36.8 × 46.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. 'Love, and love only, is the loan for love' (Page 37)

'Love, and love only, is the loan for love' (Page 37)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. 'The Sun beheld it – No, the shocking scene' (Page 75)

'The Sun beheld it – No, the shocking scene' (Page 75)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. "We the reins to slaughter give..." (Design 73)

"We the reins to slaughter give..." (Design 73)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. "Hurry, hurry, to the field!" Design 75)

"Hurry, hurry, to the field!" Design 75)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. 'The Sun beheld it – No, the shocking scene' (Page 75)

'The Sun beheld it – No, the shocking scene' (Page 75)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Sigtryg with the Silken Beard (Design 69)

Sigtryg with the Silken Beard (Design 69)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. "Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)

"Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Overthrow of Dr. Slop

Overthrow of Dr. Slop
Creator:
Print made by Henry William Bunbury, 1750–1811
Date:
between 1773 and 1817
Materials & Techniques:
Hand-colored etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/16 x 17 11/16 inches (28.7 x 45 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Column at Yarmouth to the Memory of Lord Nelson

Column at Yarmouth to the Memory of Lord Nelson
Creator:
Print made by John Sell Cotman, 1782–1842
Date:
1817
Materials & Techniques:
Etching on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 18 7/8 x 12 5/8 inches (47.9 x 32 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. The Great Exhibition: Exterior View from the Southwest

The Great Exhibition: Exterior View from the Southwest
Creator:
Print made by George Baxter, 1804–1867
Date:
1851
Materials & Techniques:
Aquatint, stipple engraving, and etching with color woodcut on medium, smooth, cream wove paper, surrounded with gold dome-shaped border, laid on contemporary mount made of thick, smooth, beige card
Dimensions:
Sheet: 5 11/16 × 12 5/8 inches (14.4 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. The Battle of Taniers, Part Second

The Battle of Taniers, Part Second
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Hand-colored engraving on laid paper
Dimensions:
Plate: 10 1/2 × 12 1/2 inches (26.7 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. The Battle of Blenheim MDCCIV, Part the Second

The Battle of Blenheim MDCCIV, Part the Second
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Hand-colored engraving on laid paper
Dimensions:
Plate: 10 3/4 × 12 5/8 inches (27.3 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Haymaking

Haymaking
Creator:
Heinrich W. Schweickhardt, 1746–1797
Date:
undated
Materials & Techniques:
Pen and black ink, gray ink, and gray wash on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 × 12 9/16 inches (17.8 × 31.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. The Battle of Blenheim

The Battle of Blenheim
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Hand-colored engraving on laid paper
Dimensions:
Plate: 10 3/4 × 12 1/2 inches (27.3 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. The Saddling Enclosure, Epsom

The Saddling Enclosure, Epsom
Creator:
James Barenger, 1780–after 1831
Date:
undated
Materials & Techniques:
Pen and brown ink, gray wash, and brown wash on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 10 1/8 × 12 11/16 inches (25.7 × 32.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. "Sporting Incidents:" Drawing For the Soft-ground Etching of 'Through the Wood'

"Sporting Incidents:" Drawing For the Soft-ground Etching of 'Through the Wood'
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/16 × 12 1/2 inches (21.1 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Architectural Designs incorporating Chinoiserie motifs: Japan Railing. A Hatch. An Obtuce Paling. Parallelgram Railing..

Architectural Designs incorporating Chinoiserie motifs: Japan Railing. A Hatch. An Obtuce Paling. Parallelgram Railing..
Creator:
Print made by George Bickham the Younger, ca. 1706–1771
Date:
1751
Materials & Techniques:
Etching on medium, textured, cream laid paper
Dimensions:
Sheet: 9 13/16 x 15 3/8 inches (25 x 39 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. A Stage Coach Outside of the Entrance of an Inn

A Stage Coach Outside of the Entrance of an Inn
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Brown wash, gray wash, pen and black ink, brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 7/8 x 10 1/16 inches (14.9 x 25.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Royal Horse Artillery at the Gallop

Royal Horse Artillery at the Gallop
Creator:
George Bryant Campion, 1796–1870
Date:
undated
Materials & Techniques:
Black chalk, white gouache and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/8 × 12 3/4 inches (20.6 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. A Travelling Coach and Pair

A Travelling Coach and Pair
Creator:
Henry William Bunbury, 1750–1811
Date:
undated
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 3/4 × 12 1/2 inches (19.7 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Rider on a Brown Horse Going at a Wall

Rider on a Brown Horse Going at a Wall
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 15/16 × 12 3/4 inches (22.7 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Rider Holding on to a Gray Horse After a Fall

Rider Holding on to a Gray Horse After a Fall
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/8 × 12 9/16 inches (23.2 × 31.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Two Jockeys Galloping Neck and Neck to Right

Two Jockeys Galloping Neck and Neck to Right
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 8 15/16 × 12 3/4 inches (22.7 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Foxhunting: Drawing a Cover

Foxhunting: Drawing a Cover
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, graphite, and gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 3/8 × 12 7/16 inches (23.8 × 31.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Foxhunting: The Leap

Foxhunting: The Leap
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 5/16 × 12 1/2 inches (23.7 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Foxhunting: The Refreshment

Foxhunting: The Refreshment
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, brown ink, blue ink, graphite and gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 3/8 × 12 7/16 inches (23.8 × 31.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. The Duke of Cumberland Riding With Mr. de Burgh's Hunt

The Duke of Cumberland Riding With Mr. de Burgh's Hunt
Creator:
John Ferneley, 1782–1860
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, graphite, gouache and gum arabic on thick, rough, cream wove paper
Dimensions:
Sheet: 8 11/16 × 12 9/16 inches (22.1 × 31.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Horses Resting in a Meadow near Bolsover Castle

Horses Resting in a Meadow near Bolsover Castle
Creator:
Peter DeWint, 1784–1849
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 9 5/16 × 12 3/4 inches (23.7 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. A View of Campo Vaccino at Rome

A View of Campo Vaccino at Rome
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Mount: 9 3/4 x 12 1/2 inches (24.8 x 31.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. A View of the Piazza of St. John de Lateran, of the Cardinals College, and of the Holy Stairs in the City of Rome

A View of the Piazza of St. John de Lateran, of the Cardinals College, and of the Holy Stairs in the City of Rome
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Mount: 9 1/16 x 12 5/8 inches (23 x 32 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. A View of the Piazza Navona in the City of Rome

A View of the Piazza Navona in the City of Rome
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Mount: 9 x 12 3/8 inches (22.8 x 31.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. A View of the Piazza del Popolo in the City of Rome

A View of the Piazza del Popolo in the City of Rome
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Mount: 9 1/2 x 12 5/8 inches (24.2 x 32 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. A View of the Salfatara, a Remarkable Mountain Near Naples

A View of the Salfatara, a Remarkable Mountain Near Naples
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Mount: 8 15/16 x 12 9/16 inches (22.7 x 31.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Farm Buildings with Stack Makers

Farm Buildings with Stack Makers
Creator:
Cornelius Varley, 1781–1873
Date:
ca. 1810
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/4 x 12 1/2 inches (21 x 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. The Marquis of Anglesea Wounded Whilst Leading a Charge of Heavy Cavalry at the Close of the Battle of Waterloo, June 18, 1815

The Marquis of Anglesea Wounded Whilst Leading a Charge of Heavy Cavalry at the Close of the Battle of Waterloo, June 18, 1815
Creator:
Print made by Matthew Dubourg, active 1786–1838
Date:
1815
Materials & Techniques:
Aquatint with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/8 × 12 5/8 inches (25.1 × 32 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. St. Ann's, The Governor's Residence (Trinidad)

St. Ann's, The Governor's Residence (Trinidad)
Creator:
Richard Bridgens, active 1838
Date:
1838
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/2 × 12 1/2 inches (16.5 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. The Pursuit of the French after the Victory at Ramellies

The Pursuit of the French after the Victory at Ramellies
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Hand-colored engraving on laid paper
Dimensions:
Plate: 10 7/8 × 12 1/2 inches (27.6 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. The Battle of Ramillies MDCCVI

The Battle of Ramillies MDCCVI
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Hand-colored engraving on laid paper
Dimensions:
Plate: 10 5/8 × 12 1/2 inches (27 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. May Day

May Day
Creator:
Print made by Rowney & Forster, active 1820–1822
Date:
after 1821
Materials & Techniques:
Lithograph with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/8 × 12 9/16 inches (21.9 × 31.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Mr. Hawks thinks he had Better Turn Back

Mr. Hawks thinks he had Better Turn Back
Creator:
Hablot Knight Browne, 1815–1882
Date:
undated
Materials & Techniques:
Graphite and black chalk
Dimensions:
Sheet: 4 1/4 x 7in. (10.8 x 17.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. The Waggoner's Rest

The Waggoner's Rest
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1800 and 1805
Materials & Techniques:
Watercolor with pen and gray ink over graphite on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 5 7/8 x 9 1/4 inches (14.9 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. The Morn, All Beauteous to Behold, from Aeschylus, The Persians

The Morn, All Beauteous to Behold, from Aeschylus, The Persians
Creator:
after John Flaxman, 1755–1826
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 7/8 x 12 5/8 inches (20 x 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection