Credit Line: Yale Center for British Art, Paul Mellon Collection / Width [cm]: 39

201. Design after a Greek Vase

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and gouache on medium, slightly textured, cream wove paper
Dimensions:: Mount: 26 × 20 9/16 inches (66 × 52.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

202. Design after a Greek Vase

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and gouache on medium, slightly textured, cream wove paper
Dimensions:: Mount: 26 1/2 × 19 7/16 inches (67.3 × 49.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

203. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

Creator:: Print made by Jacob Bonneau, 1741–1786
Date:: 1751
Materials & Techniques:: Etching and stipple engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 15/16 x 15 1/2 inches (27.8 x 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

204. North East View of Henry VII Chapel Westminster

Creator:: Print made by unknown artist
Date:: ca. 1813
Materials & Techniques:: Etching, proof before letters on smooth, medium, white wove paper
Dimensions:: Sheet: 14 13/16 inches (37.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

205. View of the Front of the New Public Buildings, Guildford

Creator:: Print made by Robert Havell, 1769–1832
Date:: 1819
Materials & Techniques:: Aquatint with etching, hand-colored on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 7/16 x 15 3/8 inches (29.1 x 39 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

206. St. Paul's Cathedral, from St. Martin's-le-Grand, London

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1795
Materials & Techniques:: Gray wash and watercolor over graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 19 3/4 x 15 5/16 inches (50.2 x 38.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

207. The Pass of Pancorbo, The Pyrenees

Creator:: David Roberts, 1796–1864
Date:: undated
Materials & Techniques:: Watercolor and gouache over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 x 15 7/16 inches (26.7 x 39.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

208. Christ Church Ferry

Creator:: Frederick George Cotman, 1850–1920
Date:: 1859
Materials & Techniques:: Graphite, watercolor and gouache on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 6 5/8 x 15 1/2 inches (16.8 x 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

209. The Long Walk, Windsor

Creator:: Peter DeWint, 1784–1849
Date:: undated
Materials & Techniques:: Watercolor and graphite with scratching out on medium, rough, beigh wove paper
Dimensions:: Sheet: 11 1/2 x 15 1/2 inches (29.2 x 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

210. View of the Houses of Lords and Commons from Old Palace Yard

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1808
Materials & Techniques:: Watercolor with pen and black ink over graphite on wove paper
Dimensions:: Sheet: 10 1/2 x 15 1/2in. (26.7 x 39.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

211. Harrow Common, Middlesex

Creator:: Attributed to Edward Dayes, 1763–1804
Date:: 1791
Materials & Techniques:: Gray wash, blue wash, and graphite on medium, slightly textured, cream wove paper (three pieces joined)
Dimensions:: Sheet: 5 7/8 x 15 1/2 inches (14.9 x 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

212. Gil Blas, While Practising Medicine under Dr. Sangrado, Encounters Dr. Cuchillo at the Bedside of the Grocer

Creator:: Joshua Cristall, 1768–1847
Date:: between 1820 and 1822
Materials & Techniques:: Brown wash and brown ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 x 15 1/2 inches (33 x 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

213. Old Church of St. Lawrence, Ayot St. Lawrence, Hertfordshire

Creator:: Samuel Davis, 1760–1819
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/4 x 15 1/2 inches (28.6 x 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

214. Classical Church, Ayot St. Lawrence, Hertfordshire

Creator:: Samuel Davis, 1760–1819
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/4 x 15 1/2 inches (28.6 x 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

215. The Church in Knebworth Park

Creator:: Samuel Davis, 1760–1819
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/4 x 15 1/2 inches (28.6 x 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

216. Perspective Elevation of Part of the Abbey Church of Saint Stephen at Caen, Normandy

Creator:: John Sell Cotman, 1782–1842
Date:: 1818
Materials & Techniques:: Graphite and gray wash on medium, smooth, cream wove paper
Dimensions:: Sheet: 15 x 9 7/8 inches (38.1 x 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

217. Parish Church, Front and Partial Right View, Ayot St. Lawrence, Hertfordshire

Creator:: Samuel Davis, 1760–1819
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/4 x 15 3/8 inches (28.6 x 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

218. Ceapen Pichan Bridge, Moelwyn Mawr

Creator:: Samuel Davis, 1760–1819
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 16 9/16 × 15 1/2 inches (42.1 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

219. Old Church of St. Lawrence, Ayot St. Lawrence, Hertfordshire

Creator:: Samuel Davis, 1760–1819
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/4 x 15 1/2 inches (28.6 x 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

220. Ceiling Design

Creator:: Nicholas Thomas Dall, op.1748–, d.1777
Date:: 1756
Materials & Techniques:: Pen and black ink with gray wash; verso: graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 1/4 x 15 13/16 inches (33.6 x 40.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

221. Mountainous landscape with winding river and castle

Creator:: Rev. William Gilpin, 1724–1804
Date:: undated
Materials & Techniques:: Gray wash and graphite on moderately thick, slightly textured, cream laid paper prepared with pale brown wash
Dimensions:: Sheet: 11 3/8 x 15 1/2in. (28.9 x 39.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

222. A General Prospect of Vaux Hall Gardens

Creator:: John S. Muller, ca. 1715–1792
Materials & Techniques:: Etching and engraving
Dimensions:: Sheet: 10 1/16 x 15 3/8in. (25.6 x 39.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

223. The Rialto, Venice

Creator:: Print made by John Pye, 1782–1874
Date:: 1820
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 11/16 × 15 3/16 inches (27.1 × 38.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

224. Florence, from Chiesa al Monte

Creator:: Print made by George Cooke, 1781–1834
Date:: 1820
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 3/8 × 15 3/16 inches (26.4 × 38.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

225. Saumur

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1830
Materials & Techniques:: Line engraving, 2nd state on moderatle thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 7/8 × 15 1/2 inches (27.6 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

226. The Right Honorable William Pitt

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1799
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 29 7/8 × 21 3/8 inches (75.9 × 54.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

227. Solitude

Creator:: Thomas Smith of Derby, ca. 1720–1767
Date:: 1758
Materials & Techniques:: Etching and engraving
Dimensions:: Sheet: 11 x 15 3/8in. (27.9 x 39.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

228. Benjamin West, P.R.A.

Creator:: James Fittler, 1758–1835
Date:: 1817
Materials & Techniques:: Line engraving, etching and stipple engraving on moderately thick, slightly textured, beige laid paper with cream chine collé
Dimensions:: Sheet: 20 7/8 × 15 3/8 inches (53 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

229. Lady Bampfylde

Creator:: Thomas Watson, 1743–1781
Date:: 1779
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 25 × 15 1/4 inches (63.5 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

230. Ingleborough, from Hornby Castle Terrace

Creator:: Print made by Charles Heath, 1785–1848
Date:: 1822
Materials & Techniques:: Line engraving and etching on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 3/4 × 15 3/8 inches (27.3 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

231. Edward, Prince of Wales, Presenting the Captive King John of France and His Sons to His Father Edward the Third After the Battle of Poictiers

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1788
Materials & Techniques:: Stipple engraving and line engraving on medium, moderately textured, cream laid paper laid on mount
Dimensions:: Mount: 15 1/4 x 19 1/16 inches (38.8 x 48.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

232. His Royal Highness Henry Frederick, Duke of Cumberland

Creator:: Thomas Watson, 1743–1781
Date:: 1774
Materials & Techniques:: Mezzotint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 26 1/8 × 15 1/2 inches (66.4 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

233. An Inside View of the Rotundo in Ranelagh Gardens

Creator:: Nathaniel Parr, active 1742–1751
Materials & Techniques:: Hand colored engraving
Dimensions:: Sheet: 9 1/8 x 15 3/8in. (23.2 x 39.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

234. Landscape with a Man Driving Sheep

Creator:: Thomas Barker, 1769–1847
Date:: undated
Materials & Techniques:: Watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 × 15 3/8 inches (25.4 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

235. Mary Lady Boynton

Creator:: Print made by James Watson, 1740–1790
Date:: 1770
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 24 3/4 × 15 1/4 inches (62.9 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

236. Barbara, Countess of Coventry

Creator:: James Watson, 1740–1790
Date:: 1764-1765
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 21 × 15 1/4 inches (53.3 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

237. Mercury and Argus

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1841
Materials & Techniques:: Etching and line engraving; first published state on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 33 × 25 1/4 inches (83.8 × 64.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

238. Mercury and Argus

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1841
Materials & Techniques:: Etching and line engraving, second state on thick, moderately textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 29 1/2 × 22 3/4 inches (74.9 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

239. Extravaganza's of 1827

Creator:: Print made by Henry Heath, active 1824–1835
Date:: 1827
Materials & Techniques:: Etching, hand-colored on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 x 15 11/16 inches (28 x 39.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

240. Ehrenbreitstein

Creator:: Print made by John Pye, 1782–1874
Date:: 1845
Materials & Techniques:: Etching and line engraving; engraver's proof (b) on moderately thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 23 3/4 × 34 1/2 inches (60.3 × 87.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

241. The Right Honourable John Hookham Frere

Creator:: Print made by William Whiston Barney, active 1805–1817
Date:: 1810
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 21 1/4 × 15 5/8 inches (54 × 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

242. Lucy Hardinge (née Long)

Creator:: Thomas Watson, 1743–1781
Date:: 1780
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 20 3/8 × 15 3/16 inches (51.8 × 38.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

243. Mary Isabella, Duchess of Rutland

Creator:: Valentine Green, 1739–1813
Date:: 1780
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 26 1/8 × 16 1/4 inches (66.4 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

244. Anne Townshend, Marchioness Townshend

Creator:: Valentine Green, 1739–1813
Date:: 1780
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 26 × 16 9/16 inches (66 × 42.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

245. Arthur Wellesley, first Duke of Wellington, Writing the Waterloo Despatch

Creator:: Frederick Bromley, active 1856–1860
Date:: 1840
Materials & Techniques:: Lithograph, published state
Dimensions:: Plate: 19 7/8 x 15 1/4in. (50.5 x 38.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

246. Wooded Landscape with Herdsman Driving Cattle over a Bridge, Rustic Lovers and Ruined Castle

Creator:: Print made by Thomas Gainsborough, 1727–1788
Date:: between 1779 and 1780
Materials & Techniques:: Etching and soft-ground etching on medium, slightly textured, blue laid paper
Dimensions:: Sheet: 12 × 15 3/8 inches (30.5 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

247. Mercury and Argus

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1841
Materials & Techniques:: Etching and line engraving; fourth state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 29 5/8 × 22 1/2 inches (75.2 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

248. Mercury and Herse

Creator:: Print made by John Cousen, 1804–1880
Date:: 1842
Materials & Techniques:: Etching; open etched state on thick, moderately textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 32 × 24 inches (81.3 × 61 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

249. Lady Mary O'Brien

Creator:: John Dixon, ca. 1740–1811
Date:: 1774
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 21 1/16 × 15 1/4 inches (53.5 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

250. Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 1/2 × 15 1/2 inches (26.7 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

251. Position pour le Garde en Tierce et le Coup de Tierce

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 1/2 × 16 1/8 inches (26.7 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

252. Risposte Aprés Avoir Trompé la Parade du Poignard

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/4 × 16 7/16 inches (27.3 × 41.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

253. Sketches of Houses and a Floor Plan and Designs for the Speaker's Chair and Panels on the Cloister Door

Creator:: Augustus Welby Northmore Pugin, 1812–1852
Date:: undated
Materials & Techniques:: Graphite on thin, smooth, blue wove paper
Dimensions:: Sheet: 9 7/8 × 15 3/8 inches (25.1 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

254. Windsor Castle, April 1850

Creator:: E. J. Stanley, active 1850
Date:: 1850
Materials & Techniques:: Watercolor, black chalk, and gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 x 15 3/16in. (27.3 x 38.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

255. Side View of Ayot House, Hertfordshire

Creator:: Samuel Davis, 1760–1819
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/4 x 15 3/8 inches (28.6 x 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

256. Near Penrith

Creator:: attributed to Peter DeWint, 1784–1849
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/4 x 15 3/8 inches (15.9 x 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

257. Harlech Castle

Creator:: Isaac Weld, 1774–1856
Date:: 1810
Materials & Techniques:: Graphite and brown wash on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 9 7/16 × 15 1/4 inches (24 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

258. Boats on Shore, Evening, Blakeney

Creator:: Martin Hardie, 1875–1952
Date:: 1947
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 7/8 × 15 1/4 inches (30.2 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

259. The Bridge, Walton on Thames

Creator:: Augustin Heckel, 1690–1770
Date:: ca. 1750
Materials & Techniques:: Pen and black ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/4 × 15 3/8 inches (23.5 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

260. Christ Church from the Meadows

Creator:: George Hollis, 1792–1842
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 15 1/2 inches (27.9 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

261. Position pour la Garde en Quarte et le Coup de Quarte

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 9/16 × 15 1/2 inches (26.8 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

262. Position de la Garde en Quarte, et le Coup de Quarte Basse

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 7/8 × 16 5/16 inches (27.6 × 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

263. De la Risposte de Quarte apres la Parade de Quarte

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 5/8 × 16 5/16 inches (27 × 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

264. De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/4 × 16 1/4 inches (27.3 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

265. Du Desarmement Aprés Avoir Paré le Coup de Quarte

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 3/16 × 15 1/2 inches (28.4 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

266. Du Desarmement sur le Coup de Tierce

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 3/16 × 15 3/16 inches (28.4 × 38.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

267. Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 11/16 × 15 1/4 inches (27.1 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

268. De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

269. Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B.

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 1/16 × 16 7/16 inches (28.1 × 41.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

270. De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

271. Loch Coriskin

Creator:: Print made by Henry Le Keux, 1787–1868
Date:: 1834
Materials & Techniques:: Line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 5/8 × 15 1/2 inches (27 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

272. Pont Newydd near Dolgelly

Creator:: Amos Green, 1735–1807
Date:: undated
Materials & Techniques:: Watercolor, gray wash, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/4 x 15 3/8in. (24.8 x 39.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

273. De la Passe en Quarte du Dehors des Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 × 15 3/8 inches (27.9 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

274. Garde de L'Epée & Manteau Attaquée par L'Epée & Lanterne

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 3/16 × 16 3/8 inches (28.4 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

275. View of Plymouth taken from the Seven Trees, Exeter Road

Creator:: William Payne, active 1850s
Date:: undated
Materials & Techniques:: Watercolor and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/2 x 15 3/8in. (26.7 x 39.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

276. North Parade, Bath

Creator:: Humphry Repton, 1752–1818
Date:: 1784
Materials & Techniques:: Graphite and watercolor on moderately thick, moderately textured, white laid paper
Dimensions:: Sheet: 10 3/16 x 15 1/4in. (25.9 x 38.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

277. [Fox-hunting] set of four: Hertfordshire. 1. (Whitewell near Welwyn) / Village Scenery - Hounds Meeting

Creator:: Dean Wolstenholme, 1798–1882
Date:: undated
Materials & Techniques:: Hand colored and color printed aquatint
Dimensions:: Sheet: 9 7/8 x 15 1/4in. (25.1 x 38.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

278. The South-west View of Battle Abbey in the County of Sussex

Creator:: Samuel Buck, 1696–1779
Date:: 1735
Materials & Techniques:: Graphite, pen and black ink, and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 3/4 × 15 3/8 inches (24.8 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

279. Bath: The South Parade

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1773
Materials & Techniques:: Etching, hand colored with gray wash on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 11 1/8 × 15 3/8 inches (28.2 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

280. The Traveling Barge

Creator:: William Alexander, 1767–1816
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, moderately textured, beige wove paper
Dimensions:: Mount: 14 1/2 × 18 1/2 inches (36.8 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

281. Kingston Bank

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1896
Materials & Techniques:: Etching printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 15 3/8 inches (27.9 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

282. View of a River from a Terrace, Macon

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1891
Materials & Techniques:: Etching printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 × 15 3/8 inches (30.2 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

283. Falls of the Rhine, Schaffhausen

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1891
Materials & Techniques:: Etching printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/8 × 15 1/2 inches (31.4 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

284. Okehampton Castle, on the River Okehampton

Creator:: Print made by Charles Turner, 1774–1857
Date:: 1825
Materials & Techniques:: Mezzotint and line engraving; engraver's proof (between a&b) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 × 15 3/8 inches (25.4 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

285. Englishman at Paris, 1767

Creator:: Print made by James Bretherton, ca. 1730–1806
Date:: 1799
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 7/16 x 18 7/8 inches (36.7 x 48 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

286. Her Majesty Queen Caroline Going in State to St. Paul's Cathedral, 20 November 1820

Creator:: unknown artist
Date:: 1820
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 6 7/8 x 15 3/16in. (17.5 x 38.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

287. The Alto Relievo

Creator:: Benjamin Smith, 1775–1833
Date:: 1796
Materials & Techniques:: Stipple on medium, slightly textured, cream wove paper
Dimensions:: Mount: 30 1/4 × 20 7/8 inches (76.8 × 53 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

288. Edmond Antrobus, 1st Baronet

Creator:: George Clint, 1770–1854
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 21 1/16 × 15 1/4 inches (53.5 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

289. Sir William Fawcett

Creator:: James Ward, 1769–1859
Date:: 1801
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 21 × 15 1/4 inches (53.3 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

290. One of Eleven Designs for Houses and Shops

Creator:: unknown artist
Date:: ca. 1800
Materials & Techniques:: Graphite, pen and black ink, gouache and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 7/8 x 15 3/16 inches (55.6 x 38.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

291. Very Unpleasant Weather, or, the Old Saying Verified "Raining Cats, Dogs, & Pitchforks."!!!

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1835
Materials & Techniques:: Etching and stipple engraving, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 11/16 x 16 5/16 inches (27.1 x 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

292. Elizabeth, Countess of Northumberland

Creator:: Edward Fisher, 1722–1785
Date:: undated
Materials & Techniques:: Mezzotint on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 21 1/16 × 15 1/4 inches (53.5 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

293. William Robertson

Creator:: John Dixon, ca. 1740–1811
Date:: 1772
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 20 7/8 × 15 3/8 inches (53 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

294. Honorable Mrs. Stanhope

Creator:: John Raphael Smith, 1752–1812
Date:: 1783
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 21 1/4 × 15 1/2 inches (54 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

295. Hon. Charles William Stewart

Creator:: Henry Hoppner Meyer, ca. 1782–1847
Date:: 1814
Materials & Techniques:: Mezzotint on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 21 1/4 × 15 1/4 inches (54 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

296. Lady Talbot

Creator:: Valentine Green, 1739–1813
Date:: 1782
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 26 1/8 × 16 7/16 inches (66.4 × 41.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

297. The New Palace

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Hand colored lithograph
Dimensions:: Sheet: 12 1/2 x 15 1/2in. (31.8 x 39.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

298. Carlton House

Creator:: unknown artist
Date:: 1800
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 12 x 15 3/16in. (30.5 x 38.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

299. The Church of St. Mary le Bow in Cheapside, London

Creator:: unknown artist
Materials & Techniques:: Engraving
Dimensions:: Sheet: 9 3/16 x 15 3/8in. (23.3 x 39.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

300. Lewisham

Creator:: George Isham Parkyns, 1749/50–c.1820
Date:: 1790
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 12 5/8 x 15 3/8in. (32.1 x 39.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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201. Design after a Greek Vase

202. Design after a Greek Vase

203. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

204. North East View of Henry VII Chapel Westminster

205. View of the Front of the New Public Buildings, Guildford

206. St. Paul's Cathedral, from St. Martin's-le-Grand, London

207. The Pass of Pancorbo, The Pyrenees

208. Christ Church Ferry

209. The Long Walk, Windsor

210. View of the Houses of Lords and Commons from Old Palace Yard

211. Harrow Common, Middlesex

212. Gil Blas, While Practising Medicine under Dr. Sangrado, Encounters Dr. Cuchillo at the Bedside of the Grocer

213. Old Church of St. Lawrence, Ayot St. Lawrence, Hertfordshire

214. Classical Church, Ayot St. Lawrence, Hertfordshire

215. The Church in Knebworth Park

216. Perspective Elevation of Part of the Abbey Church of Saint Stephen at Caen, Normandy

217. Parish Church, Front and Partial Right View, Ayot St. Lawrence, Hertfordshire

218. Ceapen Pichan Bridge, Moelwyn Mawr

219. Old Church of St. Lawrence, Ayot St. Lawrence, Hertfordshire

220. Ceiling Design

221. Mountainous landscape with winding river and castle

222. A General Prospect of Vaux Hall Gardens

223. The Rialto, Venice

224. Florence, from Chiesa al Monte

225. Saumur

226. The Right Honorable William Pitt

227. Solitude

228. Benjamin West, P.R.A.

229. Lady Bampfylde

230. Ingleborough, from Hornby Castle Terrace

231. Edward, Prince of Wales, Presenting the Captive King John of France and His Sons to His Father Edward the Third After the Battle of Poictiers

232. His Royal Highness Henry Frederick, Duke of Cumberland

233. An Inside View of the Rotundo in Ranelagh Gardens

234. Landscape with a Man Driving Sheep

235. Mary Lady Boynton

236. Barbara, Countess of Coventry

237. Mercury and Argus

238. Mercury and Argus

239. Extravaganza's of 1827

240. Ehrenbreitstein

241. The Right Honourable John Hookham Frere

242. Lucy Hardinge (née Long)

243. Mary Isabella, Duchess of Rutland

244. Anne Townshend, Marchioness Townshend

245. Arthur Wellesley, first Duke of Wellington, Writing the Waterloo Despatch

246. Wooded Landscape with Herdsman Driving Cattle over a Bridge, Rustic Lovers and Ruined Castle

247. Mercury and Argus

248. Mercury and Herse

249. Lady Mary O'Brien

250. Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes

251. Position pour le Garde en Tierce et le Coup de Tierce

252. Risposte Aprés Avoir Trompé la Parade du Poignard

253. Sketches of Houses and a Floor Plan and Designs for the Speaker's Chair and Panels on the Cloister Door

254. Windsor Castle, April 1850

255. Side View of Ayot House, Hertfordshire

256. Near Penrith

257. Harlech Castle

258. Boats on Shore, Evening, Blakeney

259. The Bridge, Walton on Thames

260. Christ Church from the Meadows

261. Position pour la Garde en Quarte et le Coup de Quarte

262. Position de la Garde en Quarte, et le Coup de Quarte Basse

263. De la Risposte de Quarte apres la Parade de Quarte

264. De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes

265. Du Desarmement Aprés Avoir Paré le Coup de Quarte

266. Du Desarmement sur le Coup de Tierce

267. Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime

268. De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise

269. Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B.

270. De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson

271. Loch Coriskin

272. Pont Newydd near Dolgelly

273. De la Passe en Quarte du Dehors des Armes

274. Garde de L'Epée & Manteau Attaquée par L'Epée & Lanterne