Credit Line: Yale Center for British Art, Paul Mellon Collection / Width [cm]: 40 / Classification: Prints

Etched by Joseph Mallord William Turner, 1775–1851

The Straw Yard

1808

Etched by Joseph Mallord William Turner, 1775–1851

From Spenser's Fairy Queen

1811

Engraved by Joseph Mallord William Turner, 1775–1851

Stonehenge at Daybreak

1815 to 1819

Etched by Joseph Mallord William Turner, 1775–1851

Apuleia in Search of Apuleius

between 1813 and 1823

Etched by Joseph Mallord William Turner, 1775–1851

Ben Arthur, Scotland

1819

Etched by Joseph Mallord William Turner, 1775–1851

Solway Moss

1816

Etched by Joseph Mallord William Turner, 1775–1851

Bridge and Cows

1807

Etched by Joseph Mallord William Turner, 1775–1851

Lauffenbourgh on the Rhine

1811

Etched by Joseph Mallord William Turner, 1775–1851

Windmill and Lock

1811

Etched by Joseph Mallord William Turner, 1775–1851

Marine Dabblers

1811

Etched by Joseph Mallord William Turner, 1775–1851

Mt. St. Gothard

1808

William Blake, 1757–1827

Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]

1827

William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?'weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]

William Blake, 1757–1827

Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?'weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]

1827

William Blake, 1757–1827

Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,' Hell; Canto xxv. line 45.]

1827

William Blake, 1757–1827

Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]

1827

William Blake, 1757–1827

Illustrations to Dante's Divine Comedy

1827

William Blake, 1757–1827

Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm,/ And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]

1827

William Blake, 1757–1827

Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]

1827

Print made by John Boydell, 1720–1804

Greenland Fishery

1754

Print made by Thomas Boydell, active 1750–1751

A Small Breeze

1753

Print made by John Boydell, 1720–1804

Morning

1753

Print made by John Boydell, 1720–1804

Noon

1753

Print made by John Boydell, 1720–1804

A Calm

1754

Print made by John Browne, 1741–1801

Evening

ca. 1797

Print made by James Bretherton, ca. 1730–1806

The Damnation of Obadiah

1773

Print made by Sir Frank Short, 1857–1945

View of a Lake, Derwentwater

1891

Charles Turner, 1774–1857

The Little Cottager

1809

R. Martin, active 1823–1840

Ancient View of the Greengate Street Stafford

1840

Print made by William Bernard Cooke, 1778–1855

Dartmoor; Source of the Tamar and the Torridge

1816

Print made by Henry Le Keux, 1787–1868

Simmer Lake near Askrig

1818-1823

Print made by John Le Keux, 1783–1846

Rome, from the Farnese Gardens

1818-1820

Print made by W. R. Smith, active 1819–1851

Amboise

1833

Print made by Robert Brandard, 1805–1862

Rouen, looking up the river

1834

George C. Winckler, Active 1760

Prospect der Koniglichen Marth in London

unknown artist

The Foundation or Ground Plan of St. Pauls Church

undated

John S. Muller, ca. 1715–1792

A North West View of St. Paul's Cathedral, London

1753

John S. Muller, ca. 1715–1792

A North West View of St. Paul's Cathedral, London

1753

Thomas Bowles, ca. 1712–died 1753

A View of the Custom House with Part of the Tower

1753

Robert Laurie, 1755?–1836

Court of Equity, Belle Savage Inn, Ludgate Hill

1778

Print made by William Byrne, 1743–1805

Newbury from Speen Hill

1805

Print made by William Byrne, 1743–1805

Wickham from the Marlow Road

1803

Print made by William Byrne, 1743–1805

Eton, from the Slough Road

1803

Print made by William Byrne, 1743–1805

Abingdon from the Thames Navigation

1805

Print made by William Byrne, 1743–1805

Part of Chester Castle

1810

Print made by Samuel Rawle, 1771–1860

North East View of Dunster Castle, Somersetshire

1800

$William Bernard Cooke Ilfracombe, North Devon$

Print made by William Bernard Cooke, 1778–1855

Ilfracombe, North Devon

1818

Print made by William Bernard Cooke, 1778–1855

Crowhurst, Sussex

1816

Valentine Green, 1739–1813

Valentine Green

1788

Print made by Samuel Cousins, 1801–1887

Sir Thomas Lawrence P. R. A

1830

Print made by Richard Earlom, 1743–1822

Thomas Pownall, Esq., Member of Parliament

1777

Robert Havell, 1769–1832

A pair: 2. The Oxford and Oppostion Coaches

1818

John Stevens, active 1745–1746

A View of London and Westminster from One-Tree Hill in Greenwich Park

1752

Francesco Bartolozzi, 1728–1815

Zeuxis Composing the Picture of Juno

1785

Print made by James Baylis Allen, 1803–1876

Caudebec

1834

J. Miller, active 1769–1825

Racing: "Atlas" the Property of his Grace th Duke of Devonshire

1761

Isaac Cruikshank, 1764–1811

Buonaparte at Rome Giving Audience in State

1797

unknown artist

A View of the Orangerie in Lord Burlington's Garden at Chiswick

J. Couse, active 1750

The City of Lisbon as before the dreadful Earthquake of November 1st 1755;..

between 1780 and 1815

Print made by Matthew Dubourg, active 1786–1838

Grouse Shooting

1822

Print made by Matthew Dubourg, active 1786–1838

Partridge Shooting

1822

Print made by Matthew Dubourg, active 1786–1838

Pheasant Shooting

1822

Isaac Cruikshank, 1764–1811

Hell in an Uproar: or an Express from the Committee

ca. 1790

George Bickham the Younger, ca. 1706–1771

A View from Cap't Grenvilles Monument to the Grecian Temple in the Gardens of Earl Temple at Stow, in Buckinghamshire

unknown artist

A View of the Bridge upon the Canal in Lord Burlington's Garden at Chiswick

George Hunt, active 1820–1840

Comparative Meltonians, as they Are, and as they Were: A Meltonian as he was

1823

George Hunt, active 1820–1840

Comparative Meltonians, as they Are, and as they Were: A Meltonian as he us'd to be

1823

George Hunt, active 1820–1840

Comparative Meltonians, as they Are, and as they Were: A Meltonian as he is

1823

George Hunt, active 1820–1840

Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonians as the are

1823

George Hunt, active 1820–1840

Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonian as he was

1823

George Hunt, active 1820–1840

Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonian as he is

1823

George Hunt, active 1820–1840

The Toast

1824

Print made by Charles Cousen, ca. 1819–1889

Abingdon

between 1859 and 1861

James Charles Armytage, 1802–1897

Approach to Venice

between 1859 and 1861

Print made by Pierre Charles Canot, ca. 1710–1777

Moonlight

1745

Print made by Jacob Bonneau, 1741–1786

One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

1751

Joseph Josiah Dodd, 1809–1894

View of Tonbridge During the Late Election

after 1832

Print made by James T. Willmore, 1800–1863

Montjen

1833

Print made by Robert Brandard, 1805–1862

Graville

1834

John S. Muller, ca. 1715–1792

A General Prospect of Vaux Hall Gardens, Shewing at one View the disposition of the whole Gardens

Nathaniel Parr The Great Place or Square of St. Mark as seen from the Great Clock. On the left side is the Portal of St. Marks Church. The magnificent Building on the side in front are the dwellings of the Procurators of St. Mark

Nathaniel Parr, active 1742–1751

The Great Place or Square of St. Mark as seen from the Great Clock. On the left side is the Portal of St. Marks Church. The magnificent Building on the side in front are the dwellings of the Procurators of St. Mark

between 1780-1815

Print made by Jacob Bonneau, 1741–1786

One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

1751

R.C. Roffe Perspective View of the North & East Fronts of the Buildings Connected with the Houses of Parliament and Courts of Law &c. &c., and Showing the Alterations Suggested by Colonel Trench

Print made by R.C. Roffe, active in London 1806–1835

Perspective View of the North & East Fronts of the Buildings Connected with the Houses of Parliament and Courts of Law &c. &c., and Showing the Alterations Suggested by Colonel Trench

1827