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401. Rietz, near Saumur

Rietz, near Saumur
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1833
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 11 1/4 × 16 5/8 inches (28.6 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

402. St. Florent

St. Florent
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1833
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 11 1/4 × 16 5/8 inches (28.6 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

403. St. Julian's, Tours

St. Julian's, Tours
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1833
Materials & Techniques:
Line engraving, first published state on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 11 1/8 × 16 1/2 inches (28.3 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

404. Rouen, looking up the River

Rouen, looking up the River
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1834
Materials & Techniques:
Etching and line engraving on moderately thick, smoothly textured, cream wover paper
Dimensions:
Sheet: 11 1/4 × 16 5/8 inches (28.6 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

405. A Frigate in a Calm

A Frigate in a Calm
Creator:
J. Hill, active 19th century
Date:
1811
Materials & Techniques:
Aquatint on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 10 9/16 x 16 7/16 inches (26.9 x 41.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

406. A Seventy-four in a Fresh Gale

A Seventy-four in a Fresh Gale
Creator:
J. Hill, active 19th century
Date:
1811
Materials & Techniques:
Aquatint on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 10 9/16 x 16 5/8 inches (26.9 x 42.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

407. The Market Place, Raqusa (Various lithographs from 'The Studio' journal)

The Market Place, Raqusa (Various lithographs from 'The Studio' journal)
Creator:
Joseph Pennell, 1860–1926
Date:
May 1894
Materials & Techniques:
Lithograph
Dimensions:
Sheet: 11 5/8 x 16 9/16in. (29.6 x 42.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

408. Tomb of Cecilia Metella, Rome

Tomb of Cecilia Metella, Rome
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1832-1834
Materials & Techniques:
Etching and engraving, first published state on moderately thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 11 1/16 × 16 5/8 inches (28.1 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

409. A Sloop of War in a Light Breeze

A Sloop of War in a Light Breeze
Creator:
J. Hill, active 19th century
Date:
1811
Materials & Techniques:
Aquatint on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 10 1/2 x 16 7/16 inches (26.7 x 41.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

410. A First Rate after a Storm

A First Rate after a Storm
Creator:
J. Hill, active 19th century
Date:
1811
Materials & Techniques:
Aquatint on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 10 1/2 x 16 9/16 inches (26.6 x 42.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

411. Demolition of Old London Bridge

Demolition of Old London Bridge
Creator:
Edward William Cooke, 1811–1880
Date:
1832
Materials & Techniques:
Engraving
Dimensions:
Sheet: 12 7/8 x 16 5/8in. (32.7 x 42.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

412. The Old and New London Bridge

The Old and New London Bridge
Creator:
Edward William Cooke, 1811–1880
Date:
1830
Materials & Techniques:
Hand colored engraving
Dimensions:
Sheet: 12 15/16 x 16 1/2in. (32.9 x 41.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

413. View of Surgeon's Hall and South Side of Lincoln's Inn Fields

View of Surgeon's Hall and South Side of Lincoln's Inn Fields
Creator:
unknown artist
Date:
1813
Materials & Techniques:
Hand colored engraving
Dimensions:
Sheet: 11 1/8 x 16 11/16in. (28.3 x 42.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

414. St. Paul's Covent Garden during the Fire on 17 September 1795

St. Paul's Covent Garden during the Fire on 17 September 1795
Creator:
John Scott, 1774–1828
Date:
1795
Materials & Techniques:
Hand colored engraving
Dimensions:
Sheet: 10 13/16 x 16 3/8in. (27.5 x 41.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

415. The Southwark End of Old London Bridge

The Southwark End of Old London Bridge
Creator:
Edward William Cooke, 1811–1880
Date:
1831
Materials & Techniques:
Hand colored engraving
Dimensions:
Sheet: 12 7/8 x 16 5/8in. (32.7 x 42.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

416. A View of the Parish Church of St. John the Evangelist, Westminster

A View of the Parish Church of St. John the Evangelist, Westminster
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Engraving
Dimensions:
Sheet: 10 3/4 x 16 1/2in. (27.3 x 41.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

417. Velocipede. Winner of the St. Leger at the York Spring Meeting. 1828

Velocipede. Winner of the St. Leger at the York Spring Meeting. 1828
Creator:
Edward Duncan, 1803–1882
Date:
1828
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 12 1/4 x 16 1/2in. (31.1 x 41.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

418. Chorister. The Winner of the Great St. Leger Stakes at Doncaster 1831

Chorister. The Winner of the Great St. Leger Stakes at Doncaster 1831
Creator:
Edward Duncan, 1803–1882
Date:
1832
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 12 1/4 x 16 1/2in. (31.1 x 41.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

419. [Patience in a Punt]

[Patience in a Punt]
Creator:
William Dickinson, 1746–1823
Date:
ca. 1811
Materials & Techniques:
Stipple engraving
Dimensions:
Sheet: 11 5/8 x 16 3/8in. (29.5 x 41.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

420. Mares and Foals, / From a Picture in the Possession of His Royal Highness the Prince of Wales

Mares and Foals, / From a Picture in the Possession of His Royal Highness the Prince of Wales
Creator:
Thomas Morris, born 1771
Date:
1793
Materials & Techniques:
Engraving
Dimensions:
Sheet: 11 1/2 x 16 11/16in. (29.2 x 42.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

421. [Racing]: "Deception", Winner of the Oaks Stakes at Epsom, 1839, Rode by J. Day ...

[Racing]: "Deception", Winner of the Oaks Stakes at Epsom, 1839, Rode by J. Day ...
Creator:
Charles Hunt, 1803–1877
Date:
1839
Materials & Techniques:
Color printed aquatint
Dimensions:
Sheet: 12 1/4 x 16 5/8in. (31.1 x 42.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

422. Peace Opinions Contrasted (Plate 2)

Peace Opinions Contrasted (Plate 2)
Creator:
unknown artist
Date:
1801
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 11 1/4 x 16 1/2in. (28.6 x 41.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

423. Château of Amboise

Château of Amboise
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1833
Materials & Techniques:
Line engraving, first published state
Dimensions:
Sheet: 11 1/4 × 16 5/8 inches (28.6 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

424. Canal of the Loire and Cher, near Tours

Canal of the Loire and Cher, near Tours
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1833
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, beige wove paper with cream chine collé
Dimensions:
Sheet: 12 × 16 5/8 inches (30.5 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

425. Tours - Looking Backwards

Tours - Looking Backwards
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1833
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 11 1/4 × 16 5/8 inches (28.6 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

426. Tours

Tours
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1833
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 11 1/4 × 16 5/8 inches (28.6 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

427. Montjen

Montjen
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1833
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 11 1/4 × 16 5/8 inches (28.6 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

428. Ships in Distress

Ships in Distress
Creator:
Richard Bernard Godfrey, 1728–op.1794
Date:
1796
Materials & Techniques:
Line engraving with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 1/8 x 16 11/16 inches (30.8 x 42.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

429. Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing

Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving with etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 14 3/16 x 17 1/2 inches (36 x 44.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

430. The Times

The Times
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1783
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 10 7/8 x 16 3/8in. (27.6 x 41.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

431. Rustic Benevolence

Rustic Benevolence
Creator:
Niccoló Schiavonetti, 1771–1813
Date:
1804
Materials & Techniques:
Stipple engraving, colored on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 16 1/4 × 19 3/8 inches (41.3 × 49.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

432. The Oriental Orpheus, or, Scotch Conjurer Charming John Bull with the Idea of Eastern Resources

The Oriental Orpheus, or, Scotch Conjurer Charming John Bull with the Idea of Eastern Resources
Creator:
Print made by William Dent, active 1784–1793
Date:
1792
Materials & Techniques:
Etching with watercolor on laid paper
Dimensions:
Sheet: 10 x 16 3/8in. (25.4 x 41.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

433. A view of Vicovaro alias Vicus Varii

A view of Vicovaro alias Vicus Varii
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1786 to 1819
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 7/8 x 16 1/2 inches (27.6 x 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

434. Temple of Athena

Temple of Athena
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 10 7/8 × 16 1/2 inches (27.6 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

435. Second Temple of Hera

Second Temple of Hera
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
watercolor and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 10 7/8 × 16 5/8 inches (27.6 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

436. Hall Staricase to a House in Padua

Hall Staricase to a House in Padua
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 5 1/2 × 16 11/16 inches (14 × 42.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

437. Prague and the Charles Bridge Over the Moldau River

Prague and the Charles Bridge Over the Moldau River
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Gray wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 10 7/8 × 16 1/2 inches (27.6 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

438. View of Tivoli in the Direction of the North Wind

View of Tivoli in the Direction of the North Wind
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray and blue wash with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 15/16 x 21 5/16 inches (38 x 54.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

439. View of Tivoli

View of Tivoli
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray and blue wash with black ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 15/16 x 21 3/16 inches (37.9 x 53.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

440. Palazzi dei Rolli, Genoa

Palazzi dei Rolli, Genoa
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Graphite and brown wash on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 10 7/8 × 16 5/8 inches (27.6 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

441. Lyssons Estate, St. Thomas in the East, Jamaica

Lyssons Estate, St. Thomas in the East, Jamaica
Creator:
James Hakewill, 1778–1843
Date:
between 1820 and 1821
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/8 × 16 1/2 inches (30.8 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

442. Mill Yard, Holland Estate, St. Thomas in the East

Mill Yard, Holland Estate, St. Thomas in the East
Creator:
James Hakewill, 1778–1843
Date:
between 1820 and 1821
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/4 × 16 5/8 inches (31.1 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

443. A Trip to Paris by Johnny Bull and Jack Dandy

A Trip to Paris by Johnny Bull and Jack Dandy
Creator:
Print made by unknown artist
Date:
1819
Materials & Techniques:
Hand colored aquatint
Dimensions:
Sheet: 10 7/16 x 16 9/16in. (26.5 x 42cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

444. Charlotte (née Percy) Ashburnham, Viscountess St.Asaph

Charlotte (née Percy) Ashburnham, Viscountess St.Asaph
Creator:
Niccoló Schiavonetti, 1771–1813
Date:
1812
Materials & Techniques:
Stipple engraving on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 21 5/16 × 16 3/8 inches (54.1 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

445. A Fruit Piece

A Fruit Piece
Creator:
Richard Earlom, 1743–1822
Date:
1781
Dimensions:
Sheet: 22 x 16 1/2in. (55.9 x 41.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

446. A Correct Representation of Her Majesty Queen Caroline Returning from the House of Lords, 1820

A Correct Representation of Her Majesty Queen Caroline Returning from the House of Lords, 1820
Creator:
Print made by Robert Isaac Cruikshank, 1789–1856
Date:
after 1820
Materials & Techniques:
Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 5/16 x 17 5/8 inches (23.6 x 44.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

447. Athenaeum

Athenaeum
Creator:
Print made by R. F. Cahusac, active 1830
Date:
1830
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 15/16 x 18 7/8 inches (32.8 x 48 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

448. Hawes Bridge near Kendal

Hawes Bridge near Kendal
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Lithograph on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 13 1/16 x 16 5/8 inches (33.2 x 42.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

449. Boccaccio, the Bird Cage

No cover image available
Creator:
Print made by J. P. Quilley, active 1828
Date:
1830
Materials & Techniques:
Mezzotint; engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 38 5/8 × 26 inches (98.1 × 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

450. Boccaccio, the Bird Cage

No cover image available
Creator:
Print made by J. P. Quilley, active 1828
Date:
1830
Materials & Techniques:
Mezzotint; second published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 32 3/4 × 22 1/8 inches (83.2 × 56.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

451. Rue Pigale, Quai D'Orsay: Rez-de-Chaussee - Plan

No cover image available
Creator:
Henry Phillip Hope, active 1799–1818
Date:
undated
Materials & Techniques:
Pen and black ink, watercolor, graphite on slightly textured, thin, white wove paper laid on cream wove paper
Dimensions:
Sheet: 21 × 16 3/8 inches (53.3 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

452. Cobham Hall, Kent: Dressing Room Ceiling

No cover image available
Creator:
James Wyatt, 1746–1813
Date:
ca. 1790
Materials & Techniques:
Graphite, pen and brown and black ink and watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 1/4 × 16 1/2 inches (36.2 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

453. Gil Blas Practicing Medicine Under Dr. Sangrado

No cover image available
Creator:
Thomas Uwins, 1782–1857
Date:
between 1820 and 1822
Materials & Techniques:
Brown wash with brown pen and brown ink over graphite on moderately thick, moderately textured, cream wove paper, laid in contemporary mount made of moderately thick, slightly textured, cream wove paper
Dimensions:
Mount: 17 3/8 x 20 1/2 inches (44.2 x 52 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

454. Sir Joshua Reynolds

No cover image available
Creator:
Valentine Green, 1739–1813
Date:
1780
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 20 3/4 x 16 3/8 inches (52.7 x 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

455. Political Mathematician's Shaking the Broad Bottom'd Hemispheres

No cover image available
Creator:
James Gillray, 1756–1815
Date:
ca. 1811
Materials & Techniques:
Etching printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/4 × 20 inches (36.2 × 50.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

456. Hinton St. George, Somerset: Design for a Funerary Monument

No cover image available
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Graphite, pen and black and brown ink, wash on slightly textured, thick, white wove paper
Dimensions:
Sheet: 20 5/8 × 16 1/2 inches (52.4 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

457. [Coaching] Mail Coach

No cover image available
Creator:
Matthew Dubourg, active 1786–1838
Date:
1824
Materials & Techniques:
Aquatint, printed in color but mostly hand colored
Dimensions:
Sheet: 14 3/4 x 16 5/8in. (37.4 x 42.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

458. Georgiana Duchess of Devonshire

No cover image available
Creator:
Valentine Green, 1739–1813
Date:
1780
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 25 5/8 × 16 5/8 inches (65.1 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

459. Elizabeth (née Dashwood) Montague, With Her Son, George Montague, Viscount Mandeville

No cover image available
Creator:
James Watson, 1740–1790
Date:
1770
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 25 1/2 × 16 11/16 inches (64.8 × 42.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

460. By Permission of the Patentees ths Engraving of the First Carriage 'The Ariel'

No cover image available
Creator:
unknown artist
Date:
1843
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 11 3/4 x 16 1/2in. (29.8 x 41.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

461. Patriotic-Petitions on the Convention/ the Cockney Petition; The Westminster Petition, The Chelmsford Petition, the Middlesex Petition

No cover image available
Creator:
James Gillray, 1756–1815
Date:
1808
Materials & Techniques:
Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 × 16 1/2 inches (30.5 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

462. True Reform of Parliament, i.e. - Patriots Lighting a Revolutionary Bonfire in New Palace Yard.

No cover image available
Creator:
James Gillray, 1756–1815
Date:
1809
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/4 × 19 1/2 inches (36.2 × 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

463. [One of] 25 drawings and prints for ceilings

No cover image available
Creator:
George Richardson, ca.1738–ca.1813
Date:
undated
Materials & Techniques:
Watercolor, pen and gray ink, and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/8 x 16 5/8 inches (28.9 x 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

464. John, Earl of St. Vincent

No cover image available
Creator:
Charles Turner, 1774–1857
Date:
1816
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 28 5/8 × 19 1/4 inches (72.7 × 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection