Le Gourmand, Heavy Birds fly Slow, Delay Breeds Danger, A Scene at Varennes, June 21, 1791
1791
207
Print made by William Holland, 1757–1815
Puritanical Amusements Revived
1790
208
Print made by William Holland, 1757–1815
Battle of the Angels; Celestial and Infernal
1790
209
unknown artist
Shades of Opposition; or, More Ghosts!!
1798
210
unknown artist
A Race on the Sands at Weymouth
1791
211
Thomas Girtin, 1775–1802
View of the Village of Chaillot, etc., taken from Pont de la Concorde
1803
212
Thomas Girtin, 1775–1802
View of St. Cloud and Mt. Calvary taken from Pont de Seve
1802
213
Thomas Girtin, 1775–1802
Ripon Minster, Yorkshire
1800
214
Sir Jeffry Wyatville, 1766–1840
Lilleshall, Shropshire: Plan of Roof
1826
215
Sir Jeffry Wyatville, 1766–1840
Lilleshall, Shropshire: North Entrance Front
1826
216
Sir Jeffry Wyatville, 1766–1840
Hyde Hall, Hertfordshire: Perspective View
1803
217
Sir Jeffry Wyatville, 1766–1840
Lilleshall, Shropshire: South Elevation
1826
218
Thomas Goff Lupton, 1791–1873
Racing: Fleur-de-Lis
1828
219
Charles Hunt, 1803–1877
Racing: Blue Bonnet. The Winner of the great St. Leger Stakes at Doncaster 1842
1842
220
Charles Hunt, 1803–1877
Shooting [A Pair]: 1. The Sportsman's Visit
1829
221
James Pollard, 1792–1867
The Ceremony of the Procession ad Montem
222
John Wood, 1728–1781
Racing: Sir Charles Sedley's Bay Gelding "True Blue" / He won Two Subscription Plates for Hunters of 60 Guineas each at Nottingham ..
1753
223
unknown artist
View of the Coronation Procession of George IV
ca. 1821
224
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults
1842
225
Francis Jukes, 1747–1812
Four Aquatints of American Scenery: Mount Vernon in Virginia, The Seat of the Late Lieu.t General George Washington, Commander in Chief of the Armies of the United States
1800
226
Charles Hunt, 1803–1877
Shooting [A Pair]: 2. The Sportsman Preparing
1829
227
Sir Jeffry Wyatville, 1766–1840
Lilleshall, Shropshire: View of the North Entrance and of the West Front
1826
228
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXII: The Story of Hezekiah
1842
229
John Coney, 1786–1833
North East View of Henry VII Chapel Westminster
1813
230
John Webber, 1752–1793
View on the Lake, Como
1787
231
John Webber, 1752–1793
Pliny's Villa, belonging to the Marquis Canarizi near Como
1787
232
Print made by Day & Co., 1824–1913
The High Street, Southampton
1828
233
Francis Towne, 1740–1816
On the Dee
undated
234
John Harris, 1811–1865
Coaching: The Early Delivery
1863
235
John Harris, 1811–1865
Coaching: The Right Sort
1863
236
John Harris, 1811–1865
Coaching: The Last Change Down
1863
237
unknown artist
The Earl of Lonsdale's Hound Van arriving at a Meet of the Cottesmore Hunt, March 22, 1809
1809
238
Samuel Howitt, 1756–1822
Leopards at Play Among Fallen Trees and Rocks
ca. 1807
239
James Gillray, 1756–1815
The Injured Countess
1786-1788
240
James Gillray, 1756–1815
Junction of Parties
1783
241
James Gillray, 1756–1815
Sawney in the Bog-House
1779
242
James Gillray, 1756–1815
Wouski
1788
243
James Gillray, 1756–1815
The Balance of Power. - OR - "The Posterity of the Immortal Chatham, Turn'd Posture Master." - Vide Sheridan's Speech -
1791
244
James Gillray, 1756–1815
Sir Richard Worse-than-sly, Exposing his Wifes Bottom; O Fye!
1782
245
James Gillray, 1756–1815
The Minister endeavouring to eke out Dr. Pr*ty***n's Bisho-Prick
1787
246
James Gillray, 1756–1815
The Castle in the Moon
1782
247
James Gillray, 1756–1815
The Royal Joke or Black Jacks Delight
1788
248
James Gillray, 1756–1815
The Fall of Phaeton
1788
249
James Gillray, 1756–1815
The Bolgna Sausages or Opposition Flux'd
1788
250
James Gillray, 1756–1815
The Monster going to take his Afternoons Luncheon
1790
251
James Gillray, 1756–1815
Westminster School. - or - Dr. Busby Settling Accounts with Master-Billy and his Playmates
1785
252
James Gillray, 1756–1815
Swearing to the Cutting Monster or A Scene in Bow Street
1790
253
James Gillray, 1756–1815
The Siege of Blenheim - or - The New System of Gunning Discoverd -
1791
254
James Gillray, 1756–1815
Fashionable Contrasts - or The Duchess's little shoe yielding to the Magnitude of the Duke's Foot
1792
255
James Gillray, 1756–1815
Patience on a Monument
1791
256
James Gillray, 1756–1815
The Coming-on of the Monsoons; - or - The Retreat from Seringapatam
1791
257
James Gillray, 1756–1815
The Devil to Pay; The Wife Metamorphos'd or Neptune reposing after Fording the Jordan
1791
258
James Gillray, 1756–1815
Brisk Cathartic
1804
259
James Gillray, 1756–1815
Wha Wants Me?
1792
260
James Gillray, 1756–1815
Lubber's Hole - alias - The Crack'd Jordan
1791
261
James Gillray, 1756–1815
National Conveniences
1796
262
James Gillray, 1756–1815
The Physick; - or - The News of Shooting the King of Sweden
1792
263
James Gillray, 1756–1815
Nature display'd, shewing the Effect of the change of the Seasons on the Ladies garden
1797
264
James Gillray, 1756–1815
Going to London, through "Epping Forest"
1802
265
James Gillray, 1756–1815
Ladies Dress, as it soon will be
1796
266
James Gillray, 1756–1815
A View in Perspective. The Zenith of French Glory. The Pinnacle of Liberty
1793
267
James Gillray, 1756–1815
Fashionable Jockeyship
1796
268
James Gillray, 1756–1815
The Jersey Smuggler detected; - or - Good Cause for Seperation [scored through and replaced by] Discontent
1796
269
James Gillray, 1756–1815
The Grand - Signior retiring
1796
270
James Gillray, 1756–1815
Enchantments lately seen upon the Mountains of Wales, - or - Shon-ap-Morgan's Reconcilement to the Fairy Princess
1796
271
James Gillray, 1756–1815
The French Invasion; or John Bull, bombarding the Bum Boats
1793
272
James Gillray, 1756–1815
The Orangerie; - or - the Dutch Cupid reposing after the fatigues of Planting
1796
273
James Gillray, 1756–1815
Ci-devant Occupations - or - Madame Talian and the Empress Josephine dancing Naked before Barrass in the Winter of 1797
1805
274
James Gillray, 1756–1815
"The Feast of Reason & the Flow of the Soul," - I.E. - The Wits of the Age, Setting the Table in a - Roar
1797
275
James Gillray, 1756–1815
Presentation of the Mahometan Credentials - or - The Final resource of French Atheists
1793
276
James Gillray, 1756–1815
Evacuation of Malta
1803
277
James Gillray, 1756–1815
Duke William's Ghost
1799
278
James Gillray, 1756–1815
Playing in Parts
1801
279
James Gillray, 1756–1815
The Man of Feeling, in search of Indispensibles
1800
280
James Gillray, 1756–1815
Palemon and Lavinia
1805
281
James Gillray, 1756–1815
- "and would'st thou turn the vile Reproach on me?"
1807
282
James Gillray, 1756–1815
Miss, I have a Monstrous Crow to pluck with you!!
1794
283
Thomas Rowlandson, 1756–1827
Horsemen Colliding
between 1785 and 1790
284
Thomas Rowlandson, 1756–1827
A Village Scene with Girls Spinning
undated
285
Thomas Rowlandson, 1756–1827
Vauxhall Gardens
ca. 1784
286
Edward Duncan, 1803–1882
Study of Fishermen and Gear
undated
287
Hendrik Frans de Cort, 1742–1810
Goodrich Castle, Monmouthshire
undated
288
Sir William Chambers, 1723–1796
Facade for a Temple of Peace, Kew Gardens, Surrey
ca. 1763
289
Michel Vincent Brandoin, 1733–1807
A Southeast View of the Castle of Grigan in Provence near Dauphine
undated
290
William Burgess, 1749–1812
Pont Aber Glaslyn
1785
291
Gainsborough Dupont, 1754–1797
Landscape: Three cows in center foreground
undated
292
Charles Robert Cockerell, 1788–1863
The Temple of Aphaia at Aegina: Ground Floor Plan
undated
293
Charles Robert Cockerell, 1788–1863
The Temple of Aphaia at Aegina: Two Elevations
1860
294
Charles Robert Cockerell, 1788–1863
The Temple of Aphaia at Aegina: Molding Details
undated
295
Nicholas Thomas Dall, op.1748–, d.1777
Landscape with Castle
undated
296
Samuel Davis, 1760–1819
View of Tashichoedzong, Bhutan and Foot Bridge
1783
297
Henry Edridge, 1769–1821
Abbeville
undated
298
Henry Edridge, 1769–1821
The Mint, Pont des Arts and L'Institut de France, Paris
1819
299
Henry Edridge, 1769–1821
Boxhill from Westhumble Lane
undated
300
Henry Edridge, 1769–1821
The Hon. George Pryse Cambell (1793-1858), as a Midshipman