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Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionImage Use Free to Use
Remove constraint Image Use: Free to UseSubject Terms angel
Remove constraint Subject Terms: angelSearch Results
1
- Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"
- ca. 1797
2
- An Angel with a Trumpet
- between 1805 and 1808
3
- The Man Sweeping the Interpreter's Parlour
- ca. 1822
4
- Satan Approaching the Court of Chaos
- 1784 to 1785
5
- Songs of Innocence and of Experience
- 1789-1794
6
- The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
7
- The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
- between 1797 and 1798
8
- The Poems of Thomas Gray, Design 67, "The Fatal Sisters."
- between 1797 and 1798
9
- The Poems of Thomas Gray, Design 81, "The Descent of Odin."
- between 1797 and 1798
10
- The Poems of Thomas Gray, Design 99, "Ode for Music."
- between 1797 and 1798
11
- Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
- 1789
12
- There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
- ca. 1788
13
- Europe. A Prophecy, Frontispiece Proof Impression
- ca. 1820
14
- Jerusalem, Plate 2, Title Page
- 1804 to 1820
15
- Jerusalem, Plate 23, "Jerusalem! Jerusalem!...."
- 1804 to 1820
16
- Jerusalem, Plate 30, "And the Two that escaped...."
- 1804 to 1820
17
- Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
- 1797
18
- Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
- 1797
19
- Young's Night Thoughts, Page 27, "O Treacherous Conscience!"
- 1797
20
- Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"
- 1797
21
- The Poems of Thomas Gray, Design 101, "Ode for Music."
- between 1797 and 1798
22
- The Poems of Thomas Gray, Design 93, "Ode for Music."
- between 1797 and 1798
23
- The Poems of Thomas Gray, Design 95, "Ode for Music."
- between 1797 and 1798
24
- Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)
- 1789
25
- Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)
- 1789
26
- Jerusalem, Plate 9, "Condens'd his Emanations...."
- 1804 to 1820
27
- The Poems of Thomas Gray, Design 41, "The Progress of Poesy."
- between 1797 and 1798
28
- Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
- ca. 1797
29
- Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"
- ca. 1797
30
- For Children. The Gates of Paradise, Title Page; Plate 2
- 1793
31
- At Length for Hatching Ripe He Breaks the Shell; Plate 8
- 1793
32
- Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"
- ca. 1797
33
- Aged Ignorance; Plate 13
- 1793
34
- Songs of Innocence and of Experience, Plate 1, Innocence Frontispiece (Bentley 2)
- 1789
35
- Songs of Innocence and of Experience, Plate 40, "The Angel" (Bentley 41)
- 1794
36
- Songs of Innocence and of Experience, Plate 28, "Infant Joy" (Bentley 25)
- 1789
37
- Songs of Innocence and of Experience, Plate 32, Experience Frontispiece (Bentley 28)
- 1794
38
- For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)
- 1826
39
- For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"
- 1826
40
- The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
41
- Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"
- 1797
42
- Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
- 1797
43
- For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"
- 1826
44
- Tobias and the Angel
- ca. 1685
45
- Allegory of Sea Trades
- undated
46
- An Angel
- undated
47
- Design for the Brass Eagle Lectern Base
- 1846
48
- Brass Chrism of Constance Bownell and her Baby from Heston Church
- 1796-1811
49
- Frontispiece: The Progress of a Midshipman
- 1820
50
- School of St. Rocco, Venice, Study of Curved Decoration
- ca. 1835
51
- The Archangel Gabriel Awaiting Night
- ca. 1799
![Robert Smirke Scenes from an Eastern Romance [Arabian Nights]](https://media.collections.yale.edu/thumbnail/ycba/95364f08-fc87-4e6e-901b-6a2cbe751cea)
52
- Scenes from an Eastern Romance [Arabian Nights]
- undated
53
- The Death of the Good Old Man
- 1808, published 1813
54
- West Window of the Chapel, New College Oxford, Angel Contemplating the Mystery of the Cross
- 1785
55
- Angel and Instrument, Possibly Design for Interiors of St. Mary's, West Tofts, Norfolk
- undated
56
- Pandemonium
- 1831
57
- James Beattie, LL.D
- 1805
58
- Geometrical Plan of his Majesty's Dockyard, near Plymouth
- 1756
59
- The Pool of Bethesda
- 1772
60
- St. Nil
- 1762
61
- Angel
- undated
62
- The Meeting of a Family in Heaven
- 1808
63
- The Day of Judgment
- 1808
64
- The Day of Judgment
- 1808
65
- The Death of the Good Old Man
- 1808
66
- The Death of the Good Old Man
- 1808
67
- The Meeting of a Family in Heaven
- 1808
68
- Elizabeth (née Dashwood) Montague, With Her Son, George Montague, Viscount Mandeville
- 1770