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Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionImage Use Free to Use
Remove constraint Image Use: Free to UseSubject Terms angels
Remove constraint Subject Terms: angelsSearch Results
1
- An Unfinished Study of Venus and Adonis
- between 1800 and 1820
- Not on view
2
- Jacob's Dream
- 1705
- Not on view
3
- The Angel Binding Satan
- ca. 1797
- Not on view
4
- The Blacksmith's Shop
- 1771
- Not on view
5
- The Choir, Canterbury Cathedral
- between 1712 and 1715
- Not on view
6
- The Angel of Mercy
- ca. 1746
- Not on view
7
- Get Thee Behind Me, Satan
- between 1783 and 1787
- On view at YUAG
8
- The Creation of the Heavens
- ca. 1790
- On view at YUAG
9
- 'Teaching, we learn; and giving, we retain' (Page 35)
- ca. 1797
10
- 'Angels should paint it, angels ever there' (Page 40)
- ca. 1797
11
- 'One radiant mark, – the death-bed of the just' (Page 41)
- ca. 1797
12
- Night (Plate 30)
- 1789
13
- "From every-one of the Four Regions..." (Plate 18)
- 1804 to 1820
14
- "But when they saw Albion fall'n..." (Plate 20)
- 1804 to 1820
15
- "Albion thy fear has made me tremble..." (Plate 22)
- 1804 to 1820
16
- Night the First. On Life, Death, and Immortality; Title Page
- ca. 1797
17
- 'O treacherous conscience!' (Page 27)
- ca. 1797
18
- The Christian Triumph; Title Page
- ca. 1797
19
- 'If angels tremble, 'tis at such a sight' (Page 93)
- ca. 1797
20
- Spring (Plate 12)
- 1789
21
- The Little Boy Lost (Plate 16)
- 1789
22
- For the Sexes: The Gates of Paradise, Title Page (Plate 1)
- 1826
23
- A Prophecy. "The deep of winter came..." (Plate 5)
- 1794
24
- "Albions Angel rose upon the Stone of Night..." (Plate 12)
- 1794
25
- "Now comes the night of Enitharmons joy!..." (Plate 7)
- 1794
26
- Night (Plate 16)
- 1789
27
- The Little Boy Lost (Plate 20)
- 1789
28
- Spring (Plate 26)
- 1789
29
- The Lamb (Plate 8)
- 1789
30
- Night the First. On Life, Death, and Immortality; Title Page
- 1797
31
- 'We censure nature for a span too short' (Page 23)
- 1797
32
- 'Angels should paint it, angels ever there' (Page 40)
- 1797
33
- 'One radiant mark, – the death-bed of the just' (Page 41)
- 1797
34
- The Christian Triumph; Title Page
- 1797
35
- 'If angels tremble, 'tis at such a sight' (Page 93)
- 1797
36
- Elizabeth. "Girt with many a Baron bold..." (Design 63)
- between 1797 and 1798
37
- "With one accord in love sublime..." (Plate 44)
- 1804 to 1820
38
- "And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)
- 1804 to 1820
39
- "And Rahab Babylon the Great..." (Plate 75)
- 1804 to 1820
40
- 'Teaching, we learn; and giving, we retain' (Page 35)
- 1797
41
- A Shepherd Reading the Epitaph (Design 115)
- between 1797 and 1798
42
- "An ancient pile of building stands... there Employed the power of Fairy hands" (Design 25)
- between 1797 and 1798
43
- Ode on the Spring; Title Page
- between 1797 and 1798
44
- "Where shaggy forms o'er ice-built mountains roam..." (Design 47)
- between 1797 and 1798
45
- "Yet oft before his infant eyes would run Such forms as glitter in the Muse's ray..." (Design 51)
- between 1797 and 1798
46
- "Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)
- between 1797 and 1798
47
- Mary Magdalen at the Sepulchre
- ca. 1805
48
- The Parable of the Wise and Foolish Virgins
- ca. 1825
49
- Pity
- ca. 1795
50
- 'We censure nature for a span too short' (Page 23)
- ca. 1797
51
- The Religion of Europe: Professed and Practiced
- ca. 1845
52
- From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720
- ca. 1720
53
- Ornamental Ticket for Society of Painters
- 1690
54
- West Window of the Chapel, New College Oxford: The Shepherd Offering, Nativity Scene
- 1805
55
- The Ceiling of the Banqueting House at Whitehall: The Union of the Crowns of England and Scotland
- 1720
56
- The Ceiling in the Banqueting House at Whitehall
- ca. 1720
57
- The West Window of the Chapel, New College Oxford
- 1785
58
- The Meeting of a Family in Heaven
- 1808, published 1813
59
- The Day of Judgment
- 1808, published 1813
60
- Design for a Ceiling
- undated
61
- Allegory of Napoleonic Battles
- undated
62
- Allegory of Steam
- undated
63
- Satan before the Throne of God
- undated
64
- Niobe
- 1792
65
- Title Page: Illustrations of the Book of Job
- after 1825
66
- The Creation
- undated
67
- Behemoth and Leviathan
- undated
68
- The Fall of Satan
- undated
69
- Job and His Family
- undated
70
- Satan Going Forth from the Presence of the Lord
- undated
71
- Design for a Gothic Church Altar and Organ
- undated
72
- Sketches of the Butler-Bowden cope
- undated
73
- Elevation of a Baptismal Font
- undated
74
- The Release of Saint Peter from Prison
- undated
75
- Design for a Ceiling Decoration
- 1723
76
- A Design for a Ceiling
- undated
77
- Design for a Ceiling
- undated
78
- The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoors
- undated
79
- The Birth of Venus
- undated
80
- Moses and the Brazen Serpent - Design for the chapel at Dunster Castle
- ca. 1723
81
- The Entombment of Christ
- 1671
82
- Design for a Monument
- undated
83
- For the Benefit of Mr. Borghi
- 1789
84
- Lieu't Gover'r Gall-Stone, inspired by Alecto; or The Birth of Minerva
- 1790
85
- The Nymph Galatea
- undated
86
- Illustration to Milton's Paradise Lost: Adam and Eve Guarded by the Angels
- undated
87
- To Phoebus at His Birth, From Aeschylus, Furies
- undated
88
- The Peasant's Dream, Paradise Lost, Book 1, 781-8
- 1793 to 1800
89
- The Meeting of a Family in Heaven
- 1808
90
- The Day of Judgment
- 1808
91
- The Death of the Good Old Man
- 1808
92
- Portrait of Thomas Malkin as a Young Child, Frontispiece
- 1806