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Credit Line Yale Center for British Art, Paul Mellon Collection

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1. The Montagu Family and an Unknown Attendant

The Montagu Family and an Unknown Attendant
Creator:
William Hogarth, 1697–1764
Date:
between 1730 and 1735
Materials & Techniques:
Oil on canvas
Dimensions:
21 x 29 1/2 inches (53.3 x 74.9 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

2. Portrait of Two Boys, probably Joseph and John Joseph Nollekens

Portrait of Two Boys, probably Joseph and John Joseph Nollekens
Creator:
Joseph Francis Nollekens, 1702–1748
Date:
ca. 1745
Materials & Techniques:
Oil on canvas
Dimensions:
12 1/4 x 10 1/8 inches (31.1 x 25.7 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

3. The Sense of Sight

The Sense of Sight
Creator:
Philippe Mercier, 1691–1760
Date:
1744 to 1747
Materials & Techniques:
Oil on canvas
Dimensions:
52 x 60 1/2 inches (132.1 x 153.7 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

4. Anne Parsons, later Viscountess Maynard

Anne Parsons, later Viscountess Maynard
Creator:
George Willison, 1741–1797
Date:
ca. 1771
Materials & Techniques:
Oil on copper
Dimensions:
22 1/2 × 18 3/4 inches (57.2 × 47.6 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

5. David Garrick and Hannah Pritchard (née Vaughan) in Benjamin Hoadly's "The Suspicious Husband"

David Garrick and Hannah Pritchard (née Vaughan) in Benjamin Hoadly's "The Suspicious Husband"
Creator:
Francis Hayman, 1707/8–1776
Date:
1747
Materials & Techniques:
Oil on canvas laid to board
Dimensions:
28 1/8 x 36 1/8 inches (71.4 x 91.8 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

6. Sketch for 'The Reading of a Will'

Sketch for 'The Reading of a Will'
Creator:
Sir David Wilkie, 1785–1841
Date:
1820
Materials & Techniques:
Oil on board
Dimensions:
7 1/2 x 10 inches (19.1 x 25.4 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

7. Rinaldo and Armida

Rinaldo and Armida
Creator:
Angelica Kauffmann, 1741–1807
Date:
1771
Materials & Techniques:
Oil on canvas
Dimensions:
51 1/2 × 60 1/4 inches (130.8 × 153 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

8. The Battle of the Cataplasm

The Battle of the Cataplasm
Creator:
Print made by Henry William Bunbury, 1750–1811
Date:
between 1773 and 1817
Materials & Techniques:
Hand-colored etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/8 x 17 3/4 inches (28.2 x 45.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. The Actresses Dressing Room at Drury Lane

The Actresses Dressing Room at Drury Lane
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1800 and 1810
Materials & Techniques:
Watercolor with pen and red-brown and gray ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 3/8 x 6 inches (18.7 x 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Rowlandson and Wigstead on Tour

Rowlandson and Wigstead on Tour
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and black and gray ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 5/16 x 11 7/16 inches (18.6 x 29.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Set of 18 Labels from 'Twining & Sons' Hairpins Boxes.

Set of 18 Labels from 'Twining & Sons' Hairpins Boxes.
Creator:
Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Etching, aquatint and color woodcut on medium, smooth, cream wove paper
Dimensions:
Sheet: 10 1/16 × 7 13/16 inches (25.6 × 19.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. West Window of the Chapel, New College Oxford: The Virtues - Prudence

West Window of the Chapel, New College Oxford: The Virtues - Prudence
Creator:
George Siegmund Facius, 1750–1804
Date:
1782
Materials & Techniques:
Stipple engraving on thick, rough, beige laid paper
Dimensions:
Sheet: 24 1/2 × 18 1/8 inches (62.2 × 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and black ink, brown ink, brown wash, gray wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and black ink, brown ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Lift me Up! Tie me in my Chair! Fill my Glass'

Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Lift me Up! Tie me in my Chair! Fill my Glass'
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/16 × 6 9/16 inches (10.3 × 16.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": "Water, I do Declare with Worms in it"

Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": "Water, I do Declare with Worms in it"
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and watercolor; verso: graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/8 × 6 1/2 inches (10.5 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. The Duke of Wellington's Room at Walmer Castle, Dec. 4, 1852

The Duke of Wellington's Room at Walmer Castle, Dec. 4, 1852
Creator:
Thomas Shotter Boys, 1803–1874
Date:
1852
Materials & Techniques:
watercolor, pen and brown ink, black ink, graphite, and gouache on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 10 7/16 x 14 7/16 inches (26.5 x 36.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Imogen's Bedchamber in Cymbeline's Palace, 'Cymbeline,' Act II, Scene II

Imogen's Bedchamber in Cymbeline's Palace, 'Cymbeline,' Act II, Scene II
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1786
Materials & Techniques:
Mezzotint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 13/16 x 16 3/4 inches (32.5 x 42.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Christmas

Christmas
Creator:
Print made by Alfred W. Cooper, active 1850–1901
Date:
undated
Materials & Techniques:
Wood-engraving with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 4 9/16 x 4 3/16 inches (11.6 x 10.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Design for an Overmantel

Design for an Overmantel
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Graphite, pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 13/16 × 6 7/8 inches (22.4 × 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. The Reflection: Grotesque Fat man Looking in a Hand Mirror

The Reflection: Grotesque Fat man Looking in a Hand Mirror
Creator:
Imitator of James Gillray, 1756–1815
Date:
undated
Materials & Techniques:
Graphite and pen and black ink; verso: black chalk on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 13 3/4 x 10 5/8in. (34.9 x 27cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Scene from a Play, possibly Benjamin Hoadley's "The Suspicious Husband"

Scene from a Play, possibly Benjamin Hoadley's "The Suspicious Husband"
Creator:
Francis Hayman, 1707/8–1776
Date:
undated
Materials & Techniques:
Graphite, red chalk and black chalk on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/8 × 6 3/4 inches (13 × 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Mr. B Promoted to Lieut. & first putting on His Uniform - Plate 7

Mr. B Promoted to Lieut. & first putting on His Uniform - Plate 7
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1820
Materials & Techniques:
Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 1/16 x 14 inches (25.5 x 35.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Female Attendants

Female Attendants
Creator:
Print made by Sir Charles D'Oyly, 1781–1845
Date:
ca. 1830
Materials & Techniques:
Lithograph with hand coloring in watercolor on medium, smooth, beige wove paper mounted on medium, slightly textured, beige wove paper
Dimensions:
Mount: 9 5/8 x 6 5/16 inches (24.4 x 16 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Interior of a Dressing Room with Jack Bannister

Interior of a Dressing Room with Jack Bannister
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1790 and 1795
Materials & Techniques:
Watercolor and graphite with pen and red-brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 x 8 5/16 inches (12.7 x 21.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. The Family of Children

The Family of Children
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and red-brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 5/16 x 7 1/4 inches (11 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Reflections, or the Music Lesson

Reflections, or the Music Lesson
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and gray ink and pen and brown ink on medium, moderately textured cream wove paper
Dimensions:
Sheet: 4 5/8 x 6 3/16 inches (11.7 x 15.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Drawing for a Frontispiece: "The Toast"

Drawing for a Frontispiece: "The Toast"
Creator:
Hubert-François Gravelot, 1699–1773
Date:
1735
Materials & Techniques:
Pen and black ink, pen and brown ink, and gray wash on medium, moderately textured, beige laid paper mounted on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/8 x 5 5/8 inches (21.3 x 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection