The Book of Thel, Plate 4, "Why should the mistress . . . ."
1789
19
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 11, "Sound! Sound! My Loud War-Trumpets...."
1793
20
Print made by William Blake, 1757–1827
The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
1789
21
Print made by William Blake, 1757–1827
The Book of Thel, Plate 7, "But he that loves the lowly . . . ."
1789
22
Print made by William Blake, 1757–1827
The Book of Thel, Plate 4, "Why should the mistress . . . ."
1789
23
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 8, "The Morning Comes...."
1793
24
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
1797
25
Print made by William Blake, 1757–1827
The Book of Thel, Plate 7, "But he that loves the lowly . . . ."
1789
26
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 2, Title Page
1794
27
George Richmond, 1809–1896
Study of a Tree on a Grassy Bank
1866
28
George Richmond, 1809–1896
Study of Trees, etc., in a Meadow
1866
29
William Wyld, 1806–1889
View of Gibraltar
undated
30
Henry Monro, 1791–1814
A Wooded Track
1813
31
Thomas Hearne, 1744–1817
Cottage
undated
32
Michel Jean Cazabon, 1813–1888
On the Cimaronero River
1857
33
Stefano della Bella, 1610–1664
A Study in Pinks and Roses
undated
34
Stefano della Bella, 1610–1664
A Study of Pinks and Roses
undated
35
Stefano della Bella, 1610–1664
A Study of Pinks and Roses
undated
36
Stefano della Bella, 1610–1664
A Study of Pinks and Roses
undated
37
James Ward, 1769–1859
Study of a Climbing Plant (Pumpkin Family)
undated
38
Thomas Rowlandson, 1756–1827
Covent Garden Market
between 1795 and 1810
39
Print made by John Chalon, 1738 – 1795
Study
1789-1790
40
Print made by Sir Charles D'Oyly, 1781–1845
Brahmins at a Toolsee Altar
ca. 1830
41
Peter P. Benazech, 1767–1794
For Japaning, Where may be 200 Different Sorts
1757
42
Thales Fielding, 1793–1837
Hop Picking
1832
43
George Edwards, 1694–1773
A Stone Curlew
ca. 1790
44
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'
between 1831 and 1832
45
Henry Thomas Alken, 1785–1851
"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
between 1831 and 1832
46
Francis Barlow, 1622–1704
Hare Hunting
undated
47
Print made by Alfred Henry Forrester, 1804–1872
Wrapper for six prints from Alfred Crowquill's Christmas Pieces
undated
48
Thomas Rowlandson, 1756–1827
The Gardener's Offering
between 1803 and 1805
49
Henry Thomas Alken, 1785–1851
"Sporting Incidents:" Drawing For the Soft-gound Etching of 'Panther Hunting'
undated
50
Henry Thomas Alken, 1785–1851
"Sporting Incidents:" Drawing For the Soft-ground Etching of 'Through the Wood'
undated
51
Henry Thomas Alken, 1785–1851
Pheasant Shooting
undated
52
C. Blake, active 1825–1826
"The Poacher's Progress:" 'Poachers Snaring Pheasants'
undated
53
John Buckler FSA, 1770–1851
The Court at Blithfield
1823
54
Possibly Henry Thomas Alken, 1785–1851
Drawing Covert
undated
55
Henry William Bunbury, 1750–1811
Patience in a Punt
undated
56
Henry Thomas Alken, 1785–1851
Jumping a Wooden Fence
undated
57
Peter P. Benazech, 1767–1794
For Japaning, Where may be 200 Different Sorts
1757
58
Peter P. Benazech, 1767–1794
For Japaning, Where may be 200 Different Sorts
1757
59
Julius Caesar Ibbetson, 1759–1817
Supported by a Bramble
undated
60
unknown artist
61
attributed to Thomas Girtin, 1775–1802
In the Farnese Gardens, Rome
ca. 1795
62
John Robert Cozens, 1752–1797
Near Raito on the Gulf of Salerno
ca. 1783
63
Alfred Diston, active 1818–1829
Woman of El Miradero, Tenerife
1828
64
Joshua Cristall, 1768–1847
Young Woodcutter
1818
65
Joshua Cristall, 1768–1847
Isaac Willis
1816
66
Thomas Rowlandson, 1756–1827
The Flower Seller
undated
67
Thomas Rowlandson, 1756–1827
The Vinery
undated
68
Thomas Rowlandson, 1756–1827
Dr. Syntax Soliloquising
between 1812 and 1820
69
Print made by John Blackmore, active 1740–1780
Henry Bunbury Esqr
ca. 1769
70
Print made by William Byrne, 1743–1805
View of Leiston Abbey
1781
71
James Ward, 1769–1859
Study of Undergrowth
undated
72
unknown artist
Study of a Thistle and Other Plants, Sept. 8
early 19th century
73
unknown artist
Docks, September 6, 1777
1777
74
James Ward, 1769–1859
Studies of Plants, August 2, 1815
1815
75
Print made by Samuel Buck, 1696–1779
The South-West View of Battel-Abbey, in the County of Sussex
1737
76
Anna Mills, active 1819
The Entrance to Hengrave Hall, 1819
1819
77
John Henry Mole, 1814–1886
Study of a Cottage Interior
undated
78
attributed to Peter DeWint, 1784–1849
Study of Burdocks
undated
79
Thomas Hearne, 1744–1817
Transept of Melrose Abbey, 1778 Near Old Melrose on the River Tweed, Roxburgh
1778
80
John Dixon, ca. 1740–1811
A Tigress
1773
81
Print made by Bradshaw & Blacklock, active ca.1850
Chepstow Castle
after 1850
82
Print made by Bradshaw & Blacklock, active ca.1850
Eight Rural Subjects
after 1850
83
Print made by Bradshaw & Blacklock, active ca.1850
Haddon Hall
after 1850
84
Print made by Bradshaw & Blacklock, active ca.1850