Young's Night Thoughts, Page 23, "We censure nature for a span too short"
ca. 1797
8
William Blake, 1757–1827
The Parable of the Wise and Foolish Virgins
ca. 1825
9
Print made by William Blake, 1757–1827
Pity
ca. 1795
10
William Blake, 1757–1827
Mary Magdalen at the Sepulchre
ca. 1805
11
William Blake, 1757–1827
The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
12
William Blake, 1757–1827
The Poems of Thomas Gray, Design 61, "The Bard."
between 1797 and 1798
13
Print made by William Blake, 1757–1827
Jerusalem, Plate 20, "But when they saw Albion...."
1804 to 1820
14
Print made by William Blake, 1757–1827
Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."
1797
15
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
1797
16
Print made by William Blake, 1757–1827
Jerusalem, Plate 22, "Albion thy Fear has made me tremble...."
1804 to 1820
17
Print made by William Blake, 1757–1827
Jerusalem, Plate 72, "And the Thirty-two Counties...."
1804 to 1820
18
Print made by William Blake, 1757–1827
Jerusalem, Plate 75, "And Rahab Babylon the Great...."
1804 to 1820
19
William Blake, 1757–1827
The Poems of Thomas Gray, Design 25, "A Long Story."
between 1797 and 1798
20
William Blake, 1757–1827
The Poems of Thomas Gray, Design 3, "Ode on the Spring."
between 1797 and 1798
21
William Blake, 1757–1827
The Poems of Thomas Gray, Design 63, "The Bard."
between 1797 and 1798
22
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 16, "Night" (Bentley 20)
1789
23
Print made by William Blake, 1757–1827
Jerusalem, Plate 18, "From every-one of the Four Regions...."
1804 to 1820
24
Print made by William Blake, 1757–1827
Jerusalem, Plate 44, "With one accord...."
1804 to 1820
25
William Blake, 1757–1827
The Poems of Thomas Gray, Design 47, "The Progress of Poesy."
between 1797 and 1798
26
William Blake, 1757–1827
The Poems of Thomas Gray, Design 51, "The Progress of Poesy."
between 1797 and 1798
27
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
1789
28
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 27, "O treacherous conscience!"
ca. 1797
29
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
ca. 1797
30
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 40, "Angels should paint it, angels ever there"
ca. 1797
31
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"
ca. 1797
32
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
ca. 1797
33
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 93, "If angels tremble, 'tis at such a sight"
ca. 1797
34
Print made by William Blake, 1757–1827
Young's Night Thoughts, Title Page, "Night the First, On Life, Death and Immortality."
ca. 1797
35
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 12, "Spring" (Bentley 23)
1789
36
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 16, "The Little Boy Lost" (Bentley 13)
1789
37
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)
1789
38
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)
1789
39
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 26, "Spring" (Bentley 23)
1789
40
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
1797
41
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
1797
42
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"
1797
43
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"
1797
44
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
1797
45
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 5, "A | Prophecy | The deep of winter came . . . . " (Bentley 6)
1794
46
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)
1794
47
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)
1794
48
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 1, Title Page
1826
49
William Blake, 1757–1827
A Father's Memoirs of His Child
1806
50
Simon Gribelin, 1662–1733
From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720
ca. 1720
51
Edward Francis Burney, 1760–1848
Allegory of Napoleonic Battles
undated
52
Sir James Thornhill, 1675–1734
Design for a Ceiling
undated
53
George Richardson, ca.1738–ca.1813
Design for a Ceiling
undated
54
Attributed to John Martin, 1789–1854
The Release of Saint Peter from Prison
undated
55
Sir James Thornhill, 1675–1734
A Design for a Ceiling
undated
56
Thomas Carwitham, active 1723
Design for a Ceiling Decoration
1723
57
Edward Francis Burney, 1760–1848
Allegory of Steam
undated
58
Sir James Thornhill, 1675–1734
The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoors
undated
59
Sir James Thornhill, 1675–1734
Moses and the Brazen Serpent - Design for the chapel at Dunster Castle
ca. 1723
60
Sir James Thornhill, 1675–1734
The Birth of Venus
undated
61
unknown artist
The Destruction of Sodom and Gomorrah
undated
62
Augustus Welby Northmore Pugin, 1812–1852
Sketches of the Butler-Bowden cope
undated
63
Augustus Welby Northmore Pugin, 1812–1852
Elevation of a Baptismal Font
undated
64
Isaac Fuller, 1606/20–1672
The Nymph Galatea
undated
65
John Flaxman, 1755–1826
Illustration to Milton's Paradise Lost: Adam and Eve Guarded by the Angels
undated
66
John Flaxman, 1755–1826
To Phoebus at His Birth, From Aeschylus, Furies
undated
67
John Flaxman, 1755–1826
The Creation of the Heavens
ca. 1790
68
John Flaxman, 1755–1826
Get Thee Behind Me, Satan
between 1783 and 1787
69
Henry Fuseli, 1741–1825
The Peasant's Dream, Paradise Lost, Book 1, 781-8
1793 to 1800
70
James Gillray, 1756–1815
Lieu't Gover'r Gall-Stone, inspired by Alecto; or The Birth of Minerva
1790
71
Print made by Francesco Bartolozzi, 1728–1815
For the Benefit of Mr. Borghi
1789
72
Print made by Luigi Schiavonetti, 1765–1810
The Meeting of a Family in Heaven
1808, published 1813
73
Print made by Luigi Schiavonetti, 1765–1810
The Day of Judgment
1808, published 1813
74
Augustus Welby Northmore Pugin, 1812–1852
Design for a Gothic Church Altar and Organ
undated
75
Print made by Gregory, Collins and Reynolds, active 1843
The Religion of Europe: Professed and Practiced
ca. 1845
76
Richard Earlom, 1743–1822
The West Window of the Chapel, New College Oxford
1785
77
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford: The Shepherd Offering, Nativity Scene
1805
78
unknown artist
Ornamental Ticket for Society of Painters
1690
79
circle of John Linnell, 1792–1882
Behemoth and Leviathan
undated
80
circle of John Linnell, 1792–1882
Title Page: Illustrations of the Book of Job
after 1825
81
circle of John Linnell, 1792–1882
The Creation
undated
82
circle of John Linnell, 1792–1882
The Fall of Satan
undated
83
Print made by Jan de Bisschop, 1628–1671
The Entombment of Christ
1671
84
Joseph Wilton, 1722–1803
Design for a Monument
undated
85
Print made by Simon Gribelin, 1662–1733
The Ceiling of the Banqueting House at Whitehall: The Union of the Crowns of England and Scotland