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Credit Line Yale Center for British Art, Paul Mellon Collection

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Samuel De Wilde John Quick and John Fawcett in Thomas Moreton's "The Way to Get Married"
Samuel De Wilde, 1748–1832
John Quick and John Fawcett in Thomas Moreton's "The Way to Get Married"
1796
Not on view
George Cruikshank Fitting out. - Plate 1
Print made by George Cruikshank, 1792–1878
Fitting out. - Plate 1
1820
Joseph Farington Windsor Bridge
Print made by Joseph Farington, 1747–1821
Windsor Bridge
1792
George Baxter The Sacrifice at Lystra
George Baxter, 1804–1867
The Sacrifice at Lystra
after 1855
George Baxter The Sacrifice at Lystra
George Baxter, 1804–1867
The Sacrifice at Lystra
after 1855
George Baxter The Sacrifice at Lystra
George Baxter, 1804–1867
The Sacrifice at Lystra
after 1855
John Doyle ('H.B.') The Old Donkey Turned Restive at Last
Print made by John Doyle ('H.B.'), 1797–1868
The Old Donkey Turned Restive at Last
1848
John Henry Mole Study of a Cottage Interior
John Henry Mole, 1814–1886
Study of a Cottage Interior
undated
Bradshaw & Blacklock Set of Needle-Box Prints
Bradshaw & Blacklock, active ca.1850
Set of Needle-Box Prints
after 1850
Bradshaw & Blacklock Set of Needle-Box Prints
Bradshaw & Blacklock, active ca.1850
Set of Needle-Box Prints
after 1850
Bradshaw & Blacklock Set of 18 Labels from 'Twining & Sons' Hairpins Boxes.
Bradshaw & Blacklock, active ca.1850
Set of 18 Labels from 'Twining & Sons' Hairpins Boxes
after 1850
Robert Smirke Juliet About to Take her Sleeping Draught
Robert Smirke, 1752–1845
Juliet About to Take her Sleeping Draught
1825