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Credit Line Yale Center for British Art, Paul Mellon Collection

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Subject Terms cattle

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Samuel Palmer The Cypress Grove
Print made by Samuel Palmer, 1805–1881
The Cypress Grove
plate etched between ca. 1880 and 1883; impression printed in 1924
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
Samuel Palmer Moeris and Galatea
Print made by Samuel Palmer, 1805–1881
Moeris and Galatea
plate etched between 1880 and 1883; impression printed in 1924
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
Samuel Palmer The Herdsman's Cottage
Print made by Samuel Palmer, 1805–1881
The Herdsman's Cottage
1850
Samuel Palmer The Sleeping Shepherd
Print made by Samuel Palmer, 1805–1881
The Sleeping Shepherd
1857
Samuel Palmer The Weary Ploughman
Print made by Samuel Palmer, 1805–1881
The Weary Ploughman
1858
Samuel Palmer The Bellman
Print made by Samuel Palmer, 1805–1881
The Bellman
1879
Samuel Palmer The Bellman
Print made by Samuel Palmer, 1805–1881
The Bellman
1879
Samuel Palmer The Herdsman's Cottage
Print made by Samuel Palmer, 1805–1881
The Herdsman's Cottage
1850
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881
The Homeward Star
begun ca. 1880
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
Samuel Palmer The Sleeping Shepherd
Print made by Samuel Palmer, 1805–1881
The Sleeping Shepherd
1857
Samuel Palmer The Weary Ploughman
Print made by Samuel Palmer, 1805–1881
The Weary Ploughman
1858
Samuel Palmer The Weary Ploughman
Print made by Samuel Palmer, 1805–1881
The Weary Ploughman
1858
Samuel Palmer The Willow
Print made by Samuel Palmer, 1805–1881
The Willow
1850
Samuel Palmer The Early Ploughman
Print made by Samuel Palmer, 1805–1881
The Early Ploughman
begun before 1861
Samuel Palmer The Early Ploughman
Print made by Samuel Palmer, 1805–1881
The Early Ploughman
begun before 1861
Samuel Palmer The Early Ploughman
Print made by Samuel Palmer, 1805–1881
The Early Ploughman
etching begun before 1861; impression printed in 1926
William Blake The Clod & the Pebble (Plate 36)
Print made by William Blake, 1757–1827
The Clod & the Pebble (Plate 36)
1794
William Blake Illustrations of Imitation of Eclogue I, Page 18
Print made by William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 18
1821
William Blake Illustrations of Eclogue I, Introductory, The Giant Polypheme
Print made by William Blake, 1757–1827
Illustrations of Eclogue I, Introductory, The Giant Polypheme
1821
David Lucas Castle Acre Priory
Print made by David Lucas, 1802–1881
Castle Acre Priory
1830 to 1831
David Lucas A Dell, Helmingham Park, Suffolk
Print made by David Lucas, 1802–1881
A Dell, Helmingham Park, Suffolk
1830
John Sell Cotman Tan-y-Bwlch, Merionethshire, North Wales
Print made by John Sell Cotman, 1782–1842
Tan-y-Bwlch, Merionethshire, North Wales
between 1810 and 1817
John Sell Cotman Cader Idris
Print made by John Sell Cotman, 1782–1842
Cader Idris
between 1824 and 1830
Miles Edmund Cotman Study of Trees on the Banks of the Yare
Print made by Miles Edmund Cotman, 1810–1858
Study of Trees on the Banks of the Yare
1846
Edward Calvert The Flood
Print made by Edward Calvert, 1799–1883
The Flood
1829
Edward Calvert The Flood
Print made by Edward Calvert, 1799–1883
The Flood
1829
Thomas Girtin View of the Waterworks at Marly, and St. Germain-en-Laye Seen in the Distance
Print made by Thomas Girtin, 1775–1802
View of the Waterworks at Marly, and St. Germain-en-Laye Seen in the Distance
1802
Thomas Gainsborough Wooded Landscape with Herdsman and Cows
Print made by Thomas Gainsborough, 1727–1788
Wooded Landscape with Herdsman and Cows
between 1785 and 1788
Thomas Gainsborough Wooded Landscape with Herdsman Driving Cattle over a Bridge, Rustic Lovers and Ruined Castle
Print made by Thomas Gainsborough, 1727–1788
Wooded Landscape with Herdsman Driving Cattle over a Bridge, Rustic Lovers and Ruined Castle
between 1779 and 1780
Richard Earlom The West Window of the Chapel, New College Oxford:
Richard Earlom, 1743–1822
The West Window of the Chapel, New College Oxford
1785
George Bickham the Younger A View from Cap't Grenvilles Monument to the Grecian Temple in the Gardens of Earl Temple at Stow, in Buckinghamshire
George Bickham the Younger, ca. 1706–1771
A View from Cap't Grenvilles Monument to the Grecian Temple in the Gardens of Earl Temple at Stow, in Buckinghamshire
George Bickham the Elder A View in the Elysian Fields, from the Spring of Helicon in the Gardens of Earl Temple at Stow, in Buckinghamshire
George Bickham the Elder, 1683/4–1758
A View in the Elysian Fields, from the Spring of Helicon in the Gardens of Earl Temple at Stow, in Buckinghamshire
George Bickham the Younger A View of the House from the Equestrian Statue in the Park of the Earl Temple at Stow, in Buckinghamshire
George Bickham the Younger, ca. 1706–1771
A View of the House from the Equestrian Statue in the Park of the Earl Temple at Stow, in Buckinghamshire
Thomas Bowles III A Prospect of the New Aqueduct of Lisbon, as crossing over the Valley of Alcantra on Stone Arches, the Largest of which is 150 feet wide, and 249 feet High. Which is 47 feet higher than the Monument in London
Print made by Thomas Bowles III, ca. 1712–1767
A Prospect of the New Aqueduct of Lisbon, as crossing over the Valley of Alcantra on Stone Arches, the Largest of which is 150 feet wide, and 249 feet High. Which is 47 feet higher than the Monument in London
between 1780 and 1815
unknown artist The City of Ratisbon
Print made by unknown artist
The City of Ratisbon
unknown artist The City of Breslau
Print made by unknown artist
The City of Breslau
Jean B. C. Chatelain Horseman Fording a Stream with Cattle
Print made by Jean B. C. Chatelain, 1710–1771
Horseman Fording a Stream with Cattle
1737
William Byrne Carnarvon Castle
William Byrne, 1743–1805
Carnarvon Castle
1775
Edward Rooker The Summit of Cader Idris Mountain
Print made by Edward Rooker, 1724–1774
The Summit of Cader Idris Mountain
1775
John J. Hinchliff Lough Foyle, Londonerry
John J. Hinchliff, 1805–1875
Lough Foyle, Londonerry
undated
Louisa Augusta Greville Rural Scene with Herdsboys and Three Cows, Large Tree in Foreground
Print made by Louisa Augusta Greville, 1743–active 1762
Rural Scene with Herdsboys and Three Cows, Large Tree in Foreground
1760
William Woollett The Haymakers
William Woollett, 1735–1785
The Haymakers
ca. 1800
Sir Francis Seymour Haden Cowdray
Sir Francis Seymour Haden, 1818–1910
Cowdray
1882
Sir Francis Seymour Haden Cowdray
Sir Francis Seymour Haden, 1818–1910
Cowdray
1882
Valentine Green St. Augustine's Gate, Canterbury
Valentine Green, 1739–1813
St. Augustine's Gate, Canterbury
1779
Edward Rooker The Summit of Cader Idris Mountain
Edward Rooker, 1724–1774
The Summit of Cader Idris Mountain
1775
unknown artist A View of Campo Vaccino at Rome
Print made by unknown artist
A View of Campo Vaccino at Rome
undated
M. J. Starling Belvoir Castle, Rutland
M. J. Starling, active 1830
Belvoir Castle, Rutland
1835
William Angus West Hill in Surrey, the Seat of D. H. Rucker Esqr.
Print made by William Angus, 1752–1821
West Hill in Surrey, the Seat of D. H. Rucker Esqr
1810
Thomas Girtin The Waterworks at Marly and St. Germain-en-Laye Seen in the Distance
Thomas Girtin, 1775–1802
The Waterworks at Marly and St. Germain-en-Laye Seen in the Distance
1802
John Greig Godalming, Surrey
John Greig, active 1803–1853
Godalming, Surrey
1820
William Angus Witley Court in Worcestershire, the Seat of Lord Foley
Print made by William Angus, 1752–1821
Witley Court in Worcestershire, the Seat of Lord Foley
1810
unknown artist Plas Crug, near Aberystwith, Cardiganshire; page fifteen (Volume Three)
unknown artist
Plas Crug, near Aberystwith, Cardiganshire; page fifteen (Volume Three)