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Credit Line Yale Center for British Art, Paul Mellon Collection

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1. Woman Reading by a Paper-Bell Shade

Woman Reading by a Paper-Bell Shade
Creator:
Henry Robert Morland, 1730–1797
Date:
1766
Materials & Techniques:
Oil on canvas
Dimensions:
30 x 25 inches (76.2 x 63.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

2. Mrs. Robinson

Mrs. Robinson
Creator:
Sir Joshua Reynolds, 1723–1792
Date:
ca. 1784
Materials & Techniques:
Oil on canvas
Dimensions:
36 7/8 × 28 1/4 inches (93.7 × 71.8 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

3. Mrs. Robert Hyde

Mrs. Robert Hyde
Creator:
John Singleton Copley, 1738–1815
Date:
1778
Materials & Techniques:
Oil on canvas
Dimensions:
30 1/4 x 25 1/4 inches (76.8 x 64.1 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

4. Lady Amabel and Lady Mary, Daughters of Lord Royston and the Marchioness of Grey

Lady Amabel and Lady Mary, Daughters of Lord Royston and the Marchioness of Grey
Creator:
Edward Fisher, 1722–1785
Date:
1762
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 19 3/4 × 14 1/4 inches (50.2 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Elizabeth, Countess of Northumberland

Elizabeth, Countess of Northumberland
Creator:
Edward Fisher, 1722–1785
Date:
between 1759 and 1776
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 20 7/8 × 14 15/16 inches (53.1 × 37.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Elizabeth, Countess of Northumberland

Elizabeth, Countess of Northumberland
Creator:
Edward Fisher, 1722–1785
Date:
between 1759 and 1776
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 21 1/16 × 15 1/16 inches (53.5 × 38.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Mrs. Abington

Mrs. Abington
Creator:
Print made by Elizabeth Judkins, active 1772–1775
Date:
1772
Materials & Techniques:
Mezzotint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, stipple engraving, etching and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Image: 5 9/16 x 2 7/16 inches (14.1 x 6.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Lady's Maid Soaping Linen

Lady's Maid Soaping Linen
Creator:
Print made by Philip Dawe, ca.1745–ca.1809
Date:
1769
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 13/16 × 9 13/16 inches (35.1 × 24.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. The West India Flower Girl

The West India Flower Girl
Creator:
Print made by Louis Charles Ruotte, 1754–ca. 1806
Date:
undated
Materials & Techniques:
Stipple engraving and etching with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 1/4 × 9 7/16 inches (31.1 × 24 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Reading by a Paper-Bell Shade

Reading by a Paper-Bell Shade
Creator:
Print made by Philip Dawe, ca.1745–ca.1809
Date:
1768
Materials & Techniques:
Mezzotint and etching on moderately thick, moderately textured, cream laid paper, laid in mount
Dimensions:
Sheet: 16 1/8 x 10 11/16 inches (41 x 27.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection