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Credit Line Yale Center for British Art, Paul Mellon Collection

Subject Terms grass

Classification Prints

Robert Polhill Bevan Who-o-p!

Print made by Robert Polhill Bevan, 1865–1925

Who-o-p!

1898-1899

Robert Polhill Bevan The Meet

Print made by Robert Polhill Bevan, 1865–1925

The Meet

1898-1899

Robert Polhill Bevan Found!

Print made by Robert Polhill Bevan, 1865–1925

Found!

1898-1899

Robert Polhill Bevan The Flying Pack

Print made by Robert Polhill Bevan, 1865–1925

The Flying Pack

1898-1899

Joseph Mallord William Turner Jason

Etched by Joseph Mallord William Turner, 1775–1851

Jason

1807

William Blake 'Love, and love only, is the loan for love' (Page 37)

Print made by William Blake, 1757–1827

'Love, and love only, is the loan for love' (Page 37)

ca. 1797

William Blake The Tyger (Plate 42)

Print made by William Blake, 1757–1827

The Tyger (Plate 42)

1794

William Blake "And Hand & Hyle rooted into Jerusalem..." (Plate 15)

Print made by William Blake, 1757–1827

"And Hand & Hyle rooted into Jerusalem..." (Plate 15)

1804 to 1820

William Blake 'Swift on His Downy Pinion Flies from Woe' (Page 1)

Print made by William Blake, 1757–1827

'Swift on His Downy Pinion Flies from Woe' (Page 1)

ca. 1797

William Blake 'Its favours here are trials, not rewards' (Page 12)

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

ca. 1797

William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)

Print made by William Blake, 1757–1827

'The vale of death! that hush'd cimmerian vale' (Page 54)

ca. 1797

William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

ca. 1797

William Blake 'The thunder if in that the Almighty dwells' (Page 80)

Print made by William Blake, 1757–1827

'The thunder if in that the Almighty dwells' (Page 80)

ca. 1797

William Blake Alas! (Plate 9)

Print made by William Blake, 1757–1827

Alas! (Plate 9)

1793

William Blake III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)

Print made by William Blake, 1757–1827

III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)

1789

William Blake IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)

Print made by William Blake, 1757–1827

IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)

1789

William Blake Spring (Plate 12)

Print made by William Blake, 1757–1827

Spring (Plate 12)

1789

William Blake The Lamb (Plate 18)

Print made by William Blake, 1757–1827

The Lamb (Plate 18)

1789

William Blake Alas! (Plate 9)

Print made by William Blake, 1757–1827

Alas! (Plate 9)

1826

William Blake Spring (Plate 26)

Print made by William Blake, 1757–1827

Spring (Plate 26)

1789

William Blake 'Oft bursts my song beyond the bounds of life' (Page 16)

Print made by William Blake, 1757–1827

'Oft bursts my song beyond the bounds of life' (Page 16)

1797

William Blake 'Behold him, when past by; what then is seen' (Page 25)

Print made by William Blake, 1757–1827

'Behold him, when past by; what then is seen' (Page 25)

1797

William Blake 'Swift on his downy pinion flies from woe' (Page 1)

Print made by William Blake, 1757–1827

'Swift on his downy pinion flies from woe' (Page 1)

1797

William Blake 'Love, and love only, is the loan for love' (Page 37)

Print made by William Blake, 1757–1827

'Love, and love only, is the loan for love' (Page 37)

1797

William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)

Print made by William Blake, 1757–1827

'The vale of death! that hush'd cimmerian vale' (Page 54)

1797

William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

1797

William Blake 'The thunder, if in that the Almighty dwells' (Page 80)

Print made by William Blake, 1757–1827

'The thunder, if in that the Almighty dwells' (Page 80)

1797

William Blake 'Its favours here are trials, not rewards' (Page 12)

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

1797

William Blake 'But for the blessing wrestle not with heaven' (Page 88)

Print made by William Blake, 1757–1827

'But for the blessing wrestle not with heaven' (Page 88)

1797

William Blake 'Behold him, when past by; what then is seen' (Page 25)

Print made by William Blake, 1757–1827

'Behold him, when past by; what then is seen' (Page 25)

ca. 1797

Richard Ansdell Sleepest or Wakest Thou?

Print made by Richard Ansdell, 1815–1885

Sleepest or Wakest Thou?

ca. 1853

Samuel Buck Bristol High Cross

Print made by Samuel Buck, 1696–1779

Bristol High Cross

1734

Charles Bretherton Postiglione Inglese

Print made by Charles Bretherton, ca. 1760–1783

Postiglione Inglese

1772

Henry William Bunbury The Siege of Namur

Print made by Henry William Bunbury, 1750–1811

The Siege of Namur

between 1773 and 1817

Jean B. C. Chatelain Wooded Landscape with a River Leading to Distant Buildings

Print made by Jean B. C. Chatelain, 1710–1771

Wooded Landscape with a River Leading to Distant Buildings

undated

John Crome Road Scene, Trowse Hall, near Norwich

Print made by John Crome, 1768–1821

Road Scene, Trowse Hall, near Norwich

1813

John Crome Wooded Landscape

Print made by John Crome, 1768–1821

Wooded Landscape

ca. 1812

Sir Frank Short Pan and Syrinx

Print made by Sir Frank Short, 1857–1945

Pan and Syrinx

1896

Sir Frank Short Pan and Syrinx

Print made by Sir Frank Short, 1857–1945

Pan and Syrinx

1896

John Crome Back of the New Mills, Norwich

Print made by John Crome, 1768–1821

Back of the New Mills, Norwich

1812

Robert Dixon The Black Tower Norwich

Robert Dixon, 1780–1815

The Black Tower Norwich

between 1810 and 1811

Robert Dixon West Tower, Wymondham Church

Robert Dixon, 1780–1815

West Tower, Wymondham Church

1810

Thomas Bewick The Cadger's Trot (first State)

Print made by Thomas Bewick, 1753–1828

The Cadger's Trot (first State)

1823

Thomas Bewick The Cadger's Trot

Print made by Thomas Bewick, 1753–1828

The Cadger's Trot

1823

Richard Parkes Bonington Vue Generale des Ruines du Château d'Arlay

Print made by Richard Parkes Bonington, 1802–1828

Vue Generale des Ruines du Château d'Arlay

1827

Thomas Bewick The Wild Bull of Chillingham

Print made by Thomas Bewick, 1753–1828

The Wild Bull of Chillingham

1781

Edward Calvert The Bride

Print made by Edward Calvert, 1799–1883

The Bride

1828

Thomas Girtin View of the Waterworks at Marly, and St. Germain-en-Laye Seen in the Distance

Print made by Thomas Girtin, 1775–1802

View of the Waterworks at Marly, and St. Germain-en-Laye Seen in the Distance

1802

George Baxter Christ's Charge to Peter

after George Baxter, 1804–1867

Christ's Charge to Peter

after 1855

Bradshaw & Blacklock Returning from the Spring. Virginia.

Bradshaw & Blacklock, active ca.1850

Returning from the Spring. Virginia

after 1850

John Dixon Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry

John Dixon, ca. 1740–1811

Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry

1771

James Clark Cowdray Ruins

Print made by James Clark, 19th century

Cowdray Ruins

1824

Sir Francis Seymour Haden Kensington Gardens, no. 1 (small plate)

Sir Francis Seymour Haden, 1818–1910

Kensington Gardens, no. 1 (small plate)

1859

Louis Haghe Thornbury Castle, Gloucestershire

Louis Haghe, 1806–1885

Thornbury Castle, Gloucestershire

between 1823 and 1835

Thomas Burke Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love..."

Print made by Thomas Burke, 1749–1815

Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love..."

1789

George H. Phillips The Paphian Bower

George H. Phillips, active 1819–1825

The Paphian Bower

1826

John Dean Moses in the Bulrushes [Reclining Child]

John Dean, 1754–1798

Moses in the Bulrushes [Reclining Child]

1786

Robert Dighton A Jack in Office

Robert Dighton, 1752–1814

A Jack in Office

1793

George Baxter The Belle of the Village

Print made by George Baxter, 1804–1867

The Belle of the Village

1854

Bradshaw & Blacklock Cathedrals in England

Print made by Bradshaw & Blacklock, active ca.1850

Cathedrals in England

after 1850

Bradshaw & Blacklock The Crimean War

Print made by Bradshaw & Blacklock, active ca.1850

The Crimean War

after 1850

Bradshaw & Blacklock Chepstow Castle

Print made by Bradshaw & Blacklock, active ca.1850

Chepstow Castle

after 1850

Bradshaw & Blacklock Eight Rural Subjects

Print made by Bradshaw & Blacklock, active ca.1850

Eight Rural Subjects

after 1850

Bradshaw & Blacklock Four Subjects

Print made by Bradshaw & Blacklock, active ca.1850

Four Subjects

after 1850

Bradshaw & Blacklock Four Subjects

Print made by Bradshaw & Blacklock, active ca.1850

Four Subjects

after 1850

Bradshaw & Blacklock Haddon Hall

Print made by Bradshaw & Blacklock, active ca.1850

Haddon Hall

after 1850

Bradshaw & Blacklock Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.

Print made by Bradshaw & Blacklock, active ca.1850

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

Bradshaw & Blacklock Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.

Print made by Bradshaw & Blacklock, active ca.1850

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

Bradshaw & Blacklock Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.

Print made by Bradshaw & Blacklock, active ca.1850

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

Bradshaw & Blacklock Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.

Print made by Bradshaw & Blacklock, active ca.1850

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

Bradshaw & Blacklock Italian Peasants - Tryoliean Waltz.

Print made by Bradshaw & Blacklock, active ca.1850

Italian Peasants - Tryoliean Waltz

after 1850

Bradshaw & Blacklock Balmoral Castle

Print made by Bradshaw & Blacklock, active ca.1850

Balmoral Castle

after 1850

Bradshaw & Blacklock Newstead Abbey

Print made by Bradshaw & Blacklock, active ca.1850

Newstead Abbey

after 1850

John Robert Cozens South View of Bath

Print made by John Robert Cozens, 1752–1797

South View of Bath

1773

John Robert Cozens Bath: The North Parade

Print made by John Robert Cozens, 1752–1797

Bath: The North Parade

1773

John Robert Cozens Bath: The South Parade

Print made by John Robert Cozens, 1752–1797

Bath: The South Parade

1773

Bradshaw & Blacklock Eight colour prints

Print made by Bradshaw & Blacklock, active ca.1850

Eight colour prints

after 1850

Bradshaw & Blacklock The Farmer's Boy & The Rustic Angler

Print made by Bradshaw & Blacklock, active ca.1850

The Farmer's Boy & The Rustic Angler

after 1850

Bradshaw & Blacklock Four Subjects

Print made by Bradshaw & Blacklock, active ca.1850

Four Subjects

after 1850

Bradshaw & Blacklock Four Subjects

Print made by Bradshaw & Blacklock, active ca.1850

Four Subjects

after 1850

James Gillray The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"

James Gillray, 1756–1815

The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"

1806

William Dickinson The Honorable Richard Edgcumbe, Second Earl of Mount Edgcumbe

William Dickinson, 1746–1823

The Honorable Richard Edgcumbe, Second Earl of Mount Edgcumbe

1774

Alfred W. Cooper Lambing Time (tail piece)

Print made by Alfred W. Cooper, active 1850–1901

Lambing Time (tail piece)

undated

Alfred W. Cooper Lambing Time

Print made by Alfred W. Cooper, active 1850–1901

Lambing Time

undated

Anthony Cardon Credulity

Print made by Anthony Cardon, 1772–1813

Credulity

1796

James C. Allen Penzance, Cornwall

Print made by James C. Allen, active 1821–1831

Penzance, Cornwall

1833

James Basire II Frankley Chapel, S. E., Worcestershire

Print made by James Basire II, 1769–1822

Frankley Chapel, S. E., Worcestershire

1812

M. Coote Dudley Priory in Worcestershire, Plate 1

Print made by M. Coote, ca. 1758/62–1801

Dudley Priory in Worcestershire, Plate 1

before 1786

M. Coote Dudley Priory in Worcestershire, Plate 2

Print made by M. Coote, ca. 1758/62–1801

Dudley Priory in Worcestershire, Plate 2

before 1786

unknown artist The Remains of the Great Temple in Palmira seen from the West. ...

Print made by unknown artist

The Remains of the Great Temple in Palmira seen from the West. ..

between 1780 and 1815

Thomas Bonnor Blockley Church

Print made by Thomas Bonnor, ca. 1740–ca. 1812

Blockley Church

ca. 1793

Jean B. C. Chatelain Man Chopping Wood

Print made by Jean B. C. Chatelain, 1710–1771

Man Chopping Wood

1737

George Bickham the Elder Two cows and a dog in a stream, Pl. for 'A New Drawing Book..of Beasts in Various Actions' (1 of 9)

Print made by George Bickham the Elder, 1683/4–1758

Two cows and a dog in a stream, Pl. for 'A New Drawing Book..of Beasts in Various Actions' (1 of 9)

undated

George Bickham the Elder A Man, a horse and two dogs, a Pl. for 'A New Drawing Book..of Beasts in Various Actions' (1 of 6)

Print made by George Bickham the Elder, 1683/4–1758

A Man, a horse and two dogs, a Pl. for 'A New Drawing Book..of Beasts in Various Actions' (1 of 6)

undated

George Bickham the Elder A Horse and a dog, a Pl. for 'A New Drawing Book...of Beasts in Various Actions' (1 of 9)

Print made by George Bickham the Elder, 1683/4–1758

A Horse and a dog, a Pl. for 'A New Drawing Book...of Beasts in Various Actions' (1 of 9)

undated

George Bickham the Elder A Duck and an Eagle with prey, a Pl. for 'A New Drawing Book...of Various Kinds of Birds, Drawn From the Life by Mr. Francis Barlow, 1731 (1 of 9)

Print made by George Bickham the Elder, 1683/4–1758

A Duck and an Eagle with prey, a Pl. for 'A New Drawing Book...of Various Kinds of Birds, Drawn From the Life by Mr. Francis Barlow, 1731 (1 of 9)

1731

William Hincks Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing

William Hincks, 1752–1797

Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing

1791

James Gillray The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."

James Gillray, 1756–1815

The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."

1806

unknown artist A Donkey

unknown artist

A Donkey

1756

James Caldwall Hagley Hall

Print made by James Caldwall, 1739–1819

Hagley Hall

undated