<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

Start Over
You searched for:

Credit Line Yale Center for British Art, Paul Mellon Collection

Remove constraint Credit Line: Yale Center for British Art, Paul Mellon Collection

Subject Terms grass

Remove constraint Subject Terms: grass

Search Results

Frederick W. Watts Rocky Hillside
Frederick W. Watts, 1800–1862
Rocky Hillside
ca. 1830
Not on view
unknown artist Pierrepont House, Nottingham, Nottinghamshire
unknown artist
Pierrepont House, Nottingham, Nottinghamshire
ca. 1705
Not on view
Frederick W. Watts At South Mickleham
Frederick W. Watts, 1800–1862
At South Mickleham
1829
Not on view
William Henry Millais Hayes Common
William Henry Millais, 1828–1899
Hayes Common
1852 to 1853
Not on view
George Chambers Two Fishing Boats on the Banks of Inland Waters
George Chambers, 1803–1840
Two Fishing Boats on the Banks of Inland Waters
1831
Not on view
George Chinnery View in Southern India, with a Warrior Outside His Hut
George Chinnery, 1774–1852
View in Southern India, with a Warrior Outside His Hut
ca. 1815
Not on view
Nathaniel Dance Thomas "Sense" Browne
Nathaniel Dance, 1735–1811
Thomas "Sense" Browne
1775
Not on view
Richard Barrett Davis George Mountford, Huntsman to the Quorn, and W. Derry, Whipper-In, at John O'Gaunt's Gorse, near Melton Mowbray
Richard Barrett Davis, 1782–1854
George Mountford, Huntsman to the Quorn, and W. Derry, Whipper-In, at John O'Gaunt's Gorse, near Melton Mowbray
1836
Not on view
Philippe-Jacques de Loutherbourg Landscape with Cattle and Peasant
Philippe-Jacques de Loutherbourg, 1740–1812
Landscape with Cattle and Peasant
ca. 1781
Not on view
Thomas Stringer John Corbet, Sir Robert Leighton and John Kynaston with their Horses and Hounds
Thomas Stringer, 1722–1790
John Corbet, Sir Robert Leighton and John Kynaston with their Horses and Hounds
1779
Not on view
Thomas Jones The Vale of Pencerrig
Thomas Jones, 1742–1803
The Vale of Pencerrig
1776
Not on view
H. J. Aveling First Grand Match of Cricket Played by Members of the Royal Amateur Society on Hampton Court Green, August 3rd, 1836
Attributed to H. J. Aveling, active 1839–1842
First Grand Match of Cricket Played by Members of the Royal Amateur Society on Hampton Court Green, August 3rd, 1836
exhibited 1839
Not on view
unknown artist Kidbrooke Park, Kent
unknown artist
Kidbrooke Park, Kent
ca. 1745
Not on view
Robert Polhill Bevan Over the Bank, Exmoor
Robert Polhill Bevan, 1865–1925
Over the Bank, Exmoor
ca. 1895
Robert Polhill Bevan Who-o-p!
Print made by Robert Polhill Bevan, 1865–1925
Who-o-p!
1898-1899
Robert Polhill Bevan The Meet
Print made by Robert Polhill Bevan, 1865–1925
The Meet
1898-1899
Robert Polhill Bevan Found!
Print made by Robert Polhill Bevan, 1865–1925
Found!
1898-1899
Robert Polhill Bevan The Flying Pack
Print made by Robert Polhill Bevan, 1865–1925
The Flying Pack
1898-1899
Joseph Mallord William Turner Jason
Etched by Joseph Mallord William Turner, 1775–1851
Jason
1807
William Blake 'Love, and love only, is the loan for love' (Page 37)
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
ca. 1797
William Blake The Tyger (Plate 42)
Print made by William Blake, 1757–1827
The Tyger (Plate 42)
1794
William Blake "And Hand & Hyle rooted into Jerusalem..." (Plate 15)
Print made by William Blake, 1757–1827
"And Hand & Hyle rooted into Jerusalem..." (Plate 15)
1804 to 1820
William Blake 'Swift on His Downy Pinion Flies from Woe' (Page 1)
Print made by William Blake, 1757–1827
'Swift on His Downy Pinion Flies from Woe' (Page 1)
ca. 1797
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
ca. 1797
William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
William Blake 'The thunder if in that the Almighty dwells' (Page 80)
Print made by William Blake, 1757–1827
'The thunder if in that the Almighty dwells' (Page 80)
ca. 1797
William Blake Alas! (Plate 9)
Print made by William Blake, 1757–1827
Alas! (Plate 9)
1793
William Blake III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
Print made by William Blake, 1757–1827
III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
1789
William Blake IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
Print made by William Blake, 1757–1827
IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
1789
William Blake Spring (Plate 12)
Print made by William Blake, 1757–1827
Spring (Plate 12)
1789
William Blake The Lamb (Plate 18)
Print made by William Blake, 1757–1827
The Lamb (Plate 18)
1789
William Blake Alas! (Plate 9)
Print made by William Blake, 1757–1827
Alas! (Plate 9)
1826
William Blake Spring (Plate 26)
Print made by William Blake, 1757–1827
Spring (Plate 26)
1789
William Blake 'Oft bursts my song beyond the bounds of life' (Page 16)
Print made by William Blake, 1757–1827
'Oft bursts my song beyond the bounds of life' (Page 16)
1797
William Blake 'Behold him, when past by; what then is seen' (Page 25)
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
1797
William Blake 'Swift on his downy pinion flies from woe' (Page 1)
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
1797
William Blake 'Love, and love only, is the loan for love' (Page 37)
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
1797
William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
1797
William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
1797
William Blake 'The thunder, if in that the Almighty dwells' (Page 80)
Print made by William Blake, 1757–1827
'The thunder, if in that the Almighty dwells' (Page 80)
1797
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
1797
William Blake "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
William Blake, 1757–1827
"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
between 1797 and 1798
William Blake 'But for the blessing wrestle not with heaven' (Page 88)
Print made by William Blake, 1757–1827
'But for the blessing wrestle not with heaven' (Page 88)
1797
William Blake A Shepherd Reading the Epitaph (Design 115)
William Blake, 1757–1827
A Shepherd Reading the Epitaph (Design 115)
between 1797 and 1798
William Blake Ode on the Spring; Title Page
William Blake, 1757–1827
Ode on the Spring; Title Page
between 1797 and 1798
William Blake The Progress of Poesy, A Pindaric Ode; Title Page
William Blake, 1757–1827
The Progress of Poesy, A Pindaric Ode; Title Page
between 1797 and 1798
William Blake 'Behold him, when past by; what then is seen' (Page 25)
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
ca. 1797
Edward Lear Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
Edward Lear, 1812–1888
Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
undated
Edward Lear Gozo, near Malta
Edward Lear, 1812–1888
Gozo, near Malta
1866
Edward Lear Albania
Edward Lear, 1812–1888
Albania
between 1848 and 1849
Edward Lear Wady Feiran, Peninsula of Mt. Sinai
Edward Lear, 1812–1888
Wady Feiran, Peninsula of Mt. Sinai
ca. 1880
Edward Lear A View of the Pine Woods Above Cannes
Edward Lear, 1812–1888
A View of the Pine Woods Above Cannes
1869
Richard Ansdell Sleepest or Wakest Thou?
Print made by Richard Ansdell, 1815–1885
Sleepest or Wakest Thou?
ca. 1853
Samuel Buck Bristol High Cross
Print made by Samuel Buck, 1696–1779
Bristol High Cross
1734
Charles Bretherton Postiglione Inglese
Print made by Charles Bretherton, ca. 1760–1783
Postiglione Inglese
1772
Henry William Bunbury The Siege of Namur
Print made by Henry William Bunbury, 1750–1811
The Siege of Namur
between 1773 and 1817
Jean B. C. Chatelain Wooded Landscape with a River Leading to Distant Buildings
Print made by Jean B. C. Chatelain, 1710–1771
Wooded Landscape with a River Leading to Distant Buildings
undated
John Crome Road Scene, Trowse Hall, near Norwich
Print made by John Crome, 1768–1821
Road Scene, Trowse Hall, near Norwich
1813
John Crome Wooded Landscape
Print made by John Crome, 1768–1821
Wooded Landscape
ca. 1812
Sir Frank Short Pan and Syrinx
Print made by Sir Frank Short, 1857–1945
Pan and Syrinx
1896
Sir Frank Short Pan and Syrinx
Print made by Sir Frank Short, 1857–1945
Pan and Syrinx
1896
John Crome Back of the New Mills, Norwich
Print made by John Crome, 1768–1821
Back of the New Mills, Norwich
1812
Robert Dixon The Black Tower Norwich
Robert Dixon, 1780–1815
The Black Tower Norwich
between 1810 and 1811
Robert Dixon West Tower, Wymondham Church
Robert Dixon, 1780–1815
West Tower, Wymondham Church
1810
Benjamin West An Artist Sketching in Windsor Park
Benjamin West, 1738–1820
An Artist Sketching in Windsor Park
1789
Francis Wheatley Donnybrook Fair, 1782
Francis Wheatley, 1747–1801
Donnybrook Fair, 1782
1782
James Sowerby A House Sparrow
James Sowerby, 1756–1822
A House Sparrow
undated
James Sowerby Elephant with Rider
James Sowerby, 1756–1822
Elephant with Rider
undated
James Sowerby Quagga Zebra
James Sowerby, 1756–1822
Quagga Zebra
ca. 1824
James Sillett The Summer Lodden, Sept. 1832: A Still Life Study of Three Apples
James Sillett, 1764–1840
The Summer Lodden, Sept. 1832: A Still Life Study of Three Apples
1832
Thomas Bewick The Cadger's Trot (first State)
Print made by Thomas Bewick, 1753–1828
The Cadger's Trot (first State)
1823
Thomas Bewick The Cadger's Trot
Print made by Thomas Bewick, 1753–1828
The Cadger's Trot
1823
Richard Parkes Bonington Vue Generale des Ruines du Château d'Arlay
Print made by Richard Parkes Bonington, 1802–1828
Vue Generale des Ruines du Château d'Arlay
1827
Thomas Bewick The Wild Bull of Chillingham
Print made by Thomas Bewick, 1753–1828
The Wild Bull of Chillingham
1781
Edward Calvert The Bride
Print made by Edward Calvert, 1799–1883
The Bride
1828
Thomas Girtin View of the Waterworks at Marly, and St. Germain-en-Laye Seen in the Distance
Print made by Thomas Girtin, 1775–1802
View of the Waterworks at Marly, and St. Germain-en-Laye Seen in the Distance
1802
George Baxter Christ's Charge to Peter
after George Baxter, 1804–1867
Christ's Charge to Peter
after 1855
Bradshaw & Blacklock Returning from the Spring. Virginia.
Bradshaw & Blacklock, active ca.1850
Returning from the Spring. Virginia
after 1850
John Dixon Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry
John Dixon, ca. 1740–1811
Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry
1771
James Clark Cowdray Ruins
Print made by James Clark, 19th century
Cowdray Ruins
1824
Sir Francis Seymour Haden Kensington Gardens, no. 1 (small plate)
Sir Francis Seymour Haden, 1818–1910
Kensington Gardens, no. 1 (small plate)
1859
Louis Haghe Thornbury Castle, Gloucestershire
Louis Haghe, 1806–1885
Thornbury Castle, Gloucestershire
between 1823 and 1835
Thomas Burke Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love..."
Print made by Thomas Burke, 1749–1815
Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love..."
1789
George H. Phillips The Paphian Bower
George H. Phillips, active 1819–1825
The Paphian Bower
1826
John Dean Moses in the Bulrushes [Reclining Child]
John Dean, 1754–1798
Moses in the Bulrushes [Reclining Child]
1786
Robert Dighton A Jack in Office
Robert Dighton, 1752–1814
A Jack in Office
1793
John Linnell Horses in a Paddock
John Linnell, 1792–1882
Horses in a Paddock
1811
George Baxter The Belle of the Village
Print made by George Baxter, 1804–1867
The Belle of the Village
1854
Bradshaw & Blacklock Cathedrals in England
Print made by Bradshaw & Blacklock, active ca.1850
Cathedrals in England
after 1850
Bradshaw & Blacklock The Crimean War
Print made by Bradshaw & Blacklock, active ca.1850
The Crimean War
after 1850
Bradshaw & Blacklock Chepstow Castle
Print made by Bradshaw & Blacklock, active ca.1850
Chepstow Castle
after 1850
Bradshaw & Blacklock Eight Rural Subjects
Print made by Bradshaw & Blacklock, active ca.1850
Eight Rural Subjects
after 1850
Bradshaw & Blacklock Four Subjects
Print made by Bradshaw & Blacklock, active ca.1850
Four Subjects
after 1850
Bradshaw & Blacklock Four Subjects
Print made by Bradshaw & Blacklock, active ca.1850
Four Subjects
after 1850
Bradshaw & Blacklock Haddon Hall
Print made by Bradshaw & Blacklock, active ca.1850
Haddon Hall
after 1850
Bradshaw & Blacklock Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.
Print made by Bradshaw & Blacklock, active ca.1850
Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things
after 1850
Bradshaw & Blacklock Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.
Print made by Bradshaw & Blacklock, active ca.1850
Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things
after 1850
Bradshaw & Blacklock Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.
Print made by Bradshaw & Blacklock, active ca.1850
Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things
after 1850
Bradshaw & Blacklock Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.
Print made by Bradshaw & Blacklock, active ca.1850
Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things
after 1850