<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

Start Over
You searched for:

Credit Line Yale Center for British Art, Paul Mellon Collection

Remove constraint Credit Line: Yale Center for British Art, Paul Mellon Collection

Subject Terms hills

Remove constraint Subject Terms: hills

Classification Prints

Remove constraint Classification: Prints

Search Results

Robert Polhill Bevan The Meet
Print made by Robert Polhill Bevan, 1865–1925
The Meet
1898-1899
Robert Polhill Bevan Found!
Print made by Robert Polhill Bevan, 1865–1925
Found!
1898-1899
Robert Polhill Bevan The Flying Pack
Print made by Robert Polhill Bevan, 1865–1925
The Flying Pack
1898-1899
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881
Opening the Fold
1880
Samuel Palmer The Weary Ploughman
Print made by Samuel Palmer, 1805–1881
The Weary Ploughman
1858
Samuel Palmer The Bellman
Print made by Samuel Palmer, 1805–1881
The Bellman
1879
Samuel Palmer The Bellman
Print made by Samuel Palmer, 1805–1881
The Bellman
1879
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer The Weary Ploughman
Print made by Samuel Palmer, 1805–1881
The Weary Ploughman
1858
Samuel Palmer The Skylark
Print made by Samuel Palmer, 1805–1881
The Skylark
1850
Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881
Opening the Fold
plate etched in 1880; impression printed in 1926
Samuel Palmer The Skylark
Print made by Samuel Palmer, 1805–1881
The Skylark
1850
Samuel Palmer The Weary Ploughman
Print made by Samuel Palmer, 1805–1881
The Weary Ploughman
1858
Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881
Opening the Fold
plate etched in 1880; impression printed in 1920
Joseph Mallord William Turner Hind Head Hill
Etched by Joseph Mallord William Turner, 1775–1851
Hind Head Hill
1811
William Blake Night (Plate 30)
Print made by William Blake, 1757–1827
Night (Plate 30)
1789
William Blake Songs of Experience, Frontispiece (Plate 32)
Print made by William Blake, 1757–1827
Songs of Experience, Frontispiece (Plate 32)
1794
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
William Blake Chapter IX, "They lived a period of years..." (Plate 25)
Print made by William Blake, 1757–1827
Chapter IX, "They lived a period of years..." (Plate 25)
1794
William Blake The Shepherd (Plate 4)
Print made by William Blake, 1757–1827
The Shepherd (Plate 4)
1789
William Blake The Chimney Sweeper (Plate 10)
Print made by William Blake, 1757–1827
The Chimney Sweeper (Plate 10)
1789
William Blake The Lamb (Plate 18)
Print made by William Blake, 1757–1827
The Lamb (Plate 18)
1789
William Blake Chapter IX, "They lived a period of years..." (Plate 27)
Print made by William Blake, 1757–1827
Chapter IX, "They lived a period of years..." (Plate 27)
1794
William Blake Infant Joy (Plate 14)
Print made by William Blake, 1757–1827
Infant Joy (Plate 14)
1789
William Blake Night (Plate 16)
Print made by William Blake, 1757–1827
Night (Plate 16)
1789
William Blake On Anothers Sorrow (Plate 24)
Print made by William Blake, 1757–1827
On Anothers Sorrow (Plate 24)
1789
William Blake "Turning his back to the Divine Vision..." (Plate 33)
Print made by William Blake, 1757–1827
"Turning his back to the Divine Vision..." (Plate 33)
1804 to 1820
William Blake There Is No Natural Religion; Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
There Is No Natural Religion; Frontispiece (Plate 1)
ca. 1788
William Blake "And this the form of mighty Hand..." (Plate 70)
Print made by William Blake, 1757–1827
"And this the form of mighty Hand..." (Plate 70)
1804 to 1820
William Blake 'But for the blessing wrestle not with heaven' (Page 88)
Print made by William Blake, 1757–1827
'But for the blessing wrestle not with heaven' (Page 88)
1797
Edward Calvert The Sheep of His Pasture
Print made by Edward Calvert, 1799–1883
The Sheep of His Pasture
ca. 1828
Richard Ansdell The Sentinel
Print made by Richard Ansdell, 1815–1885
The Sentinel
1857
Thomas Boydell A Small Breeze
Print made by Thomas Boydell, active 1750–1751
A Small Breeze
1753
John Browne Morning
Print made by John Browne, 1741–1801
Morning
ca. 1797
John Browne Evening
Print made by John Browne, 1741–1801
Evening
ca. 1797
John Browne After Sun-Set
Print made by John Browne, 1741–1801
After Sun-Set
ca. 1797
John Browne Evening
Print made by John Browne, 1741–1801
Evening
ca. 1797
John Browne Moon-Light
Print made by John Browne, 1741–1801
Moon-Light
ca. 1797
James Bretherton Man with a Walking Stick in a Landscape
Print made by James Bretherton, ca. 1730–1806
Man with a Walking Stick in a Landscape
1773
Henry William Bunbury The Siege of Namur
Print made by Henry William Bunbury, 1750–1811
The Siege of Namur
between 1773 and 1817
John Crome Road Scene, Trowse Hall, near Norwich
Print made by John Crome, 1768–1821
Road Scene, Trowse Hall, near Norwich
1813
John Sell Cotman Cader Idris
Print made by John Sell Cotman, 1782–1842
Cader Idris
between 1824 and 1830
John Sell Cotman Castle Above a Waterfall
Print made by John Sell Cotman, 1782–1842
Castle Above a Waterfall
ca. 1830
Miles Edmund Cotman Study of Trees on the Banks of the Yare
Print made by Miles Edmund Cotman, 1810–1858
Study of Trees on the Banks of the Yare
1846
Richard Parkes Bonington Campos sur les bords du Rio das Velhas
Print made by Richard Parkes Bonington, 1802–1828
Campos sur les bords du Rio das Velhas
1827
Richard Parkes Bonington Edinbourgh vu de la Chapelle S. Antoine
Print made by Richard Parkes Bonington, 1802–1828
Edinbourgh vu de la Chapelle S. Antoine
ca. 1826
Richard Parkes Bonington Lac de Killin
Print made by Richard Parkes Bonington, 1802–1828
Lac de Killin
1826
Richard Parkes Bonington Glenfinlas
Print made by Richard Parkes Bonington, 1802–1828
Glenfinlas
1826
Richard Parkes Bonington Vue Generale des Ruines du Château d'Arlay
Print made by Richard Parkes Bonington, 1802–1828
Vue Generale des Ruines du Château d'Arlay
1827
unknown artist Illustrations used for 17th Century Chapbook
Print made by unknown artist
Illustrations used for 17th Century Chapbook
1909
Edward Calvert The Bride
Print made by Edward Calvert, 1799–1883
The Bride
1828
Edward Calvert The Return Home
Print made by Edward Calvert, 1799–1883
The Return Home
1830
George Baxter Christ's Charge to Peter
after George Baxter, 1804–1867
Christ's Charge to Peter
after 1855
Bradshaw & Blacklock Tintern Abbey
Bradshaw & Blacklock, active ca.1850
Tintern Abbey
after 1850
Gregory, Collins and Reynolds The Religion of Europe: Professed and Practiced
Print made by Gregory, Collins and Reynolds, active 1843
The Religion of Europe: Professed and Practiced
ca. 1845
Thomas Gainsborough Wooded Landscape with Herdsman and Cows
Print made by Thomas Gainsborough, 1727–1788
Wooded Landscape with Herdsman and Cows
between 1785 and 1788
John Grant Royal Horse Artillery, 1843
John Grant, Died 1873
Royal Horse Artillery, 1843
1843
Robert Havell Clifton Spring and Woods near Maidenhead
Robert Havell, 1769–1832
Clifton Spring and Woods near Maidenhead
1818
Louis Haghe His Majesty's Ship Britannia Leaving Hamoaze with the Lord High Admiral On Board
Louis Haghe, 1806–1885
His Majesty's Ship Britannia Leaving Hamoaze with the Lord High Admiral On Board
ca. 1840
Louis Haghe His Majesty's Ship Britannia Returning to Port
Louis Haghe, 1806–1885
His Majesty's Ship Britannia Returning to Port
ca. 1840
Pierre Charles Canot Morning
Print made by Pierre Charles Canot, ca. 1710–1777
Morning
1745
Pierre Charles Canot Evening
Print made by Pierre Charles Canot, ca. 1710–1777
Evening
1745
John Augustus Atkinson Fools; or Jesters
Print made by John Augustus Atkinson, 1775–1831
Fools; or Jesters
1813
Thomas Gainsborough Wooded Landscape with Peasant Reading Tombstone, Rustic Lovers and Ruined Church
Print made by Thomas Gainsborough, 1727–1788
Wooded Landscape with Peasant Reading Tombstone, Rustic Lovers and Ruined Church
1779 to 1780
John Horsburgh Ashestiel
Print made by John Horsburgh, 1791–1869
Ashestiel
1834
George Baxter The Belle of the Village
Print made by George Baxter, 1804–1867
The Belle of the Village
1854
Bradshaw & Blacklock Cathedrals in England
Print made by Bradshaw & Blacklock, active ca.1850
Cathedrals in England
after 1850
Bradshaw & Blacklock Chepstow Castle
Print made by Bradshaw & Blacklock, active ca.1850
Chepstow Castle
after 1850
Bradshaw & Blacklock Four Subjects
Print made by Bradshaw & Blacklock, active ca.1850
Four Subjects
after 1850
Bradshaw & Blacklock Four Subjects
Print made by Bradshaw & Blacklock, active ca.1850
Four Subjects
after 1850
Bradshaw & Blacklock Haddon Hall
Print made by Bradshaw & Blacklock, active ca.1850
Haddon Hall
after 1850
Bradshaw & Blacklock Greenwich Hospital
Print made by Bradshaw & Blacklock, active ca.1850
Greenwich Hospital
after 1850
Bradshaw & Blacklock Oriental Scenes
Print made by Bradshaw & Blacklock, active ca.1850
Oriental Scenes
after 1850
Bradshaw & Blacklock Osborne House
Print made by Bradshaw & Blacklock, active ca.1850
Osborne House
after 1850
Bradshaw & Blacklock Balmoral Castle
Print made by Bradshaw & Blacklock, active ca.1850
Balmoral Castle
after 1850
John Robert Cozens South View of Bath
Print made by John Robert Cozens, 1752–1797
South View of Bath
1773
John Robert Cozens Bath: The Crescent
Print made by John Robert Cozens, 1752–1797
Bath: The Crescent
1773
John Robert Cozens Bath: The South Parade
Print made by John Robert Cozens, 1752–1797
Bath: The South Parade
1773
John Robert Cozens Bath: The New Bridge
Print made by John Robert Cozens, 1752–1797
Bath: The New Bridge
1773
Bradshaw & Blacklock Ben Nevis
Print made by Bradshaw & Blacklock, active ca.1850
Ben Nevis
after 1850
Bradshaw & Blacklock Four Subjects
Print made by Bradshaw & Blacklock, active ca.1850
Four Subjects
after 1850
Bradshaw & Blacklock Four Subjects
Print made by Bradshaw & Blacklock, active ca.1850
Four Subjects
after 1850
William Finden The Drachenfels
Print made by William Finden, 1787–1852
The Drachenfels
1832-1834
unknown artist The Expedition against Cape Breton in Nova Scotia
unknown artist
The Expedition against Cape Breton in Nova Scotia
unknown artist West View of the City of Edinburgh
unknown artist
West View of the City of Edinburgh
ca. 1765
unknown artist The Prospect of ye Town of Perth
unknown artist
The Prospect of ye Town of Perth
unknown artist The Prospect of their Majesties Castle of Sterling
unknown artist
The Prospect of their Majesties Castle of Sterling
unknown artist The Prospect of the Town of St. Andrews
unknown artist
The Prospect of the Town of St. Andrews
unknown artist The Prospect of the Town of Dumblane
unknown artist
The Prospect of the Town of Dumblane
William Dickinson The Honorable Richard Edgcumbe, Second Earl of Mount Edgcumbe
William Dickinson, 1746–1823
The Honorable Richard Edgcumbe, Second Earl of Mount Edgcumbe
1774
Robert Wallis Coteaux de Mauves
Print made by Robert Wallis, 1794–1878
Coteaux de Mauves
1833
Alfred W. Cooper A-Hunting We Will Go
Print made by Alfred W. Cooper, active 1850–1901
A-Hunting We Will Go
undated
Alfred W. Cooper Frost and Snow (tail piece)
Print made by Alfred W. Cooper, active 1850–1901
Frost and Snow (tail piece)
undated
Alfred W. Cooper Frost and Snow
Print made by Alfred W. Cooper, active 1850–1901
Frost and Snow
undated
M. Coote Dudley Priory in Worcestershire, Plate 2
Print made by M. Coote, ca. 1758/62–1801
Dudley Priory in Worcestershire, Plate 2
before 1786
Giles King A View of the Black Rocks, and of the Mountains on the South Side of the Harbour of Dublin
Print made by Giles King, active 1732–1746
A View of the Black Rocks, and of the Mountains on the South Side of the Harbour of Dublin
ca. 1744