Credit Line: Yale Center for British Art, Paul Mellon Collection / Subject Terms: hills

401. Near Brixen, June 7

Creator:: John Robert Cozens, 1752–1797
Date:: undated
Materials & Techniques:: Graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/8 x 9 1/2 inches (15.6 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

402. Upon the River Inn, Tirol, June 5

Creator:: John Robert Cozens, 1752–1797
Date:: undated
Materials & Techniques:: Graphite and varnish on thin, slightly textured, beige laid paper
Dimensions:: Sheet: 7 3/8 x 9 5/8 inches (18.7 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

403. King's Palace at Portici, August 28

Creator:: John Robert Cozens, 1752–1797
Date:: undated
Materials & Techniques:: Graphite and varnish on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/8 x 9 1/2 inches (18.1 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

404. Monet della Madonna near Arquà, June 19

Creator:: John Robert Cozens, 1752–1797
Date:: undated
Materials & Techniques:: Graphite and varnish on thin, slightly textured, beige laid paper
Dimensions:: Sheet: 7 5/8 x 9 1/4 inches (19.4 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

405. Grand Chartreuse, October 25

Creator:: John Robert Cozens, 1752–1797
Date:: undated
Materials & Techniques:: Graphite and varnish on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/8 x 9 3/8 inches (18.1 x 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

406. On the Gulf of Salerno Near Vietri, September 27

Creator:: John Robert Cozens, 1752–1797
Date:: undated
Materials & Techniques:: Graphite and varnish on thin, slightly textured, beige laid paper
Dimensions:: Sheet: 7 1/2 x 9 3/4 inches (19.1 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

407. Coast of Genoa

Creator:: John Robert Cozens, 1752–1797
Date:: undated
Materials & Techniques:: Graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 6 3/8 x 10 1/8 inches (16.2 x 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

408. Near Vietri, September 27

Creator:: John Robert Cozens, 1752–1797
Date:: undated
Materials & Techniques:: Graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/4 x 9 1/2 inches (15.9 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

409. Ben Nevis

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint and stipple engraving, with color woodcut on cream card mounted on beige card
Dimensions:: Image: 1 7/8 x 4 15/16 inches (4.8 x 12.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

410. Four Subjects

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, etching, stipple engraving and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:: Image: 4 5/16 x 3 1/4 inches (11 x 8.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

411. Four Subjects

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, etching, stipple engraving and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:: Image: 4 3/8 x 3 1/4 inches (11.1 x 8.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

412. Dover

Creator:: John Martin, 1789–1854
Date:: 1833
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/4 x 10 1/4 inches (19.7 x 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

413. The Drachenfels

Creator:: Print made by William Finden, 1787–1852
Date:: 1832-1834
Materials & Techniques:: Etching and engraving with chine collé; first published state on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 15/16 × 16 5/8 inches (27.8 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

414. The Expedition against Cape Breton in Nova Scotia

Creator:: unknown artist
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 7 x 11in. (17.8 x 27.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

415. West View of the City of Edinburgh

Creator:: unknown artist
Date:: ca. 1765
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

416. The Prospect of ye Town of Perth

Creator:: unknown artist
Materials & Techniques:: Hand-colored engraving on laid paper
Dimensions:: Plate: 10 1/2 x 17in. (26.7 x 43.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

417. The Prospect of their Majesties Castle of Sterling

Creator:: unknown artist
Materials & Techniques:: Hand-colored engraving on laid paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

418. The Prospect of the Town of St. Andrews

Creator:: unknown artist
Materials & Techniques:: Hand-colored engraving on laid paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

419. The Prospect of the Town of Dumblane

Creator:: unknown artist
Materials & Techniques:: Hand-colored engraving on laid paper
Dimensions:: Plate: 10 1/2 x 16 3/4in. (26.7 x 42.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

420. A Welsh Landscape a Lay-in'

Creator:: John Varley, 1778–1842
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 7/16 × 10 1/4 inches (16.4 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

421. Landscape With Figures and a Wagon

Creator:: David Charles Read, 1790–1851
Date:: undated
Materials & Techniques:: watercolor on medium, rough, beige laid paper
Dimensions:: Sheet: 4 1/16 × 6 3/4 inches (10.3 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

422. Landscape With a Ploughed Field in the Foreground

Creator:: David Charles Read, 1790–1851
Date:: undated
Materials & Techniques:: Watercolor on moderately thick, rough, beige laid paper
Dimensions:: Sheet: 4 1/8 × 7 13/16 inches (10.5 × 19.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

423. Landscape with Hills in the Distance

Creator:: David Charles Read, 1790–1851
Date:: undated
Materials & Techniques:: Watercolor on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 4 7/16 × 7 3/16 inches (11.3 × 18.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

424. Landscape with Trees; a River in the Background

Creator:: David Charles Read, 1790–1851
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, rough, beige wove paper
Dimensions:: Sheet: 3 7/8 × 6 11/16 inches (9.8 × 17 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

425. Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor over etched outline, with gouache, and pen in black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 11/16 × 7 3/4 inches (11.9 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

426. "Doing the Thing: and the Thing Done:" Doing it Somehow

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1818
Materials & Techniques:: Watercolor, pen and black ink, brown ink and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 6 × 9 1/8 inches (15.2 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

427. "Some Do and Some Don't: It is All a Notion:" Getting into a Difficulty

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1848 and 1851
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 9/16 × 10 11/16 inches (19.2 × 27.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

428. "Some Do and Some Don't: It is All a Notion:" Getting Over a Difficulty

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1848 and 1851
Materials & Techniques:: Graphite and watercolor on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 7 9/16 × 10 11/16 inches (19.2 × 27.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

429. A Mail Coach in a Hilly Landscape

Creator:: William Makepeace Thackeray, 1811–1863
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 2 5/8 × 8 7/8 inches (6.7 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

430. "You're Not Going to Follow, Belle, Are You?"

Creator:: Hablot Knight Browne, 1815–1882
Date:: undated
Materials & Techniques:: Graphite, watercolor and white gouache on moderately thick, slightly textured, gray wove paper
Dimensions:: Mount: 16 × 21 15/16 inches (40.6 × 55.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

431. Wild Duck Shooting

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, pen and gray ink, brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/4 × 12 3/4 inches (22.2 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

432. The Honorable Richard Edgcumbe, Second Earl of Mount Edgcumbe

Creator:: William Dickinson, 1746–1823
Date:: 1774
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 15 3/8 × 11 inches (39 × 28 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

433. Coteaux de Mauves

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1833
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

434. A-Hunting We Will Go

Creator:: Print made by Alfred W. Cooper, active 1850–1901
Date:: undated
Materials & Techniques:: Wood-engraving with hand coloring on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 15/16 x 5 3/16 inches (12.6 x 13.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

435. Frost and Snow (tail piece)

Creator:: Print made by Alfred W. Cooper, active 1850–1901
Date:: undated
Materials & Techniques:: Wood-engraving with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 3 1/2 x 4 1/4 inches (8.9 x 10.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

436. Frost and Snow

Creator:: Print made by Alfred W. Cooper, active 1850–1901
Date:: undated
Materials & Techniques:: Wood-engraving with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/16 x 6 5/8 inches (20.8 x 16.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

437. Dudley Priory in Worcestershire, Plate 2

Creator:: Print made by M. Coote, ca. 1758/62–1801
Date:: before 1786
Materials & Techniques:: Line engraving and etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 13/16 × 7 5/8 inches (14.7 × 19.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

438. A View of the Black Rocks, and of the Mountains on the South Side of the Harbour of Dublin

Creator:: Print made by Giles King, active 1732–1746
Date:: ca. 1744
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

439. A Prospect of the City of Dublin, from the Magazine Hill, in his Majesty's Phoenix Park

Creator:: Print made by James Mason, 1710–1783
Materials & Techniques:: Hand-colored engraving on laid paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

440. Grouse Shooting: The Right Sort

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, pen and red ink, brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/2 × 10 13/16 inches (21.6 × 27.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

441. A Prospect of the New Aqueduct of Lisbon, as crossing over the Valley of Alcantra on Stone Arches, the Largest of which is 150 feet wide, and 249 feet High. Which is 47 feet higher than the Monument in London

A Prospect of the New Aqueduct of Lisbon, as crossing over the Valley of Alcantra on Stone Arches, the Largest of which is 150 feet wide, and 249 feet High. Which is 47 feet higher than the Monument in London

Creator:: Print made by Thomas Bowles III, ca. 1712–1767
Date:: between 1780 and 1815
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

442. The City of Lisbon as before the dreadful Earthquake of November 1st 1755;...

Creator:: Print made by John Couse, active 1753–1764
Date:: between 1780 and 1815
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 10 1/4 × 15 3/4 inches (26 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

443. A General View of the City of Madrid, the Capital of Kingdom of Spain

Creator:: unknown artist
Materials & Techniques:: Hand-colored engraving on laid paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

444. A View of Florence from the Convent of Capuchins at Montugi

Creator:: Print made by Thomas Bowles III, ca. 1712–1767
Date:: undated
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

445. A Perspective View of the City of Naples

Creator:: Print made by Thomas Bowles III, ca. 1712–1767
Date:: undated
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

446. The Castle on the Hill

Creator:: John Varley, 1778–1842
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 3/4 x 18 5/8 inches (34.9 x 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

447. Open Landscape with Cathedral in Distance

Creator:: Joshua Cristall, 1768–1847
Date:: undated
Materials & Techniques:: Watercolor with black ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 5 1/4 x 22 inches (13.3 x 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

448. In Portsmouth Harbor

Creator:: George Jackson, active 1839–1844
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, graphite, gouache, and scratching out on medium, smooth, cream wove paper
Dimensions:: Sheet: 3 3/8 × 4 3/16 inches (8.6 × 10.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

449. Kilgarren Castle, South Wales

Creator:: William Elliot, active 1774, died 1792
Date:: 1765
Materials & Techniques:: Line engraving and etching with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 18 x 24 3/4 inches (45.7 x 62.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

450. Blockley Church

Creator:: Print made by Thomas Bonnor, ca. 1740–ca. 1812
Date:: ca. 1793
Materials & Techniques:: Line engraving with etching on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 8 5/16 × 11 11/16 inches (21.1 × 29.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

451. Title page for a 'New Drawing Book principally consisting of Beasts in various Actions' (1 of 6)

Creator:: Print made by George Bickham the Elder, 1683/4–1758
Date:: 1730
Materials & Techniques:: Etching on medium, smooth, cream laid paper
Dimensions:: Sheet: 11 7/8 x 7 1/8 inches (30.2 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

452. A Man, a horse and two dogs, a Pl. for 'A New Drawing Book..of Beasts in Various Actions' (1 of 6)

Creator:: Print made by George Bickham the Elder, 1683/4–1758
Date:: undated
Materials & Techniques:: Etching on medium, smooth, cream laid paper
Dimensions:: Sheet: 11 7/8 x 7 5/16 inches (30.2 x 18.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

453. Two Deer, a Pl. for 'A New Drawing Book...of Beasts in Various Actions' (1 of 9)

Creator:: Print made by George Bickham the Elder, 1683/4–1758
Date:: undated
Materials & Techniques:: Etching on medium, smooth, cream laid paper
Dimensions:: Sheet: 11 5/16 x 7 5/16 inches (28.8 x 18.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

454. A Horse and a dog, a Pl. for 'A New Drawing Book...of Beasts in Various Actions' (1 of 9)

Creator:: Print made by George Bickham the Elder, 1683/4–1758
Date:: undated
Materials & Techniques:: Etching on medium, smooth, cream laid paper
Dimensions:: Sheet: 11 15/16 x 7 5/16 inches (30.3 x 18.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

455. Title page for ' A New Drawing Book...of Various Kinds of Birds, Drawn from the Life by Mr. Francis Barlow' 1731 (1 of 9)

Creator:: Print made by George Bickham the Elder, 1683/4–1758
Date:: 1731
Materials & Techniques:: Etching on medium, smooth, cream laid paper
Dimensions:: Sheet: 11 1/8 x 7 5/16 inches (28.3 x 18.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

456. Two Crested cranes and four other birds, a Pl. for 'A New Drawing Book...of Various Kinds of Birds, Drawn from Life by Mr. Francis Barlow' 1731 (1 of 9)

Creator:: Print made by George Bickham the Elder, 1683/4–1758
Date:: 1731
Materials & Techniques:: Etching on medium, smooth, cream laid paper
Dimensions:: Sheet: 11 5/16 x 7 5/16 inches (28.7 x 18.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

457. Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing

Creator:: William Hincks, 1752–1797
Date:: 1791
Materials & Techniques:: Stipple engraving with etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 3/16 x 17 1/2 inches (36 x 44.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

458. A View of the City of Oporto

Creator:: Print made by unknown artist
Date:: between 1780 and 1815
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 11 × 16 1/4 inches (27.9 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

459. View from the Vidette Near Hakin on Signal Hill, Looking Beyond Nangle Point and Thorn Island, Pembrokeshire

Creator:: John Warwick Smith, 1749–1831
Date:: 1764-1831
Materials & Techniques:: Watercolor and graphite on medium, smooth, cream wove paper
Dimensions:: Mount: 11 5/8 × 17 9/16 inches (29.5 × 44.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

460. The Death

Creator:: Possibly Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 5/8 × 10 11/16 inches (21.9 × 27.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

461. The Huntsman and a Rider Encouraging the Hounds

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/16 × 14 7/16 inches (26.5 × 36.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

462. 'Riding to Horses with Difficulty'

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 5/16 × 13 1/4 inches (23.7 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

463. Steeplechasing: The Field taking a Low Rail and a Brook

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 5/8 × 14 7/8 inches (27 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

464. Steeplechasing: Three Riders Galloping to Right, Mounted Spectators in Background

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 3/8 inches (26 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

465. Foxhunting at Melton Mowbray, 1835: The Cream of the Thing

Creator:: Edward Hull, 1810–1877
Date:: ca. 1835
Materials & Techniques:: Watercolor, pen and brown ink, graphite, gum arabic, and gouache on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 3/8 inches (26 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

466. Salmon Spearing

Creator:: Julius Caesar Ibbetson, 1759–1817
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, graphite, and gouache on medium, smooth, cream wove paper
Dimensions:: Sheet: 8 9/16 × 11 1/4 inches (21.7 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

467. Foxhunting: Full Cry

Creator:: Edwin W. Cooper of Beccles, 1785–1833
Date:: 1816
Materials & Techniques:: Watercolor, pen and black ink, gray ink, brown ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 5/8 × 19 3/16 inches (32.1 × 48.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

468. The Canterbury-Dover Coach Passing Vanbrugh Castle

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1795 and 1800
Materials & Techniques:: Watercolor, in pen with brown ink and gray ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 x 17 15/16 inches (29.2 x 45.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

469. Myles Sandys' Hounds and Huntsmen Scenting a Hare

Creator:: Thomas Sunderland, 1744–1828
Date:: undated
Materials & Techniques:: Pen and brown ink, graphite, gray wash, and blue wash on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 12 × 17 13/16 inches (30.5 × 45.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

470. Carnarvon Castle

Creator:: William Byrne, 1743–1805
Date:: 1775
Materials & Techniques:: Line engraving and etching with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 1/2 x 24 1/4 inches (44.5 x 61.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

471. The Great Bridge over the Taafe

Creator:: Pierre Charles Canot, ca. 1710–1777
Date:: 1775
Materials & Techniques:: Line engraving and etching with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 5/8 x 24 5/8 inches (44.8 x 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

472. The Summit of Cader Idris Mountain

Creator:: Print made by Edward Rooker, 1724–1774
Date:: 1775
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/2 × 20 7/16 inches (39.4 × 51.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

473. Snowden Hill

Creator:: William Woollett, 1735–1785
Date:: 1775
Materials & Techniques:: Line engraving and etching with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 3/4 x 21 3/8in. (40 x 54.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

474. Londres. Vue Prise de la Tour de l'Eglise de St. Paul

Creator:: Print made by Henry Walter, 1786–1849
Date:: 1860
Materials & Techniques:: Lithograph, hand colored on moderately thick, smooth, cream wove paper
Dimensions:: Mount: 21 x 30 1/2 inches (53.4 x 77.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

475. Mrs. Abington as Thalia

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: ca. 1783
Materials & Techniques:: Stipple engraving, with hand colored ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 3/16 × 7 1/8 inches (23.4 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

476. Knighton, the Seat of George M. Bisset, Esq.

Creator:: Richard Bernard Godfrey, 1728–op.1794
Date:: before 1781
Materials & Techniques:: Etching on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 8 9/16 x 11 1/8 inches (21.7 x 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

477. The Watercress Girl

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1796
Materials & Techniques:: Line engraving and stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/2 × 9 7/8 inches (34.3 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

478. Inverlochy Castle, Invernesshire

Creator:: Henry Griffiths, 1835–1849
Date:: 1836
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/2 × 11 3/16 inches (21.6 × 28.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

479. Red-Scar, the Residence of William Cross, Esquire

Creator:: Thomas Higham, 1796–1844
Date:: 1832
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 8 x 10 3/4 inches (20.3 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

480. Manse and Church of Cults, the Birthplace of Wilkie

Creator:: John Cousen, 1804–1880
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 8 1/8 × 8 11/16 inches (20.6 × 22 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

481. Marlow, Bucks

Creator:: unknown artist
Date:: 1805
Materials & Techniques:: Soft-ground etching with hand coloring on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 6 5/16 × 10 1/16 inches (16.1 × 25.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

482. Benevento, Kingdom of Naples

Creator:: Print made by Charles Heath, 1785–1848
Date:: undated
Materials & Techniques:: Etching on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 4 15/16 × 6 7/8 inches (12.5 × 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

483. View of Tintern Abbey on the River Wye

Creator:: Francis Jukes, 1747–1812
Date:: 1799
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 12 5/8 x 17 1/8in. (32.1 x 43.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

484. Rural Scene with Herdsboys and Three Cows, Large Tree in Foreground

Creator:: Print made by Louisa Augusta Greville, 1743–active 1762
Date:: 1760
Materials & Techniques:: Etching in brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 18 3/8 x 12 5/8 inches (46.6 x 32 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

485. Man Leading Tow Mules Supporting a Chair, Large Tree in Foreground

Creator:: Louisa Augusta Greville, 1743–active 1762
Date:: 1759
Materials & Techniques:: Etching in brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 1/2 × 12 inches (44.4 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

486. In Her Love-Darting Eyes Awakes the Fires

Creator:: Alexander van Haecken, 1701–1758
Date:: between 1735 and 1757
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 17 7/8 × 11 13/16 inches (45.4 × 30 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

487. Ashestiel

Creator:: Print made by William Richardson, active 1842–1877
Date:: 1854 reprint
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/4 × 5 inches (19.7 × 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

488. Ashestiel

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1834
Materials & Techniques:: Etching and engraving with chine collé on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 × 10 1/2 inches (36.8 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

489. View of His Majesty's Ship Boyne of 98 Guns, on Fire by Accident at Spithead, May 1, 1795

Creator:: John William Edy, 1760–1820
Date:: 1797
Materials & Techniques:: Aquatint and etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/8 × 18 11/16 inches (35.9 × 47.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

490. Boy Tying a Girl's Shoe

Creator:: Print made by Robert Barnes, 1840–1895
Date:: undated
Materials & Techniques:: Wood-engraving with watercolor on moderately thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured, beige wove paper
Dimensions:: Mount: 8 3/4 x 7 7/8 inches (22.2 x 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

491. Young Mother, Baby Girl and Boy Beside a Country Fence

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Wood engraving with hand coloring on moderately thick, slightly textured, cream wove paper pasted on contemporary mount made of moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 8 5/8 × 6 5/8 inches (21.9 × 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

492. Elderly Couple on a Park Bench, with Two Men Beyond

Creator:: Print made by Robert Barnes, 1840–1895
Date:: undated
Materials & Techniques:: Wood-engraving with watercolor on thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured, beige wove paper
Dimensions:: Mount: 6 1/4 x 8 1/16 inches (15.9 x 20.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

493. Three Men and Two Boys Sitting on a Pier

Creator:: Print made by Robert Barnes, 1840–1895
Date:: undated
Materials & Techniques:: Wood-engraving with watercolor on moderately thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured, beige wove paper
Dimensions:: Mount: 5 9/16 x 7 9/16 inches (14.2 x 19.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

494. The Nightingale

Creator:: Print made by Alfred W. Cooper, active 1850–1901
Date:: undated
Materials & Techniques:: Wood-engraving with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 x 7 3/16 inches (26.6 x 18.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

495. A Fishing Village (tail piece)

Creator:: Print made by Alfred W. Cooper, active 1850–1901
Date:: undated
Materials & Techniques:: Wood-engraving with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 4 x 6 5/8 inches (10.2 x 16.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

496. The Farmer's Boy (tail piece)

Creator:: Print made by Alfred W. Cooper, active 1850–1901
Date:: undated
Materials & Techniques:: Wood-engraving with hand coloring on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 5/8 x 4 15/16 inches (9.2 x 12.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

497. Lake Albano

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1828
Materials & Techniques:: Etching and engraving with chine collé; first state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 14 1/4 inches (27.9 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

498. Views in the Levant: View of a Harbour and Town From the Sea, Turkey

Creator:: Willey Reveley, 1760–1799
Date:: ca. 1785
Materials & Techniques:: Watercolor, pen and black ink, brown ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 1/2 × 14 1/8 inches (19.1 × 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

499. Views in the Levant: Two Rowing Boats and a Sailboat by a Steep Cliff, Hilly Landscape Seen From the Sea

Creator:: Willey Reveley, 1760–1799
Date:: ca. 1785
Materials & Techniques:: Watercolor, pen and black ink, gray ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 13 1/16 × 24 1/4 inches (33.2 × 61.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

500. Views in the Levant: Landscape With Hills in Distance (page from a sketchbook)

Creator:: Willey Reveley, 1760–1799
Date:: ca. 1785
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 28 5/8 inches (22.2 × 72.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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401. Near Brixen, June 7

402. Upon the River Inn, Tirol, June 5

403. King's Palace at Portici, August 28

404. Monet della Madonna near Arquà, June 19

405. Grand Chartreuse, October 25

406. On the Gulf of Salerno Near Vietri, September 27

407. Coast of Genoa

408. Near Vietri, September 27

409. Ben Nevis

410. Four Subjects

411. Four Subjects

412. Dover

413. The Drachenfels

414. The Expedition against Cape Breton in Nova Scotia

415. West View of the City of Edinburgh

416. The Prospect of ye Town of Perth

417. The Prospect of their Majesties Castle of Sterling

418. The Prospect of the Town of St. Andrews

419. The Prospect of the Town of Dumblane

420. A Welsh Landscape a Lay-in'

421. Landscape With Figures and a Wagon

422. Landscape With a Ploughed Field in the Foreground

423. Landscape with Hills in the Distance

424. Landscape with Trees; a River in the Background

425. Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'

426. "Doing the Thing: and the Thing Done:" Doing it Somehow

427. "Some Do and Some Don't: It is All a Notion:" Getting into a Difficulty

428. "Some Do and Some Don't: It is All a Notion:" Getting Over a Difficulty

429. A Mail Coach in a Hilly Landscape

430. "You're Not Going to Follow, Belle, Are You?"

431. Wild Duck Shooting

432. The Honorable Richard Edgcumbe, Second Earl of Mount Edgcumbe

433. Coteaux de Mauves

434. A-Hunting We Will Go

435. Frost and Snow (tail piece)

436. Frost and Snow

437. Dudley Priory in Worcestershire, Plate 2

438. A View of the Black Rocks, and of the Mountains on the South Side of the Harbour of Dublin

439. A Prospect of the City of Dublin, from the Magazine Hill, in his Majesty's Phoenix Park

440. Grouse Shooting: The Right Sort

441. A Prospect of the New Aqueduct of Lisbon, as crossing over the Valley of Alcantra on Stone Arches, the Largest of which is 150 feet wide, and 249 feet High. Which is 47 feet higher than the Monument in London

442. The City of Lisbon as before the dreadful Earthquake of November 1st 1755;...

443. A General View of the City of Madrid, the Capital of Kingdom of Spain

444. A View of Florence from the Convent of Capuchins at Montugi

445. A Perspective View of the City of Naples

446. The Castle on the Hill

447. Open Landscape with Cathedral in Distance

448. In Portsmouth Harbor

449. Kilgarren Castle, South Wales

450. Blockley Church

451. Title page for a 'New Drawing Book principally consisting of Beasts in various Actions' (1 of 6)

452. A Man, a horse and two dogs, a Pl. for 'A New Drawing Book..of Beasts in Various Actions' (1 of 6)

453. Two Deer, a Pl. for 'A New Drawing Book...of Beasts in Various Actions' (1 of 9)

454. A Horse and a dog, a Pl. for 'A New Drawing Book...of Beasts in Various Actions' (1 of 9)

455. Title page for ' A New Drawing Book...of Various Kinds of Birds, Drawn from the Life by Mr. Francis Barlow' 1731 (1 of 9)

456. Two Crested cranes and four other birds, a Pl. for 'A New Drawing Book...of Various Kinds of Birds, Drawn from Life by Mr. Francis Barlow' 1731 (1 of 9)

457. Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing

458. A View of the City of Oporto

459. View from the Vidette Near Hakin on Signal Hill, Looking Beyond Nangle Point and Thorn Island, Pembrokeshire

460. The Death

461. The Huntsman and a Rider Encouraging the Hounds

462. 'Riding to Horses with Difficulty'

463. Steeplechasing: The Field taking a Low Rail and a Brook

464. Steeplechasing: Three Riders Galloping to Right, Mounted Spectators in Background

465. Foxhunting at Melton Mowbray, 1835: The Cream of the Thing

466. Salmon Spearing

467. Foxhunting: Full Cry

468. The Canterbury-Dover Coach Passing Vanbrugh Castle

469. Myles Sandys' Hounds and Huntsmen Scenting a Hare

470. Carnarvon Castle

471. The Great Bridge over the Taafe

472. The Summit of Cader Idris Mountain

473. Snowden Hill

474. Londres. Vue Prise de la Tour de l'Eglise de St. Paul