Holland Estate, St. Thomas in the East, View from the Change of Air House
between 1820 and 1821
307
Imitator of George Baxter, 1804–1867
Funeral of the Late Duke of Wellington
after 1852
308
Print made by Bradshaw & Blacklock, active ca.1850
The Crimean War
after 1850
309
Print made by Bradshaw & Blacklock, active ca.1850
Osborne House
after 1850
310
Print made by Bradshaw & Blacklock, active ca.1850
Rural Scenes
after 1850
311
after George Baxter, 1804–1867
Prince Albert
after 1855
312
Print made by Francesco Bartolozzi, 1728–1815
To His Grace The Duke Of Newcastle, This Print Of The Return From Shooting
1792
313
Print made by John Robert Cozens, 1752–1797
Bath: The Circus
1773
314
Print made by John Robert Cozens, 1752–1797
The City of Bath taken from the London Road
1773
315
Print made by John Robert Cozens, 1752–1797
Bath: The South Parade
1773
316
Thomas Girtin, 1775–1802
The Village of Kirkstall, Yorkshire
1801
317
Benjamin Thomas Pouncey, active 1772–1799
Farningham, Kent
1784
318
unknown artist
Horses, Cow and Men
undated
319
unknown artist
Horses and Landscape
undated
320
unknown artist
Man, Horses and Dogs
undated
321
unknown artist
Dogs, People and Horses
undated
322
unknown artist
Horse, Man and Pig
undated
323
Godfrey Thomas Vigne, 1801–1863
Cerco de Paro, Lima
ca. 1855
324
Godfrey Thomas Vigne, 1801–1863
Tucumán, Argentina
1854
325
William Simpson, 1823–1899
The Residency, Lucknow
1864
326
William Simpson, 1823–1899
The Dilkoosha, Lucknow in the Distance
1866
327
Richard Morris, active 1830
Regent's Park, London, The Colosseum, Clergy's Orphans' School and St. Andrew's Place, with Figures and Coaches
ca. 1831
328
Thomas Shotter Boys, 1803–1874
Notre Dame, Paris
between 1831 and 1845
329
James Pattison Cockburn, 1779–1847
Advanced Guard - Sunrise
ca. 1832
330
John Hassell, 1767–1825
View of Sion House from the Banks of the Thames
1799
331
John Robert Cozens, 1752–1797
Statues and Ruins
undated
332
Lawrence Josset, 1910–1995
The Drummond Family
1960
333
Print made by George Baxter, 1804–1867
The Great Exhibition: Exterior View from the Southwest
1851
334
Print made by Bradshaw & Blacklock, active ca.1850
Castles in England
after 1850
335
Thomas Rowlandson, 1756–1827
View on Exmoor
undated
336
Print made by unknown artist
St. Vincent's Rocks, Clifton (Hotwell House and Baths)
ca. 1840
337
John Harris, 1811–1865
Coaching: The Taglioni !!!!
1837
338
Print made by unknown artist
The Battle of Lowoschutz in Bohemia;..
339
Print made by unknown artist
The Battle of Taniers, Part Second
undated
340
Francois Vivares, 1709–1780
A View from Richmond Hill up the River
341
Print made by unknown artist
The Battle of Blenheim MDCCIV, Part the Second
undated
342
James Mason, 1710–1783
A View of the Countess of Suffolks House near Twickenham
343
unknown artist
A View of the Fleet at Spithead, Taken from Stone Common near Exbury Distant upwards of 3 Leagues. A, Spithead. B, The Mother Bank. C, Ashey Sea Mark. D, Mouth of Southampton River. E, Portsmouth Tower. F, Gilkiker. G, Castle of Cows
344
James Ward, 1769–1859
A Farmhand Riding Side-saddle, Carrying an Urn
undated
345
David Charles Read, 1790–1851
Landscape With Figures and a Wagon
undated
346
Heinrich W. Schweickhardt, 1746–1797
Haymaking
undated
347
Print made by Nathaniel Parr, active 1742–1751
A Prospect of the Palace of Chantilli
1739
348
I. Pane
A View of the Glorious Action of Dettingen June 16/27 O.S.N.S between the Forces of tghe Allies Commanded by the King of Great Britain and the French Army under the Marshal Noailles
349
Print made by John Couse, active 1753–1764
A View of the Bastille at Paris, the Gate of St. Anthony , & the adjacent Suburbs
1789
350
John Couse, active 1753–1764
A View of the Town House or Guild Hall of Paris And from thence on both sides ye River Seine to St. Mary's Bridge & to ye Wooden Bridge call'd Pont Rouge
351
Print made by unknown artist
The Battle of Blenheim
undated
352
Tessa Pullan, born 1953
Racing Scene: three racehorses with jockeys up
1994
353
Print made by Thomas Bowles III, ca. 1712–1767
The Church of St. Mary Le Bow in Cheapside London
354
James Seymour, 1702–1752
Six Studies of Horses and Riders
undated
355
unknown artist
Morning
1799
356
unknown artist
Evening
1799
357
Print made by unknown artist
The Lord Mayor's Mansion House, shewing the Front of the House & the West Side
358
unknown artist
Mid-Day
1799
359
George Alken, 1794–active 1837
Foxhunting: Rider, Taking a Fence
undated
360
Henry Thomas Alken, 1785–1851
"Scraps", no. 34: Mounted Mameluke Pointing a Pistol
1823
361
George Alken, 1794–active 1837
Foxhunting: Full Cry
between 1827 and 1837
362
Henry Thomas Alken, 1785–1851
A Gentleman Riding With a Groom, and Coversing
undated
363
George Alken, 1794–active 1837
Foxhunting: Drawing Covert
undated
364
Thomas Bowles III, ca. 1712–1767
A View of Somerset House with St. Mary's Church in the Strand London
365
Henry Thomas Alken, 1785–1851
"Landscape Scenery", No. 7: Scenes of Cricket and a Waggoner With His Team
1821
366
Henry Thomas Alken, 1785–1851
"Scraps", no 17: Racing, Three Horses with Jockeys Up Galloping to Right
undated
367
Henry Thomas Alken, 1785–1851
"Landscape Scenery", No. 18: Scenes of Horse Drawn Artillery, etc
1821
368
Henry Thomas Alken, 1785–1851
"Scraps", no. 22: Hunting, Unkennelling with Two Riders Watching
undated
369
Henry Thomas Alken, 1785–1851
"Scraps", No. 26: Hunting - The Kill, Fox About to be Thrown to the Hounds
undated
370
Henry Thomas Alken, 1785–1851
"Landscape Scenery", No. 13: Groups of Infantry and Army Horses
1821
371
Henry Thomas Alken, 1785–1851
"Scraps", No. 24: Hunting -Ttwo Riders, One Opening a Gate For Hounds
1823
372
Henry Thomas Alken, 1785–1851
"Scraps", No. 27: Two Dismounted Riders Drinking at an Alehouse Door
1823
373
Henry Thomas Alken, 1785–1851
"Scraps", No. 8: Scenes of a Lancer and Other Cavalry
1823
374
Henry Thomas Alken, 1785–1851
Symptoms: of to be Sold, of Despair, of Who is There, of Sold and Had Him a Week
between 1818 and 1822
375
Henry Thomas Alken, 1785–1851
Symptoms: of Being Bang Up, of a Fine Woman, of Being Bang Down, Of a Quiet One
between 1818 and 1822
376
Henry Thomas Alken, 1785–1851
"Scraps", No. 39: Mounted Hussars
1823
377
Henry Thomas Alken, 1785–1851
Symptoms: of How Do You Do, of I Should Not Have Known You, of My Lud, Of Easing a Patient, of a Loose Rein, of Wokey, of Tight in Hand
between 1818 and 1822
378
Henry Thomas Alken, 1785–1851
Symptoms: of None of Your Stuff, of a Declaration, of a Meltonian, of Is that a Writ I See Before Me, of a Love Feast, of a Buck
between 1818 and 1822
379
Henry Thomas Alken, 1785–1851
Symptoms: of Up With a Down Prospect, of Down with an Up Prospect, of Learning to Trot, of a Hard Mouth
between 1818 and 1822
380
Henry Thomas Alken, 1785–1851
Symptoms: of Full Pay, of Half pay, of a strong attachment in the Dog, of anything but go, of no strong attachment to the Horse
between 1818 and 1822
381
Henry Thomas Alken, 1785–1851
Symptoms: of a Few Neat Ones going to a Mill, of Returning from the Epping Hunt
between 1818 and 1822
382
Henry Thomas Alken, 1785–1851
Knight Falling From His Horse at a Squire's Tilt
undated
383
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'
between 1831 and 1832
384
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'
between 1831 and 1832
385
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '
between 1831 and 1832
386
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'
between 1831 and 1832
387
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '
between 1831 and 1832
388
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water'
between 1831 and 1832
389
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'
between 1831 and 1832
390
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'
between 1831 and 1832
391
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport'
between 1831 and 1832
392
Henry Thomas Alken, 1785–1851
An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'
1842
393
Henry Thomas Alken, 1785–1851
"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
between 1831 and 1832
394
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
undated
395
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'
undated
396
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'
undated
397
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Leap: 'That Will Shut Out Many, and Make the Thing Select'
undated
398
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'
undated
399
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Morning. Turning Out in Prime Twig. Doing the Least you Can
1818
400
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks Beats the Baron for Speed'