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Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionSubject Terms literary theme
Remove constraint Subject Terms: literary themeSearch Results
1
- The Farmer's Wife and the Raven
- 1786
- Not on view
2
- The Beggar's Opera
- 1729
- Not on view
3
- The Horse
- ca. 1805
- Not on view
4
- 'The Triumph of Mercy,' from Collins' 'Ode To Mercy'
- 1788 to 1790
- Not on view
5
- 'The Vicar of Wakefield,' Vol. II, Chap. III: The Return of Olivia
- 1786
- Not on view
6
- 'The Vicar of Wakefield,' Vol. I, Chap. VIII: Dining in the Hayfields' (Surprised by Mr. Thornhill's Chaplain)
- 1786
- Not on view
7
- Imogen and the Shepherds, 'Cymbeline,' Act IV, scene II
- ca. 1874
- Not on view
8
- Edward Shuter, John Beard, and John Dunstall in Isaac Bickerton's "Love in a Village"
- 1767
- Not on view
9
- Henry Woodward as Petruchio in Catherine and Petruchio, a version by Garrick of "The Taming of the Shrew"
- between 1773 and 1774
- Not on view
10
- Virgil's Tomb by Moonlight, with Silius Italicus
- 1779
- Not on view
11
- Study for 'The Red Cross Knight'
- ca. 1793
- Not on view
12
- Captain Macheath Upbraided by Polly and Lucy in the 'Beggar's Opera', 1826
- 1826
- Not on view
13
- Gulliver Taking His Final Leave of the Land of the Houyhnhnms
- 1769
- Not on view
14
- Gulliver Addressing the Houyhnhnms
- 1769
- Not on view
15
- Mr. Peregrine Touchwood Breaking in upon the Rev. Josiah Cargill
- 1831
- Not on view
16
- Mrs. Cibber as Cordelia
- 1755
- Not on view
17
- Valentine rescuing Silvia from Proteus, from Shakespeare's "The Two Gentlemen of Verona," Act V, Scene 4, the Outlaws' Cave
- 1792
- Not on view
18
- The Cave of Despair
- 1772
- Not on view
19
- Hamlet and his Mother; The Closet Scene
- 1846
- Not on view
20
- The revelation of Olivia's betrothal, from "Twelfth Night," Act V, Scene i
- ca. 1790
- Not on view
21
- The Ghost of Clytemnestra Awakening the Furies
- 1781
- Not on view
22
- Rinaldo and Armida
- 1771
- Not on view
23
- Scene from Shakespeare's "Henry IV, Part I"
- 1746
- Not on view
24
- Louis-Francois Roubiliac Modelling His Monument to Shakespeare
- between 1760 and 1761
- Not on view
25
- The Harlowe Family, from Samuel Richardson's "Clarissa"
- between 1745 and 1747
- Not on view
26
- A Knight and Page (from Johann Wolfgang von Goethe’s “Götz von Berlichingen” )
- ca. 1826
- Not on view
27
- Mrs. Cibber as Cordelia
- ca. 1755
- Not on view
28
- Dr. Syntax: Walking with a Stick
- ca. 1810
- Not on view
29
- Dr. Syntax: Losing His Temper
- ca. 1810
- Not on view
30
- Dr. Syntax: On a Horse, Jumping a Gate
- ca. 1810
- Not on view
31
- The Homeward Star
- etching begun ca. 1880; impression printed in 1924
32
- The Sepulchre
- etching begun ca. 1800; impression printed in 1924
33
- The Bellman
- 1879
34
- The Bellman
- 1879
35
- The Cypress Grove
- plate etched between ca. 1880 and 1883; impression printed in 1924
36
- The Homeward Star
- begun ca. 1880
37
- The Homeward Star
- etching begun ca. 1880; impression printed in 1924
38
- The Lonely Tower
- 1879
39
- The Homeward Star
- etching begun ca. 1880; impression printed in 1924
40
- Opening the Fold
- 1880
41
- Moeris and Galatea
- plate etched between 1880 and 1883; impression printed in 1924
42
- The Sleeping Shepherd
- 1857
43
- The Farmer's Wife and the Raven
- 1788
44
- Opening the Fold
- plate etched in 1880; impression printed in 1920
45
- Opening the Fold
- plate etched in 1880; impression printed in 1926
46
- Apuleia in Search of Apuleius
- between 1813 and 1823
47
- The Deluge
- between 1813 and 1823
48
- Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray
- ca. 1832
49
- Apuleia in Search of Apuleius
- between 1813 and 1823
50
- Aesacus and Hesperie
- 1819
51
- Procris and Cephalus
- 1812
52
- From Spenser's Fairy Queen
- 1811
53
- A Procession of the Damned: Study for the Damned in Dante's "Inferno"
- undated
54
- Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"
- ca. 1797
55
- Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"
- ca. 1797
56
- Young's Night Thoughts, Page 23, "We censure nature for a span too short"
- ca. 1797
57
- Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
- 1789
58
- The Book of Thel, Plate 4, "Why should the mistress . . . ."
- 1789
59
- The Man Sweeping the Interpreter's Parlour
- ca. 1822
60
- Pity
- ca. 1795
61
- Satan Approaching the Court of Chaos
- 1784 to 1785
62
- Tiriel Supporting the Dying Myratana and Cursing His Sons
- 1786 to 1789
63
- Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"
- ca. 1797
64
- Songs of Innocence and of Experience
- 1789-1794
65
- Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"
- 1797
66
- Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"
- 1797
67
- The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
68
- The Poems of Thomas Gray, Design 11, "Ode on the Death of a Favourite Cat."
- between 1797 and 1798
69
- The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
70
- The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
71
- The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
72
- The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
73
- The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
74
- The Poems of Thomas Gray, Design 19, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
75
- The Poems of Thomas Gray, Design 33, "A Long Story."
- between 1797 and 1798
76
- The Poems of Thomas Gray, Design 35, "Ode to Adversity."
- between 1797 and 1798
77
- The Poems of Thomas Gray, Design 37, "Ode to Adversity."
- between 1797 and 1798
78
- The Poems of Thomas Gray, Design 39, "Ode to Adversity."
- between 1797 and 1798
79
- The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
- between 1797 and 1798
80
- The Poems of Thomas Gray, Design 61, "The Bard."
- between 1797 and 1798
81
- The Poems of Thomas Gray, Design 65, "The Bard."
- between 1797 and 1798
82
- The Poems of Thomas Gray, Design 67, "The Fatal Sisters."
- between 1797 and 1798
83
- The Poems of Thomas Gray, Design 7, "Ode on the Death of a Favourite Cat."
- between 1797 and 1798
84
- The Poems of Thomas Gray, Design 71, "The Fatal Sisters."
- between 1797 and 1798
85
- The Poems of Thomas Gray, Design 75, "The Fatal Sisters."
- between 1797 and 1798
86
- The Poems of Thomas Gray, Design 77, "The Descent of Odin."
- between 1797 and 1798
87
- The Poems of Thomas Gray, Design 81, "The Descent of Odin."
- between 1797 and 1798
88
- The Poems of Thomas Gray, Design 83, "The Descent of Odin."
- between 1797 and 1798
89
- The Poems of Thomas Gray, Design 85, "The Descent of Odin."
- between 1797 and 1798
90
- The Poems of Thomas Gray, Design 87, "The Triumphs of Owen."
- between 1797 and 1798
91
- The Poems of Thomas Gray, Design 89, "The Triumphs of Owen."
- between 1797 and 1798
92
- The Poems of Thomas Gray, Design 9, "Ode on the Death of a Favourite Cat."
- between 1797 and 1798
93
- The Poems of Thomas Gray, Design 97, "Ode for Music."
- between 1797 and 1798
94
- The Poems of Thomas Gray, Design 99, "Ode for Music."
- between 1797 and 1798
95
- Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
- 1789
96
- There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
- ca. 1788
97
- There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4)
- ca. 1788
98
- There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)
- ca. 1788
99
- There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)
- ca. 1788
100
- There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
- ca. 1788