Search Constraints
You searched for:
Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionSubject Terms literary theme
Remove constraint Subject Terms: literary themeSearch Results
401
- "With screaming Horror's funeral cry, Despair, and fell Disease, and ghastly Poverty..." Design 39)
- between 1797 and 1798
402
- The Progress of Poesy, A Pindaric Ode; Title Page
- between 1797 and 1798
403
- "The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)
- between 1797 and 1798
404
- "Cytherea's Day..." (Design 45)
- between 1797 and 1798
405
- "Where shaggy forms o'er ice-built mountains roam..." (Design 47)
- between 1797 and 1798
406
- "Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
- between 1797 and 1798
407
- "Yet oft before his infant eyes would run Such forms as glitter in the Muse's ray..." (Design 51)
- between 1797 and 1798
408
- The Bard, A Pindaric Ode; Title Page
- between 1797 and 1798
409
- The Bard Weaving Edwards Fate (Design 55)
- between 1797 and 1798
410
- "Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)
- between 1797 and 1798
411
- "O'er thy country hangs The scourge of Heav'n..." (Design 59)
- between 1797 and 1798
412
- "Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)
- between 1797 and 1798
413
- "Her voice pierc'd Albions clay cold ear..." (Plate 95)
- 1804 to 1820
414
- I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
- 1789
415
- Satan Approaching the Court of Chaos
- 1784 to 1785
416
- Tiriel Supporting the Dying Myratana and Cursing His Sons
- 1786 to 1789
417
- Pity
- ca. 1795
418
- The Man Sweeping the Interpreter's Parlour
- ca. 1822
419
- The Little Black Boy (Plate 30)
- 1789
420
- Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul
- 1789-1794
421
- 'Till at Death's toll, whose restless iron tongue' (Page 7)
- ca. 1797
422
- 'The longest night though longer far, would fail' (Page 15)
- ca. 1797
423
- 'We censure nature for a span too short' (Page 23)
- ca. 1797
424
- 'Behold him, when past by; what then is seen' (Page 25)
- ca. 1797
425
- Sleepest or Wakest Thou?
- ca. 1853
426
- Virgilia and Volumnia Plead with Coriolanus
- ca. 1795
427
- Taming of the Shrew
- 1821
428
- Tempest
- 1821
429
- King Lear and Cordelia, Act V, Scene 10
- 1776
430
- King Lear and Cordelia
- 1776
431
- Overthrow of Dr. Slop
- between 1773 and 1817
432
- The Damnation of Obadiah
- between 1773 and 1817
433
- The Battle of the Cataplasm
- between 1773 and 1817
434
- The Siege of Namur
- between 1773 and 1817
435
- Procris and Cephalus
- 1864
436
- Aesacus and Hesperie
- 1896
437
- Pan and Syrinx
- 1896
438
- Pan and Syrinx
- 1896
439
- Illustration for Don Quixote (with figures on a donkey)
- undated
440
- Illustration for Don Quixote, Two Figures at a Table
- undated
441
- Malvolio Dancing
- 1827
442
- She Never Told Her Love, But Sat Like Patience on a Monument
- 1827
![Robert Smirke Scenes from an Eastern Romance [Arabian Nights]](https://media.collections.yale.edu/thumbnail/ycba/95364f08-fc87-4e6e-901b-6a2cbe751cea)
443
- Scenes from an Eastern Romance [Arabian Nights]
- undated
444
- Dog and the Shadow
- 1909
445
- Prospero Conjuring a Masque for Ferdinand and Miranda
- ca. 1810
446
- Viola and Olivia
- 1822
447
- Stephano and Trinculo with Caliban
- 1821
448
- Claudio and Isabella
- 1823
449
- Ferdinand Reunited with his Father
- 1821
450
- Feste, as Sir Topas, addressing Malvolio
- 1822
451
- Malvolio abusing Maria, Fabian and Sir Toby
- 1822
452
- Christopher Sly and the Page, as His Wife
- 1821
453
- Capulet Railing at his Daughter, Juliet
- 1825
454
- Katherina and Grumio
- 1821
455
- Lady Mortimer's Welsh Song
- 1825
456
- Isabella and Mariana Kneeling Before the Duke
- 1822
457
- Falstaff with Mistress Quickly and Bardolph
- 1825
458
- Ford in a Rage After Seeing Falstaff
- 1821
459
- Juliet About to Take her Sleeping Draught
- 1825
460
- Falstaff at Herne's Oak
- 1821
461
- Master William Page and Sir Hugh Evans
- 1821
462
- Hotspur and the Plotters at Bangor
- 1825
463
- Oberon and Puck
- 1825
464
- Launce with his Dog Crab
- ca. 1821
465
- The Death of Ophelia
- ca. 1810
466
- Scene Illustration: Milton's 'L'Allegro'
- between 1860 and 1885
467
- Dryburgh Abbey
- 1833
468
- Rinaldo and Armida
- 1775
469
- Pandemonium
- 1831
470
- 'Poet, from A Midsummer Night's Dream, Act V, Scene i'
- 1775
471
- The Captive
- 1781
472
- Gadshill
- 1796
473
- The Spell, or Hobnelia
- 1783
474
- King Richard the Third: Act IV, Scene III (The Murder of the Princes in the Tower)
- 1790
475
- The Death of Dido
- 1796
476
- Abbotsford
- 1834
477
- Carlisle
- 1834
478
- Dryburgh Abbey
- 1834
479
- Berwick-upon-Tweed
- 1834
480
- Junction of the Greta and the Tees
- 1834
481
- Wolf's Hope
- 1836
482
- Abbotsford
- 1841
483
- Abbotsford from the Northern Bank of the Tweed
- 1839
484
- Sandy Knowe, or Smailholm Tower
- 1839
485
- Abbotsford
- 1834
486
- Carlisle
- 1834
487
- Loch Achray
- 1834
488
- Junction of the Greta and the Tees
- 1834
489
- Aubertus Miræus
- ca. 1635
490
- Lovelace in Prison
- 1788
491
- The Murder of Duncan - Macbeth with the Daggers
- between 1809 and 1811
492
- The Murder of Duncan - Macbeth Stabbing Duncan
- between 1809 and 1811
493
- The Murder of Duncan - Macbeth with the Body (and Lady Macbeth Approaching)
- between 1809 and 1811
494
- The Murder of Duncan - Macbeth with the Body (and Lady Macbeth Approaching)
- between 1809 and 1811
495
- The Soul Hovering over the Body reluctantly Parting with Life
- 1808, published 1813
496
- Mrs. Cibber in the Character of Cordelia in Play of King Lear, Act III
497
- Illustration to Aesop's Fables: The Fox & the Crane
- undated
498
- Caliban, from The Tempest
- 1775
499
- Little Red Riding Hood
- after 1856
500
- Romeo and Juliet: Act IV, Scene III (A Monument Belonging to the Capulets)
- 1791