Credit Line: Yale Center for British Art, Paul Mellon Collection / Subject Terms: man / Classification: Prints

Print made by Robert Polhill Bevan, 1865–1925

Huntsman and Hounds

1898-1899

Print made by Samuel Palmer, 1805–1881

The Herdsman's Cottage

1850

Print made by Samuel Palmer, 1805–1881

The Herdsman's Cottage

1850

Print made by William Hogarth, 1697–1764

Hogarth Painting the Comic Muse

1764

Print made by Samuel Palmer, 1805–1881

The Skylark

1850

Print made by Samuel Palmer, 1805–1881

The Skylark

1850

Etched by Joseph Mallord William Turner, 1775–1851

Jason

1807

Print made by Joseph Mallord William Turner, 1775–1851

The Deluge

between 1813 and 1823

Etched by Joseph Mallord William Turner, 1775–1851

Apuleia in Search of Apuleius

between 1813 and 1823

Etched by Joseph Mallord William Turner, 1775–1851

Christ and the Woman of Samaria

1819

Etched by Joseph Mallord William Turner, 1775–1851

Procris and Cephalus

1812

Print made by William Blake, 1757–1827

Songs of Innocence, Frontispiece (Plate 1)

1789

Print made by William Blake, 1757–1827

'Oft bursts my song beyond the bounds of life' (Page 16)

1797

Print made by William Blake, 1757–1827

'Emblem of that which shall awake the dead' (Page 19)

1797

Print made by William Blake, 1757–1827

'We censure nature for a span too short' (Page 23)

1797

Print made by William Blake, 1757–1827

'Time, in advance, behind him hides his wings' (Page 24)

1797

Print made by William Blake, 1757–1827

'Measuring his motions by revolving spheres' (Page 26)

1797

Print made by William Blake, 1757–1827

'Like that, the dial speaks; and points to thee' (Page 33)

1797

Print made by William Blake, 1757–1827

'As if the sun could envy, check'd his beam' (Page 49)

1797

Print made by William Blake, 1757–1827

'This King of Terrors is the Prince of Peace' (Page 63)

1797

Print made by William Blake, 1757–1827

'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

1797

Print made by William Blake, 1757–1827

'The Sun beheld it – No, the shocking scene' (Page 75)

1797

Print made by William Blake, 1757–1827

'The thunder, if in that the Almighty dwells' (Page 80)

1797

Print made by William Blake, 1757–1827

'His hand the good man fastens on the skies' (Page 86)

1797

Print made by William Blake, 1757–1827

'If angels tremble, 'tis at such a sight' (Page 93)

1797

Print made by William Blake, 1757–1827

I. "Man cannot naturally Percieve..."(Plate 3)

ca. 1788

Print made by William Blake, 1757–1827

Chapter 4 Frontispiece (Plate 76)

1804 to 1820

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

1797

Prints made by William Blake, 1757–1827

Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul

1789-1794

Print made by William Blake, 1757–1827

Illustrations of Imitation of Eclogue I, Frontispiece

1821

Print made by William Blake, 1757–1827

The Pastorals of Virgil, Volume 2

1821

Print made by William Blake, 1757–1827

The Pastorals of Virgil, Volume 1

1821

Print made by Richard Ansdell, 1815–1885

Sleepest or Wakest Thou?

ca. 1853

James McArdell, ca. 1729–1765

Thomas Ashton D.D

1756

Print made by James Barry, 1741–1806

Repose in Egypt

ca. 1776

Print made by James Barry, 1741–1806

Repose in Egypt

ca. 1776

William Nutter, 1754–1802

Sunday Morning, A Cottage Family Going to Church

1795

Charles Grignion, 1717–1810

A Macarony at a Sale of Pictures

1771

Print made by James Caldwall, 1739–1819

A Ladies Maid Purchasing a Leek

1772

Print made by William Bromley, 1769–1842

Portrait of Fuseli

undated

Print made by John Browne, 1741–1801

Morning

ca. 1797

Print made by John Browne, 1741–1801

Evening

ca. 1797

Print made by John Browne, 1741–1801

Evening

ca. 1797

Print made by John Browne, 1741–1801

Moon-Light

ca. 1797

Print made by John Browne, 1741–1801

Moon-Light

ca. 1797

Print made by Agostino Brunias, 1728–1796

Free Natives of Dominica

1780

Print made by James Bretherton, ca. 1730–1806

Every Sous Begad!

1799

Print made by James Bretherton, ca. 1730–1806

The Fish-Street Macaroni

1772

Print made by James Bretherton, ca. 1730–1806

The Full Blown Macaroni

1772

Print made by James Bretherton, ca. 1730–1806

The Houndsditch Macaroni

1772

Print made by James Bretherton, ca. 1730–1806

Inimitable Mr. James Moss

1773

Print made by Henry William Bunbury, 1750–1811

The Judgment of Paris

1771

Print made by James Bretherton, ca. 1730–1806

John Jehu L'Inghilterra

1772

M. Gauci, 1810–1846

William Howley, Archbishop of Canterbury

1839

Print made by James Bretherton, ca. 1730–1806

Man with a Walking Stick in a Landscape

1773

Print made by James Bretherton, ca. 1730–1806

A Modern Spread Eagle

1782

Print made by James Bretherton, ca. 1730–1806

Monsieur Le Fouet, La Francia

1772

Print made by Charles Bretherton, ca. 1760–1783

Postiglione Germanico

1772

Print made by Charles Bretherton, ca. 1760–1783

Postiglione Inglese

1772

Print made by James Bretherton, ca. 1730–1806

The St. James's Macaroni

1772

Print made by James Bretherton, ca. 1730–1806

Strephon and Chloe

1801

Print made by John Chalon, 1738 – 1795

Study

1789-1790

Print made by Thomas Goff Lupton, 1791–1873

Procris and Cephalus

1864

Print made by John Crome, 1768–1821

Landscape with Oak Trees

ca. 1812

Print made by John Crome, 1768–1821

Road Scene, Trowse Hall, near Norwich

1813

Print made by George Cruikshank, 1792–1878

Fitting out. - Plate 1

1820

Print made by John Crome, 1768–1821

Wooded Landscape

ca. 1812

Print made by Charles West Cope, 1811–1890

The Wanderer

1844

Print made by John Sell Cotman, 1782–1842

Brandsby Tower, Yorkshire

ca. 1838

Print made by John Sell Cotman, 1782–1842

Spanish Student

ca. 1830

Robert Dixon, 1780–1815

West Tower, Wymondham Church

1810

Robert Dixon, 1780–1815

Cottage at Diss

1811

Print made by Thomas Bewick, 1753–1828

The Cadger's Trot (first State)

1823

Print made by Thomas Bewick, 1753–1828

The Cadger's Trot

1823

Print made by Richard Parkes Bonington, 1802–1828

La Prière

1826

Print made by Richard Parkes Bonington, 1802–1828

Le Silence Favorable

1826

Print made by Richard Parkes Bonington, 1802–1828

Les Plaisirs Paternels

1826

Print made by Godefroy Engelmann, 1788–1839

G. Engelmann

undated

Print made by Edward Calvert, 1799–1883

The Flood

1829

Print made by Edward Calvert, 1799–1883

Ideal Pastoral Life

1829

James Duffield Harding, 1798–1863

Gorge du Mont Terrible

undated

Godefroy Engelmann, 1788–1839

Aloys Senefelder

undated

Godefroy Engelmann, 1788–1839

Aloys Senefelder

1819

Print made by unknown artist

The History of the Blind Beggar of Bethnal Green

1909

Print made by Edward Calvert, 1799–1883

The Bride

1828

Print made by Edward Calvert, 1799–1883

The Flood

1829

Print made by Edward Calvert, 1799–1883

The Chamber Idyll

1831

Print made by Edward Calvert, 1799–1883

The Cyder Feast

1828

Print made by Edward Calvert, 1799–1883

Ideal Pastoral Life

1829

Print made by Edward Calvert, 1799–1883

The Ploughman

1827

Print made by Edward Calvert, 1799–1883

The Return Home

1830

Valentine Green, 1739–1813

Valentine Green

1788

Print made by Matthew Darly, active 1754–1778

The Preposterous Head Dress, or the Feathered Lady

1776

Print made by unknown artist

The Methodist Tailor Caught in Adultery

1768

Print made by Thomas Gainsborough, 1727–1788

Wooded Landscape with Herdsman and Cows

between 1785 and 1788

John Dixon, ca. 1740–1811

Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry

1771

John Dixon, ca. 1740–1811

Mr. John Joshua Kirby

between 1765 and 1771

Print made by James Clark, 19th century

Cowdray Ruins

1824

Print made by John Goldar, 1729–1795

Captain Conquest and His Baggage Wagon

1772

Print made by James Caldwall, 1739–1819

A Macarony Alderman and His Rib

1772

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Credit Line Yale Center for British Art, Paul Mellon Collection

Subject Terms man

Classification Prints

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Subject Terms man

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