Credit Line: Yale Center for British Art, Paul Mellon Collection / Subject Terms: nude

1. Study for 'Calypso's Grotto'

Creator:: Francis Danby, 1793–1861
Date:: ca. 1843
Materials & Techniques:: Oil on panel
Dimensions:: 5 × 7 1/2 inches (12.7 × 19.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. Dido

Creator:: Henry Fuseli, 1741–1825
Date:: 1781
Materials & Techniques:: Oil on canvas
Dimensions:: 96 3/16 × 72 3/16 inches (244.3 × 183.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. Allegory of Fortune

Creator:: Balthazar Nebot, active 1730–1762
Date:: ca. 1730
Materials & Techniques:: Oil on canvas
Dimensions:: 28 5/16 x 35 1/8 inches (71.9 x 89.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. Tekemessa and Eurysakes

Creator:: Henry Fuseli, 1741–1825
Date:: between 1800 and 1810
Materials & Techniques:: Oil on canvas
Dimensions:: 40 7/8 x 32 5/8 inches (103.8 x 82.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

5. Allegory of the Power of Great Britain by Sea, design for a decorative panel for George I's ceremonial coach

Creator:: Attributed to Sir James Thornhill, 1675–1734
Date:: ca. 1720
Materials & Techniques:: Oil on panel
Dimensions:: 18 x 21 inches (45.7 x 53.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

6. The Salmon Leap, Leixlip

Creator:: Francis Wheatley, 1747–1801
Date:: 1783
Materials & Techniques:: Oil on canvas
Dimensions:: 26 5/8 x 25 1/2 inches (67.6 x 64.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

7. The Bathing Place at Ramsgate

Creator:: Benjamin West, 1738–1820
Date:: ca. 1788
Materials & Techniques:: Oil on canvas
Dimensions:: 14 x 17 1/2 inches (35.6 x 44.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

8. Allegory of the Power of Great Britain by Land, design for a decorative panel for George I's ceremonial coach

Creator:: Attributed to Sir James Thornhill, 1675–1734
Date:: ca. 1718
Materials & Techniques:: Oil on panel
Dimensions:: 18 x 21 inches (45.7 x 53.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

9. Ely Cathedral

Creator:: unknown artist
Date:: ca. 1800
Materials & Techniques:: Oil on canvas
Dimensions:: 21 5/8 x 29 7/16 inches (54.9 x 74.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

10. Arches of Westminster Bridge

Creator:: Samuel Scott, ca. 1702–1772
Date:: ca. 1750
Materials & Techniques:: Oil on canvas
Dimensions:: 42 3/4 × 47 3/4 inches (108.6 × 121.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

11. An Unfinished Study of Venus and Adonis

Creator:: Thomas Stothard, 1755–1834
Date:: between 1800 and 1820
Materials & Techniques:: Oil on canvas
Dimensions:: 14 × 17 3/4 inches (35.6 × 45.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

12. Diana at the Bath

Creator:: James Ward, 1769–1859
Date:: 1830
Materials & Techniques:: Oil on panel
Dimensions:: 30 x 25 1/2 inches (76.2 x 64.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

13. Venus Rising from her Couch

Creator:: James Ward, 1769–1859
Date:: 1828
Materials & Techniques:: Oil on panel
Dimensions:: 30 x 25 3/4 inches (76.2 x 65.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

14. A Leeward Islands Carib family outside a Hut

Creator:: Agostino Brunias, 1728–1796
Date:: ca. 1780
Materials & Techniques:: Oil on canvas
Dimensions:: 12 1/8 x 9 3/4 inches (30.8 x 24.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

15. West Indian Man of Color, Directing Two Carib Women with a Child

Creator:: Agostino Brunias, 1728–1796
Date:: ca. 1780
Materials & Techniques:: Oil on canvas
Dimensions:: 12 x 9 7/8 inches (30.5 x 25.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

16. Diana Kirke, later Countess of Oxford

Creator:: Sir Peter Lely, 1618–1680
Date:: ca. 1665
Materials & Techniques:: Oil on canvas
Dimensions:: 52 x 41 inches (132.1 x 104.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

17. The Wellesley Grey Arabian Led through the Desert

Creator:: Jacques-Laurent Agasse, 1767–1849
Date:: ca. 1810
Materials & Techniques:: Oil on canvas
Dimensions:: 40 1/8 x 50 inches (101.9 x 127 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

18. Venus

Creator:: Joseph Nollekens, 1737–1823
Date:: 1770s
Materials & Techniques:: Terracotta
Dimensions:: Overall: 8 1/8 × 2 3/4 inches (20.6 × 7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

19. Adonis

Creator:: Joseph Nollekens, 1737–1823
Date:: 1770s
Materials & Techniques:: Terracotta
Dimensions:: Overall: 8 1/8 x 2 3/4 inches (20.6 x 7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

20. Cleopatra

Creator:: Peter Gaspar Scheemakers, 1691–1781
Date:: ca. 1723
Materials & Techniques:: Marble
Dimensions:: Overall: 12 x 28 x 11 1/4 inches (30.5 x 71.1 x 28.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

21. Omphale

Creator:: Joseph Wilton, 1722–1803
Date:: 1770s
Materials & Techniques:: Terracotta
Dimensions:: Overall: 22 x 17 1/2 x 13 3/4 inches (55.9 x 44.5 x 34.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

22. Ariadne

Creator:: Laurent Delvaux, 1696–1778
Date:: ca. 1723
Materials & Techniques:: Marble
Dimensions:: Overall: 13 × 28 1/4 × 11 1/2 inches (33 × 71.8 × 29.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

23. Draped Torso

Creator:: Henry Moore, 1898–1986
Date:: ca. 1953
Materials & Techniques:: Bronze
Dimensions:: Overall: 5 1/2 × 6 1/2 × 7 inches (14 × 16.5 × 17.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

24. Study of a Pilgrim

Creator:: attributed to Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Watercolor, brown wash, white gouache, gold, black chalk, and graphite on slightly textured, medium, green wove paper
Dimensions:: Sheet: 10 3/4 x 8 inches (27.3 x 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Human Figure, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thin, smooth, beige wove paper
Dimensions:: Sheet: 21 3/8 x 16 inches (54.3 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Human Skeleton, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Ink with traces of graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 17 3/4 x 14 inches (45.1 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Human Figure, Posterior View, Undissected (Finished Study for Table VII)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/4 x 16 inches (54 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Human Figure, Anterior View, Skin and Underlying Fascial Layers Removed (Finished Study for Table XI)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper lined with Japanese paper
Dimensions:: Sheet: 21 x 15 3/4 inches (53.3 x 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Human Figure, Lateral View (Preliminary draft for the final study for Table VIII)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thin, smooth, beige wove paper
Dimensions:: Sheet: 21 3/8 x 15 7/8 inches (54.3 x 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Human Figure, Lateral View (Related to Table XIII, detailed study of the blood vessels supplying the muscles)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite and red chalk on thin, smooth, beige wove paper
Dimensions:: Sheet: 19 x 15 3/4 inches (48.3 x 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Human Figure, Lateral View (Outline Study in Reverse of Table VIII)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite and red chalk; verso: graphite and red chalk on thin, smooth, beige wove paper
Dimensions:: Sheet: 19 3/4 x 15 5/8 inches (50.2 x 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Human Figure, Lateral View (Prepared for transfer to the plate of the key figure to Table XIII)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite and red chalk on thin, smooth, cream wove paper lined with Japanese paper
Dimensions:: Sheet: 18 1/2 x 15 1/4 inches (47 x 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Human Figure, Lateral View (For the key figure to Table XIII)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 x 16 inches (53.3 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Human Skeleton, Lateral View (Study for a key figure to an unpublished table showing the abdominal viscera)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 21 3/8 x 16 inches (54.3 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Human Figure, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thin, smooth, cream wove paper
Dimensions:: Sheet: 21 1/8 x 15 7/8 inches (53.7 x 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Human Skeleton, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite and red chalk; verso: graphite on thin, smooth, cream wove paper
Dimensions:: Sheet: 21 1/8 x 15 7/8 inches (53.7 x 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Human Skeleton, Lateral View (Close to the Final Study for Table III But Differs in Detail)

Creator:: George Stubbs, 1724–1806
Date:: Between 1795 and 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/2 x 16 inches (54.6 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Human Skeleton, Lateral View (Outline of the skeleton for the key figure to Table III)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite, squared for transfer on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 18 x 14 1/2 inches (45.7 x 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Human Skeleton, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thick, slightly textured, beige wove paper; pinholes at reference points near head
Dimensions:: Sheet: 21 3/8 x 16 inches (54.3 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Human Skeleton, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Pen with iron gall ink, and graphite squared for transfer on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 x 10 3/4 inches (41.3 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Human Figure, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thin, slightly textured, cream wove paper lined with Japanese paper
Dimensions:: Sheet: 19 3/4 x 15 3/4 inches (50.2 x 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Human Skeleton, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thick, slightly textured, cream wove paper with traces of platemark
Dimensions:: Sheet: 18 7/8 x 14 7/8 inches (47.9 x 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Human Figure, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/8 x 15 7/8 inches (53.7 x 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Human Skeleton, Posterior View (Right Arm Outstretched; finished study for an unpublished table)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 17 5/8 x 11 1/8 inches (44.8 x 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Human Skeleton, Anterior View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Pen with iron gall ink, and graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/4 x 10 3/4 inches (43.8 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Human Skeleton, Lateral View (May have been initially prepared for use as a key figure to Table III but later abandoned)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thick, slightly textured, cream wove paper with traces of a platemark
Dimensions:: Sheet: 19 x 14 7/8 inches (48.3 x 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Human Skeleton, Posterior View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Pen with iron gall ink, and graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/4 x 10 3/8 inches (43.8 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Human Skeleton, Lateral View (in Crawling Posture; finished study for an unpublished table)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 11 x 17 5/8 inches (28 x 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Human Skeleton, Lateral View (in Crouching Posture; finished study for an unpublished table)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 17 5/8 x 11 inches (44.8 x 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Human Skeleton, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Pen with iron gall ink, and graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 x 17 1/4 inches (26.7 x 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Human Skeleton, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Pen with iron gall ink, and graphite; verso: ink stain from another drawing on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/2 x 10 inches (41.9 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Study of a Female Nude

Creator:: William Hogarth, 1697–1764
Date:: undated
Materials & Techniques:: Graphite, black chalk, and white chalk on medium, moderately textured, brown laid paper
Dimensions:: Sheet: 10 1/4 × 17 1/8 inches (26 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. The Book of Thel, Title Page (Plate 2)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 x 9 1/2 inches (30.5 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Spring (Plate 26)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. The Lamb (Plate 8)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. 'Emblem of that which shall awake the dead' (Page 19)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. 'Behold him, when past by; what then is seen' (Page 25)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. 'As if the sun could envy, check'd his beam' (Page 49)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. The Christian Triumph; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. 'Till death, that mighty hunter, earths them all' (Page 70)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. 'That touch, with charm celestial heals the soul' (Page 90)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. 'If angels tremble, 'tis at such a sight' (Page 93)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. 'The goddess bursts in thunder and in flame' (Page 95)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Poems by Mr. Gray; Title Page

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. "To him the mighty mother did unveil Her awful face..." (Design 49)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink over graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. There Is No Natural Religion; Frontispiece (Plate 1)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. I. "Man cannot naturally Percieve..."(Plate 3)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. "Los shudder'd at beholding Albion..." (Plate 40)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. "Then all the Males conjoined into One Male..." (Plate 69)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. "And above Albions Land was seen the Heavenly Canaan..." (Plate 71)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Chapter 4 Frontispiece (Plate 76)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief and white-line etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. "Encompass'd by the frozen Net..." (Plate 80)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. "I have mock'd those who refused cruelty..." (Plate 81)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. 'But for the blessing wrestle not with heaven' (Page 88)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. "Ambition this shall tempt to rise, The whirl the wretch from high..." (Design 19)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink over graphite on moderately thick, slightly textured, cream wove paper with letterpress inset
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Ode on the Spring; Title Page

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. "Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Abraham and Isaac

Creator:: William Blake, 1757–1827
Date:: 1799 to 1800
Materials & Techniques:: Tempera and pen and black ink on canvas
Dimensions:: Sheet: 10 1/2 x 15 1/2 inches (26.7 x 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. An Angel with a Trumpet

Creator:: William Blake, 1757–1827
Date:: between 1805 and 1808
Materials & Techniques:: Graphite, watercolor, and pen and black ink on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 7 3/4 x 4 1/8 inches (19.7 x 10.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. The Little Black Boy (Plate 30)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul

Creator:: Prints made by William Blake, 1757–1827
Date:: 1789-1794
Materials & Techniques:: Bound volume of relief etchings printed in dark-brown ink, with hand coloring in watercolor on wove paper
Dimensions:: Spine: 7 3/8 inches (18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. The Bath of Bath-sheba

Creator:: George Romney, 1734–1802
Date:: early 1770s
Materials & Techniques:: Graphite with pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 x 9 inches (27.9 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Achilles Wounded

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 16 3/4 x 12 3/8 inches (42.5 x 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. The Bacchante

Creator:: Print made by Edward Calvert, 1799–1883
Date:: ca. 1827
Materials & Techniques:: Wood-engraving on medium, smooth, cream Asian paper
Dimensions:: Sheet: 4 1/16 x 2 9/16 inches (10.3 x 6.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. The Barbadoes Mulatto Girl

Creator:: Print made by Agostino Brunias, 1728–1796
Date:: 1779
Materials & Techniques:: Stipple engraving and etching on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 19 9/16 x 12 5/8 inches (49.7 x 32 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. The West India Washer-Women

Creator:: Print made by Agostino Brunias, 1728–1796
Date:: 1779
Materials & Techniques:: Stipple engraving and etching on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 19 13/16 x 13 1/8 inches (50.4 x 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Under the Ouse Bridge, Bathing

Creator:: John Varley, 1778–1842
Date:: between 1803 and 1804
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 16 1/2 x 21 3/8 inches (41.9 x 54.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Putto Holding a Torch

Creator:: Print made by Isaac Fuller, ca. 1620–1672
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 4 1/2 × 4 inches (11.4 × 10.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. The Flood

Creator:: Print made by Edward Calvert, 1799–1883
Date:: 1829
Materials & Techniques:: Lithograph on medium, smooth, cream wove paper
Dimensions:: Mount: 16 3/8 x 12 1/2 inches (41.6 x 31.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. The Flood

Creator:: Print made by Edward Calvert, 1799–1883
Date:: 1829
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 2 7/8 x 3 3/4 inches (7.3 x 9.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. The Mighty Mother Sails Through the Air

Creator:: Print made by Henry Fuseli, 1741–1825
Date:: 1787
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 5/16 × 7 5/8 inches (26.2 × 19.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Iris

Creator:: Print made by Samuel Freeman, 1773–1857
Date:: 1808
Materials & Techniques:: Colored aquatint on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 15 3/4 x 11 5/8 inches (40 x 29.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Rinaldo and Armida

Creator:: Valentine Green, 1739–1813
Date:: 1775
Materials & Techniques:: Mezzotint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 20 7/8 x 14 15/16 inches (53 x 38 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. The Ceiling of the Banqueting House at Whitehall: The Union of the Crowns of England and Scotland

Creator:: Print made by Simon Gribelin, 1662–1733
Date:: 1720
Materials & Techniques:: Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 7/8 × 18 3/16 inches (32.7 × 46.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. The Ceiling in the Banqueting House at Whitehall

Creator:: Print made by Simon Gribelin, 1662–1733
Date:: ca. 1720
Materials & Techniques:: Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 7/16 × 18 5/16 inches (31.6 × 46.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Study of a Reclining, Nude Figure

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: 1806
Materials & Techniques:: Black chalk and white chalk on medium, rough, brown wove paper
Dimensions:: Sheet: 10 1/2 × 12 11/16 inches (26.7 × 32.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Study of a Male Nude, in a Laid out Position on the Floor

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 2 7/16 × 5 11/16 inches (6.2 × 14.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Study of a Male Nude

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: 1806
Materials & Techniques:: Pen and brown ink on medium, smooth, beige wove paper
Dimensions:: Sheet: 6 1/8 × 3 3/4 inches (15.6 × 9.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Credit Line Yale Center for British Art, Paul Mellon Collection

Subject Terms nude

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1. Study for 'Calypso's Grotto'

2. Dido

3. Allegory of Fortune

4. Tekemessa and Eurysakes

5. Allegory of the Power of Great Britain by Sea, design for a decorative panel for George I's ceremonial coach

6. The Salmon Leap, Leixlip

7. The Bathing Place at Ramsgate

8. Allegory of the Power of Great Britain by Land, design for a decorative panel for George I's ceremonial coach

9. Ely Cathedral

10. Arches of Westminster Bridge

11. An Unfinished Study of Venus and Adonis

12. Diana at the Bath

13. Venus Rising from her Couch

14. A Leeward Islands Carib family outside a Hut

15. West Indian Man of Color, Directing Two Carib Women with a Child

16. Diana Kirke, later Countess of Oxford

17. The Wellesley Grey Arabian Led through the Desert

18. Venus

19. Adonis

20. Cleopatra

21. Omphale

22. Ariadne

23. Draped Torso

24. Study of a Pilgrim

25. Human Figure, Lateral View

26. Human Skeleton, Lateral View

27. Human Figure, Posterior View, Undissected (Finished Study for Table VII)

28. Human Figure, Anterior View, Skin and Underlying Fascial Layers Removed (Finished Study for Table XI)

29. Human Figure, Lateral View (Preliminary draft for the final study for Table VIII)

30. Human Figure, Lateral View (Related to Table XIII, detailed study of the blood vessels supplying the muscles)

31. Human Figure, Lateral View (Outline Study in Reverse of Table VIII)

32. Human Figure, Lateral View (Prepared for transfer to the plate of the key figure to Table XIII)

33. Human Figure, Lateral View (For the key figure to Table XIII)

34. Human Skeleton, Lateral View (Study for a key figure to an unpublished table showing the abdominal viscera)

35. Human Figure, Lateral View

36. Human Skeleton, Lateral View

37. Human Skeleton, Lateral View (Close to the Final Study for Table III But Differs in Detail)

38. Human Skeleton, Lateral View (Outline of the skeleton for the key figure to Table III)

39. Human Skeleton, Lateral View

40. Human Skeleton, Lateral View

41. Human Figure, Lateral View

42. Human Skeleton, Lateral View

43. Human Figure, Lateral View

44. Human Skeleton, Posterior View (Right Arm Outstretched; finished study for an unpublished table)

45. Human Skeleton, Anterior View

46. Human Skeleton, Lateral View (May have been initially prepared for use as a key figure to Table III but later abandoned)

47. Human Skeleton, Posterior View

48. Human Skeleton, Lateral View (in Crawling Posture; finished study for an unpublished table)

49. Human Skeleton, Lateral View (in Crouching Posture; finished study for an unpublished table)

50. Human Skeleton, Lateral View

51. Human Skeleton, Lateral View

52. Study of a Female Nude

53. The Book of Thel, Title Page (Plate 2)

54. "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)

55. Spring (Plate 26)

56. The Lamb (Plate 8)

57. Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

58. 'Emblem of that which shall awake the dead' (Page 19)

59. 'Behold him, when past by; what then is seen' (Page 25)

60. 'As if the sun could envy, check'd his beam' (Page 49)

61. The Christian Triumph; Title Page

62. 'Till death, that mighty hunter, earths them all' (Page 70)

63. 'That touch, with charm celestial heals the soul' (Page 90)

64. 'If angels tremble, 'tis at such a sight' (Page 93)

65. 'The goddess bursts in thunder and in flame' (Page 95)

66. Poems by Mr. Gray; Title Page

67. "To him the mighty mother did unveil Her awful face..." (Design 49)

68. There Is No Natural Religion; Frontispiece (Plate 1)

69. I. "Man cannot naturally Percieve..."(Plate 3)

70. "Los shudder'd at beholding Albion..." (Plate 40)

71. "Then all the Males conjoined into One Male..." (Plate 69)

72. "And above Albions Land was seen the Heavenly Canaan..." (Plate 71)

73. Chapter 4 Frontispiece (Plate 76)

74. "Encompass'd by the frozen Net..." (Plate 80)